the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

“Nagel’s work reminds me of storms. The ones that leave you a bit bruised but with a fresh oxyden. Invigorated … I am full of admiration. Do not change a thing” - Morten Løbner Espersen

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

“Heinze’s work moves between painting and drawing and is characterized by a distinctive, often fragmentary visual language … in which bodies, spaces, and signs overlap”

Rapone’s first presentation with the gallery debuts three paintings where she explores “the heated juncture of sensuous stimulation and nervous irritation in narratively dense compositions”

in thirteen pointillist paintings depicting close-up images of soap foams, captured through a microscope, a focus - “on nodes of connection, self-organization and how individual elements refract through one another”

“Stetz questions what it means to capture a place whose central feature already consists in its stylistic and historical displacement; how to document something that already looks like a picture itself” - Anna-Lisa Scherfose

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

Agematsu’s first solo exhibition with the gallery and in Germany is in two parts, the first featuring a year of “zips” - tiny devotional sculptures made of detritus from New York’s streets inside the cellophane sleeves of cigarette packs

an exhibition exploring the varied work of the German painter, graphic designer, sculptor, and photographer

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”