“a landmark exhibition tracing the emergence and evolution of Surrealist ideology in Sweden and Denmark” with works by Stellan Mörner, Vilhelm Bjerke-Petersen, Lambert Werner, Max Walter Svanberg, and Eric Cederberg

painting, sculpture, drawing, photography, and video in a group exhibition curated by Mateus Nunes which draws on the life and work of Jorge Luis Borges to explore blindness as a poetic catalyst

Antelman’s first exhibition with the gallery presents a “unique approach to photography in which her lyrical and experimental approach to imagery and montage is combined with a sculptural sensibility”

bringing together two generations of abstraction, an exhibition which juxtaposes the bold, gestural work of Briggs with the introspective, process-driven paintings of Bonner

“in Eric Dever’s paintings, time is neither background nor metaphor: it is substance … Dever’s canvases are accumulations of temporal gestures, each brushstroke a pulse in the continuum of material and spiritual becomings” - Dr. Giovanni Aloi

over forty works from Picasso’s own collection - including pieces never seen in public before - shown together for the first time, together with rarely exhibited objects from his studios

“I’m engaging in an artistic variety of backcrossing, the process by which one generation is made by crossing two different varieties, and in subsequent generations, one of the parent varieties is crossed back with the offspring” - Murakami

co-presented with Singapore’s The Institutum and organized by Wells Fray-Smith and Clara Che Wei Peh, an exhibition of four artists who explore how the idea of home is shaped by movement, memory, and acts of reinvention

the first major survey exhibition to provide an in-depth examination of the noted Abstract Expressionist’s complete practice

three monumental “landscape and mindscape” paintings form an immersive installation in Weiner’s debut solo exhibition with the gallery

an intergenerational exhibition of paintings by Graham Collins, Lynne Drexler, and Lucy Mink, inviting the viewer into an exciting and generative space produced by similarities and differences of gesture

the first presentation at the gallery’s newly renovated Chelsea space is an exhibition curated by Cecilia Alemani with both paintings and sculpture by the pioneering figure of postwar art - “a restless explorer of the canvas” - Alemani

“a love letter to New York in all its maddening, magnificent glory” - works by John Baeder, Danielle DeJesus, David DeSimone, Richard Haas, Claire Heidinger, Steven Katz, Ernest Lawson, Joseph Peller, Philip Reisman, Doug Safranek, and Edmund Yaghjian

new acrylic on panel paintings where Glavin’s figureless spaces “flicker between photgraphic representation and dreamlike recollection”

new drawings, photographs, and text-based sculpture in Barnette’s ongoing investigation of the human dilemma: how to be, how to behave, how to belong

Cotton’s first exhibition at the gallery introduces his monumental paintings of a new American mythology with sugary treats, pink unicorns, hypermasculine cowboys, and mermaids

curated by Beverley Calté and Arnauld Pierre, over forty post-war works by the French avant-garde artist in the first major solo exhibition exclusively exploring his unique final period

inspired by the Hieronymus Bosch work of the same name, this exhibition brings together over a dozen artists who reflect on nature’s forms as well as the moments between the real and imagined

alongside his exhibition at the gallery’s 22nd Street space, the dedicated editions space on 18th Street presents prints of Kentridge’s work from the last two decades

curated by Robert Spring, an exhibition that highlights two foundational components of early 20th-century Constructivism, exploring connections between emerging and established artists across multiple generations

the second part of Ever So Present, curated by Brice Arsène Yonkeu, features work by Luke Agada, Amoako Boafo, Josèfa Ntjam, and Emma Prempeh, artists of African descent who engage with the formation of the contemporary diasporic self

installed across both gallery locations, an exhibition of new work in Toor’s first solo show with the gallery - paintings at Luhring Augustine Chelsea and the artist’s first dedicated presentation of works on paper at Luhring Augustine Tribeca

a wide range of works in media from paintings in tempera to bronze figures and glass forms in Ikemura’s first exhibition with the gallery “an impressive act of world building and longevity”

the most comprehensive presentation of Herrera’s post-war Paris years to date “examines a young artist deep in experimentation, subsuming the seismic influences of many colliding midcentury art movements”

in his first exhibition at the gallery in New York, an immersive installation of Kentridge’s acclaimed film series ‘Self-Portrait as a Coffee Pot’ and more than forty-five drawings integral to its creation alongside a group of sculptural works

figurative sculptures made in both wood and bronze in an exhibition which reimagines scenes and characters from the suburban landscape of Schreuders’ Cape Town

the New York-born, London-based artist’s inaugural solo exhibition in the United States

alongside three luminous, hallucinatory paintings, “new glass-layered sculptures that build on Yellin’s foundational practice of compressing time, memory, and myth into vertical compositions” - Terence Trouillot

the artist’s first solo exhibition at the gallery in NYC -“Longevial's oil paintings draw attention to the skin, layered in seemingly smooth swatches of ultramarine, crimson, slate, chantilly, and mauve” - Lynn Maliszewski

organized by Grace Hong, sixteen artists from the gallery’s international program who “ponder the act of reading in contemporary art, exploring the role of source materials across literature and how the legibility of material informs artmaking”

including sketches not seen before in public, an intimate look into the creative world of the iconic American designer known for dressing cultural icons from Cher to Madonna

an exhibition of works by Walinska, inspired by her six-month fifteen country trip around the world in 1954/5

an exhibition of works by the Yale School of Art Painting and Printmaking Graduate Class of 2025

a historical survey of seventeen Black American artists who lived and worked in France from the late nineteenth century through the present

new and notable works by Eric Zener, Rebecca Stenn, John Evans, Mavis Smith, Ioanna Stefou, Annette Davidek, Gary Ruddell, Alexandra Pacula, Carin Gerard, Eric Wert, Richard Combes, and Elizabeth McGhee

the first presentation of Ryoko Endo, Hannah Lim, and Park Seo-Bo’s work in dialogue - “three visionary artists whose practices traverse East and West, past and present, structure and spontaneity”

“my grandmother taught me to knit, and consequently, the act of knitting has always brought me great comfort” - Mastrangelo

combining photography and performance, Calivas’ debut exhibition with the gallery presents works featuring her partially or almost completely submerged in the landscape

Taher Asad-Bakhtiari, Zimra Beiner, Anne Brandhøj, Frida Fjellman, and Sigve Knutson - artists and designers who “invoke the luminous boundary between visual wonder and the workaday”

new work by Palmer - “what I do, in my collages, is to create hybrids: nature and artifice. I don’t only document what I see, I respond to the unfathomable beauty of what is with embellishment”

“the sensory richness of photography and its ability to convey not only how the world looks, but how it feels” - Lillian Bassman, Elliott Erwitt, Lalla Essaydi, Robert Heinecken, Sally Mann, Joel Meyerowitz, Abelardo Morell, Erwin Olaf, and Herb Ritts

titled after a first season episode of Star Trek, Bacher’s large, immersive installation “distorts as it reflects, outsourcing its possible meanings to us, and whatever we might bring into the corridor”

the third edition of the gallery’s acclaimed performance series brings together Tallmadge’s installation with the choreography of Principal dancer and activist Ingrid Silva, performed by Elias Re and Vinícius Freire

new pieces by the multidisciplinary design studio known for “serene, dreamy, creations that evoke poignant and harmonious confluences with the natural world”

paintings from the New York-based artist’s acclaimed series, drawn from and examining famous embraces from cinema

new and recent multi-paneled paintings by Lovelace exploring the relationship between nature and society in his native Trinidad

in the Korean artist’s first solo exhibition in New York, new paintings “depict the space between the real, the imagined and what she describes as the ‘visual error’ experienced when something is not as it first appears”

curated by Helen Toomer, an exhibition of contemporary and historical painting, sculpture, photography, works on paper, and textiles, by a multigenerational group of over forty artists that explore cultural conceptions of childhood

“these are paintings to live with. Restrained and blurred, with a minimum of edge, they quietly draw you in, enveloping you as in a dream” - S. Lane Faison, Jr.

reflecting on the relationship between humans and the environment through object-making, assemblage-based installations, and a keen understanding of material processes, Rico achieves a precise geometry from his carefully chosen objects

installed across both gallery locations, an exhibition of new work in Toor’s first solo show with the gallery - paintings at Luhring Augustine Chelsea and the artist’s first dedicated presentation of works on paper at Luhring Augustine Tribeca

sculptures, works on paper, and a new installation in the first exhibition at the gallery of works by the Dominican-born sisters

the first US exhibition of paintings by the Chilean-born, Paris-based artist draws inspiration from the landscapes of South America to depict ethereal terrains on canvas and copper plate

an exhibition which brings together leading figures of modern and contemporary Italian design to explore how beauty and function intersect in a world shaped by industry, urbanisation and cultural tradition

curated by Oscar Murillo with artworks by Wifredo Lam, Arshile Gorky, and Roberto Matta

over two dozen artists working across a wide range of media, at scales both intimate and grand, offer a sustained reflection on the social and political climate of our time

a group exhibition of seven artists who explore the concept of a “second shadow”, the partial light shadow cast by a summer solstice, to obscure their natural representations and create a deeper truth about the subjects

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

“throughout the course of his artistic practice, Sperling has continuously referenced the worlds of design and architecture as inspirations for his sculptural works on canvas”

featuring works by Julia Wachtel, Wendy White, and Jason Yates

“Graft opens connections between Puerto Rican communities across the city and reminds us of the centrality of the Caribbean to the history of New York City and the United States” - Melanie Kress

an exhibition dedicated to the photographic works of one of the most influential artists of the 20th century

a site-specific reconstruction of Steir’s 1975 debut installation

at three hundred bus shelters in New York, Boston, and Chicago - new “picotage” photographs by Smith which examine the Caribbean diaspora

Surrealist | Modern | Post-War Art

Old Masters, Ancient and Modern works of art