Open: Wed-Sat 10am-6pm

193 Fleet Street, EC4A 2AH, London, United Kingdom
Open: Wed-Sat 10am-6pm


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La Belle et La Bête

Ashley Saville, London

Sun 19 Jul 2026 to Sat 29 Aug 2026

193 Fleet Street, EC4A 2AH La Belle et La Bête

Wed-Sat 10am-6pm

Artists: Simon Periton - Erika Trotzig - Jason Shulman - Tess Tomassini - Sienna Murdoch - Chantal Goulder

Ashley Saville presents La Belle et la Bête, the first group exhibition at 193 Fleet Street. The exhibition takes its title from Gabrielle-Suzanne Barbot de Villeneuve’s fairytale of the same name, a text that has bewitched artists, musicians, and filmmakers since its anonymous publication in 1740.

Artworks

Jason Shulman, Fay Wray Closer, 2017

abraded ink on paper

60 × 81.5 × 4 cm

© Jason Shulman
Erika Trotzig, Hybrid, 2022

jesmonite, piano springs, tights and wood

30 × 11 × 9 cm

© Erika Trotzig
Simon Periton, Snatch 6, 2001

fluorescent orange, metallic brown & grey paper cut out

70 × 90 × 3 cm

The Artist and Sadie Coles HQ, London
Tess Tomassini, Tongue Tied, 2026

oil on aluminium panel

30 × 40 × 0.5 cm

© Tess Tomassini
Chantal Goulder, Untitled (Mannequin), 2026

mixed media on rice paper

89.5 × 119.5 × 3 cm

© Chantal Goulder
Erika Trotzig, A Haunting..., 2026

cloth, jesmonite and reclaimed wooden support

210 × 56 × 29 cm

© Erika Trotzig
Simon Periton, Utopia, 2026

fluorescent yellow and brown paper cut out

80 × 60 × 3 cm

© Simon Periton
Jason Shulman, Untitled, 1986

felt-tip on found photograph

14 × 9 cm

© Jason Shulman

Installation Views

A young woman is trapped in an enchanted castle with a beastly creature. At first she loathes him, but eventually her heart softens. Her declaration of true love breaks the Beast’s curse: he transforms into a handsome prince, and they live happily ever after.

Though rooted in a moralising literary tradition, La Belle et la Bête resists simple binaries of good and evil. Desire and abjection, duty and transgression, ideals and outsiders are not fundamental oppositions; rather, they are intricately imbricated aspects of life and love. Such ambivalence makes for a particularly interesting fairytale, offering rich ground for interpretation.

This exhibition uses the fairytale as a lens through which to consider these ideas. Five artists have been invited to respond to this broad line of inquiry however they wish. The exhibition is accompanied by a new essay by Philippa Snow.

all images © the gallery and the artist(s)

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