largely drawn from private collections, an exhibition of sculptures and objects from 1975 to 1990 by the “unique and incomparable” Austrian artist

“Ruff once again makes it clear that he is convinced of the importance of scientific photography”

curated by Tanya Barson with the artist’s estate, key works spanning seven decades in the first solo exhibition in Switzerland dedicated to the pioneering American abstractionist

important works by the two American greats of 20th-century painting as the gallery brings them together for the first time in a two-person exhibition

Tucker’s first solo exhibition with the gallery and in mainland Europe presents an immersive space with elaborate ceramic sculptures of part fictional, part re-invented extinct creatures

“Calvin likes to emphasise the constructed dimension of images, breaking with the internal logic of painting. And that is the primary purpose of … all the images incorporated into the composition in the form of visual micro-events” - Jill Gasparina

in an exhibition which goes beyond the gallery walls, with works installed throughout the historic alpine town, new sculptures and paintings by Ruby exploring germination, birth, growth, decay, and the physical and metaphysical cycles of life

curated by Angeliki Kim Perfetti, works by Larry Bell, Frank Bowling, Martin Creed, Jenny Holzer and Pipilotti Rist in an exhibition exploring how artists engage with light across media, form and concept

new works by one of the great innovators of contemporary painting, in her first solo exhibition with the gallery in Europe

"through painting, sculpture, installation, and photographic work … my work explores the evolving shape of language, memory, and identity in the context of migration, diaspora, and personal mythology”

paintings, drawings, and unique polaroids, including some shown publicly for the first time, in this exhibition curated by James Hedges juxtaposing the two artists

new paintings by Boyer in his first solo exhibition in Switzerland - “Boyer’s works explore how surfaces accrue meaning, inviting reflection on ornament, cultural memory, and queer embodiment”

an exhibition celebrating the German-born Swiss artist’s multifaceted practice - “I simply always did what I felt like doing, anything else wouldn’t agree with the way I work, committing to a particular style would’ve bored me to death” - Oppenheim

to mark sixty-five years since the gallery’s founding, a changing group exhibition of works by major artists in a dialogue between the past and present

works by Walead Beshty, Angela Bulloch, Sylvie Fleury, Liam Gillick, Douglas Gordon, John Giorno, Adam Pendleton, Gerwald Rockenschaub, Ugo Rondinone, and Steven Shearer

paintings by Joe Bradley, Austin Eddy, Karen Kilimnik, Ugo Rondinone, and Josh Smith, shown alongside unique furniture pieces by Franz West

the Berlin-based artist’s first solo exhibition of new paintings, sculptures, and drawings - “for Spichtig, painting, like music, begins not with thinking, but with a pulse - something sensed or intuited before it becomes visible” - Samuel Staples

modern and contemporary art