including monumental canvases shown for the first time, new paintings advancing Uslé’s exploration of abstraction - “rhythmic, short brushstrokes arranged in bands of shimmering color”

the paintings in Falcetta’s first solo exhibition with the gallery show his abstract explorations of surface, color and space

new stone paintings alongside oil on panel paintings and handmade paper works by Moyer, merging abstraction and materiality and redefining conventional sculptural forms through innovative use of natural materials

“I’m engaging in an artistic variety of backcrossing, the process by which one generation is made by crossing two different varieties, and in subsequent generations, one of the parent varieties is crossed back with the offspring” - Murakami

an exhibition of vibrant photographs by the Malian artist - including some not previously exhibited - in a celebration of Sidibé’s role as a pioneer who sculpted the visual identity of the African diaspora, offering a window into a Malian nation

the first presentation at the gallery’s newly renovated Chelsea space is an exhibition curated by Cecilia Alemani with both paintings and sculpture by the pioneering figure of postwar art - “a restless explorer of the canvas” - Alemani

“vividly hued and wildly imaginative Surrealist works from 1939 to 1949” in the gallery’s first exhibition of the work of the celebrated late artist

Cotton’s first exhibition at the gallery introduces his monumental paintings of a new American mythology with sugary treats, pink unicorns, hypermasculine cowboys, and mermaids

curated by Beverley Calté and Arnauld Pierre, over forty post-war works by the French avant-garde artist in the first major solo exhibition exclusively exploring his unique final period

alongside his exhibition at the gallery’s 22nd Street space, the dedicated editions space on 18th Street presents prints of Kentridge’s work from the last two decades

the most comprehensive presentation of Herrera’s post-war Paris years to date “examines a young artist deep in experimentation, subsuming the seismic influences of many colliding midcentury art movements”

installed across both gallery locations, an exhibition of new work in Toor’s first solo show with the gallery - paintings at Luhring Augustine Chelsea and the artist’s first dedicated presentation of works on paper at Luhring Augustine Tribeca

an eclectic group of twenty-four women artists from across nearly 100 years of artistic production, united by a kaleidoscope of influence

new paintings by Blum, abstract compositions produced by a layered, intuitive process of adding and subtracting thinly inked sheets of silk to panel

a wide range of works in media from paintings in tempera to bronze figures and glass forms in Ikemura’s first exhibition with the gallery “an impressive act of world building and longevity”

in his first exhibition at the gallery in New York, an immersive installation of Kentridge’s acclaimed film series ‘Self-Portrait as a Coffee Pot’ and more than forty-five drawings integral to its creation alongside a group of sculptural works

drawing on the Dutch masters, these two artists use a contemporary voice to reinterpret genres that have historically been dominated by men

significant paintings alongside archival material, photography, and ephemera, presenting the personal and intellectual exchanges between four pioneering artists who shaped modern Korean art during the transformative decades after the Korean War

photography, drawing, painting, and text in an exhibition using memory, landscape, language, and the body to explore how identity is constructed, performed, and resisted - “where each artist acts as both cartographer and witness”

a historical survey of seventeen Black American artists who lived and worked in France from the late nineteenth century through the present

new and recent multi-paneled paintings by Lovelace exploring the relationship between nature and society in his native Trinidad

in Castillo’s first solo exhibition in New York, recent sculptures and works on paper exploring Cuba’s modernization in the 1960s and 1970s and reflecting on politics and design, function and form, history, art, and decoration