curated by Davide Mogetta this exhibition explores the formative tension of fragility in works by Dadamaino, François Morellet, Arcangelo Sassolino, Günter Umberg, and Grazia Varisco - five leading figures from different generations of international art

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

an exhibition by the late Argentinian sculptor

an ambitious exhibition celebrating two centuries since the dawn of photography

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

works from the late 1960s to the present - “I use language as a sign to indicate that there is art, the direction in which it exists, to prepare for it” - Barry

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” - Pieter Vermeulen

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

“whether addressing specific individuals, art-historical figures, bodily fragments, or a performative self, these works refuse to offer a definitive image ... allowing portraiture to remain an open and continually reactivated field” - Luan Shixuan

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

“time, like water, flows without discrimination or recognition of those categories. And it is from that knowledge that Joung’s work derives its strength, dignity, and unwavering spirit” - Diana SeoHyung

“a single giant roll, wide as a field, that Poons fills with free gestures of thick, energetic paint … he then removes fragments, cut into independent pictorial units” - Marjolaine Lévy

“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

an installation that sees Andrew draw on romanticised historical images of Aboriginal people - disrupting, reframing, and transforming them through new symbolic interventions

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

Herbst’s inaugural solo exhibition with the gallery presents recent paintings created with her own “generative system” that allows narratives and visuals to emerge through a theatrical staging with repetition, variation, and play

using scientific data from quantum physics, cosmology, and institutions like NASA, Ikeda creates mathematical compositions with sound and light, exploring microscopic and cosmic scales in a multi-sensory experience

“this exhibition positions itself at the intersection of the familiar and the uncanny, raising questions about how we perceive time, imagine the future, and how we will come to find a balance between a technological reality and nature”

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

curated by Esmeralda Gómez Galera, an exhibition of works by Amparo de la Sota, Elisa Pardo Puch, Eugenio Espinoza, Mano Penalva, and Néstor García, who explore textile practice as both metaphor and gesture

this new exhibition by the British artist presents works centring on processes of material change, erosion, and preservation developed during a recent residency at the Albers Foundation on the Atlantic coast of Ireland

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

curated Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

“what this experiment in retrospection will reveal is that Gillman’s ability to temporally situate the viewer is a crucial part of who she is as a painter and that it releases her to converse with the past as if it is the present” - Rebecca Fortnum

a focused exhibition highlighting Silberberg’s porcelain sculptures from the 1980s - “a distinct and powerful body of work that marks a pivotal moment of evolution in her practice and material exploration”

the gallery’s first exhibition of Chase’s work since announcing its representation of her estate - Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s

“for his first solo exhibition at Bigaignon … Pimentão invites us to consider drawing not only as an object to be seen, but as something that acts, resonates, and takes form”

in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives

new work in an exhibition which marks Flad’s return to Taipei after a six-year interval

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

the inaugural exhibition at the gallery's new space on 54th Street focuses on Genzken’s projects for outdoor sculptures

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

new lighting pieces by the Paris-based design studio known for “serene, dreamlike creations that evoke poignant and harmonious confluences with the natural world”

Marras presents functional works exploring identity, memory, and human relationships through paintings, drawings, sculptures, and upcycled objects including stitched vases, twisted ceramics, sculptural mirrors, and portraiture on varied papers

recent and past works in the first solo exhibition in Los Angeles by one of the most influential living artists in the decorative arts

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

bringing together a breadth of female perspectives from the gallery’s roster, an exhibition that explores the dialogue between jewellery and functional art through a shared language of composition across scale

encounters between artists whose practices expand the boundaries between functional art and collectible design

an exhibition centered on a roll painting based on one of the short animated films produced by Disney between 1929 and 1939 - “Lee approaches painting not as a single frozen moment, but as something ongoing”

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

Gutierrez explores philosophy and absurdity through video, drawing, painting, and performance, addressing resilience, connection, and emotional distance

curated by Dr. Sophie Bostock and presented in collaboration with Galerie Ary Jan and Kent Antiques, a significant group of paintings and works on paper that collectively examine the visual and cultural frameworks of 19th-century Orientalism

an exhibition presenting works where marble, stone, steel, and oil are subjected to forces testing matter, exploring the unstable threshold before and after rupture under pressure

an exhibition of one of the leading figures on the international contemporary scene, recognized for his research into light, space, and landscape - “this is neither a systematic inquiry nor a photographic project … what emerges is an experience” - Ozzola

“the internationally renowned Italian artist explores the subtle connections between nature, science, and poetry through matter [as] the exhibition space transforms into a poetic garden, where forms and structures are continually reinvented”

“Guardatori (“The Watchers”) is at the heart of the exhibition: they ask to be observed quietly, at length ... who are they? Each must decide for themselves”

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

De Bruyckere presents drawings and sculptures exploring the human body as a hybrid entity expressing desire, suffering, and transformation, highlighting themes of vulnerability, memory, and social-political corporeality

the Ukrainian artist explores hope and resistance through time, space, and history with a meditation on the unbreakable spirit of culture in times of war

curated by Jihyun Kim, an exhibition “that imagines the future of ceramics through the lens of bio-futurism … how ceramic practice might evolve in the year 2126”

new works alongside prints and editions made over the last five years spanning the full breadth of the Opie’s multifaceted practice

sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

“positioning the viewer as both observer and observed, the installation interrogates – through a striking visual language – the state of uninterrupted control generated by contemporary technologies”

curated by Laïdi-Hanieh, the exhibition presents the pioneering Turkish-Arab modernist\'s 1940s–60s works featuring gestural abstractions, figurative paintings, and works on paper exploring colour, texture, and cosmic themes

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

curated by Qi Chao, this group exhibition with DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu examines which aspects of human thought and artistic creation remain uniquely human

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

curated by Maria do Carmo M. P. de Pontes, an exhibition of new painting, sculpture, and ceramics - “in a moment of synthesis, Palms and Smoke presents a culmination of Kritzman’s artistic evolution”

curated by Maria do Carmo M. P. de Pontes, “a constellation of objects, images, and sonic interventions that reflect  Feriancová’s longstanding interest in origins, be them mythological, biological, or archaeological”

curated by Elisabetta Bresciani, Magda Blasinska reflects on the rhythmic and structural patterns underlying woven surfaces, while Adia Wahid explores architectural memory through shifting geometric forms inspired by Islamic art

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

titled after a poem by Louise Glück, the debut of new paintings in Parson’s first solo exhibition in Paris - “with great economy of means, her works capture a glance … they are painted reveries of instances of sadness, joy, and beauty”

“this exhibition opens like a landscape. We can follow Valentin Carron down the slope … This exhibition is a window onto our ability to survive the slipping away of our dreams”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

an exhibition bringing together works that reflect the breadth and character of British figurative art across the twentieth century

an exhibition bringing together a group of paintings created between 1967 and 2020, at the center of which is a rare presentation of nine monumental works on paper from 1993, further complemented by a selected group of paintings on canvas

new paintings by the British artist who draws inspiration from the landscapes and artistic heritage of the South of France to reinterpret classical principles of composition and light through the language of contemporary abstraction

new works by Simonsen - paintings rooted in the practice of drawing that explore nature through vivid color fields and layered botanical forms, blending observation and imagination into immersive, atmospheric landscapes

key works from across the late British artist’s career, centering on the painting “Boy” and his exploration of identity, vulnerability, and the ambiguities of the self

“charged with discourse on craft, gender, and class, Shead’s Machine Paintings transform what is otherwise private and domestic into the public”

“Horton attempts to engage with the chaotic order of perception as she painstakingly describes her introspection through an employment of contemplative narratives by way of rhythmic techniques”

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

new intimately scaled paintings by the Los Angeles-based artist in “a refracted retrospective”

new works see the New York-based artist explore the gallery architecture as both subject and structural partner, expanding her investigation into the relationship between photography, sculpture, and the built environment

Braeckman’s first solo exhibition in the UK presents recent works situated within the broader arc of his practice - “with their haunting stillness and ashen, moody dispositions, Braeckman’s images appear suspended outside place and narrative”

an exhibition by the Danish ceramic artist - “delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression”

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

covering nearly three decades, new paintings and key sculptural works exploring personal memories, myth, and the female body over the passing of time

presented with VarYox as part of a three-month women’s art festival in Baku, a group exhibition with over twenty-five artists who explore home as a shifting condition shaped by the feminine experience

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

the first major retrospective of this “mercurial, enigmatic, and captivating figure who trafficked in the avant-garde Manhattan artworld of the 1960s”

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

five reliefs integrating painting and photography and sculptural models using nineteenth-century French engravings in the first solo exhibition at the gallery’s NY viewing room by “one of the most significant artists of his generation” - Okwui Enwezor

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

“a new series of landscape works that mend together two images from the artist’s vast archive to create a single, uncanny composition”

paintings exploring the tension between built environments and nature - depicting sociopolitical and ecological themes through cityscapes, weather, mythic figures, and autobiographical elements

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

“rich, velvety fields of color alongside reflective, sparkling, and metallic surfaces”

in his first solo exhibition with the gallery Brant draws on old black-and-white photos, vintage postcards, film stills, and album covers in new paintings where a figure or figures appear as part of a landscape narrative

“alternate views on reality in post-war France”

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

curated with Martin Schwander, rare paintings from the 1920s to 1970s showcasing Stoecklin’s evolution from Neue Sachlichkeit realism to luminous magic realism

curated by Tobia Bezzola, this exhibition by the celebrated Swiss artist includes a major painting from his Patti Smith series and important large-scale and medium-format woodcuts

new paintings and sculptures as Eisenmann concentrates on three sites of middle-class living: home, work, beach

Quarles’ first exhibition with the gallery in Los Angeles - “at its core, her practice contemplates the instability of existence, the extent of resilience and what it means to inhabit multiple realities at once”

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

the gallery’s new season opens with a special presentation of ‘Work No. 3891: Half the air in a given space’ - one of Creed’s most celebrated works - and a selection of wall paintings

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

continuing his collaboration with the German actress Lilith Stangenberg and returning to his enduring motif of Santa Claus, new large-scale drawings and a six-channel video installation by one of the leading contemporary American artists of his generation

including never-before-exhibited works, an exhibition presenting Gorky’s landscapes from before and after his transformative 1941 transcontinental road trip with Agnes ‘Mougouch’ Magruder and Isamu Noguchi

new sculptures, recent paintings, and drawings by the artist - “site-specific reconfigurations open up narrative portals, where the various media are combined with natural elements such as wind or gravity and the electromagnetic field”

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

photographs recording fleeting scenes which might go unnoticed, in the first London exhibition by the Irish artist

immersive installations and sculptures in the first major UK survey exhibition of the artist who makes “multimedia artworks that negotiate the spaces between memories, individuals and the globalised societies that we live in today”

curated in collaboration with the artist, and including pieces not publicly shown before, a rare opportunity to see Whiteread’s drawings shown alongside a related selection of her sculptures

a monograph exhibition dedicated to this major figure in twentieth-century modern art

works by artists including Marina Abramović, Nada Baraka, Michèle Buhofer, Tony Cragg, Donna Huanca, Harminder Judge, Marya Kazoun, Kathryn MacNaughton, Borja Martín-Moreno, Erin Vincent, and Erwin Wurm

a celebratory exhibition to honor director George Henoch Shechtman’s sixtieth anniversary as an art dealer and champion of contemporary realism

multi-media works on paper reflecting Widener’s volunteer experiences in Ukraine, combining symbols, words, and numbers to depict the conflict’s chaos and emotional intensity with abstracted maps and personal narrative

painting, works on paper, and glass sculpture from throughout her career, in an exhibition celebrating the life and work of the late Argentine-born New York artist

“a group exhibition bringing together a collective of artists to reflect on continuity, resilience, and quiet optimism … the exhibition draws on the symbolic energy of the spring season - where renewal unfolds”

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

the Vienna-based Korean artist works at the intersection of performative installation and live performance, exploring “the in-between state of living and dying, deconstructing the binary of life and death”

“a series of eleven paintings created over the last two years, in which [Viardin] reflects, as a painter, on the future of the religious figurative tradition in an increasingly aporetic world”

curated by Sam Cornish, an alternative view of art in 1990s London

working with textile, chalk, stone, fabric, wool, and found objects, Prendergast explores themes of identity, geography, and the human body through sculpture, work on paper, and installation

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

an exhibition of the work of three international painters - Isabella Amram, Kan Hung-Ju, and Yehong Mao

paintings centered on the theme of “Night dancing” and exploring the relationships between humans and nature, movement and space, and color and form, in an exhibition inspired by the poetry of Ian Hamilton Finlay

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

“Hayoun’s work continues to interrogate contemporary politics through the lens of his North African heritage and the stories of people he observes in daily life”

the multimedia artist’s large-scale sculptures of buttons, beads, and crystals reflect Zen Buddhism’s discipline and mindfulness through meticulous, repetitive craftsmanship and themes of change and resilience

night-time landscapes of every full-moon - sketched by Hockney on his iPad - during the 2020 lockdown in Normandy

including piece that have not been exhibited before, an exhibition of the late artist’s works on paper show alongside two tapestries

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

an exhibition devoted to Uslé’s drawings - “kinds of visual fragment that have accompanied his artistic process for more than thirty-five years”

paintings and works on paper from the 1960s to the 2010s, covering five decades of McNeely’s fearless and provocative approach to the human body, in the late New Yorker’s first solo exhibition in London

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

the US premiere of this critically acclaimed work, a multi-channel film tracing pivotal moments in the histories of colonised nations and independence movements in Africa and Asia from the 1940s to the 1970s

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

Kapoor’s groundbreaking explorations of scale, color, volume, and materiality unfold through a focused presentation of mirror works created between 2010 and the present

in Jackson’s first solo exhibition in Asia, new and recent paintings - and a never-before exhibited multi-panel screen - where intricate, stratified compositions with figurative forms, or “paint people”, emerge from dynamic fields of paint

conceived by Hervé Loevenbruck, “bold juxtapositions [provide] an invitation to go beyond appearances and discover, in the confrontation of styles and periods, a new way of looking at art”

paintings and works on paper by the late Japanese artist who combined vivid palettes with surreal, often erotic figures

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

an exhibition tracing the stylistic evolution of the late Chinese American artist as she moved from semi-autobiographical figuration to fluently expressive abstract painting