the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

“Nagel’s work reminds me of storms. The ones that leave you a bit bruised but with a fresh oxyden. Invigorated … I am full of admiration. Do not change a thing” - Morten Løbner Espersen

Sobczak’s paintings “blend historical allegories, queer identities, and contemporary social critique into a dense, multilayered visual language”

centred on an area deeply embedded in New York’s queer history and made when the AIDS crisis had already indelibly affected the city’s LGBTQ+ community, a reminder of how closely questions of visibility, public space, and social belonging are intertwined

in an exhibition titled after the 1941 Jorge Luis Borges’ short story, four artists from Taiwan and four from Italy explore the multiple ways in which images, histories, and identities are constructed and perceived.

the second part of Agematsu’s first solo exhibition with the gallery, and in Germany, is an installation of 35mm slide projections of photographs made in Marseille, France in 1994 - “photography needs time, I think, in order for us to see it” - Agematsu

an exhibition exploring the varied work of the German painter, graphic designer, sculptor, and photographer

curated by Claudia Santeroni and Luisa Catucci, “an intimate reflection on the spaces that exist between movement and stillness, silence and expression, fragility and resilience”

Winter’s first solo exhibition in Germany presents his black-and-white photographs focusing on 1970s America and Southern Europe, capturing urban and rural environments, everyday objects, and ambiguous visual relations in a perceptive form of storytelling

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light