co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

in an exhibition exploring sound as a medium, painting, photography, video, sound, sculpture, and installation works by an all-female group of artists

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

focussed on the First World War, the interwar period, and the Second World War, a chronological and thematic exploration of the relationship between conflict and artistic transformation

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

new sculptures made from simple, everyday materials- “folding, cutting, pressing and stacking, Foxcroft\'s sculptures unfurl from the wall or corner of the room, arranging material on the floor and up walls”

“for this project - another in my Imaginary Architecture series - I chose to explore iridescent clouds, sometimes known as \"rainbow clouds\", a meteorological phenomenon characterised by vibrant, colourful bands appearing on thin, semi-transparent clouds

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

“across photography, water becomes a way of seeing” - iconic 20th century photography and contemporary perspectives from nearly twenty artists reveal the visual and symbolic power of water across generations and styles

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

new work by one of the most distinctive voices in contemporary geometric abstraction, demonstrating his ability to combine conceptual precision with visual spontaneity to create works that are at once rigorously constructed and unexpectedly lyrical

new oil paintings exploring “intimacy as a psychologically charged space shaped by seduction, mirroring, tenderness, and emotional consumption” in Dymock’s first solo exhibition with the gallery

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

titled after the physical trace a memory leaves in the brain, an exhibition of new paintings and works on paper by the Brooklyn-based artist

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

“Siber chooses to return to the most fundamental dialogue with materiality: making steel weightless, letting wood breathe, transforming colour into time, allowing nature to blossom in Baroque splendour”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

the Mumbai-based designer and artist’s first solo exhibition in the UK presents new sculptures woven, held, or structured in copper

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

a new exhibition by the French artists and designers, reflecting on how perspectives and observations are shaped by journeys and movements through shifting landscapes

exceptional and previously unseen works in a new exhibition marking the centenary of the birth of one of the most significant and celebrated Japanese ceramic artists of the twentieth century

inspired by his heritage and the vibrant energy of communal gatherings, new paintings, prints, sculpture, and an immersive sound installation in the British Nigerian artist and designer’s first solo gallery exhibition in his home city

focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them”

De Falco’s first solo exhibition at the gallery - “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities”

curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach”

“Curious Yellow / I hadn’t forgotten her, I just couldn’t remember her name. / Only when I looked back did I remember.”

in “a dialogue centred on material engagement and sustained making”, new work by Lidia Lisbôa and Thiago Barbalho - two artists grounded in handmade processes

Campbell explores evolutionary history, mythology, and queer culture through sculpture - metaphorising marine and terrestrial nature to reveal the flimsiness of social and political binary systems

an exhibition by the distinguished artist, filmmaker, and poet bringing together recent works on brown paper, drawn-on objects, and bunting fragments in a layered act of visual storytelling

large-scale pictures printed in acrylic on white gessoed linen canvases depicting infinitely complex forest ecosystems, in the New York-based artist’s first solo London gallery exhibition

the Swiss-British-Iranian artist presents “various works, (various in scale, material, and subject), which taken collectively address meaning (or lack of), purpose (or lack of), and the discourse surrounding authorship and ownership”

drawing, sculpture, photography, and found objects in an exhibition of works by eight gallery artists linked through their use of repetition, series and classification

a special display of eight works to mark the centenary of Spero’s birth - pieces that exemplify the range, themes and ambition of her practice

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

new works by Pillay, “paint becomes a medium through which to bridge geographies, timelines and archives, alongside histories of indenture, colonialism, displacement and erasure within the artist’s own family history”

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

paintings, works on paper, sculpture, and textiles by some of the most important names in South Asian modernism in an exhibition spanning the late nineteenth century through to the contemporary period

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

Singh’s first UK solo exhibition presents an installation of film and paintings to offer a poetic meditation on the urgent link between climate change and agricultural crises

including several paintings never previously exhibited, this exhibition focusses on a pivotal period in the early 1950s when Heron negotiated his own path between figuration and abstraction

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

Smith’s first solo exhibition in the UK - “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” - Smith

the latest in the gallery series presents significant works by Volpi alongside paintings by artists from subsequent generations who reflect on - and depart from - his example

Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin

new work by Morris reflecting on how we tell the story of war

curated as a cabinet of curiosities, new sculptures by Houseago alongside objects ranging from ancient artefacts to works by artists including Joseph Beuys, Louise Bourgeois, Jacob Epstein, Lucio Fontana, Henri Gaudier-Brzeska, Julia Isídrez, …

presented with Matthew Marks Gallery, sculpture and drawing - including works on view in London for the first time - in an exhibition of the influential and relentlessly inventive LA-based artist

curated by Fraser Muggeridge, an exploration of Buren’s use of stripes over almost six decades, from the street to the gallery walls and from the canvas to the printed page

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

organised in collaboration with Sam Fogg, an exhibition exploring the influence and relevance of stained-glass window making on modern art practices through the lens of three artists - Piet Mondrian, Paul Klee, and Brice Marden

an exhibition curated by Huiyun Chen and James Hu

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

Isa’s first solo exhibition at the gallery is inspired by a dream and presents painting and sculpture engaging with spirituality, faith, womanhood, and the complexity of locating the self

“beyond the gay images from the 1970s, I look further back to Whistler, Sargent, Montesquiou, and Proust to locate the atmosphere in which to portray this physicality” - P.

“across half a century and a range of disciplines, [eight] artists who have aimed, and still do, to ground the audience in meditation … that attentiveness to form, to material, to time itself”

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

the annual award celebrates the very best in contemporary portrait painting

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

the first solo exhibition by the London-based, American artist

Grant explores form as a structure of thought, and image as process and relation, referencing the optical mirage where images appear unstable and shifting

curated by Prajna Desai, the gallery’s first exhibition at No.9 Cork Street is about the nature and evidence of arboreal power - with Claire Baker, Goutam Ghosh, Mahesh Baliga, Neha Choksi, Tejal Shah, and Trupti Patel

drawings, paintings, and sculptures by the renowned and prolific Indian artist - “this exhibition presents a synoptic peek into Ramachandran’s long, fascinating and solitary journey” - Professor R. Siva Kumar

new works by Zimbabwean ceramicist Somers and Moroccan painter Hamdouch

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

the artist, architect, and theorist’s first solo exhibition in the UK brings together sculptures, large-scale paintings, and a selection from his small scale, artist-framed Zero Thumbnail series

“the show stages a dialogue between materiality and external observation [and] continues Guérard's reflection on painting in space, apprehending the medium outside its borders and pushing the scale”

an installation and visual loop from a live game environment … holding the audience in a state of sensory attunement while exploring multiple, entangled experiences of time, including deep geological time, atomic time, ecological time

”simple, reduced compositions exist alongside dense, multilayered structures; monochrome palettes contrast with the emergence of more vibrant hues; intimate formats coexist with larger, more expansive works”

new and historical works by Arsham, spanning sculpture, painting, and works on paper drawn from nearly two decades of his practice - tracing the sustained engagement with geology, archaeology, and the cultural residue of the recent past

to mark the gallery’s new London space, an exhibition of key works from the series - “Uysal approaches architectural space as a living surface - a skin - that can be stretched, compressed, pierced, or displaced”

new paintings which examine “the effects of systems that separate people from land, ancestry, ecology and embodied forms of knowledge”, drawing on Kahraman’s personal history as a Kurdish-Iraqi refugee and the loss of her home in the LA wildfires

focussing on moments of yielding, this first instalment in a two-part thematic exhibition includes works by Sophie von Hellermann, Pierre Knop, Manuel Mathieu, Mary Ramsden, Rachel Rose, Tschabalala Self, and Lina Iris Viktor

presented with Castlefield Gallery, an exhibition bringing together O’Rourke’s DVD-case paintings, larger mixed-media works, wall-based and freestanding paintings - drawing viewers through a landscape of repeated motifs, images, text, and materials

“Loeb answers to the true substance and matter of painting. She takes a sculptural approach to paint, building immersive fields of colour … which are then scraped, reworked and reapplied to achieve a dense, tactile surface”

“Harrison articulates man’s equine partner as something that in its essence reverts to the wild, becomes untameable and ultimately unknowable”

the interdisciplinary artist’s practice spans experimental video, sculpture, sound installation, and prose, exploring the intersections of identity, material history, and archival memory

curated by Imani Mason Jordan, thirteen artists in sculpture exhibition with performance, writing, photography and video - “these are practices that do not try to represent the world, but actively reconfigure it”

the gallery launches its exhibition programme with painting, sculpture, and mixed media work by five contemporary artists who explore the liminal state as a productive site of possibility

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

ceramic sconces and wall pockets in an exhibition by artists of the shared ceramics studio and creative community Common Clay

the debut solo exhibition in the UK of the self-taught Iraqi artist who “works across her paintings with her arms and body as a tool, in a semi-meditative state, building layers of pigment through gesture and intuition until something tells her to stop”

in his first solo exhibition at the gallery, the multidisciplinary artist explores how digital color perception has changed landscape painting and how the computed environments changed our perception of reality

inspired by the gallery’s unique location in Kensington Gardens, new and key paintings, monotypes, and drawings by the artist known for her vigorous brushwork, vivid colour and dynamic compositions

Hockney’s new paintings extend his lifelong fascination with the act of looking, affirming his belief that simple beauty is worth celebrating

the Mexico City-based studio founded by Isabel Abascal and Alessandro Arienzo presents a serpentine pavilion as the 2026 Serpentine Pavilion

new paintings by the French-Iranian artist who “employs registers of colour to map the unstable nature of being”

“post-war and contemporary artists whose bold, colourful prints evoke the joy of sunny days”

Bainbridge’s sculptures explore the threshold between earth and sky, presence and absence, body and landscape

Joseph’s first large-scale exhibition in the UK draws on her Indian-American upbringing and presents ambitious large scale felted works created in response to her research following sheep across Scotland

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

curated by SLG New Curators, new work responding to the gallery in the South Korean multimedia artist’s first solo exhibition in the UK

the Brazilian artist presents new paintings against a large mural painted directly onto the gallery walls - “magical environments … populated by mythical characters, animals and imaginary beasts”

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

new paintings and a four-channel film, shown alongside a site-specific crowd barrier sculpture with drawings, and her latest bronze reliefs, in an exhibition by Imhof that reconfigures and extends ideas developed in her recent projects

this new and interactive immersive installation by the interdisciplinary artist “explores the materiality of language and its capacity to shape bodily experience”

in his first exhibition with the gallery, new work by the American artist - “sculptures … not defined by formal transformation, but rather by the repositioning of recognisable materials through acts of selection, displacement, and framing”

El-Sayegh’s immersive, site-specific exhibition of paintings, installation, and performance, explores “the machinations of consumerism and perceptions of luxury in the contemporary world”

large-scale paintings, music, film, and installation transform the gallery into an immersive environment of sound and image

“an examination of numismatic figuration through fictional financial instruments, private economies and imaginary medallions”

“a group exhibition marking the 250th anniversary of American independence … a focused reflection on the vitality and diversity of American post-war and contemporary art”

new works by Hutchings and Romeril, celebrating the creativity that emerges through proximity - partners in life, their distinct artistic practices are united by shared interests in domestic life and its energies

in a colourful installation of hanging and lounging structures, the first solo exhibition in London by one of the UK’s leading socially engaged performance artists presents a selection of works from his twenty-five year career

new work by Thuring - “her approach to painting pushes against monolithic thinking; against assumptions that what is shall ever be … the never-ending entanglements of nature, technology and human beings that confront us every day” - Jennifer Higgie

curated by Jenni Lomax, an exhibition of seventeen works by the late painter - “a flaneuse and a magpie - Clough collected shapes, colours, textures, contradictions and incongruities; objects and images of all that was a part of everyday life”

in the Thai-born, France-based artist’s debut solo exhibition in the UK, new paintings of family and friends, explore memory, distance, and presence

in her debut exhibition “Rance captures the emotional essence of the natural world … these works trace a path through the countryside, where the gentle hum of the changing seasons is tangible”

an exhibition which explores artists who use machinery and industry, with Mike Nelson, Tanoa Sasraku, David Bomberg, Gillies Adamson Semple. Nicolas Deshayes, Kira Freije, Magali Reus, Niamh O’Malley, Anthony Caro, Prunella Clough, and Alex Margo Arden

works by Georg Baselitz, Enrico David, Per Kirkeby, Florian Krewer, Eugène Leroy, Markus Lüpertz, Francis Picabia, Andy Robert, and Raphaela Simon

an exhibition of new paintings by Harsha, elaborating on his celebrated ongoing series featuring traditional clay lamps with flames and trails of smoke creating patterns that guide the eye around the canvas

Sikander's exhibition is centred on her acclaimed new animation - a cinematic tableau exploring the currents of power and trade that have shaped the global landscape from the 19th century to the contemporary era - heard now for the first with its score

“celebrating the living history of a group that transformed modern painting with extraordinary boldness, and [placing] it amongst a new generation of artistic visionaries who reflect or reimagine that spirit”

titled after the antidepressant, new paintings that explore how emotion and identity are shaped under pressure

curated by Carol Maund, the late artist’s first solo exhibition in a London commercial gallery presents paintings and drawings examining the mental breakdown she experienced following the death of her father