on its fortieth anniversary - and for the first time in the UK - an exhibition of all 126 photographs from Goldin’s genre-defining photobook

an exhibition of three decades of Brancusi photographs - many shown in London for the first time

a major site-wide takeover, the first exhibition dedicated to both artists in the UK, presents unseen and iconic works by the two emblematic figures of contemporary art

this new “multi-sensory environment” project by Doig transforms the gallery into a listening space to explore the role of music, film, and sites of communal gathering, listening, and creative exchange in his practice

the London and Berlin-based British artist and game designer’s most ambitious project to date - a groundbreaking video game commission with a multiplayer immersive experience exploring polarisation, censorship and social connection

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

curated by Elizabeth Jackson and Emily Stapleton Jefferis - “expect a tactile, multi-dimensional installation combining wall, floor, and plinth-based elements”

the first exhibition to focus on the decades-long evolution fo one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

the gallery’s first exhibition dedicated to the trailblazing American artist, author, educator and activist surveys her career with textiles, paintings, sculptures, and rarely seen works on paper

the inaugural exhibition at the gallery’s new space in Hanover Square presents new works completed in London over the past six months alongside the first full UK presentation of “The Moon Room” - fifteen iPad paintings of the night sky

an exhibition titled after and celebrating André Bloc’s highly influential avant-garde journal promoting post-war contemporary art

the debut exhibition at the gallery’s new space presents Michele Fletcher, Connie Harrison, Shuang Jiang, and Shara Mays, four artists whose work explores gestural, baroque-esque abstractions infused with floral undertones and inspired by landscape

“the Japanese artist unfolds her renowned web-like installations, reinventing thread as a poetic and universal medium”

Young-Il Ahn, Gabriel de la Mora, and Shim Moon-Seup in a three-person exhibition which explores “abstractions of the sea and sky”

drawn from the entirety of her career, an exhibition of Geesaman’s “idealized, often dreamlike” photographs of parks and formal gardens in Europe and the US

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

showcasing the work of talented young photographers, gifted amateurs and established professionals in the very best of contemporary photography

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

in her first solo exhibition in Los Angeles, a series of canvases examining the excesses of consumerism and popular culture with lush, swirling brushstrokes

celebrating the summer season, “over thirty functional sculptural works of art and design … that embrace the elemental qualities of light, space, and transformation”

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

the multimedia Afro-Caribbean American portrait artist presents monumental fiber portraits that “celebrate the intimate connection between textiles and communities of color”

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

acclaimed British designer Terence Woodgate and pioneering engineer John Barnard present a body of work which meditates on the intersections of space, movement, and minimalism

the gallery’s new space presents the first show in London for over 20 years of one of the foremost painters of his generation. In these new works, enigmatic interiors suggest a fleeting human presence ... each room capturing a moment suspended in time

curated by Christine Eyene, painting, sculpture, video, text, and sound exploring Black life and Afro-diasporic existence, in the UK debut exhibition of the London-born, Paris-based poet, rapper, and multidisciplinary artist

curated by Michèle Lamy a new exhibition of Rick Owens Furniture inspired by London’s brutalist architecture

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

new paintings which examine “legacies of colonialism, empire, and the masculinist ideals that underpin them” in the acclaimed Irish artist’s first exhibition with the gallery

a substantial group exhibition, curated by Nana Bahlmann and featuring over a hundred conceptual photographs, print media, and films - ranging from the 1960s to the present these works “expose the absurdities of our world and its representations”

including the rare complete series of “The Twelve Tribes of Israel”, a wide range of works by the Spanish surrealist

the artist’s inaugural exhibition with the gallery sees him return from short, energetic mark-making to exploring “the placement of marks through large, dynamic brushstrokes that create a sense of expansion”

the pioneering conceptual artist’s fourth solo exhibition with the gallery explores the role of protest in her work and its power to effect change

in this exhibition curated by Donna De Salvo, De Maria’s final sculpture is shown for the first time outside the US alongside other rarely seen sculptures, drawings, films, and archival materials

in Hsu’s first solo exhibition at the gallery, wall-based pieces, sculptural LED screens, and large-scale visual environments “which reflect a heightened engagement with both computational and medical infrastructures”

“a solo exhibition by the renowned painter featuring three interrelated bodies of work … each being formed from a concatenation of smaller, individual panels, seemingly employing different styles and diverse moments from his own back catalogue“

“through a century of artistic transformations, brought together in a selection of around thirty works from Auguste Renoir to Fernand Léger ... still life emerges here as more vibrant than ever”

recent sculptures and paintings - “the Porcelain series is in dialogue with art from ancient times through history to this moment; the belief in humanity and civilization through our possibility to transcend is embedded within” - Koons

curated by the acclaimed painter, a diverse group of international artists working across painting, sculpture, photography, film, and drawing from the 19th century to the present day

forty-five photographs made in private places across New York, New Jersey, California, and London between 1961 and 1971 by Arbus, widely regarded as one of the most original and significant artists of the twentieth century

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

paintings, drawings, and etchings by the British-Caribbean artist “engage critically with questions of memory, belonging, and identity, while simultaneously foregrounding the enduring significance of community and cultural resilience” - Cameron Amiri

over forty works - including several shown for the first time - exhibited alongside a recreation of Rego’s studio in a major exhibition centred around the intensely personal period that she spent there from 2005 to 2007

the gallery hosts an exhibition of the work of the 2024 and 2025 student cohorts at the Apollo Painting School

with a title which translates as “Of Soil and Whispers”, new paintings and sculptural reliefs which explore “a metaphoric and visual language rooted in Latin American folklore and ecofeminist thought”

curated by Joey Lico, twelve artists whose practices consider how the earth is held, shaped, remembered, and reimagined

a solo exhibition “that brings the internal terrain of Kelly’s neurodivergent experience into sculptural and spatial form”

titled after Einstein’s term for quantum entanglement, new paintings on satin, sculptural works, video, and sound installation examine “how images form, how materials behave, and how perception is shaped by both physical and conceptual frameworks”

“spirals are everywhere in acclaimed Haitian American artist Kathia St. Hilaire’s mesmerizing new show”

covering nearly sixty years of her paintings on canvas, clayboard and paper, this is the first major monographic exhibition in Europe devoted to the visionary American abstract painter

the first solo exhibition with the gallery of the late major figure who “contributed decisively to the birth of a new kind of geometric art” - Domitille D’Orgeval

the multidisciplinary artist’s first solo exhibition in the UK presents his ongoing project exploring memory, decay, and impermanence

across two locations, both small and monumental canvases by the Monegasque artist examining the power and fragility of the planet’s polar and glacial regions

Cerrato’s first solo exhibition in New York presents paintings from a critical period, both in her art and her life

including work exhibited in Berlin for the first time - and based on the eponymous Samuel Beckett piece, with Daria Blum, Hanne Darboven, Gina Folly, William Gaucher, Mike Kelley, Kippenberger, Monika Sosnowska, Ilaria Vinci, Xie Lei, and Urban Zellweger

“like the city itself, and the different gazes cast upon it, gradually revealing new layers of understanding, Matthias’s assemblages grow denser, accumulating multiple strata” - Romane Constant

a solo exhibition which examines Zutrau’s evolution through the critical period when he worked between Tokyo and New York

“Rinck’s sculptures seem to me to be talismans, whose effectiveness is no longer guaranteed but which we hope might transform our relationship with the world as well as with others simply through their very presence” - Camille Bréchignac

the second exhibition in the three-part series marking the gallery’s hundred-year history, presents post-war European artists whose radical experimentation and shared search for innovation helped define the language of modern abstraction

“within this space, fire is no longer bound by the logic of reality, but assumes visual forms that are open, fluid, and at times playfully unconstrained” - Odile Zhao

pieces by internationally renowned artists - drawn from a century of work - brought together in pairings to explore connections and offer new interpretations

on the occasion of the gallery’s sixtieth anniversary, recent and monumental pieces in its first exhibition dedicated to the legendary French artist

in his first exhibition at the gallery, new paintings and sculpture - “fragmentary images, between memories and visions, traces and narratives” - by the French artist based on his residency in New Orleans

“multidisciplinary works that resist binaries, inviting viewers into layered allegories, histories, and personal experiences”

paintings and works on paper from the 1960s through the 1990s by one of Canada’s foremost Color Field painters

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

“this installation creates a dialogue between the musician’s singular universe and a selection of works by Xavier Veilhan [alongside] collaborations with … Jean-Baptiste Mondino, André, Charlotte Abramow, Mat Maitland, Jonas Unger and Melchior Leroux”

featuring Gideon Okoro, Tumininu Gbebire, and Tobiloba Fasalejo, the 11th edition of the gallery programme presents three emerging artists who explore memory, healing, and cultural inheritance

in these new works, Aky steps away from the formal structures usual in her practice and “allows each painting to unfold in its own rhythm … in which colour moves with an autonomous presence and a soft and intuitive visual language emerges”

a two-person exhibition of new ceramic works “Together, [Scott and Slotte] show how art can open up an apparently inconsequential domain of material culture, showing it to be far more expansive than one could have imagined”

“ink and photo emulsion-based works on paper which foreground the traces of their production. The works’ compositions are sliced and segmented by creases, perforated to reveal the act of making as much as they might conjure familiar textures and imagery”

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

new works by the Hamburg-based Canadian artist, presented in dialogue with her 2023 series FAMILY WALLS

the late seminal painter’s first solo exhibition in Hong Kong provides an insight into her approach and her work over more than seventy years

new pieces from four distinct bodies of work including intimate pencil on-paper drawings and new, large-scale paintings shown fir the first time, in an exhibition to celebrate the artist turning 80 this year

rich in detail, color and texture, new works that explore the connections between art, mysticism, female agency and philosophy

over one hundred drawings - spanning the years 1959 to 1968 - show Lozano’s “unbridled energy and social consciousness”

“the works invite sustained contemplation, offering viewers a quiet resonance with the cyclical and material rhythms that shape both the world and the self“

new paintings and drawings sourced from Hammoud’s own snapshots, found photographs, illuminated still lifes, and digital collages

an exhibition exploring Bauermeister’s use of rocks - including in progressions, spirals, and lens boxes - and examining the themes central to her practice

new paintings - “young figures located within the absurdities and perversions of contemporary western life” - in Mustin’s first solo exhibition with the gallery, and largest to date

iconic works by Mucha from throughout his career, including emblematic vitrine works presented in a site-specific installation devised by the artist

the Franco-Togolese artist’s first solo exhibition in France presents her signature sculptural furniture pieces made of local Togolese wood - including Mélina, Neem, and Cassia - and characterized by a tactile, sensual silhouette

an exhibition of new works by the German-Brazilian artist. “In her paintings and works on paper, Tschäpe presents dreamlike abstract landscapes inspired by the natural world and memory“

new works in the artist’s first exhibition in Berlin - “Swordy’s work reminds us that … a slow, diligent approach can open up a space of revery, where concentrated focus coexists with a dreamlike state” - Patrick Price

“Maciá expands sculpture beyond the visual, using sound, smell, drawing and fresco to explore the invisible systems that sustain life”

new work from the Saudi artist where he moves from the singular image to a multi-sensory world, centered here around ”three large-scale video projections cast onto suspended curtains of fabric that curve and ripple through the gallery”

new paintings, a sculpture, and a video installation - “Fischer explores themes of perception and representation”

jewellery pieces and functional artworks by the experimental Paris-based artist, characterised by what he calls “delicate brutalism” - presented for the first time by the gallery

“for José Lerma, everything begins with the gesture … each canvas is a new lesson, a way of pushing further his exploration of gesture and matter” - Margaux Knight

“a magical-realist interview … on a rooftop in Berlin, Eva and Hanna - mother and daughter - speak of a house in Brandenburg called ‘India’ - Marija Grujić

large-scale oil and acrylic paintings on canvas, alongside smaller scale works by the Nepalese artist - “a new waypoint on his adventurous career to date, providing a privileged peek into the artist’s ever-unfolding journey to the inner Heart of Light”

a solo exhibition by one of the most emblematic figures of the contemporary Cuban art scene - “each piece represents a silenced cry, a lament drowned out by the white noise surrounding us, a constant drone that keeps us submerged in emotional lethargy”

taking the movement normally associated with the end of the 19th century as a starting point, this exhibition broadens its reach to include works dating through to the 1930s to explore the influence of artists working in the Fin de Siècle style

new and recent paintings by Whitney

inspired by the former party paradise Salton Sea in California, “Mayaux invites us on a pictorial drift through the neglected fringes of the American Dream [and] explores our relationship with history, nature and the disillusionments of modernity”

“the year preceding the artist’s birth becomes a lens, a way of examining the world as pure potential … five wall pieces and three sculptures, each one emerging from a different technical universe” - Maria Valeria Biondo

in her first exhibition with the gallery, the French-Canadian artist “invites us into a luminous horizon of time, light, and presence … weaving a language of subtle chromatic atmospheres“

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

“a group exhibition bringing together sculptures, paintings, works on paper, and installation taking the everyday object as a point of departure, revealing art’s enduring ability to transform the overlooked into sites of inquiry and visions of delight”

a new series of tar paintings, sculpture, and installation tell an allegory of the city in decay and the potential contained within its ruins - “a profound reflection on Gate’s life as a craftsman, urban planner, and pedagogue”

collaged reliefs made from photographs layered up to four inches deep and “Layer Maps” in this exhibition which “reveals photography not as reflection but as structure, the vessel through which America pictures and forms itself”

curated by Lisa Le Feuvre, Smithson is shown alongside eighteen other artists in an exhibition which examines his work “from his early 1960s drawings … to his searing critiques of industrial capitalism and attention to geological timescales”

“an immersive art installation that explores the interplay between materiality, light, and nature inspired by Claude Monet’s late water lily landscapes, in which vision dissolves into abstraction”

an exhibition of Edwards’ bronze sculptures “seen as vessels to encourage consideration of our own humanity and what it means to exist in partnership with the world we inhabit”

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

works by female artists from a rich diversity of language groups and cultural backgrounds – this exhibition showcases the power of intergenerational Indigenous art across a wide variety of styles and stories

“The In-Between affirms the power of the ‘middle’: a fertile space where the world can be reborn, where man and nature can once again find each other and be attuned, where transformation occurs” - Michaël Ferrier (translation Kate Deimling)

a new body of work by the Ugandan artist explores “how our senses – touch, sound, scent, and sight – can hold onto memories long after their season has passed”

Trinidadian-American artist Allana Clarke presents “sculptural paintings that create a new and powerful visual language.... Clarke’s work constantly challenges viewers to rethink ideas of womanhood and Black diasporic identity”

“transforms anonymous messages and seemingly mundane signage found across cities into an aesthetic experience full of graphic verve”

in an exhibition titled after Joe Brainard’s iconic memoir - “Joffe’s paintings attempt to capture the fleeting yet enduring nature of memory and how it shapes our sense of self”

the first significant introduction of three emerging artists, all born in the 1990s - “each artist blends autobiographical elements with imagined and historical narratives, uniting their individual stories through a focus on the human figure”

a group exhibition exploring how artists and designers across generations transform concepts into material language. “From molten bronze to volcanic stone, from dandelion seed to carved marble, the exhibition traces how ideas evolve into tangible form“

new paintings and works on paper -“images of lush, abundant vegetation” - in the eminent British painter’s first in New York in nearly a decade

Rose’s new paintings trace “the ways landscapes shape human experience and how the stories and belief systems we weave are born from them”

new work by the artist - “numerous upright forms that resemble standing figures or columnar pillars, but which are abstracted and complicated through Cragg’s rigorous process of hand carving”

curated by Dr. Tobia Bezzola, eight monumental works spanning Gertsch’s career, and “elucidating the ways in which he transformed photographic imagery into hyperrealist paintings and woodcuts”

“Zakiewicz’s portraits are systems of relations, not images of flesh” - Karolina Albricht

a survey exhibition of the renowned Colombian artist, tracing key developments in her influential, six-decade career working between weaving, painting, and sculpture

“I have thrown myself into the very elements that produced me, using the earth as my canvas and my soul as my tools“ - Mendieta, Proposal for the New York State Council on the Arts, 17 March 1982

“exploring the artist’s enduring fascination with systems, collaboration, and variation … the exhibition traces his investigation into how order and repetition give rise to difference, and how meaning emerges through collective labour, time, and chance”

new minimalist photographs by the British photographer continuing his journey into abstraction

new works in ceramic, wood, steel, and paper in Santos’ first solo exhibition in South Africa

“a mini-retrospective honouring the late, great photographer whose timeless images captured the humour, irony, and soul of the human (and canine) condition”

new works by the Ontario-based artist whose paintings and works-on-paper offer “an opportunity to examine interiority through an encounter with exteriority as figured in the language of painting”

a selection of the artist’s early works, on view together for the first time, the exhibition is a rare opportunity to explore this formative phase of Manzoni’s practice revealing the unexpected foundations on which his later artistic production was built

an exhibition which sees the multimedia artist focus exclusively on oil painting, between abstraction and figuration “they are pure, simple, and deeply personal paintings that ask for close observation”

new paintings by the Argentine-born Madrid-based artist, drawing thematically on Shelley’s poem - “eerie, evocative landscapes embedded with fragments from the present industrial age”

the second exhibition in a collaborative series with extends the ongoing project of examining African and European objects side by side, situating them within a shared art-historical and material conversation

in the third of Rashid’s twelve-part series, an examination of the early stages of the Napoleonic Wars, “refracted through his signature blend of historical fiction, hip-hop lyricism, and pop-cultural commentary”

“a 10-ton installation made entirely from discarded rope and a large-scale four-part neon ... playfully toys with notions of commerce and disrupts the conventions of a commercial gallery”

these new imposing oil portraits of seated figures by Sweeney “convey intense energy and feeling through Sweeney’s use of rich color and bold paint handling”

celebrating the works of four painters - Dido Hallett, Georgina Stone, Hester Finch and Catherine Long - who shared a studio in Camberwell in 2025

“for over two decades JR has transformed architecture into spaces of vision and participation … from Omelia Contadina in San Gimignano to Giants peeking at the city in Havana, from La Ferita in Rome to his monumental mural at São Paulo’s Pacaembu Stadium”

an exhibition by the emerging multidisciplinary artist Toby Grant, also known as Cato, focussing on the Black community within his South London orbit and capturing domestic and communal life in barbershops, diners, and at home

new paintings by the London-based painter - “driven by impulse and intuition, Wesołowska paints with the intention of summoning an image, most often a figure, to the canvas”

based on a dream Gale had, a newly commissioned installation fills both spaces with teapots of mugwort, tea kettles, and an audiovisual system created with long time collaborator and lighting designer Josephine Wang

a new ceramic sculpture by the Mapuche artist “rendered in a glimmering cobalt lustre” and drawing on her heritage and lived experience as a member of the transgender community to explore the intersections between Indigenous and Western cultures

curated by Evonne Jiawei Yuan, and part of a series of exhibitions and conversations across Shanghai, this exhibition extends Zhao’s depiction of landscape, portraiture and still life into an elaborate, performative triad

the gallery’s second solo exhibition of work by the late Korean artist bringing together the Couple and Nude paintings and tracing his ”sustained engagement with the human figure as a site for exploring painterly surface, materiality, and form”

“an exciting opportunity to explore the breadth and dynamism of Ruby’s practice, which spans painting, sculpture and collages”

this unique exhibition of painting and sculpture by the two friends - on show at Sadie Coles HQ and Hazlitt Holland-Hibbert - illustrates both the contrasts and similarities in their work

the first New York solo exhibition of the clan advocate and leading figure in contemporary Indigenous art presents works painted on bark cloth that he harvests and prepares by hand

“sculptural lamps by twelve international artists who treat light as a living material … installed across three adjoining rooms, the works form a shifting rhythm of light that turns the gallery into a responsive environment, more organism than display”

an exhibition of powerful paintings by the renowned Australian First Nations artist

an exhibition which brings together two artists whose practices are rooted in materiality, structure and transformation and examines the poetic tension between language, form and gesture

an exhibition of drawing and painting “as active processes of observation and transformation” exploring the Jungian unconscious and dream imagery

across two locations, both small and monumental canvases by the Monegasque artist examining the power and fragility of the planet’s polar and glacial regions

working across enamel, acrylic, oil, house paint, airbrush, graphite, and charcoal, the Australian artist creates ”works that pulse with immediacy and intuition”

curated by Tobia Bezzola, an exhibition bringing together paintings, sculptures and drawings focusing on the people and landscapes closest to the artist - shown alongside photographs by his friend Ernst Scheidegger

“known for his atmospheric nocturnal scenes and psychologically charged portraits, Hido now turns toward the expanded visual form of collages and explores the shifting terrain between memory, place, and narrative”

the second of a three-part cycle at the Jean Nouvel-designed venue in the heart of the city brings together eleven artists who explore the invisible, fluid, and persistent concept of “time”

new paintings by Uslé - “this subtle and sophisticated body of work reflects on the possibilities of painting itself”

new paintings and video see Madani referencing Picabia’s 1916 painting Fille née sans mère (Daughter Born Without a Mother), which plays on the classification of machines as female

contemporary artists working across painting, sculpture, installation, video, and photography who create “a space for reflection and encounter, where the pursuit of the unattainable becomes a catalyst for imagination, empathy, and renewal”

Grange’s debut solo exhibition at the gallery draws on LGBTQIA+ histories, queer identities, and speculative storytelling to build worlds populated by characters and symbolic artefacts that question societal norms and power structures

painting, sculpture, installation, and video - all embodying the idea of “blue” - by sixteen acclaimed artists from ten countries, in the inaugural exhibition at the gallery’s new 15,000 square foot Los Angeles space

“Wallach’s works are primarily composed of simple, heterogeneously connected materials – wood, plaster, glass, or canvas – that enter into dialogue with one another … [he] is interested not in the stable equilibrium of things, but in the delicate balance”

curated by Paolo Bolpagni, an exhibition focussing the cycle of paintings created by the leading figure in Italian art between 1952 and 1956

Malcolm Bradley, Bob Law, William McKeown, Lizzie Munn, Salvatore Pione, and Ki Yoong “invite a reconsideration of how form can hold emotion, how minimal gesture can evoke depth, and how the physical artwork … can become a vessel for the ineffable”

two significant bodies of work which highlight the seminal role of a pivotal period for Sanejouand

in an exhibition titled after the philosophical term, “Mallat’s works resist both nostalgia and repair, they dwell instead in what the artist calls a ‘poetics of aftermath’: an aesthetics of instability that reflects the precarity of the times we live in”

works by Asad Faulwell, Habib Hajallie, Massoud Hayoun, Andrew Maughan, Tiyana Mitchell, Lavar Munroe, Marc Padeu, Fa Razavi, and Anders Sunna - nine artists who explore painting and drawing as an act of storytelling, with the figure a common motif

the Berlin-based artist’s first London solo exhibition- “what defines Seluga’s practice is the way he paints toward the figure rather than from it. Forms accrue, erode, and return through a process that feels as much psychological as it is material”

a new body of work by the Lebanese painter from her ongoing ‘Birds’ series, the exhibition approaches the bird ”as a figure of unbounded movement, free from borders, categories, and constraints”

an immersive environment of twenty-five monumental graphite drawings on suspended cotton fabric in Bagheri’s first solo exhibition with the gallery

Paulina Aumayr, Allen-Golder Carpenter, and Thomas Supper “work at the thresholds of their respective media, questioning social, cultural, and material systems. They dissolve existing boundaries and transform structures from within” - Luisa Seipp

“deepening the interplay between the familiar and the uncanny, where the beautiful intertwines with the grotesque … this ambivalence unfolds into a poetic, narrative language that refuses resolution and remains held in suspension”

important early sculptures, paintings, and works on paper in an exhibition conceived with both Krebber and Michael Sanchez, the author of his catalogue raisonné

ethereal, translucent panels and a three-screen video by Raven, a wall-based text work and a sculpture of found timber by Long, and a Latham installation in the gallery’s new season offering distinct takes on artists’ relationships with landscape

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

the Korean artist’s first solo exhibition in London presents over three decades of his meditative, practice-based inquiry and distinctive painterly language

a solo exhibition by Hohenlohe “who redefines the boundaries between photography, object, and painting … a world where images are not made, but found”

works by Fidan Abilova, Jala Aziz, Leyla Guliyeva, Sabina Jafar, and Maryam Yusifaliyeva in an exhibition developed with Atesh Hub which “explores the entanglement between the female body and the natural world through an ecofeminist lens”

Ilya Bolotowsky, Ernest Briggs, Seymour Boardman, Peter Busa, Peter Bonner, Mario Bencomo, James Brooks, Lina Binkele - “united by a shared initial … their works form an intriguing dialogue across decades, styles, and modes of expression”

mostly working in oils, Ziegler creates totemic figures and biological forms which fuse raw pigment with sand, soil, pumice - “painting is my attempt at processing and synthesizing the stories and information I’ve become curious about”

curated by Milovan Farronato, an exhibition of two painters both showning for the first time at the gallery - “Lontano dal Mare is both a horizon and a perspective … a sentimental and poetic dialogue between two gazes” - Farronato

conceived by Jasper Sharp and Anderson, this exhibition brings the acclaimed autodidact Joseph Cornell’s New York studio to the heart of Paris - a city he never visited but vividly idealised

an exhibition tracing Cubism’s evolution from its origins to later reinventions - from the pre-Cubism of Roger de La Fresnaye, through Cézanne, to the post-Cubism of artist like Georges Terzian

three exhibitions across three venues - White Realm presents three multi-generational artists and “channels the urban pulse through purity and clarity [and] returns to the elemental qualities of paper — whiteness, luminosity, fiber, and breath”

in his first solo US exhibition, Şehitoğlu explores Maciavelli’s “Whoever possesses knowledge possesses power” - constructing an allegory that takes his own field as a reference point to “reflect on what the current age has brought”

three exhibitions across three venues - White Light at Breeze Center presents monumental paper sculptural installations by the German artist known for her distinctive technique of using hand-torn paper as spatial drawing

new works on paper by the Brooklyn-based artist – “the slow, repetitive act of mark-making creates a visual embodiment of time which she describes as ‘demanding repetition of the body and perpetual renewal in the realm of the imagination’”

an exhibition bringing together twelve new paintings by the Irish artist, together with four small works on panel presenting “a microcosmic snippet of his world … a tiny window onto the limitless eternity of time”

Cragg’s first solo exhibition at the gallery presents new and recent, smaller-scale and monumental, sculptures in bronze, wood, aluminium, and steel - in an exhibition which extends beyond the interior of the gallery

an exhibition of the renowned American artist’s prints, multiples, and tapestries

new works by the British artist where she explores three interconnected techniques - hand-dyed and woven, painting on canvas, and her “Thread Paintings”

“light as atmosphere, rhythm, memory, perception, and emotional charge” in this landmark exhibition presenting the work of thirteen artists who have shaped the gallery’s 2025 programme

a new exhibition that revisits Rasheed Araeen’s celebrated and groundbreaking 1989–90 exhibition with works by many of the original artists

shown for the first time at the gallery’s Paris location, new paintings, works on paper, and film in an exhibition marking two decades of collaboration with the multidisciplinary artist

titled after a street in Old Havana, Cuba, and the lamps people use during blackouts, Sanchez’ portraits, street scenes, and immersive installation “foregrounds humanity, vulnerability, and the quiet resilience embedded in daily experience”

new works by the renowned lyrical abstract and color field painter

curated by Shazzi Thomas, an exhibition of artists who “navigate the shifting boundaries between clarity and obscurity, the material and the ephemeral, the revealed and the concealed … across abstraction, landscape, figuration, and experimental surface”

including rarely shown pieces, an exhibition of historical and iconic works by the prominent French artist