curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

in an exhibition exploring sound as a medium, painting, photography, video, sound, sculpture, and installation works by an all-female group of artists

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” - Pieter Vermeulen

“one cannot move through the exhibition - which Calleja conceived with the cabinet of curiosities in mind - without savoring the charged pleasure of works whose messages seem to answer one another” - Éric Troncy

an exhibition highlighting the founding members of the late-1950s group ZERO - “as our world continues to erode amid cascading crises and devastating wars, the ZERO group’s project might yet inspire through its unshakeable optimism” - Matthieu Jacquet

focussed on the First World War, the interwar period, and the Second World War, a chronological and thematic exploration of the relationship between conflict and artistic transformation

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

new sculptures made from simple, everyday materials- “folding, cutting, pressing and stacking, Foxcroft\'s sculptures unfurl from the wall or corner of the room, arranging material on the floor and up walls”

“for this project - another in my Imaginary Architecture series - I chose to explore iridescent clouds, sometimes known as \"rainbow clouds\", a meteorological phenomenon characterised by vibrant, colourful bands appearing on thin, semi-transparent clouds

“by expanding the possibilities of space and thought, Michel François’s work traces an ode to escape - a way of withdrawing from constrained systems, of introducing playfulness into established structures” - Ida Simon-Raynaud

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

“across photography, water becomes a way of seeing” - iconic 20th century photography and contemporary perspectives from nearly twenty artists reveal the visual and symbolic power of water across generations and styles

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

recent and previously unseen works that move between sculpture, drawing, and painting - “a meditation on time’s slow work upon the body and the landscape, and the place where the two meet”

part of the inaugural Mallorca PhotoFest, an exhibition focused on Olaf’s still lifes - “a meditation on time and its resistance”

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

the artist’s debut solo exhibition in Paris and with the gallery brings together new site-responsive works spanning sculpture, textiles, installation, and architecture

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

titled after the physical trace a memory leaves in the brain, an exhibition of new paintings and works on paper by the Brooklyn-based artist

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

gallery artists and guests in a special exhibition to celebrate the gallery’s tenth anniversary - “I know from experience that BERG\'s artists will continue to venture forward … and I\'m excited to accompany them into the future’ - Ingibjörg Jónsdóttir

using scientific data from quantum physics, cosmology, and institutions like NASA, Ikeda creates mathematical compositions with sound and light, exploring microscopic and cosmic scales in a multi-sensory experience

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

“Siber chooses to return to the most fundamental dialogue with materiality: making steel weightless, letting wood breathe, transforming colour into time, allowing nature to blossom in Baroque splendour”

“Nagel’s work reminds me of storms. The ones that leave you a bit bruised but with a fresh oxyden. Invigorated … I am full of admiration. Do not change a thing” - Morten Løbner Espersen

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

the Mumbai-based designer and artist’s first solo exhibition in the UK presents new sculptures woven, held, or structured in copper

encounters between artists whose practices expand the boundaries between functional art and collectible design

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

a new exhibition by the French artists and designers, reflecting on how perspectives and observations are shaped by journeys and movements through shifting landscapes

exceptional and previously unseen works in a new exhibition marking the centenary of the birth of one of the most significant and celebrated Japanese ceramic artists of the twentieth century

“across sculpture, statuary, devotional forms, and porcelain figurines … drawing on mythic, classical, and domestic traditions, the works return to forms we think we know and reshape them for the present”

inspired by his heritage and the vibrant energy of communal gatherings, new paintings, prints, sculpture, and an immersive sound installation in the British Nigerian artist and designer’s first solo gallery exhibition in his home city

focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them”

De Falco’s first solo exhibition at the gallery - “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities”

curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach”

“Curious Yellow / I hadn’t forgotten her, I just couldn’t remember her name. / Only when I looked back did I remember.”

Campbell explores evolutionary history, mythology, and queer culture through sculpture - metaphorising marine and terrestrial nature to reveal the flimsiness of social and political binary systems

Rapone’s first presentation with the gallery debuts three paintings where she explores “the heated juncture of sensuous stimulation and nervous irritation in narratively dense compositions”

showing at the gallery in Paris and Galerie Natalie Seroussi, an exhibtion of artists whose work engages with histories of migration, memory, language and belonging, contemplating the diasporic experience as lived reality and as imagined space

in thirteen pointillist paintings depicting close-up images of soap foams, captured through a microscope, a focus - “on nodes of connection, self-organization and how individual elements refract through one another”

new performative site-specific installations explore “curatorial spaces’ nature, not only as a collaborative conceptual spatial creation of artist and curator, but also as a conveyance of philosophical and psychological propositions”

an exhibition by the distinguished artist, filmmaker, and poet bringing together recent works on brown paper, drawn-on objects, and bunting fragments in a layered act of visual storytelling

large-scale pictures printed in acrylic on white gessoed linen canvases depicting infinitely complex forest ecosystems, in the New York-based artist’s first solo London gallery exhibition

the Swiss-British-Iranian artist presents “various works, (various in scale, material, and subject), which taken collectively address meaning (or lack of), purpose (or lack of), and the discourse surrounding authorship and ownership”

new photographs of London by Riddy - “both a description of place and a kind of social survey”

“Stetz questions what it means to capture a place whose central feature already consists in its stylistic and historical displacement; how to document something that already looks like a picture itself” - Anna-Lisa Scherfose

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

Agematsu’s first solo exhibition with the gallery and in Germany is in two parts, the first featuring a year of “zips” - tiny devotional sculptures made of detritus from New York’s streets inside the cellophane sleeves of cigarette packs

works based on photographic paper exposed directly to the sun, alongside vast landscapes of beech forests and seascapes - “Nemes constantly questions [photography], its limits, and what it can still reveal”

“Kilimnik operates with an iconographic archive that spans several centuries: from 17th- and 18th-century court painting to romantic landscapes and history painting to references to popular culture, fashion, television, and movies” - Dr. Raphael Gygax

“this exhibition opens like a landscape. We can follow Valentin Carron down the slope … This exhibition is a window onto our ability to survive the slipping away of our dreams”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

paintings, ink drawings, and screen prints created during his travels to New York and Zurich - “Christoph condenses fleeting impressions into atmospheric scenes, distilling the essence of each place”

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

Karner’s new body of work explores water as life, resource, symbol, danger, and endangered ecosystem through participatory sculptures inspired by animal and plant forms

Chillida’s work on paper was an important part of his creative process, and this exhibition focusses on rare etchings from the 1960s and 70s

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

an exhibition focussing on an intense three-year period Rego spent in her London studio, devoting herself almost exclusively to drawing and lithography

an exhibition by the Danish ceramic artist - “delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression”

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

works by Yves Klein, Lita Albuquerque, and Jack Goldstein in an exhibition which explores the connections between the cosmos, perception, and immateriality

new animations, original drawings, small-scale paintings, and an installation in the first exhibition at the gallery dedicated specifically to Alÿs’ animations

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

paintings, works on paper, and mural drawings form a spatial and narrative constellation with a soundtrack by Sin Maldita (Tim Roth) and Philipp Hülsenbeck

an exhibition exploring the varied work of the German painter, graphic designer, sculptor, and photographer

new works that criss-cross between two and three dimensions in sculptures, objects, and works on paper “engaged in a playful dialogue with geometric, non-figurative art”

screen prints and sculptures cast in aluminium - “in the autumn of 2025, I was restless because of the state of the world. My angry energy wasn’t suited to studio work but worked well for the metal foundry and the printmaking workshop” - Jonasson

an exhibition examining one among the most unconventional artists of the post-war period and his “disquieting and prophetic pictorial vision … grasping the tensions between humanity and technology long before their full contemporary manifestation”

more than fifty paintings and works on paper - including many never before publicly exhibited - in this major solo exhibition of works by one of Azerbaijan’s most influential twentieth-century artists

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

new works by Pillay, “paint becomes a medium through which to bridge geographies, timelines and archives, alongside histories of indenture, colonialism, displacement and erasure within the artist’s own family history”

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

paintings, works on paper, sculpture, and textiles by some of the most important names in South Asian modernism in an exhibition spanning the late nineteenth century through to the contemporary period

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

the gallery celebrates the centenary of the Franco-Polish artist’s birth with an autobiographical exhibition, coordinated with the exhibition at Galerie Loevenbruck in Paris

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

new paintings and a site-specific architectural intervention “transforming the upstairs Zurich gallery into a space reminiscent of a casino - a charged environment shaped by surveillance”

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

covering the entire career of one of the most important painters of his time, this exhibition brings together his brooding social allegories with luminous landscapes and portraits, revealing a tension between intimacy and the brutality of the 20th Century

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

Singh’s first UK solo exhibition presents an installation of film and paintings to offer a poetic meditation on the urgent link between climate change and agricultural crises

including several paintings never previously exhibited, this exhibition focusses on a pivotal period in the early 1950s when Heron negotiated his own path between figuration and abstraction

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

emblematic works from a decade whose legacy remains profoundly relevant today, revealing the richness and diversity of a constantly evolving creative landscape

bringing together Picasso's Personages with new and existing works by California-based contemporary artist Zheng Chongbin, an exhibition focussed on how an image is assembled in the very act of looking

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

Smith’s first solo exhibition in the UK - “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” - Smith

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation

the latest in the gallery series presents significant works by Volpi alongside paintings by artists from subsequent generations who reflect on - and depart from - his example

Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin

new work by Morris reflecting on how we tell the story of war

curated as a cabinet of curiosities, new sculptures by Houseago alongside objects ranging from ancient artefacts to works by artists including Joseph Beuys, Louise Bourgeois, Jacob Epstein, Lucio Fontana, Henri Gaudier-Brzeska, Julia Isídrez, …

presented with Matthew Marks Gallery, sculpture and drawing - including works on view in London for the first time - in an exhibition of the influential and relentlessly inventive LA-based artist

curated by Fraser Muggeridge, an exploration of Buren’s use of stripes over almost six decades, from the street to the gallery walls and from the canvas to the printed page

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

works by Anne-Lise Coste, Slawomir Elsner, Franziska Furter, Eleni Gkinosati, Bob Gramsma, Rachel Lumsden, Koka Ramishvili and Dieter Roth

organised in collaboration with Sam Fogg, an exhibition exploring the influence and relevance of stained-glass window making on modern art practices through the lens of three artists - Piet Mondrian, Paul Klee, and Brice Marden

new paintings by the Cuban-born, Madrid-based painter who “works with objects - not as fixed forms, but as mutable structures that he observes, studies, and re-imagines”

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

Isa’s first solo exhibition at the gallery is inspired by a dream and presents painting and sculpture engaging with spirituality, faith, womanhood, and the complexity of locating the self

“beyond the gay images from the 1970s, I look further back to Whistler, Sargent, Montesquiou, and Proust to locate the atmosphere in which to portray this physicality” - P.

the painter and film artist’s first solo exhibition at the gallery in London “explores cultural memory through landscape and examines our shifting ideas of homeland from the perspective of diaspora”

an immersive exhibition transforming the gallery’s tithe barn into a living forest of light and sound, with a kinetic sculpture of branching limbs and mirrored leaves gently moving with air currents

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

focussing on a little-known aspect of the painter, writer, and photographer, over 150 early stereoscopic images, vintage prints, unique works on paper, lightboxes, and projections in the first UK public exhibition of his work for over 10 years

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

a ground breaking exhibition exploring Stephenson’s large works from the late 1960s and early 70s - “great paintings of flux still the mind in contemplation of their wholeness, harmony, and radiance”

the first solo exhibition by the London-based, American artist

Grant explores form as a structure of thought, and image as process and relation, referencing the optical mirage where images appear unstable and shifting

curated by Prajna Desai, the gallery’s first exhibition at No.9 Cork Street is about the nature and evidence of arboreal power - with Claire Baker, Goutam Ghosh, Mahesh Baliga, Neha Choksi, Tejal Shah, and Trupti Patel

drawings, paintings, and sculptures by the renowned and prolific Indian artist - “this exhibition presents a synoptic peek into Ramachandran’s long, fascinating and solitary journey” - Professor R. Siva Kumar

ink on silk works in Jiang's first UK solo exhibition - “temperament determines material; material reshapes temperament” - Jiang

large and smaller scale steel sculptures and prints as the internationally renowned artist explores clothing, commerce and emblems of wealth as reflected in fashion and dress

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

the artist, architect, and theorist’s first solo exhibition in the UK brings together sculptures, large-scale paintings, and a selection from his small scale, artist-framed Zero Thumbnail series

in this exhibition, titled after an atmospheric phenomenon visible shortly before sunrise or after sunset, an “ethereal pinkish band” directly inspires six new, monumental paintings by Crews-Chubb

”simple, reduced compositions exist alongside dense, multilayered structures; monochrome palettes contrast with the emergence of more vibrant hues; intimate formats coexist with larger, more expansive works”

new and historical works by Arsham, spanning sculpture, painting, and works on paper drawn from nearly two decades of his practice - tracing the sustained engagement with geology, archaeology, and the cultural residue of the recent past

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

this major figure in Japanese ceramics works with painting and sculpture to create “elemental forms that explore the mysterious world of childhood, evoking a sense of the uncanny”

presented for the first time in the gallery’s Marais space, enamelled faience sculptures with striking trompe-l’œil effects - “Carone reminds us that one deception can still hide another. Welcome to the kingdom of false appearances” - Serge Bramly

to mark the gallery’s new London space, an exhibition of key works from the series - “Uysal approaches architectural space as a living surface - a skin - that can be stretched, compressed, pierced, or displaced”

new paintings which examine “the effects of systems that separate people from land, ancestry, ecology and embodied forms of knowledge”, drawing on Kahraman’s personal history as a Kurdish-Iraqi refugee and the loss of her home in the LA wildfires

new paintings by Lyons examining how animals have shaped the human world materially, technologically, and philosophically

presented with Castlefield Gallery, an exhibition bringing together O’Rourke’s DVD-case paintings, larger mixed-media works, wall-based and freestanding paintings - drawing viewers through a landscape of repeated motifs, images, text, and materials

“Loeb answers to the true substance and matter of painting. She takes a sculptural approach to paint, building immersive fields of colour … which are then scraped, reworked and reapplied to achieve a dense, tactile surface”

new paintings, in Jabbour’s trademark vivid, coruscating colour, focussing on the figure, sometimes solitary, but often paired and grouped to express tender interaction and emotional engagement

the interdisciplinary artist’s practice spans experimental video, sculpture, sound installation, and prose, exploring the intersections of identity, material history, and archival memory

curated by Imani Mason Jordan, thirteen artists in sculpture exhibition with performance, writing, photography and video - “these are practices that do not try to represent the world, but actively reconfigure it”

unseen works on paper and new paintings in an overview of diverse artistic approaches and generations, bringing together contemporary masters in dialogue with historical perspectives

the gallery launches its exhibition programme with painting, sculpture, and mixed media work by five contemporary artists who explore the liminal state as a productive site of possibility