an exhibition of one of the leading figures of the Washington Color Field School

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist\'s expressive, physically charged style informed by her passion for modern dance and profound engagement with the natural environment

representing the pinnacle of an artistic lineage that reaches back to Heizer’s earliest outdoor sculptures made in the 1960s together with a small selection of related early drawings

“one of the most significant works by an artist whose career spanned less than a decade yet continues to shape conversations about participation, intimacy and public space”

a two-part exhibition of new and historic works on paper by Ligon presenting “richly layered compositions that meditate on the color blue and its emotional, historical and cultural inflections”

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

“oil paintings and works on paper, inspired by the discovery of previously unknown family photographs following his father’s passing … through vivid, dreamlike imagery, experiences of loss and remembrance are distilled into a universal theater of life”

the American artist presents narrative figure paintings inspired by early Renaissance art and classical sculpture, using compositional restraint and a unique palette to explore human relationships and psychological play through gesture and space

new large-scale works on lead, with gemstones and Renaissance-style frames, as Vega explores the transhistorical nature of spirituality

recent sculptures in her signature medium of cedar, shown with a selection of drawings in this new exhibition by the esteemed artist

works by artists including Lynne Drexler, Sheila Hicks, Robert Indiana, Richard Serra, and Sean Scully in an exhibition focused on the 1970s, a decade of profound artistic and cultural change

the US premiere of this critically acclaimed work, a multi-channel film tracing pivotal moments in the histories of colonised nations and independence movements in Africa and Asia from the 1940s to the 1970s

Kapoor’s groundbreaking explorations of scale, color, volume, and materiality unfold through a focused presentation of mirror works created between 2010 and the present

new and exemplary works by Morimura spanning his over four-decade career, and a new 30-minute program of portraits by Atlas focussing on drag and gender

paintings and works on paper made between 1954 and 1968 - “I learned about light from Beauford Delaney” - James Baldwin

accompanied by a playlist of the songs that Williams listened while working, the debut presentation of his newest body of paintings

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”

new paintings by Bastidas which reflect on the social, historical, and psychological conditions present around us yet not fully understood

in an exhibition which relates the wild, uncultivated nature of painting to an untouched environment - heightened, dreamlike images of nature, rooted in reality and transformed through subconscious perception and the act of painting

“Burtz’s paintings draw the viewer into moments that are intimate and deeply felt … a meditation on the interior life of women: how it gathers, splits, mirrors itself, and shines through moments that might otherwise go unnoticed”

conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles - employing textiles, painting, porcelain, and video, the exhibition conjures memory, emotion, and material transformation

Chan’s first solo exhibition in New York presents new paintings and drawings that meditate on movement, longing, and the quiet intensity of everyday experience

to mark both the gallery’s 60th anniversary and over twenty years of collaboration with Navarro, a chronological overview of his work from 2004 onwards

significant sculptural and two-dimensional works from the last decade of Kang’s life - including the New York debut of some of her most influential pieces - in a memorial and celebration of the late Korean artist’s singular vision

Umaña’s first solo exhibition with the gallery presents new and recent glazed ceramics with painted canvas - “hybrid paintings” - that explore psychology, nature and memory through the ever-changing lens of abstraction

new photographic and sculptural work by the Spanish artist - one of the key figures in the renewal of Basque sculpture