across both the Paris spaces, this new exhibition of Saint Phalle brings together works from the 1960s to 2000

“treating light as a medium in its own right, Ulla von Brandenburg organizes the exhibition space using lightweight, modular structures that produce a gradual progression from brightness to darkness” - Ida Simon-Raynaud

in Neukamp’s first exhibition at the gallery, new pictograms of various mirrors, over backgrounds made with tempera and oil - “non-reflective mirrors for painting that decidedly demand that we reflect” - Marjolaine Lévy

“Janská’s practice is a meditation on form and perception, a delicate unravelling of selfhood tracing contours of femininity with an ethereal hand” - Luana Hildebrandt

the gallery’s first solo exhibition dedicated to the artist examines the full scale of his sculpture, created in 2015 on the salt desert of Bolivia - “Barth’s work brings us back to the hidden meaning of things”

new hanging light sculptures and a minimalistic lounge chair by the collaborative art and design practice, exploring themes of place and memory with works that echo the designers’ belief in the future and longing for what is left behind

new artworks by the artist and designer “who injects whimsy and nostalgia into a design world that she considers often too serious and self-aggrandising”

“with one exception [...] the human figure is absent from his work. Exiled without return, in an off-screen made improbable, almost unthinkable [...] ”the things I choose to paint say much more about man than painting a man” - Alain Cueff

new paintings and large works on paper in Ackermann’s first exhibition at the gallery in Paris - “everything about these Doubles not only turns the tables on their beholders, but also subverts established ways of interpreting works of art” - Pamela Kort

with works by John Baeder, Robert Bechtel, Charles Bell, Robert Cottingham, John DeAndrea, Don Eddy, Ralph Goings, Duane Hanson, and John Salt

McQueen's first solo exhibition in Paris for nearly a decade is also the European debut of this installation of photographs - vivid, beautiful flowers native to Grenada in the Caribbean, which are also silent witnesses to its turbulent history

an exhibition dedicated to the pivotal figure in contemporary art and his exploration of the interplay between language, meaning, and abstraction

part of the gallery’s annual curatorial invitation, photographs by the American artist - “a contemplative look into the personal library of ... the twentieth-century Italian painter renowned for his quiet and precise still life compositions”

monumental installations, sculptures and wall reliefs that continue Ronay’s exploration of the subconscious through the transformation of the intangible into tactile experience

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

an immersive installation of new sculptures and photographic works in Boyce’s first solo exhibition at the gallery’s Paris space “introducing a sense of eeriness and uncertainty into our perception of familiar spaces”

in an exhibition across both gallery spaces “a dialogue between natural beauty and that shaped by human hands” presents pieces and works honoring nature, from the ancient to the contemporary

to coincide with the Fondation Louis Vuitton exhibition, etchings, lithographs, digital prints, photographs, photo-collage, and photocopies by Hockney at the gallery that has represented him for many years

presented for the first time, new sculptural works that transform found materials into forms and installations which resonate with memory and history

in an exhibition across both gallery spaces “a dialogue between natural beauty and that shaped by human hands” presents pieces and works honoring nature, from the ancient to the contemporary

the French textile artist’s new exhibition fills the gallery space with her characteristic “presences”, large sculptures in crocheted or smoothed black thread - “an ode to transformation in all its facets”

a major retrospective devoted to emblematic works by the internationally renowned leading figure in contemporary art

works by artists including Ai Weiwei, Juan Araujo, Alejandro Campins, Yoan Capote, Loris Cecchini, Chen Zhen, Nikhil Chopra, Jonathas de Andrade, Leandro Erlich, Subodh Gupta, Eva Jospin, Julio Le Parc, Jorge Macchi, Sabrina Mezzaqui, Hans Op de Beeck, …

four works by the renowned German photographer - two new, one recent, and one from the beginning of his career

“a luminous odyssey between myth, cosmos and power ... electric sculptures, which transform the space through hypnotic optical effects” in the Chilean artist’s first exhibition at the gallery in Rue du Grenier-Saint-Lazare

new “magic realist” paintings on canvas and works on paper in the Swiss painter’s first exhibition in Paris - “mysterious or ambiguous scenes that obscure the line between memory and imagination”

an exhibition with over a dozen artists who “do not only look ahead; they move sideways through history, delve into the body, and project outward toward the unknown”

“an unprecedented dialogue between ... two major figures born on opposite sides of the Atlantic, whose deep intellectual and artistic friendship has long remained largely unknown”

across both the Paris spaces, this new exhibition of Saint Phalle brings together works from the 1960s to 2000

to start the new partnership between Le Studio and the Centre national des arts plastiques, an exhibition of “endless landscapes” photographed on the outskirts of Italy’s still-active Mount Etna volcano

sculptures, paintings and prints in the first solo exhibition in Europe by the American artist - presenting a poetic and critical exploration of the history of sugar cane in America, Africa and Europe

the Flemish artist’s first exhibition in France presents his oils and collage which “stand out due to their vivid colors, intricate details and singular narrative qualities”

new works in lacquered wood and concrete benches by the French designer which “embody the artist’s interest in the architecture of artificial contemporary landscapes”

new embroideries, bronze sculptures and canvases in the first exhibition with the gallery, and in Paris, by an artist renowned for her investigations into colour, materiality and form

the first major retrospective devoted to the prominent photojournalist, who covered numerous conflicts while concentrating on the dignity of individuals and the off-field of war

“deliberately composed, [Roby’s] idyllic landscapes suggest a utopia where nostalgia and folk rituals co-exist on a flat plane, forcing us to question our notions of science and progress”

through photography, video, and installation, Simon continues her exploration of “the backstage of power, uncovering the invisible structures that shape our perception” - Maud de la Forterie

selected by Marden’s daughters Mirabelle and Melia, previously unseen work from the artist’s final two decades - “[Marden’s] drawings have a personal feeling, which is the result of hand merging with mind: both need to become one” - Eileen Costello

“a unique installation, a representation of her bedroom, the ultimate symbol of sanctuary. Bathed in deep maroon-colored, the room evokes the primal safety of a womb or the rawness of an open wound” - Lisa Boudet

curated by Armand Camphuis with works by historic and contemporary artists, an exhibition which “highlights the enduring importance of artists’ studios for the Parisian avant-gardes – past and present”