an exhibition of new paintings and sculptures by the Latvian artist which “invites viewers to immerse themselves in Avotiņš' quiet, profound world of images and figures”

new works by the renowned photographer and film director taken in the vast horizons and landscapes of China, and the towering forest - “everything stands still in this dedicated study of moods”

Mivekannin “revisits the history of Orientalism with a bold intervention in the original paintings that he uses for inspiration ... his paintings do not merely reference the Orientalist tradition; they irritate it” - Susana Turbay Botero

new large format works based on film stills photographed on a screen, digitally reworked. and then translated into paintings in oil on canvas

new paintings drawing on art history, mass-produced objects and toys, amusement parks, childhood memories, and urban life - “the beauty and accentuated charm ... are deliberate strategies to pull us into hyperreal world of pleasurable artifice”

across all three levels of the gallery, Bonvicini’s first solo exhibition with Capitain Petzel explores space, identity, and their construction with new sculptures, works on paper and a new site-specific video installation

“Vitali delves into the underlying social dynamics of leisure, from its commodification to the pressures of conformity, offering a commentary on modern society set against the backdrop of the Mediterranean”

a comprehensive exhibition of the German artist’s iconic series of photographs - “I ... felt drawn to the everyday. I wanted to show the kiosk around the corner in all its amiableness”

intimate portraits by the Ukrainian painter in his first solo exhibition with the gallery

including rarely-seen works, this survey exhibition provides a new and surprising insight into Struth’s work over four decades

across two gallery spaces, Babirye’s first exhibition with Galerie Max Hetzler presents new sculptures and works on paper using appropriation and reassignment of terms and categorisations to produce real or imagined portraits of the Queer community

Berhanu’s first exhibition with the gallery presents new paintings showing her distinct formal vocabulary combining abstract and representational elements

across two gallery spaces, Babirye’s first exhibition with Galerie Max Hetzler presents new sculptures and works on paper using appropriation and reassignment of terms and categorisations to produce real or imagined portraits of the Queer community

Rockenschaub’s new series explores subtle deviations, irritations, memories and reappropriation