in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

work by the late groundbreaking American artist, including her masterwork Music of the Spheres paintings, pieces from her Heliocentric Series, and works on paper and ephemera, offering an expanded understanding of her practice and interests

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

“centered on new cast stainless steel sculptures and paintings made for this occasion, the exhibition surveys a career of nearly half a century that began with printmaking in the 1970s”

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

new sculpture and paintings that conjure imagined celestial landscapes and topographies, in the celebrated Beijing-based artist’s first New York City exhibition in over a decade

with these new paintings of imagined spaces and intimate vignettes, Suss continues her exploration of interiority, domesticity, and memory

new oil paintings, ink drawings, and a large-scale installation in Ivy-Royal’s first exhibition with the gallery since the announcement of his representation

a remarkable group of intimate-scale abstract paintings from the early 1960s, recently rediscovered within Kurz’s SoHo loft - “the paintings reveal a young artist deeply engaged with the language of postwar abstraction”

Yu Hong’s debut at the gallery in New York is a monumental exhibition of new and recent paintings that extend her touching, allegorical, and apocalyptic approach to contemporary life

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

works by six major artists of the Parisian Avant-garde and Surrealist movement - Roberto Matta, Louise Janin, Irène Lagut, Véronique Wirbel, Eric Cederberg, and Marcel Defize

Glick’s debut solo exhibition with the gallery showcases the first body of work she has produced since returning to live in New York City after a 30-year hiatus

two seminal bodies of work by the influential Greek-born American artist, including never-before-seen fabric paintings from his pioneering yet little-known 1979 Reconstructions series

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, new paintings and oil studies on paper shown alongside a film that delves into the histories and lives of several of the individuals portrayed

the Nigerian artist’s first solo exhibition with the gallery presents new paintings and drawings exploring how meaning and belonging persist during periods of profound historical and cultural transformation

new portrait and figure paintings show Reagh’s ongoing fascination with fictionalizing heads, figures, and scenes that begin with direct observation or photographic references, allowing something new and surprising to emerge

new paintings by Feld, whose work has evolved to use acrylic paint and collaged imagery printed on acetate - “t is a joy to find these new visual tools”

an exhibition demonstrating the breadth of Kim’s work within his singular subject - “transforming the waterdrop into a sustained meditation on memory, materiality, repetition, and time”

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle