largely drawn from private collections, an exhibition of sculptures and objects from 1975 to 1990 by the “unique and incomparable” Austrian artist

a major group exhibition and event programme curated by Lubaina Himid in celebration of forty years since the ground-breaking ICA show of young Black and Asian women artists

“a landmark exhibition tracing the emergence and evolution of Surrealist ideology in Sweden and Denmark” with works by Stellan Mörner, Vilhelm Bjerke-Petersen, Lambert Werner, Max Walter Svanberg, and Eric Cederberg

“an exciting milestone in Pichillá’s ongoing exploration of Maya heritage, cultural resistance, and the intricate relationships between Indigenous traditions and contemporary art practices”

“Ruff once again makes it clear that he is convinced of the importance of scientific photography”

“a compelling new exhibition that brings together eight leading ceramic artists to explore the raw, unpredictable beauty of wood firing and ash glazes”

painting, sculpture, drawing, photography, and video in a group exhibition curated by Mateus Nunes which draws on the life and work of Jorge Luis Borges to explore blindness as a poetic catalyst

“treating light as a medium in its own right, Ulla von Brandenburg organizes the exhibition space using lightweight, modular structures that produce a gradual progression from brightness to darkness” - Ida Simon-Raynaud

the first exhibition of Muniz’s bold and experimental series at the London gallery - “paintings without paint, gesture without touch – a compelling testament to the complexity of vision and a vivid meditation on how we see, remember, and reconstruct”

drawings, paintings, and video works as “Murillo meditates on the potential and fragility of communicative mark making”

for the first time in twenty years, a wide range of Turner’s work, exhibited in the very place that inspired him - “the exhibition will add to people’s understanding of Petworth and show how it played a significant role in his life” - Dr Emily Knight

selected by Marden’s daughters Mirabelle and Melia, previously unseen work from the artist’s final two decades - “[Marden’s] drawings have a personal feeling, which is the result of hand merging with mind: both need to become one” - Eileen Costello

Antelman’s first exhibition with the gallery presents a “unique approach to photography in which her lyrical and experimental approach to imagery and montage is combined with a sculptural sensibility”

“the artist’s edge-to-edge color field paintings are composed of multi-panel works often in grid form, revealing chromatic shifts in the context of sequential development”

a monumental summer exhibition celebrating London, its artists and institutions, with works by Francis Bacon, Leon Kossoff, Frank Auerbach, Bridget Riley, David Hockney, Paula Rego, Lucian Freud, Gilbert & George, Neil Stokoe, Tracey Emin, …

across two of the Berlin spaces, new paintings and a larger-than-life sculpture in KAWS’ inaugural exhibition with the gallery

bringing together two generations of abstraction, an exhibition which juxtaposes the bold, gestural work of Briggs with the introspective, process-driven paintings of Bonner

curated by Tanya Barson with the artist’s estate, key works spanning seven decades in the first solo exhibition in Switzerland dedicated to the pioneering American abstractionist

“Brosinski brings together painting and sculpture to form a cosmos in which materials and colors - surrounded by empty space - reveal their pure presence” - Larissa Kikol

over forty works from Picasso’s own collection - including pieces never seen in public before - shown together for the first time, together with rarely exhibited objects from his studios

Cao Jigang. Angela Glajcar, and Bay Tang Jiaxin - three internationally acclaimed artists who explore the dual natures of paper - lightness and weight, fragility and resilience, simplicity and complexity

important works by the two American greats of 20th-century painting as the gallery brings them together for the first time in a two-person exhibition

the Italian artist’s first London solo exhibition in almost a decade “invites visitors into a space of quiet introspection and renewal - where cracks, fractures and breaks are portals to transformation”

an exhibition of new paintings and sculptures by the Latvian artist which “invites viewers to immerse themselves in Avotiņš' quiet, profound world of images and figures”

Karimi’s first exhibition at the gallery space in Hove - “these are works that developed in the studio like weeds pushing through concrete - unexpected, organic”

four works by the renowned German photographer - two new, one recent, and one from the beginning of his career

“I’m engaging in an artistic variety of backcrossing, the process by which one generation is made by crossing two different varieties, and in subsequent generations, one of the parent varieties is crossed back with the offspring” - Murakami

“in Eric Dever’s paintings, time is neither background nor metaphor: it is substance … Dever’s canvases are accumulations of temporal gestures, each brushstroke a pulse in the continuum of material and spiritual becomings” - Dr. Giovanni Aloi

Benedikte Bjerre, Anne-Lise Coste, Clare Goodwin, Pierre Haubensak, Jamie Isenstein, Koka Ramishvili - six gallery artists who explore the interplay between life and art

new works by the renowned photographer and film director taken in the vast horizons and landscapes of China, and the towering forest - “everything stands still in this dedicated study of moods”

across both the Paris spaces, this new exhibition of Saint Phalle brings together works from the 1960s to 2000

curated by Jenni Lomax, an exhibition with works by Hurvin Anderson, Prunella Clough, René Daniëls, Matthew Krishanu, Bice Lazzari, Francis Offman, Pinot Gallizio, Amy Sillman, and Caragh Thuring

fifty drawings and paintings from important public and private collections around the world in the UK’s first major museum exhibition dedicated to one of the world’s foremost contemporary artists

recent oil paintings and works on paper by the leading Finnish painter - drawing on the writings of W.G. Sebald, Anne Carson, and Ovid

the first major survey exhibition to provide an in-depth examination of the noted Abstract Expressionist’s complete practice

co-presented with Singapore’s The Institutum and organized by Wells Fray-Smith and Clara Che Wei Peh, an exhibition of four artists who explore how the idea of home is shaped by movement, memory, and acts of reinvention

three monumental “landscape and mindscape” paintings form an immersive installation in Weiner’s debut solo exhibition with the gallery

early paintings, drawings, and prints from public and private collections, many not seen together since the 1960s, in the first in-depth exploration of this pivotal period in Hockney’s career

new paintings in Gavin’s debut exhibition in Asia - “Gavin interprets natural spaces and phenomena with varied mark making that echoes the complexity of the forces that shape the landscape”

new works by Candeloro - “a continuous play of concealment and revelation that fully exploits the potential of chromatic evanescence made to vibrate by light”

Tucker’s first solo exhibition with the gallery and in mainland Europe presents an immersive space with elaborate ceramic sculptures of part fictional, part re-invented extinct creatures

more than 150 drawings, paintings, sculptures, installation and ceramics in the largest European retrospective of one of Japan’s most celebrated artists

a major site-wide takeover, the first exhibition dedicated to both artists in the UK, presents unseen and iconic works by the two emblematic figures of contemporary art

the gallery celebrates twenty years in Beijing with an exhibition curated by Yu Ke and featuring works by artists including Daniel Buren, Loris Cecchini, Chen Zhen, Antony Gormley, Gu Dexin, Kan Xuan, Anish Kapoor, Hans Op De Beeck, ...

an exhibition of sculptures that assert their spatial presence by means of concealment or invisibility, focussing on radical experiments in material and conceptual reduction from across the last century

“Found on the Way, more than a title, offers a key to understanding a practice in which each image becomes a living trace of all that has been crossed” - Professor Shannon Botelho, PhD

Rockenschaub’s new series explores subtle deviations, irritations, memories and reappropriation

the first presentation at the gallery’s newly renovated Chelsea space is an exhibition curated by Cecilia Alemani with both paintings and sculpture by the pioneering figure of postwar art - “a restless explorer of the canvas” - Alemani

an explosive new immersive sculptural installation covers the gallery in the American artist’s first solo exhibition in a London institution

to celebrate its anniversary, an exhibition surveying the history from 1975 to now of one of the longest-established contemporary art galleries on the West Coast

presented with New Curators, the multimedia artist’s first major UK institutional exhibition “highlights the importance of community and intergenerational transmission of knowledge and creativity” with ceramics, painting, and installation

“a love letter to New York in all its maddening, magnificent glory” - works by John Baeder, Danielle DeJesus, David DeSimone, Richard Haas, Claire Heidinger, Steven Katz, Ernest Lawson, Joseph Peller, Philip Reisman, Doug Safranek, and Edmund Yaghjian

in Ryan’s solo debut at the gallery, two new sculptures explore ideas of utility and excess and luxury and repulsion while maintaining “an appealing sense of the absurd”

an intergenerational exhibition of paintings by Graham Collins, Lynne Drexler, and Lucy Mink, inviting the viewer into an exciting and generative space produced by similarities and differences of gesture

co-curated by Louis Blanc-Francard and Wenhui Hao, fourteen artists in a landmark exhibition on contemporary iterations of abstraction emerging from East Asia

“I work at the edges where art and psychoanalysis meet” - McAdam Freud

alongside his exhibition at the gallery’s 22nd Street space, the dedicated editions space on 18th Street presents prints of Kentridge’s work from the last two decades

three decades of photographs in the first comprehensive retrospective of Perrier’s work

the gallery’s new headquarters in the US opens with this solo exhibition by the Mexican artist, who “constructs a space where history and myth, tradition and subversion, the sacred and the profane continuously collide and reconfigure”

eight “vivid and visionary” paintings, shown for the first time, where Clemente merges self-portraiture with an exploration of the traditional Tibetan Buddhist concept of the bardo

curated by Beverley Calté and Arnauld Pierre, over forty post-war works by the French avant-garde artist in the first major solo exhibition exclusively exploring his unique final period

inspired by the Hieronymus Bosch work of the same name, this exhibition brings together over a dozen artists who reflect on nature’s forms as well as the moments between the real and imagined

an exhibition of Brandt’s most celebrated and sought-after body of work - in the first of a series of exhibitions to mark the gallery’s joint acquisition of the complete photographic archive of Marlborough Gallery

new drawings, photographs, and text-based sculpture in Barnette’s ongoing investigation of the human dilemma: how to be, how to behave, how to belong

paintings, watercolours and a seminal digital work by the acclaimed artist

Cotton’s first exhibition at the gallery introduces his monumental paintings of a new American mythology with sugary treats, pink unicorns, hypermasculine cowboys, and mermaids

“a score of the artist’s decisions and attention over the past year, and the careful interpretation of the flux of emotion, imagery and life-altering experiences - made in real time”

“long-exposure photographs of distant lighthouses, visible only by their points of light within vast seascapes”

“the soul of these works lies in the relationship between things - figures, objects, the space between them … Serolod’s works are both depictions of a single moment and reflections on the universe itself” - Louisa Mahoney

the second part of Ever So Present, curated by Brice Arsène Yonkeu, features work by Luke Agada, Amoako Boafo, Josèfa Ntjam, and Emma Prempeh, artists of African descent who engage with the formation of the contemporary diasporic self

curated by Robert Spring, an exhibition that highlights two foundational components of early 20th-century Constructivism, exploring connections between emerging and established artists across multiple generations

installed across both gallery locations, an exhibition of new work in Toor’s first solo show with the gallery - paintings at Luhring Augustine Chelsea and the artist’s first dedicated presentation of works on paper at Luhring Augustine Tribeca

extending beyond the gallery to include outdoor sculptures, this is the most comprehensive institutional exhibition of the leading figure in the Arte Povera movement to be presented in the UK

new acrylic on panel paintings where Glavin’s figureless spaces “flicker between photgraphic representation and dreamlike recollection”

a two-part presentation of Jarman’s work tracing the development of his most significant series of paintings

new paintings including an 11m-long panelled landscape painting, alongside richly adorned ceramic sculptures, benches, and a new sound piece in collaboration with composer Alex Gruz, in Yearwood-Dan’s first exhibition with the gallery

the most comprehensive presentation of Herrera’s post-war Paris years to date “examines a young artist deep in experimentation, subsuming the seismic influences of many colliding midcentury art movements”

new paintings by the Osaka-born, Berlin-based artist who“challenges and expands our understanding of what abstract art can be in the 21st century”

a wide range of works in media from paintings in tempera to bronze figures and glass forms in Ikemura’s first exhibition with the gallery “an impressive act of world building and longevity”

new works by three artists who “explore the theme of becoming from different perspectives - spiritual, physical, and ecological … their works reflect a world where change is constant, and where art becomes a way to navigate uncertainty”

figurative sculptures made in both wood and bronze in an exhibition which reimagines scenes and characters from the suburban landscape of Schreuders’ Cape Town

four new "layered collage" tapestries in the French artist’s first exhibition in the UK

including new paintings, sculptures and installations, a special and expansive exhibition which celebrates the artists who have shaped the gallery since its founding in 1985

a major exhibition of the multi-award-winning Korean artist’s celebrated photographic works, which collapse the traditions of portraiture and landscape painting and photography to examine the nature and effect of representation

in his first exhibition at the gallery in New York, an immersive installation of Kentridge’s acclaimed film series ‘Self-Portrait as a Coffee Pot’ and more than forty-five drawings integral to its creation alongside a group of sculptural works

the inaugural presentation of new paintings by Stingel - “in these works I’m leaving rigorous conceptual process behind and allowing myself to paint”

two distinct bodies of painting - one more architectural the other more human - presenting “a contrast between humanity, nature, and architecture, and perhaps between timelessness and the materiality of the secular world”

curated by Yasmine Hélou - Loulou Siem, Mateo Revillo, Guadalupe Vilar, Ava Binta Giallo, and Hicham Gardaf, five artists who “develop odd and poetic stories of an uncertain time, nestled between spontaneous gestures and deliberate contemplation”

“Waplington’s own unique style grants us access to a golden moment where the worlds of fashion, art and music offered limitless expression and unadulterated freedom”

including sketches not seen before in public, an intimate look into the creative world of the iconic American designer known for dressing cultural icons from Cher to Madonna

in the first exhibition by the newly formed House Collective, curated by Giselle Walker, Venetta Nicole and Chantel Okwesa explore colour theory and its emotional effects

new large-scale, abstract paintings in Mollett’s first solo exhibition with the gallery - “Mollett’s works hold within them a density of moments in time”

in the British artist’s first solo exhibition with the gallery, new vibrant and uniquely textured paintings of ethereal interiors, landscapes, and figures explore the complexity of interior spaces, whether domestic or psychological

a group exhibition exploring how various artists engage with the materiality of surfaces, favoring direct engagement with raw canvas and untreated materials

organized by Grace Hong, sixteen artists from the gallery’s international program who “ponder the act of reading in contemporary art, exploring the role of source materials across literature and how the legibility of material informs artmaking”

the gallery revisits one of the first photographic exhibitions by the pioneering multidisciplinary artist

the New York-born, London-based artist’s inaugural solo exhibition in the United States

this year’s Serpentine Pavilion is by Marina Tabassum, celebrated for her work in establishing an architectural language that is both contemporary and deeply connected to a specific place, climate, context, culture, and history

alongside three luminous, hallucinatory paintings, “new glass-layered sculptures that build on Yellin’s foundational practice of compressing time, memory, and myth into vertical compositions” - Terence Trouillot

lithography, silkscreen, inkless intaglio, and embossing in the first exhibition dedicated solely to the complete print portfolios of Albers

in an exhibition guest-curated by WORKPLACE’s Miles Thurlow, sixteen international and multigenerational artists who evoke specific fleeting moments whilst revealing “incisive reflections on time, memory and social structures”

the artist’s first solo exhibition at the gallery in NYC -“Longevial's oil paintings draw attention to the skin, layered in seemingly smooth swatches of ultramarine, crimson, slate, chantilly, and mauve” - Lynn Maliszewski

an exhibition of works by Walinska, inspired by her six-month fifteen country trip around the world in 1954/5

a new and never-before-exhibited body of work inspired by AI-generated images of cowboys - shown alongside Postma’s ongoing photographic series of flowers

curated by Melanie Roumiguière, an exhibition presenting Arjona’s ongoing multidisciplinary project of video, sound compositions, drawings, photographs, and manuscript - “the work does not document but listens; it does not fix, but orients”

including pieces never exhibited before, this is the first UK solo exhibition of works by the renowned Australian artist - in collaboration with D’Lan Contemporary

works by Eve Arnold, Brothtarn, and Laura Chen explore the hidden, the subconscious, and the forgotten, tracing their imprints through contemporary photography

a historical survey of seventeen Black American artists who lived and worked in France from the late nineteenth century through the present

new and notable works by Eric Zener, Rebecca Stenn, John Evans, Mavis Smith, Ioanna Stefou, Annette Davidek, Gary Ruddell, Alexandra Pacula, Carin Gerard, Eric Wert, Richard Combes, and Elizabeth McGhee

covering nearly twenty years, and with many works never before seen in London, these paintings and drawings by the late Scottish artist show the richness, specificity and psychological depth of her practice

new portraits of herself and her young son where Minnicucci explores how vulnerability and discomfort in front of the camera can become self-discovery and collaboration

“my grandmother taught me to knit, and consequently, the act of knitting has always brought me great comfort” - Mastrangelo

an exhibition of works by the Yale School of Art Painting and Printmaking Graduate Class of 2025

the first presentation of Ryoko Endo, Hannah Lim, and Park Seo-Bo’s work in dialogue - “three visionary artists whose practices traverse East and West, past and present, structure and spontaneity”

curated by Kenny Schachter and Jonathan Anderson, paintings, works on paper and a previously unseen notebook of sketches and writings spanning three decades of the American artist’s career

combining photography and performance, Calivas’ debut exhibition with the gallery presents works featuring her partially or almost completely submerged in the landscape

significant paintings by Williams from the decades between the 1960s and 1980s - “striking works deploy an entirely original use of colour”

new paintings by the American artist - “I have never really felt comfortable calling myself an abstract painter ... there have always been flashes of figuration in my work” - Bradley

consisting largely of paintings, this major installation is the first exhibition to put Taylor’s work in dialogue with that of his teacher Jarvaise

“taking its inspiration from an imaginary Abyssinian poem” over a dozen artists in “an impromptu investigation into ceramic practices from the 18th to 21st centuries”

Chihota blends screen-printing with drawing and painterly gestures, producing works which explore themes of intimacy, kinship, bereavement, faith, and transformation

new pieces by the multidisciplinary design studio known for “serene, dreamy, creations that evoke poignant and harmonious confluences with the natural world”

a group exhibition of twelve contemporary artists whose practices in various media engage with a broad range of systemic frameworks to examine the web of systems that structure daily life, logic, and cultural and political realities

titled after a first season episode of Star Trek, Bacher’s large, immersive installation “distorts as it reflects, outsourcing its possible meanings to us, and whatever we might bring into the corridor”

Singh’s first institutional solo exhibition in London explores the full breadth of her practice, from large-scale oil paintings to intimate watercolours and ink drawings, to showcase her prolific career of over six decades

Taher Asad-Bakhtiari, Zimra Beiner, Anne Brandhøj, Frida Fjellman, and Sigve Knutson - artists and designers who “invoke the luminous boundary between visual wonder and the workaday”

new paintings by the Los Angeles-based Pecis - “kaleidoscopic compositions drawn from the artist's daily excursions”

Jangala combines desert abstraction and observational realism to reflect “a deep sense of place, memory, and continuity, informed by ancestral stories passed down from his grandparents, as well as his own lived experiences of moving across Country”

in the first exhibition of her work at the gallery in Los Angeles, paintings and drawings - including previously un-shown pieces - from a pivotal moment in Hurtado’s artistic development

McQueen's first solo exhibition in Paris for nearly a decade is also the European debut of this installation of photographs - vivid, beautiful flowers native to Grenada in the Caribbean, which are also silent witnesses to its turbulent history

new and recent multi-paneled paintings by Lovelace exploring the relationship between nature and society in his native Trinidad

new paintings combining technical mastery with dreamlike imaginings disconnected from time or place - “my disposition towards painting, sculpture and drawing is amorous. I feel it deeply and have devoted my life to finding out what it’s about”

works created by Nitsch for the Festival in 2021 - “sounds turn into colours and Wagner’s score lures me into choosing my colours”

new work by Palmer - “what I do, in my collages, is to create hybrids: nature and artifice. I don’t only document what I see, I respond to the unfathomable beauty of what is with embellishment”

new image-based works, sculpture, video and found objects in a multi-layered exhibition exploring language and the vocabulary of corporate finance, debt and development

“the sensory richness of photography and its ability to convey not only how the world looks, but how it feels” - Lillian Bassman, Elliott Erwitt, Lalla Essaydi, Robert Heinecken, Sally Mann, Joel Meyerowitz, Abelardo Morell, Erwin Olaf, and Herb Ritts

the third edition of the gallery’s acclaimed performance series brings together Tallmadge’s installation with the choreography of Principal dancer and activist Ingrid Silva, performed by Elias Re and Vinícius Freire

paintings from the New York-based artist’s acclaimed series, drawn from and examining famous embraces from cinema

fourteen landmark paintings from the early, “Informalist” period when Canogar, one of the leading Spanish artists of the post-war era, first made his name

seven female abstract painters who approach painting in personal confrontation with the canvas - Isabella Amram, Kim Booker, Kristy M Chan, Laura Lancaster, Xi Liu, H.E. Morris, Sophie Smorczewski and Ming Ying

“Interested in theatre and illusion, Clancy’s domestic spaces are heavy with suggestion. Though no figures are visible, the spaces she paints are dense with atmosphere and subtle cues that hint at narratives just out of reach”

sculptures, paintings, and a mixed-media installation in Manders’ first solo exhibition as an artist of the gallery - continuing a project he began in 1986

“Porras-Kim’s drawings, paper marbling works and sculpture explore the transformation - and possibly emancipation - of objects throughout time”

co-curated by Sim Smith and Emily Hunt, an exhibition which brings together an intergenerational group of female artists to explore the importance of women in Surrealism

an exhibition of the renowned photographer’s monumental portraits documenting nomadic and Indigenous tribes with dignity and deep human empathy

in the gallery’s pre-summer experimental slot for emerging artists, “a photographic love letter to the first days of summer”

one of the most complete exhibitions of Oldenburg’s famous sculptural works of everyday objects

new paintings and large works on paper in Ackermann’s first exhibition at the gallery in Paris - “everything about these Doubles not only turns the tables on their beholders, but also subverts established ways of interpreting works of art” - Pamela Kort

“it is the very direct nature of Still Life which excites me, through repetition of subject matter I am able to focus on the aspect which most engages me: the relationship between the form and its surrounding space” - de Sybel

“these are paintings to live with. Restrained and blurred, with a minimum of edge, they quietly draw you in, enveloping you as in a dream” - S. Lane Faison, Jr.

the first UK solo exhibition of the groundbreaking visual artist, prominent curator, and Indigenous activist presents a broad survey and celebration of her work and influence

“for Franz, painting is a necessarily slow and thoughtful process. Inspired variously by literature and cinema, the artist uses paint and canvas as tool to visualise an interior notion, question and make sense of the world”

shelves decorated with Woods’ trademark faux-wood motif of exaggerated grain and vivid colors - hung on the walls like a series of small paintings

curated by Helen Toomer, an exhibition of contemporary and historical painting, sculpture, photography, works on paper, and textiles, by a multigenerational group of over forty artists that explore cultural conceptions of childhood

reflecting on the relationship between humans and the environment through object-making, assemblage-based installations, and a keen understanding of material processes, Rico achieves a precise geometry from his carefully chosen objects

in the Korean artist’s first solo exhibition in New York, new paintings “depict the space between the real, the imagined and what she describes as the ‘visual error’ experienced when something is not as it first appears”

spanning inside and out of both London spaces, over twenty diverse artists in an ambitious group exhibition curated by Dr. Omar Kholeif - “the show is my love-letter to London, a city that I have continually returned to over the last four decades”

curated by Grammy Award-winning artist Eve, key works by Picasso, Miró, Kandinsky, Gris, Dufy, Dubuffet, Calder, and Braque brought together to explore the relationship between the visual and the auditory

two artists who “come to share a common ground - a new territory forged through different approaches but parallel concerns … begin[ning] with fundamental questions about the nature of art”

“a collection of universal images that speak of a slow and inexorably welcoming landscape; one rooted in the time of the Mediterranean” - Leotta

video installations and “Lampshares” carved from bittersweet vines and reclaimed plastic, alongside a programme of events, performances, and activities in Rottenberg’s first solo exhibition in Spain

the first US exhibition of paintings by the Chilean-born, Paris-based artist draws inspiration from the landscapes of South America to depict ethereal terrains on canvas and copper plate

recent oil-on-canvas paintings, including some of his largest to date and showing a move toward the material and formal qualities of painting, in Li’s first Los Angeles solo exhibition

works by Abbas Zahedi, Alfredo Aceto, Chloe Quenum, Diane Cescutti, Haroun Hayward, Onyeka Igwe, and Theresa Weber

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

an immersive installation of new sculptures and photographic works in Boyce’s first solo exhibition at the gallery’s Paris space “introducing a sense of eeriness and uncertainty into our perception of familiar spaces”

to coincide with the Fondation Louis Vuitton exhibition, etchings, lithographs, digital prints, photographs, photo-collage, and photocopies by Hockney at the gallery that has represented him for many years

part of the gallery’s annual curatorial invitation, photographs by the American artist - “a contemplative look into the personal library of ... the twentieth-century Italian painter renowned for his quiet and precise still life compositions”

“a new body of work that looks back to the Midwestern winters of Clarke’s childhood” in the first UK solo exhibition of the Brooklyn-based painter

the gallery opens its new space with a group show featuring Jean-Marie Appriou, Iván Argote, Daniel Arsham, Sophie Calle, Julian Charrière, Johan Creten, Mathilde Denize, Hans Hartung, Gregor Hildebrandt, JR, Takashi Murakami, and Jean-Michel Othoniel

sculptures, works on paper, and a new installation in the first exhibition at the gallery of works by the Dominican-born sisters

“a unique installation, a representation of her bedroom, the ultimate symbol of sanctuary. Bathed in deep maroon-colored, the room evokes the primal safety of a womb or the rawness of an open wound” - Lisa Boudet

new works which explore the intersection between photography and sculpture in Robert’s first solo exhibition at the gallery in London

“though the works are seemingly hard-edged - minimalist, graphic, glittering, synthetic - a feeling of warmth and emotion somehow comes through, like the warmth of the sound from a vinyl record” - Young Kim

painting, drawing, sculpture, installation and video in a group exhibition of artists whose work “emerges from a symbiotic relationship with their environment”

an exhibition which brings together leading figures of modern and contemporary Italian design to explore how beauty and function intersect in a world shaped by industry, urbanisation and cultural tradition

“an exhibition that celebrates the timeless allure and infinite inspiration found where earth meets sky”

an exhibition of the renowned photographer’s most iconic works, including the groundbreaking “Untitled Films Stills”

presented for the first time in France, an exhibition retracing the early years of Solakov’s career and exploring the tensions and transformations that shaped Bulgarian and Eastern Europe between 1980 and 1990 as it moved from communism to capitalism

spanning inside and out of both London spaces, over twenty diverse artists in an ambitious group exhibition curated by Dr. Omar Kholeif - “the show is my love-letter to London, a city that I have continually returned to over the last four decades”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

the American artist’s first exhibition in Monaco - “reveals Leibovitz’s associative thought processes and the fluid visual dialogue created among photographs that call attention to significant cultural markers of our time”

curated by Oscar Murillo with artworks by Wifredo Lam, Arshile Gorky, and Roberto Matta

“it’s a new body of work … about the loss of our true knowledge, through algorithms and the generation of texts and the manipulation of news, our facts become more blurred than ever before” - Clement

a multi-part exhibition centred around this new film by one of the most important Chinese artists working today

“the selection of works that you are lucky enough to see has the ambition of retracing the evolution of Luigi Zuccheri’s works from the onset of the Second World War to his death in Venice in 1974” - MMXX

an installation of works by gallery artists alongside pieces from our collection and guest artists - “the exhibition embraces themes of beauty, humour, and spontaneity as a form of quiet resistance”

over two dozen artists working across a wide range of media, at scales both intimate and grand, offer a sustained reflection on the social and political climate of our time

Barbalho’s latest body of work delves into the complexities of language, symbolism, and the intersection of identities ... an immersive encounter with his evolving visual language

on the 25th anniversary of the Belmacz name, a transforming, three-month exhibition which creates “transitioning scenes, tableaus and clashes, amplifying the voices of our co-collaborators, constructing reverberations”

new pieces by the multidisciplinary artist and designer known for using flowers and other organic matter to explore decomposition, preservation and the passage of time

shown for the first time in the UK, twelve new generative artworks by the celebrated French conceptual artist - in his first use of artificial intelligence in art making

a major retrospective devoted to emblematic works by the internationally renowned leading figure in contemporary art

abstract, stripe, foil and scrap metal paintings alongside ceramics and neon installations in Reyle’s first major solo exhibition in London

Le Bas’s painted maps and globes are visual metaphors for his ideals - “Gypsy Europa is my dream… my maps are subversive imaginary conquest, a Roma resistance against racism and right wing propaganda”

installation, sculpture, video, and photography by sixteen artists from around the world in a new collaboration between the SLG and Museo Jumex in Mexico City

a group exhibition of seven artists who explore the concept of a “second shadow”, the partial light shadow cast by a summer solstice, to obscure their natural representations and create a deeper truth about the subjects

“in this new body of work, looking and seeing is as important for Hirst as making”

conceived in collaboration with Nathaniel Kilcer, Jacob King, and Heji Shin, photographs from the renowned photographer’s foundational period of the late 1970s and early 1980s

"I love Venard because he’s created a universe where Godot has arrived, where anguish has disappeared from the universe” - Jacques Prévert

single-screen film and video works by nineteen leading gallery artists working from the late 1960s to today, brought together in the uniquely installed North Gallery

installed across both gallery locations, an exhibition of new work in Toor’s first solo show with the gallery - paintings at Luhring Augustine Chelsea and the artist’s first dedicated presentation of works on paper at Luhring Augustine Tribeca

“an unprecedented dialogue between ... two major figures born on opposite sides of the Atlantic, whose deep intellectual and artistic friendship has long remained largely unknown”

the French textile artist’s new exhibition fills the gallery space with her characteristic “presences”, large sculptures in crocheted or smoothed black thread - “an ode to transformation in all its facets”

taking the colour grey as their starting point, works by Darren Almond, Glenn Brown, André Butzer, Günther Förg, Hans Josephsohn, KAWS, Albert Oehlen, Edmund de Waal, Rebecca Warren, Grace Weaver, and Toby Ziegler

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

featuring works by Julia Wachtel, Wendy White, and Jason Yates

bronze sculptures alongside preparatory sketches and studies in this exhibition focussed on the intimate scale of the renowned British sculptor’s work

“with one exception [...] the human figure is absent from his work. Exiled without return, in an off-screen made improbable, almost unthinkable [...] ”the things I choose to paint say much more about man than painting a man” - Alain Cueff

an installation of charcoal drawings influenced by the evidential and documentary values of photography to examine the history of settler-colonial Rhodesia and contemporary challenges in Zimbabwe

"through painting, sculpture, installation, and photographic work … my work explores the evolving shape of language, memory, and identity in the context of migration, diaspora, and personal mythology”

in the Cuban conceptual artist's first solo exhibition in Los Angeles, acrylic on canvas paintings which explore the forces of state power and control, and the militarization of Cuban civil society

an exhibition of new painting by Johnson that “exists in a shifting space between abstraction, landscape, and dreamscape”

an exhibition of contemporary takes on landscape painting “whether they pay homage to the history of the genre or they inaugurate a new relationship with the land ... the works presented here embody the challenges of their epoch” - Armand Camphuis

in an exhibition across both gallery spaces “a dialogue between natural beauty and that shaped by human hands” presents pieces and works honoring nature, from the ancient to the contemporary

to mark sixty-five years since the gallery’s founding, a changing group exhibition of works by major artists in a dialogue between the past and present

“a luminous odyssey between myth, cosmos and power ... electric sculptures, which transform the space through hypnotic optical effects” in the Chilean artist’s first exhibition at the gallery in Rue du Grenier-Saint-Lazare

curated by Armand Camphuis with works by historic and contemporary artists, an exhibition which “highlights the enduring importance of artists’ studios for the Parisian avant-gardes – past and present”

presented for the first time, new sculptural works that transform found materials into forms and installations which resonate with memory and history

in an exhibition across both gallery spaces “a dialogue between natural beauty and that shaped by human hands” presents pieces and works honoring nature, from the ancient to the contemporary

the second instalment in the gallery’s curatorial series Figurative Impressions is “an exploration of figurative painting as a medium for expressing the complexities of the lived experience”

new paintings and sculpture in Bisky’s first solo exhibition with the gallery - “Bisky has established a formal vocabulary in which bodies become representations of existential states”

works by gallery artists who have a special connection to the city, including Hernan Bas, María Berrío, Christian Holstad, Kudzanai-Violet Hwami, Chantal Joffe, Doron Langberg, Chris Ofili, Celia Paul, Grayson Perry, Paula Rego, and Flora Yukhnovich

“throughout the course of his artistic practice, Sperling has continuously referenced the worlds of design and architecture as inspirations for his sculptural works on canvas”

new pieces by the Dutch designer continuing his series of video “clocks” - “Baas invites viewers to experience the movement of time as art, reinterpreting how they perceive and reconstruct the moments that pass”

a series of works by the internationally acclaimed British designer known for pushing the boundaries of materials and technology, producing “innovative design infused with a sense of joy and wonder”

including work shown in London for the first time, ceramic vessels and jewellery from the Paris-based designer that draw inspiration from both flora and fauna

“hybrid dog and human figures, alone or in pairs; desert, marine, volcanic or cosmic backgrounds; fetish objects such as skulls, ropes and flowers; landscapes typical of the United States” - Martin Bethenod

a single monumental painting - Thomas' largest to date - covers the entirety of the exhibition space as he examines colonial art history and ethnic violence in Sri Lanka

“through painting, Barratt captures fleeting human experiences and emotions, transforming them into a form of formal persistence - giving lasting presence to moments that would otherwise slip away”

works by artists including Ai Weiwei, Juan Araujo, Alejandro Campins, Yoan Capote, Loris Cecchini, Chen Zhen, Nikhil Chopra, Jonathas de Andrade, Leandro Erlich, Subodh Gupta, Eva Jospin, Julio Le Parc, Jorge Macchi, Sabrina Mezzaqui, Hans Op de Beeck, …

an exhibition with over a dozen artists who “do not only look ahead; they move sideways through history, delve into the body, and project outward toward the unknown”

paintings, drawings, and unique polaroids, including some shown publicly for the first time, in this exhibition curated by James Hedges juxtaposing the two artists

through photography, video, and installation, Simon continues her exploration of “the backstage of power, uncovering the invisible structures that shape our perception” - Maud de la Forterie

new works by one of the great innovators of contemporary painting, in her first solo exhibition with the gallery in Europe

the Berlin-based artist’s first solo exhibition of new paintings, sculptures, and drawings - “for Spichtig, painting, like music, begins not with thinking, but with a pulse - something sensed or intuited before it becomes visible” - Samuel Staples

new paintings by Boyer in his first solo exhibition in Switzerland - “Boyer’s works explore how surfaces accrue meaning, inviting reflection on ornament, cultural memory, and queer embodiment”

monumental installations, sculptures and wall reliefs that continue Ronay’s exploration of the subconscious through the transformation of the intangible into tactile experience

the London-based graffiti artist brings his work inside a gallery for the first time - “part social commentary, part stream of consciousness … it’s about the act of defiance that is simply existing as a Black, Brown or Non-English man” - TJ Sidhu

sculptures, paintings and prints in the first solo exhibition in Europe by the American artist - presenting a poetic and critical exploration of the history of sugar cane in America, Africa and Europe

new “magic realist” paintings on canvas and works on paper in the Swiss painter’s first exhibition in Paris - “mysterious or ambiguous scenes that obscure the line between memory and imagination”

with works by John Baeder, Robert Bechtel, Charles Bell, Robert Cottingham, John DeAndrea, Don Eddy, Ralph Goings, Duane Hanson, and John Salt

“Pagel addresses disproportions and, with subtle sensitivity, seeks to restore their balance … she draws on myths that have dominated human history since antiquity” - Thomas Brandstätter

new paintings and works on paper in Hall’s first exhibition in Vienna - “the pictures that Hall paints are questions as much as proposals: questions about the past and present, and proposals for the future” - Jasper Sharp

“Beeman invites viewers into an immersive experience within her carefully staged world … viewers shift their bodily engagement - changing angles and perspectives while navigating the arrangement of the works” - Kaimei Wang

a summer group display with works by Maurizio Cattelan, Christo, Roe Ethridge, Robert Gober, Piero Golia, Douglas Gordon, Adam McEwen, Giuseppe Penone, and Rachel Whiteread

an exhibition of Yohan Hàn and Achraf Touloub’s collabortive and multifaceted works with choreographic frameworks, sound, objects, ritual elements, video, audience participation, and media devices

an exhibition celebrating the German-born Swiss artist’s multifaceted practice - “I simply always did what I felt like doing, anything else wouldn’t agree with the way I work, committing to a particular style would’ve bored me to death” - Oppenheim

the second instalment of the gallery’s Conversation series features Prabhavathi Meppayil and Yeesookyung, who “engage in a dialogue through the language of contemporary art rooted in tradition, creating meaningful new expressions”