“these works invite reflection on the ever- changing tides within us: how emotions rise, crash, and eventually settle again. In this, there is beauty, vulnerability, and resilience” - Zener

the US exhibition debut of Serra’s 1992 large-scale sculpture, exhibited only once before in Germany

work from the 1940s through the 1960s by leading American artists including Benny Andrews, Robert Arneson, Mary Bauermeister, Eugene Berman, Virginia Berresford, Lee Bontecou, Federico Castellon, Joseph Cornell, Eldzier Cortor, Harold Cousins, …

canvases and works on paper from a pivotal period in Drexler’s career, when her lifelong devotion to music became inseparable from her art

new abstract paintings of “ambiguous characters who inhabit my studio keeping me company and often engaging in silent conversation” - Shalom

to coincide with his 90th birthday, the gallery’s first NYC exhibition dedicated to one of the most influential photojournalists of our time

an exhibition of Dzubas’ late-career works, from 1980 to 1989 - vibrant canvases which marked his return to a more instinctive, expressive approach to painting centered on gesture, movement, improvisation, and color

an exhibition of the leading figure in postwar Korean geometric abstraction - “I began this [painting] after the launch of the Apollo spacecraft opened my eyes to the spatiality of the universe … I’ve kept working on it ever since”

the multimedia Afro-Caribbean American portrait artist presents monumental fiber portraits that “celebrate the intimate connection between textiles and communities of color”

in the artist’s first solo presentation with the gallery since joining the roster, new sculpture, photography, painting, and installation “examin[ing] desire as a libidinal structure of ideological misrecognition”

in an exhibition of new paintings and drawings Sunstrum “transforms the war painting into a meditation on intimacy, shifting its focus from heroism to the layered bonds of women in moments of both strength and vulnerability”

oil paintings, graphite drawings, and scratchboard pieces made over the course of eighteen years - “these are not imagined landscapes, they are observations shifted out of alignment, closer to psychological truth than visual fact” - Anna Ehrsam

new sculpture, installation, and works on paper as the internationally acclaimed artist “unites cutting edge technological materials with ancient cosmologies, drawing inspiration from the enduring spiritual traditions of Japan”

in Hsu’s first solo exhibition at the gallery, wall-based pieces, sculptural LED screens, and large-scale visual environments “which reflect a heightened engagement with both computational and medical infrastructures”

in his second solo exhibition with the gallery, with his large-scale colour photographs, Xu examines the personal lives and domestic spaces of immigrants navigating the political demands of a changing world

“in his expansive photographs of Latino day laborers set against the backdrop of a suburban California landscape, Sultan (who died in 2009) explores the liminal spaces between actions, the moments that exist as time passes”

curated by Luis Pérez-Oramas, an exhibition which brings together Alberto Pitta’s symbolic-religious Afro-Brazilian ornamental patterns on painted fabrics, and painted scenes by Elian Almeida based on Afro-Brazilian identities and anecdotes

new paintings and works on paper - “the exhibition traces Uman’s rhapsodic abstraction through the instrument of geometry”