new paintings where Levy explores class and image-making in Britain today - “intimacy and loneliness, camaraderie and isolation, in which we must all ask what price we pay for our obsession with luxury and the fetishisation of objects”

Rondinone’s first solo exhibition at the gallery inaugurates their new location in Piazza dei Martiri with this homage to Vesuvius

the inaugural exhibition at the gallery’s new space 47 W 28th St presents some of Fini’s crucial lesser-known small-scale drawings - “complex, unsettling, and utterly hypnotic”

in partnership with Paloma Picasso, over fifty rarely seen - or in some cases never previously exhibited - paintings, sculptures, and drawings from the full span of Picasso’s career

“I had the whole fall free to paint dahlias as they slowly came into bloom ... I was in heaven, haunting the flower sellers at our nearby farmers market, looking for new colors and forms and then trying to capture their individual personalities” - Kushner

recent paintings and a site specific drawing and painting installation - “an exploration of mark making as language. Shrines, to-do lists, snippets of conversations, and old photos act as an evolving manifesto of observation” - D’Arcy

“a rich overview of some of Jo Baer’s most distinctive works following her shift to figuration, celebrating her enduring legacy and her long-standing relationship with the gallery” - Susana Turbay Botero

the gallery’s first exhibition of the pioneering sculptor, curator, and feminist includes in its entirety for the first time in NYC, her monumental magnum opus “Across the Bering Strait”

the gallery’s first solo exhibition with Nauman presents sculptures, installations, sound works, videos, works on paper, and editions to explore the prolific decade that established him as one of the most important contemporary artists of our time

three decades of photographs in the first comprehensive retrospective of Perrier’s work

five different series exploring the South African artist and visual activist’s overarching project of empowering the Black LGTBQIA+ community in South Africa, including the first gallery exhibition outside Africa of their early work

in the Cuban-born, Madrid-based artist’s first solo exhibition in New York, new large-scale paintings of abstracted glyph-like forms in earthen hues

curated by Heinz Liesbrock, photographs by Adams and paintings by Albers bring two outstanding protagonists of art after 1945 into conversation to “emphasize that light is the basis of visual language”

in Cabaniuk’s first solo exhibition with the gallery, new paintings which explore the nuanced, complex, and paradoxical experiences of queer identity, intimacy, and “the subversive joy that comes with embracing personal and communal chaos”

the first presentation at the gallery’s newly renovated Chelsea space is an exhibition curated by Cecilia Alemani with both paintings and sculpture by the pioneering figure of postwar art - “a restless explorer of the canvas” - Alemani

“Chingltu’s creations go beyond mere depictions of grassland landscapes or nomadic culture. They inspire audiences to explore, with poetic romanticism, the harmonious relationship between humanity and nature, tradition and modernity”

“Tang approaches her process with a time-oriented perspective, using pierced paper as a highly original language to manifest time and space on the surface of paper, ultimately probing the deeper meaning of existence”

accompanied by a reflective text written by Rebecca May Johnson, Skupinska’s “practice takes shape through the slow and meditative work of gathering, mixing, and layering - altered by time”

“the incarnation of his relentless experiments with light and cultural symbols ... in Pim’s hallucinatory space, the known world slowly dissolves, and for one suspended breath, the soul touches the unspeakable” - Jialing Sun

the inaugural exhibition at the gallery’s new London space presents fifteen works – alongside two videos – by the French artist, exploring the plight of refugee children

nearly fifty improvisatory candelabras by the New York-based ceramicist - “dancing doodles materialized from the air”

around forty works on paper by artists from Balla to Cattelan and Moore to Rauschenberg in an exhibition which “traces the evolution of this flexible and intimate medium”

the gallery opens its new space with a group show featuring Jean-Marie Appriou, Iván Argote, Daniel Arsham, Sophie Calle, Julian Charrière, Johan Creten, Mathilde Denize, Hans Hartung, Gregor Hildebrandt, JR, Takashi Murakami, and Jean-Michel Othoniel

in a densely filled exhibition space, over fifty works including new and previously unseen pieces, in which Ahn explores the uncertainties of painting - between representation and abstraction, chance and inevitability, stimulation and receptivity

new paintings and a freestanding sculpture alongside earlier assemblages and photography as Youngblood explores the complexities of American material culture

starting with a choice - whether to enter the exhibition or play a video game - Rosler’s installation spreads throughout the gallery to explore political consciousness and mass media

new works by Furter in an immersive installation emphasising the here and now and examining existential questions of human existence

presenting Salz’s medium- and large-scale creations for the first time, an exhibition which explores the “essence of light and color, taking viewers into a realm between the tangible and the ethereal”

to celebrate its anniversary, an exhibition surveying the history from 1975 to now of one of the longest-established contemporary art galleries on the West Coast

Edward Sullivan curates the first exhibition of Chervin’s prints in New York - “in the current exhibition we are deeply interested in suggesting the “universalist” significance of her compelling visual language”

an exhibition highlighting Shawky’s pivotal early video works which used profound, playful and unexpected approaches to look at themes of East-West dichotomies and religious conflict

exhibited for the first time, a powerful series of rough and complex collages by Franco, based on LA and made from layers of images and signs, symbols and text

over forty paintings and sculptures by Saint Phalle and Kusama in an exhibition which explores the Jungian concept of the “inner child” in their work

four major “situations” from across the career of the leading Minimalist and pioneer of installation art

“Bertrand, however, evokes the décors staged on the record sleeves of certain electronic music pioneers. Repetitive, anonymous and generally uncopyrighted, this music from the 1970s-80s” - Paul Bernard

“representing Each Modern’s reinterpretation of post-war and contemporary Taiwanese art from a 21st-century perspective ... these works represent concrete and impermanent expressions of Eastern consciousness, evolving through cultural intersections”

works by Peter Bonde, Christian Eisenberger, Anna K.E., Boris Lurie, Florian Meisenberg, Manfred Peckl, Chloe Piene, Anselm Reyle, Rudolf Schwarzkogler, Luise-Finn Tismer, Anne-Mie van Kerckhoven, Gabriel Vormstein, Thomas Zipp, and Egon Zippel

new gunshot-pierced gold-plated panels and a single marble sculpture “explore a raft of opposing forces: domesticity and wildness, force and resistance, creation and destruction, perseverance and loss”

mannequin body-part sculptures and wall-mounted works by Fleury, set in response to a large body of drawings and cut-outs by Matisse, including works that have not been shown publicly before

paintings and an illusionistic wall installation as Ribbeck’s first solo exhibition in France presents his “intricately designed rhythmic and geometric sequences of forms and colors, which spread across the entire surface of the substrates and beyond”

an exhibition which “unveils the unseen - the physical and historical traces on the reverse of the canvas that offer deeper insight into an artwork’s journey” with works by artists including Braque, Fontana, Magritte, Morandi, Miró, Nicholson, and Picasso

“not only a landscape but a state of being ... in these works, the mythic and the real collapse into one another, and we are invited to step through the frame, to follow Pan” - Gemma Rolls-Bentley

a survey exhibition of twenty-five years of works by Caldicott, who “takes his practice to the limits of what can and cannot be justifiably termed photography”

two decades of self-portraits by one of the most important artists of post-war Germany

with an installation, photograms, and video, this exhibition examines existence and extinction through spatial constructions and a multilayered perspective across various materials and media

an exhibition of vibrant photographs by the Malian artist - including some not previously exhibited - in a celebration of Sidibé’s role as a pioneer who sculpted the visual identity of the African diaspora, offering a window into a Malian nation

curated by Lorenzo Madaro, paintings and works on paper from between 1983 and 1990 where Ciussi “sets aside the systematic nature of a geometric abstraction and modularity that he has been verifying with untiring commitment since the 1960s”

nearly 100 works by over fifteen prominent artists from the East and the West, in an exhibition which explores the technical heritage and contemporary possibilities of printmaking and drawing

recent paintings by the internationally renowned French artist - in a specially-designed exhibition installation of colourful painted zones

on the release of William J. Canning second album, an exhibition of his video, photography, and sculptural works that “spring forth from the album’s visual world”

responding directly to the architecture of the building, a monumental new site-specific work, alongside works in glass, on paper, and three-dimensional objects, in the Turner Prize-winning artist’s first solo exhibition at a London institution

painting, installation, embroidery and scent form “a sensory journey exploring ancestral memory, ritual and migration” in the Indonesian artist’s first solo UK exhibition

extending beyond the gallery to include outdoor sculptures, this is the most comprehensive institutional exhibition of the leading figure in the Arte Povera movement to be presented in the UK

works by Leonora Carrington, Pilar Albarracín, Niki de Saint Phalle, Eulàlia Grau, Zhenya Machneva, Lucie Picandet, Virginie Yassef, and Julia Wachtel - eight radical female artists who laid the groundwork for future women artists

eight standing wooden structures, encasing delicate tapestries in the French artist’s first US exhibition - “Peroi is not interested in revelation, but rather in uncovering something fundamental about how art is conceived” - Dr. Rebecca Birrell

important works from two of the most significant periods of Schiele’s life, loaned from a prestigious private collection

“the main idea of this new series of paintings is to be like an opposition to the imperfect world we live in ... images filled with happiness, with beautiful colors and unreal atmosphere” - Grecu

early surrealist drawings and mixed-media “Congregations” assemblages in this first-of-its-kind exhibition exploring the impact of the Hungarian psychoanalyst on Ossorio’s art

new tapestries, tuftings, and videos by Wood which examine overconsumption with a visual language of glitch art, body horror, and consumerism

conceived by Saara Pritchard, this exhibition is the first to focus on the three artists, who worked in New York City during the 1960s, 1970s, and 1980s, often portraying mutual sitters, exhibiting together, and participating in public discussions

celebrating the influential exhibitions at Jean Pollak’s Galerie Ariel in 1950s Paris, works by artists including Camille Bryen, Jacques Busse, Youla Chapoval, Jean Deyrolle, Pierre Dmitrienko, Henri Goetz, Jean Le Moal, Maryan, and James Pichette

new large-scale mixed-media paintings and a new series of hanging sculptures in Sze’s first solo exhibition in Asia

presented for the first time since its celebrated 2002 debut, this is another chance to catch Hammons’ acclaimed installation work

significant and recently discovered erotic drawings by key Bloomsbury group member Duncan Grant, alongside works by contemporary queer artists including Soufiane Ababri, Leilah Babirye, Anthony Cudahy, Kyle Dunn, Alex Foxton, Jonathan Lyndon Chase …

landscape and seascape paintings by six international artists showing their various methods of immortalizing the natural world around them

new Plexiglas works and watercolors by the pioneering conceptual artist in his first LA solo exhibition since 2019

in Kimeze’s first solo exhibition in the UK, new paintings inspired by the resurgent popularity of roller skating in Black communities in London and beyond explore movement, flight and freedom

all new works in the British artist’s first US solo exhibition with the gallery - together with the US premiere of a collaborative creation with the acclaimed choreographer Sharon Eyal

“everyday events, the reflections of changing seasons throughout the year, motifs from Twombly’s homes ... what all these still photographs touch upon is the poeticized nature and its intrinsicality as a parable and metamorphosis”

drawing on their 2023 invitation to the Vatican, an exhibition of photographs, painting, and sculpture by the two artists exploring how “devotion and provocation become inseparable, each sparking a pathway toward transcendence”

the pioneering feminist artist’s first London retrospective showcases fifty years of her montage, photography, performance and sculpture - from early, punk, 1970s photomontages to new digital works shown for the first time

new portraits of herself and her young son where Minnicucci explores how vulnerability and discomfort in front of the camera can become self-discovery and collaboration

in the first retrospective in France of the British artist, photographs of Morris’s youth in London, his portraits of Bob Marley and the Sex Pistols, and his work with artists including Oasis, Lee ‘Scratch’ Perry, and Marianne Faithfull

in Lu’s first UK solo exhibition, new paintings, installations, and sculpture transform the gallery into an immersive, enveloping environment

an exhibition exploring the careers of the two artists, who worked alongside each other and were briefly married, presenting how their vitality, freedom, and innovative practices impacted the community of artists recognized during Abstract Expressionism

Oliver Bak, Eugène Carrière, Guglielmo Castelli, Enzo Cucchi, Enrico David, Leonor Fini, Anne Imhof, Alexej von Jawlensky, Conny Maier, Rosemarie Trockel and Andro Wekua - works which “interweave past and present in a dreamlike visual language”

in Boafo’s debut at Gagosian London, and his first solo exhibition in the UK, new portraits celebrating the Black figure and placed in a “transformative and involving design conceived by the artist in collaboration with architect Glenn DeRoche”

to mark the first anniversary of Serra’s death, the gallery presents the first complete showing outside the US of his final works, focussing on two series of prints made using black oil stick

new and recent canvases and multi-panel paintings by the British artist - “bold, uniquely recognizable compositions, which reveal witty observations and subtly sophisticated meditations on the nature of visual representation itself”

the first exhibition in the UK to focus specifically on portraits by an artist widely regarded as one of the greatest exponents of the genre

twenty photographs and a painting present “Heck’s unique fusion of photography and painting, characterized by a bold embrace of natural light, resulting in a stunning array of unapologetically beautiful and vividly colorful images”

photographs of Monet’s iconic gardens in France, in the debut exhibition by the American photographer - “her work reflects a deep and intimate knowledge of the site and its particularities, which only a lifetime of passionate study could allow”

an overview exhibition of Wong’s works on paper from 1968 to 1997

over fifty works in the debut retrospective exhibition celebrating the late artist’s wide creativity, and showcasing one of the most original painters to have emerged in recent years

collaborative paintings by the Walyalup (Fremantle) artist duo, in a departure from the usual gallery program - only the second presentation of non-indigenous artists since their relaunch and the artists’ first solo presentation in Gadigal (Sydney)

an exhibition of memorial poles from Yirrkala in Northern Australia, created by some of the area’s most important past and contemporary artists

an extensive retrospective of the late artist, on the twentieth anniversay of the original exhibition - “West challenges us to take responsibility into our own hands: »do it yourself«, already at the gallery or later right at home” - Christian Malycha

following his pavilion at the 60th Venice Biennale, the first exhibition in America of the rising star of the African art scene presents a cross-examination of the artist’s home country and the US

paintings, sculptures, and photographs from the past two decades which engage with postcolonial legacies and contemporary realities of his native Benin, in Hazoumè’s first exhibition in Greece

new paintings of semi-closed metal shutters as “a threshold into an unknowable, impassable void” in Harrison’s first solo exhibition in the gallery’s London location

an exhibition of rare and monumental prints by the Catalan-Spanish painter, sculptor and ceramicist

works from 1959-1964, shown publicly for the first time, in Kurz’s first solo exhibition in NYC for almost forty years

“a poetic exploration of time, memory, and inheritance, constructing a cartography of the artist’s most intimate universe ... in his practice, plexiglass becomes the evolution of the canvas, and tape, the evolution of paint”

in the first of a series of exhibitions on Kruglyanskaya showing around the world this year - new paintings and drawings exploring the legacy of those artists and experiences that have shaped her practice

in his first solo exhibition with the gallery - “Morimoto’s art creates an environment for reflection, offering a sanctuary where the ordinary is imbued with more profound meaning” - Larry Ossei-Mensah

Karetzky produces a hybrid of oil painting, clay sculpture, woodcut, and sgraffito, carving paint into relief surfaces, applying ceramic glazes to render illusionistic space, and pushing the boundaries of the rectangular canvas

an exhibition of the editions produced by the Dubuffet Foundation in 2024 with Galerie Lelong & Co. and Pace Gallery, to celebrate its 50th anniversary

“energetic fields of abstract marks that occasionally coalesce into floating forms approaching figuration” - new paintings in the Armerican’s first exhibition with the gallery, and in London

sourced from the artist’s extensive collection of found online images, “Shearer’s images of sleep offer a quiet counterpoint to the culture of hyper-attention and incessant activity that dominates contemporary life” - Andrew Witt

an exhibition of still life paintings by the eminent Danish painter, sculptor, filmmaker, and author

Ava Grauls, Diane Chappalley, Epona Smith, Evie Mae Jacobs, Guan Guan, and Hannah Lim - six extraordinary international female artists who explore ephemeral moments that encapsulate the essence of the feminine experience

new paintings and drawings by the British artist, exploring and drawn from the eponymous activity-led, family-friendly setting

more than twenty photographs shot on the streets of Rome, Sicily, and Venice - including the first exhibition of the complete Italy series - alongside iconic portraits of notable cultural figures

new paintings at APMA (Amorepacific Museum of Art) Cabinet, a project space in the headquarters of Amorepacific - “the night is a unifying force. It is when children dream and prisoners escape” - Ancart

a two-person “call and response” exhibition of paintings that contemplate “the manmade and natural worlds, wildness and domesticity, illusion and reality, and the blurry edges in between”

seminal photographs from the early 1970s by this pioneer of conceptual and staged photography, which challenge conventional notions of gender and its representation

Doring Baez’s first exhibition with the gallery is inspired by the 1975 film “The Night Porter” and her late brother's photography, to explore “her desire to know her brother more deeply than anyone can ever know another person”

new works by Simon - including an interactive sculpture and photographs that take an archaeological view of public attention and politics - “eerie, lyrical, and seductive, Simon’s pictures radiate beyond the present”

eight artists presenting a figurative exploration of the self, our connections with others, and the nuanced space that lies between

“these saccharine aesthetics are intentionally designed to captivate the viewer, only to expose the deeper truths beneath - how visual appeal has been commodified in modern society, shaping our perceptions of value, beauty, and identity” - Saša Bogojev

a dual exhibition of Cesare Lucchini and Stephen Pusey - two artists who have reinterpreted the legacy of first-generation Abstract Expressionism to bring fresh relevance to the movement

seven artists from diverse Eastern backgrounds in an exhibition which “investigates the diverse outcomes of a meditative approach to artistic practice”

“extra-sensory portraits ... paintings of friends and collaborators - a reconstruction, of sorts, of people he likes to spend time with”

Singh’s first institutional solo exhibition in London explores the full breadth of her practice, from large-scale oil paintings to intimate watercolours and ink drawings, to showcase her prolific career of over six decades

on the 25th anniversary of the Belmacz name, a transforming, three-month exhibition which creates “transitioning scenes, tableaus and clashes, amplifying the voices of our co-collaborators, constructing reverberations”

curated by Virginia Damtsa, more than fifteen artists in an exhibition of museum-quality, privately owned sculptures spanning over two millennia

photography, video, painting, installation, and sculptural works by emerging and established artists exploring the dynamic interplay of figure-ground relationships in architecture, psychology, media, and literature

celebrating four decades of handmade ceramics by Harrison, reflecting the depth and range of his concerns, techniques, and recurring motifs

exploring the way memories take shape, and blending reality with recollection and daydreams, oil paintings on canvas in artist-made porcelain frames alongside ceramic paintings mounted in treated wood, in Arildsen’s first solo exhibition in the UK

new paintings by Knop in his first solo exhibition with the gallery - “kaleidoscopic landscapes - lush forests, imposing mountain ranges, chocolate-box village scenes and dramatic seascapes - that unsettle as much as they seduce”

curated by Sabina Jaskot-Gill, over 200 photographs in an exhibition of iconic images and portraits from the trail-blazing youth culture magazine

in the gallery’s micro-project space, a new sculpture by the London-based artist

presented by Deanna Evans with works by Kerri Ammirata, Lisha Bai, Tess Bilhartz, Fiona Buchanan, Erica Mao, Lauren Portada, Marisol Ruiz, Aparna Sarkar, Polly Shindler

rare maguey fibre tapestries made by Central American craftspeople in association with Alexander Calder - who had a long-term fascination for folk art and indigenous manufacture

an exhibition which “celebrates a diverse grouping of artists connected through their visual reinventions of the human figure and incisive portrayals of women”

large luminous sculptures handcrafted in blown glass in the Finnish artist’s first solo exhibition

“spanning forty-two years of Gilmore’s practice, the exhibition focuses on her carefully constructed interior world, replete with Surrealist imagery and centred on portraits of family, placing domestic scenes centre-stage”

exceptional works by the quintessential “Mediterranean artist” Aïzpiri, and the master colorist Gorriti

Smithson’s installation takes the medical cases of the modern ME and the ancient “dancing plague” to explore historical and contemporary contradictions between health, ritual, religious fervor and guilt

“through works on paper, the artist creates a memoir of her time inside the studio ... the paper itself becomes a ritual space”

works on paper which “serve as visual diaries, marking moments of personal significance ... offering rare glimpses into these pivotal occasions”

titled after Homer’s epic, an exhibition by one of Spain’s most renowned contemporary artists who explores “navigation between the sky and the deep sea” with propellers, submarines, and airplanes constructing a poetic narrative of time, space, and life

an immersive environment with signature psychologically-charged clay-animation films alongside sculptural works, from the Swedish duo in their first exhibition at the gallery in Beijing

a landmark exhibition which presents the sculptor and poet’s tribute to the legendary Josephine Baker

new paintings and a site-specific intervention which explore healing, restoration, and remembrance in relation to conflict and wartime violence

an exhibition which “captures the raw, edgy, and moody draw of downtown New York City while showcasing the hidden beauty in the overlooked and abandoned”

four artists who take their cue from “Self Portrait in a Convex Mirror” - “each be seen to respond to Parmigianino’s legacy, his entwining of sight and doubt, his exploration of the tensions between image and reality” - Dr. Rebecca Birrell

works by Abraham Kritzman and Philippe Van Snick - shown for the first time in dialogue with each other

new paingings of contemporary recreation in a digital age - post futurist-scenes that blur the line between the human and the mechanical

“passion potelet” translates as “bollard-love” - “ever since I spoke with Julien Berthier, I haven’t been able to stop looking at the bollards scattered throughout every city” - Samuel Gross


“united by their mastery of the craft and influence on the medium, the artists represented in the exhibition provide a thoughtfully curated overview of the modern masters of photography”

a group exhibition which explores materiality as both substance and concept in contemporary abstraction - “how texture shapes experience, how material defines space, and how a work’s weight and presence shift perception”

inspired by the work of poets Paul Farley and Michael Symmons Roberts, an exhibition of sculptural ceramic works which explore those in-between spaces where the urban and the rural coexist

alongside new watercolors and a new panel work in the upstairs gallery, Cattelan takes over the main Shop with a presentation of editions, publications, and new merchandise

Pekünlü’s first solo exhibition in the US centers on a video, alongside a sound installation and works on paper to examine the vicious cycles encountered in everyday life

to coincide with her exhibition at Pitzhanger Manor & Gallery, an exhibition of new still lifes by Watt

turning the gallery into a spiritual sanctuary, fourteen of Kongi’s recent paintings in the Estonian artist’s first solo exhibition in the US

a survey exhibition announcing their global representation of the Estate of Ahn - “I painted and painted and could not stop … no matter how many water ideas I manage to express on canvas, more water ideas continue to surge” - Ahn

new paintings on aluminum from Fischer see him explore the imagery of online “fishing” and the definition of beauty

“Goldblatt’s photographs and van den Berg’s paintings [provide] a layered reflection on the histories embedded within South Africa’s landscapes”

works by artist including David Hockney, Jasper Johns, Cy Twombly, Ed Ruscha, and Bruce Nauman in this exhibition exploring the role of the written word in postwar printmaking

an exhibition of drawing, sculpture and the moving image as Banner explores language, conflict and gender

paintings, photographs, collages, and installations in an exhibition presenting two decades of the internationally celebrated portraitist’s vibrant, large-scale portraits of Black women at rest

over twenty works on paper by Long and Nash, two artists have made nature, and natural materials such as wood and stone, the centre of their practice

“a striking collection of emotionally charged works that will resonate deeply with many” as Fiszer blends digital tools with generative techniques to produce these still and contemplative images

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

Guerriero’s debut solo exhibition in London - “sensuous and intimate are some of the adjectives that come to mind when confronted with Guerriero’s miniature paintings”

deeply personal paintings exploring portraiture and mythology, as Adams reimagines himself within landscapes and interiors that merge past and present

presented alongside a selection of her visionary Museum paintings, new works by Treister in the form of tarot cards, diagrams and AI-prompted works reimagining alchemical drawings of the 13th-18th centuries

Haffendi Anuar, Elizabeth Gabrielle Lee and Koby Martin - three artists who explore belonging, identity, and the imaginary

a wide-ranging group exhibition with works from the past twenty years representing some of the most recent perspectives and approaches in contemporary design

the gallery celebrates its one-year anniversary with a Nicolas Sorbac and Christian Dominguez-curated exhibition bringing together a group of artists who challenge the limits of painting

an exhibition of the renowned French-German artist’s atmospheric landscape photographs - “my ambition has always been to make a timeless photograph - one that can age well, far from being datable”

an immersive multi-media installation forms the centrepiece of the first solo exhibition in Los Angeles of works by one of the boldest and most influential artists of the twentieth and early twenty-first centuries

an exhibition of the late Swiss photographer - “his work, which moves between photography, sculpture, object and painting, is characterised by clear, reduced black and white pictures”

the gallery’s first exhibition of the late multi-disciplinary artist presents ten sculptures from a pivotal period in his work where he explored “more corporeal forms that incorporate multiple components, and which balance density with ephemerality”

paintings and a new sculpture by the acclaimed artist, exploring identity, culture, and social issues

a two-person exhibition of Terrick Gutierrez and Ayobami Ogungbe, who both explore the relationships between memory, architecture, and the emotional resonance of place

paintings of ethereal, empty landscapes imbued with an unsettling, atmospheric calm in Webster's debut solo exhibition in Hong Kong

Josiah McElheny, Carrie Moyer, Hasani Sahlehe, Arlene Shechet, and Dan Walsh are five artists based on or around the East Coast whose painting and sculpture explores the legacy of modernism

Ross’s first painting exhibition in thirty years - powerful graphite and ink works which reimagine his lifelong engagement with nature together with his evolving artistic process

in his first solo exhibition in the UK, over twenty paintings showing the Cuban-American artist’s “captivating and intuitive approach to abstraction”

presented in collaboration with Ani Molnár Gallery, the gallery’s first exhibition of the pioneering abstract artist presents work from the 1970s up to his death in 2020

“several protagonists airing a long, drawn-out parlance, each seeking to justify its presence on a platform constructed in a far more functional derivative to the materials of that on top”

in the South Korean artist’s first solo exhibition, paintings ranging from the intimate to over two metres square explore the tensions between utopian beauty and unsettling realities

new hanging light sculptures and a minimalistic lounge chair by the collaborative art and design practice, exploring themes of place and memory with works that echo the designers’ belief in the future and longing for what is left behind

Portillo explores the emotional terrain of her native El Salvador through paintings which blur distinctions to create “an intentional ambiguity that captures the essence of memory itself”

with works by Yuji Agematsu, Gilles Aillaud, Cecilia Bjartmar Hylta, Prunella Clough, Curtis Cuffie, Dominick Di Meo, Trisha Donnelly, Claudette Gacuti, Solomon Garçon, Alex Harsley, Henrik Olesen, Patrick Procktor, and Katsuhiro Yamaguchi

including many pieces never shown before, this is the first UK solo exhibition of the late Eritrean-born American artist known for richly colourful, dreamlike paintings, reflecting European and American art as well as his native country

new acrylic and oil paintings in Curtiss’s first solo exhibition with Gagosian, and in Paris - drawing on 18th- and 19th-century European painting and integrating influences from the Chicago Imagists, ukiyo-e, comics, and popular illustration

organized with The Easton Foundation, works from the 1960s to 2008 including rarely exhibited sculptures and works on paper as well as a three-meter-long fountain installation and a steel and marble sculpture, both shown in Asia for the first time

the first presentation of these performative, personal works by Boothright exploring “the vertical as a symbol of time, transformation and mortality”

new sculptures in an immersive environment from the Portuguese artist in which she focusses on two non-Japanese designers who had strong ties to the country

simple geometric forms encased in Plexiglas, which give the illusion of movement, in this exhibition of one of the leading exponents of constructive and concrete art in Germany

new oils on canvas and gouaches on paper by Yoon in her first exhibition in France - “each painting has a life of its own, and it's my job to make it visible”

part of Gallery 2, the occasional programme of exhibitions by non-represented artists, abstract paintings from the 1960–90s by Mohanti, for whom painting is a form of meditation and life control

works by artists including Alighiero Boetti, Jean Boghossian, Chiara Dynys, Emilio Isgrò, Anselm Kiefer, Claudio Parmiggiani, Michelangelo Pistoletto, and Yinka Shonibare exploring the book, not only for its literary content but also its symbolic value

new digital paintings and an interactive carpet in the German collective’s debut solo presentation at the gallery and in London

“with an almost childlike joy, Paquet playfully deconstructs photographic techniques, returns to its essential elements, in order to celebrate a single component: The most important element is light” - Lillian Davies

Bowling’s first solo exhibition in France sees him continue to explore collage as a conceptual tool and technique, and features new works including four monumental paintings

an exhibition of Maillol sculptures in conversation with new paintings by Orchard - “a dialogue between painting and sculpture that is beyond time, the exhibition represents visions of form, volume, and line, explored through the female figure”

a video installation which uses social media as a performative space to explore the impact of it on the commodification of - particularly women’s - bodies

works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

new and well-known works by the artist in an exhibition which creates “a space that invites viewers to dive deeply into the material and relationships of his various pieces”

inspired by a Maya Angelou poem, “a journey deep into the complex and fascinating universe of Oda Jaune” with twenty oils on canvas which explore unconditional love

examining the challenging of convention and use of repetition, defining works by key postwar figures including De Maria, Fontana, Judd, Manzoni, Merz, Picasso, Rauschenberg, Serra, and Warhol

Jeon’s first solo exhibition in France presents her paintings, which “capture the diffuse feelings that persist when you wake up, when what remains of your dreams are impressions, colours and hybrid shapes”

the gallery’s first solo exhibition of the London-based Dutch artist presents recent sculptural and photography that explores ecology and systems of production, examining the invisible infrastructures that shape our consumption

curated by Maria do Carmo M. P. de Pontes, an exhibition of Marta Jakobovits and Anderson Borba, two artists whose practices are rooted in exploring materiality

“Janská’s practice is a meditation on form and perception, a delicate unravelling of selfhood tracing contours of femininity with an ethereal hand” - Luana Hildebrandt

an exhibition of unique record sleeve designs by renowned artists and emerging talents - and Yinka Ilori etched-vinyl - in the ninth edition of the charity initiative combining music and art

recent work woven using data from Morris’s life, recorded on the scientific-medical device she has been using since 2005 - “invites viewers to consider the intersection of technological systems and human experience; of materiality and time”

this installation of new ceramic works by Berrow - “unfolds into a more lavish offering: a journey through mythical spaces, first greeted by ancient wells brimming with water before moving through to a feast at the heart of the exhibition”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

in his first exhibition at the gallery in New York, Guez re-contextualises found objects to explore the multi-ethnic and multi-religious heritage of his family and related communities

large works on paper, intimately-scaled drawings, ceramic sculptures and a monumental hanging drawing in Fried’s first solo exhibition in Los Angeles

gestural marks, vivid colours, monochrome compositions, and repetitive geometric shapes and patterns from three diverse artists who explore drawing as an intuitive as well as premeditated practice

taking inspiration from a chessboard, new signature portraits by the Mallorcan artist sculpted with thick impasto oil paint and a palette knife

more than fifty aphorisms, remarks, slogans, and “other precepts of questionable significance” by Labelle-Rojoux, all written on colored paper

“like these chouchous that form the base of a stool, or this windshield turned into a mirror. Here, one senses a love for life, the life that shapes things and always reappears” - Maïlys Celeux-Lanval

works by Walead Beshty, Angela Bulloch, Sylvie Fleury, Liam Gillick, Douglas Gordon, John Giorno, Adam Pendleton, Gerwald Rockenschaub, Ugo Rondinone, and Steven Shearer

sculptures, assemblages, installations, and works on paper from 1962 to 1980 in Caniaris’ first major retrospective in France

in memory of one of the most radical Swiss artists of our time, pieces from three pivotal groups of work in an exhibition to mark twenty years since his passing

the first collaborative exhibition by the Brooklyn-based couple - “both Hughes and Eddy translate autobiographical material into abstract allegory, removed from their own lives ... to connect with the chaotic world through painting” - Heinz-Norbert Jocks

celebrating the work of the late architect, sculptor, designer, and leading figure in Brazilian modernism, known both for his sculptural style and ecological awareness

the contemporary Australian artist’s works “express the internal meditative quality evoked by the landscape, illuminating these impressions in wondrous and imaginative paintings”

twelve new works by the Korean artist at the gallery’s new Milan space, including her signature methodical works of burnt, cut and layered Hanji paper as well as pieces characterised by gestural forms

other new paintings by Kimeze and works on paper, shown alongside a newly commissioned tapestry made by Edinburgh’s Dovecot Studios

installed on a giant frieze, Cognée’s landscapes use a unique painting technique and display “his unconditional love for the medium of painting and his caustic view of our disenchanted era”

the debut of a new project, specially designed for the gallery space, from the artist who’s work “defies classification and explores a variety of mediums, aesthetic categories and sources of inspiration”

an installation which “explores myths, legends, gods, rituals, and their influence on our lives . . . the supersized form will complete a monumental Mother Goddess sculpture, contrasting with the male-centric Mithras religion of the temple”

across both gallery spaces, an exhibition of works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

“on this French Riviera that he loved as much as I did, Karl was about to surround himself, for the first time, with a geometric, childlike and colourful decor. Fine, but why specifically Memphis?” - Paloma Picasso

the Brooklyn-based artist’s first solo exhibition with the gallery - “scientists tell you that in nature, light makes the color. But a painter will tell you that colors make light” - Evertz

works which have been out of the public eye for decades - “Leino’s works combine elements of Finnish nature with the tradition of American abstract painting in a way that has no other parallels in art history”

drawn and monotype-printed works on paper by artists including Joe Bradley, Carroll Dunham, Shara Hughes, Tobias Pils, Ugo Rondinone, Tschabalala Self, Steven Shearer, Josh Smith, and Alex Hank

in conjunction with his estate, an exhibition to celebrate the life and work of the influential artist, humanist, and philanthropist

works which explore the relationship between humans and nature, and reflect on the dynamics of collective memory and personal narrative - together examining the idea of printed or sculpted “imprint”

the German artist’s first solo exhibition in Japan presents “a dance of silences from various origins, moments of anticipation, and moments of calm after the deep emotional engagement that only music can inspire” - Andreas Schlaegel

monumental sculpture, installations, and video - including new work shown for the first time - by one of the most powerful voices in contemporary Ukrainian art - “Kadyrova creates a space for reflection on the essential role of art in times of conflict”

“an aspiring manga professional turned rising star painter, Kuraya creates an oeuvre that revives the classic role of figure painting” - Shinyoung Chung

Kambiz’s unique visual language is a combination of surrealism and neo-primitivism, resulting in dreamlike, quirky and expressive forms

ninety-five etched copper plates line the gallery walls as a central structure creates a tension between the two-dimensional and the three-dimensional

“Nakagami has dedicated his life to the pursuit of true light in painting. From the depths of darkness, a hypnotic glow emerges in his works, preserving a certain ambiguity in its nature” - Josephine Dorr, curator

an exhibition of commissioned paintings by Neal - the first artist granted permission to portray “the enchanting vistas of His Majesty King Charles III’s private residence and its esteemed gardens”

major works by Poliakoff alongside pieces by the artists who contributed to the perseverance of his chromatic explorations and created equally avant-garde works themselves

an exhibition of the Chilean artist’s “portrayals of a dream-like jungle, where various animals coexist in harmony”

“in Helle’s sculptures, the horn of plenty has emptied its contents all over the voluptuous, hedonistic figures, which are decked in flowers, vines, fruit, gilding and all manner of lavish details”

“the vibrantly colorful geometrical structures in his paintings are like monuments placed upon pedestals, some of them proudly balanced, others wobbly and imperfect”

“Perry’s practice - spanning collage, printmaking, and installation - explores personal memory in today’s hyper-technological world”

an immersive fabric installation, work on paper, paintings, and cut-out paintings in Mourad’s debut exhibition in Asia - “his quick strokes carry a sense of augury, a cartomancy in paint”

new works in lacquered wood and concrete benches by the French designer which “embody the artist’s interest in the architecture of artificial contemporary landscapes”