twenty-five paintings and works on paper, from 1969 to 2024, providing a comprehensive survey of Osborne’s distinctive approach to landscape painting

Koch's first solo exhibition in New York - “known for her use of architectural elements ... her interventions have always been generous invitations to discovery, participation, and interaction” - Mark Lee

paintings and tapestries of the threatened flora and fauna of her native Colombia in González’s first solo exhibition in New York

monumental sculptures by Schütte in the largest presentation of his work in the United States to date

an exhibition of new pictures, alongside ones not previously seen in the US, ranging from what Wall refers to as “near documentary” to “blatant artifice”

a material overview of Setsuko’s practice, as well as the first New York exhibition of the artist’s bronze and ceramic sculptures

new portrait paintings in Kim’s first solo exhibition with the gallery - “just as the philosophical scope of Kim’s portraiture has become more complex, so too has her painting become more lush and lyrical”

a diverse selection of recent paintings by emerging and established gallery artists

works from Divola’s latest series, alongside selections from a seminal early series, offer a rare opportunity to trace the evolution of his practice and his examination of the process of image-making

new paintings by the British-born, New York-based artist “fuse painterly rigor with a shrewd, quick-witted sensibility, generating complex, evocative compositions”

curated by Elisabeth Sann - with an accompanying Soul Jazz Records playlist - this exploration into the relationship between celestial bodies and the human experience offers a look at the profound and visionary works of the renowned artist

the first exhibition in the gallery’s Chelsea space of the artist celebrated for her poetic sculptures, installations, and drawings

paintings by the French artist in an exhibition which examines his breakthrough experimentations with figuration in the early 1960s

the New York debut of Bey’s newest photographic series and film centering on Richmond, Virginia - where African captives first arrived in the US in enslavement

new paintings, large sculptures, and watercolors, overseen by a large-scale, site-specific wall painting installation, demonstrate Shepherd’s signature use of architecture, geometry, and space

new and recent paintings in Martin’s first solo exhibition at the New York gallery - “atmospheric abstractions that revel in material discovery”

in the artist, filmmaker, actor, and writer's first solo exhibition in the US, new paintings draw on the Dutch Golden Age to explore the absurdity, humor, and horror of social conventions and personality types

“engaging with the flux of the cosmos, O’Neil’s dynamic images are akin to mindscapes or dreamscapes. She deconstructs the inextinguishable energy of matter into its base form - constituent dot-particles and waves” - Lilly Wei

a significant solo exhibition - in collaboration with Galleria Continua - which presents painting and sculpture spanning Pistoletto’s works from the early 1960s to the present

thirty paintings and photographs by one of the leading lights of the French contemporary art scene in his first solo show in the city - coordinated by Alfred Pacquement

works by artists including: Magdalena Abakanowicz, Ruth Asawa, Mary Bauermeister, Lee Bontecou, Claire Falkenstein, Nancy Grossman, Blanche Lazzell, Louise Nevelson, Agnes Pelton, Irene Rice-Pereira, Anne Ryan, Betye Saar, and Esphyr Slobodkina

an exhibition showcasing the renowned German American artist’s portraits and offers a rare glimpse into his celebrated work

an exhibition which highlights the radical and rebellious ways that British painter Coon and American sculptor DiMattio take on the histories and conventions of their mediums

with two new cinematic series of photographs, one shot at night and one taken in the day and presented as a cyclorama, An-My Lê explores “the contradictory nature of the manifest and the sublime within the contemporary American landscape”

Laurencin’s first solo exhibition with the gallery - “why ... should Laurencin paint still lifes of “dead fish, onions, or beer glasses” when there was so much to explore in the rich and multilayered world of women and their desires?” - Hannah Stamler

including loaned historic pieces from the early 1980s, the gallery presents an ambitious exhibition which explores one of Scully’s breakthrough bodies of work

recent cibachrome and inkjet prints, paintings, and video works unified by themes of biodiversity, preservation, contemporary anthropology, and the influence of media and technology on culture and society

a focus exhibition presenting three paintings spanning three decades of the artist’s career - “I orchestrate color, line, and shape. My whole purpose is to produce an aesthetic response” - Opper

“from Frank Vincent DuMond to Adolph Gottlieb, Paul Manship to Charles Alston, Charles Hawthorne to Wolf Kahn, Guy Pene du Bois to Augustus Saint-Gaudens instructors of the Art Students League have had a profound influence in molding American art”

the gallery offers a rare opportunity to see Wilhelm Lehmbruck’s sculptures alongside paintings by Eugène Leroy

“Denize encourages us again to think without bounds of a permeability of format and form, to appreciate the similar role of her paintings, garments, and ceramics, all evocative vessels” - Grant Klarich Johnson

new work by the artist - “ethereal and minimal, Susan English’s paintings play with light and space”

new works by the artist known for his bold, geometric works which “combine elements of abstraction, Pop Art, and Black cultural identity ... to explore the iconic symbols, enigmatic figures, and dreamlike landscapes that bridge the past and future”

in his first exhibition at the New York gallery, the critically acclaimed LA-based artist debuts limited-edition etchings and hand-painted monoprints which span his artistic practice

works by artists including Timothy Bergstrom, Colby Bird, Layo Bright, Graham Collins, Anne-Lise Coste, David Kennedy Cutler, L’Merchie Frazier, Genevieve Goffman, Elias Hansen, Matther Kirk, Megan Reed, and Mariah Robertson

two video works - from the late ’60s-70s and 2024 - alongside three iconic photographic series from the ’80s and ’90s in an exhibition dedicated to the acclaimed and groundbreaking photographer

new paintings in Jeridi’s first solo exhibition with the gallery capture “an ambiguity between vulnerability and strength, between a febrile state and the expression of power, inviting us to consider what makes our humanity” - Hiji Nam

assembled by the renowned gallerist William Mora, “an extraordinary private collection of eleven significant paintings by Australia’s most celebrated contemporary artist”

sculptural reliefs by the Helsinki-based ceramic artist - “Paikkari simply lets the material find its own form, cracking along undetectable internal fault lines” - Glenn Adamson

Bidwa’s first solo exhibition with the gallery presents recent paintings composed of layers of oil, latex, and spray paint on panels - “planes of color are disrupted by bold brushwork, building organic forms carefully laid down”

“to Vermeersch, the experience of painting is still a powerful sensory and philosophical encounter, but one that is rooted in a desire to work with the contradictions of perception and matter, temporality and space” - David Rhodes

an exhibition with over a dozen artists which explores how physical materials are transformed into dynamic forms that resonate with both visual and conceptual weight

“if the women of BanBan’s previous paintings were more universal in their scope, those shown in 14th Street Madonna are imbued with a greater sense of personality and a more personal touch”

in collaboration with Public Art Fund, two new public artworks considering the music, performance and the Black history of New York

four new large-scale bronze sculptures, set against the green backdrop of Brooklyn Bridge Park, examine art, science fiction, horror, and mythology

“Graft opens connections between Puerto Rican communities across the city and reminds us of the centrality of the Caribbean to the history of New York City and the United States” - Melanie Kress

“together, Iosilzon and Turner’s paintings and sculptures constitute a kind of gallery-based ‘Gesamtkunstwerk’” - Rebecca Birrell

an intricate selection of works by twenty-three artists from multiple generations which “distill the essence of the artist’s expression into an intimate, compact format”

“Turner’s installation is an accumulation of a collective body’s affects and associations, stories, impressions and sensations ... she invites us to watch them move, to be moved by them and move with them” - Rebecca Birrell

organized in association with the Cy Twombly Foundation, this exhibition of paintings, sculpture, and works on paper includes key bodies of work as well as pieces that have never been shown before

Surrealist | Modern | Post-War Art