32 East 57th Street, 2nd Floor, NY 10022, New York, United States
Open: Mon-Fri 10am-6pm
Wed 22 Apr 2026 to Mon 8 Jun 2026
32 East 57th Street, 2nd Floor, NY 10022 Jean-Pierre Cassigneul: Timeless Elegance
Mon-Fri 10am-6pm
Artist: Jean-Pierre Cassigneul
Jean-Pierre Cassigneul (b. 1935, Paris) stands as one of the most distinctive voices in post-war French painting, celebrated for his poetic depictions of women, gardens, and domestic interiors. Known for a refined chromatic sensibility and an unmistakable lyrical restraint, Cassigneul’s canvases evoke a world of quiet introspection, intimacy, and cultivated elegance. His favored subjects—often women in wide-brimmed hats, seated in reflective interiors or bathed in dappled sunlight—occupy a realm suspended between modernity and nostalgia.
Cassigneul held his first solo exhibition at seventeen and pursued formal studies at the Académie Charpentier and the École des Beaux-Arts under Jean Souverbie, later apprenticing in the studio of Roger Chapelain-Midy. In 1959, he was appointed to the Salon d’Automne, marking his early recognition among France’s post-war artistic circles. His affinities with Bonnard, Vuillard, and the expressive vibrancy of Kees van Dongen informed a visual language defined by luminous palettes, bold contours, and a distinctive graphic clarity that often recalls the aesthetics of woodblock printing and Nabis-era colorism.
Cassigneul’s career developed in close dialogue with international audiences. He first exhibited with Wally Findlay in 1968, inaugurating a transatlantic relationship that helped introduce his work to American collectors throughout the 1970s and 1980s. Over subsequent decades, he exhibited widely across Europe, the United States, and Japan, where his work continues to enjoy exceptional popularity. His paintings are held in notable private and public collections, including the Musée d’Art Moderne de Paris and the Izu Lake Ippeki Museum, Japan.
Timeless Elegance, presented by Findlay Galleries, marks Cassigneul’s first solo exhibition in the United States in 40 years. The works featured in the exhibition attest to the maturity of his late style, in which luminous harmonies of color and expressive linearity coalesce into compositions of emotional clarity and understated restraint. These recent paintings reaffirm Cassigneul’s longstanding pursuit of capturing fleeting instants—moments, in his own words, “of reflection and silence”—and preserving them through a timeless visual language.