the gallery’s first exhibition dedicated to the trailblazing American artist, author, educator and activist surveys her career with textiles, paintings, sculptures, and rarely seen works on paper

“the Japanese artist unfolds her renowned web-like installations, reinventing thread as a poetic and universal medium”

drawn from the entirety of her career, an exhibition of Geesaman’s “idealized, often dreamlike” photographs of parks and formal gardens in Europe and the US

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

the multimedia Afro-Caribbean American portrait artist presents monumental fiber portraits that “celebrate the intimate connection between textiles and communities of color”

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

in Hsu’s first solo exhibition at the gallery, wall-based pieces, sculptural LED screens, and large-scale visual environments “which reflect a heightened engagement with both computational and medical infrastructures”

“a solo exhibition by the renowned painter featuring three interrelated bodies of work … each being formed from a concatenation of smaller, individual panels, seemingly employing different styles and diverse moments from his own back catalogue“

recent sculptures and paintings - “the Porcelain series is in dialogue with art from ancient times through history to this moment; the belief in humanity and civilization through our possibility to transcend is embedded within” - Koons

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

with a title which translates as “Of Soil and Whispers”, new paintings and sculptural reliefs which explore “a metaphoric and visual language rooted in Latin American folklore and ecofeminist thought”

curated by Joey Lico, twelve artists whose practices consider how the earth is held, shaped, remembered, and reimagined

Cerrato’s first solo exhibition in New York presents paintings from a critical period, both in her art and her life

a solo exhibition which examines Zutrau’s evolution through the critical period when he worked between Tokyo and New York

paintings and works on paper from the 1960s through the 1990s by one of Canada’s foremost Color Field painters

a two-person exhibition of new ceramic works “Together, [Scott and Slotte] show how art can open up an apparently inconsequential domain of material culture, showing it to be far more expansive than one could have imagined”

“ink and photo emulsion-based works on paper which foreground the traces of their production. The works’ compositions are sliced and segmented by creases, perforated to reveal the act of making as much as they might conjure familiar textures and imagery”

“the works invite sustained contemplation, offering viewers a quiet resonance with the cyclical and material rhythms that shape both the world and the self“

an exhibition exploring Bauermeister’s use of rocks - including in progressions, spirals, and lens boxes - and examining the themes central to her practice

new paintings - “young figures located within the absurdities and perversions of contemporary western life” - in Mustin’s first solo exhibition with the gallery, and largest to date

iconic works by Mucha from throughout his career, including emblematic vitrine works presented in a site-specific installation devised by the artist

collaged reliefs made from photographs layered up to four inches deep and “Layer Maps” in this exhibition which “reveals photography not as reflection but as structure, the vessel through which America pictures and forms itself”

“an immersive art installation that explores the interplay between materiality, light, and nature inspired by Claude Monet’s late water lily landscapes, in which vision dissolves into abstraction”

new paintings and works on paper -“images of lush, abundant vegetation” - in the eminent British painter’s first in New York in nearly a decade

curated by Dr. Tobia Bezzola, eight monumental works spanning Gertsch’s career, and “elucidating the ways in which he transformed photographic imagery into hyperrealist paintings and woodcuts”

“I have thrown myself into the very elements that produced me, using the earth as my canvas and my soul as my tools“ - Mendieta, Proposal for the New York State Council on the Arts, 17 March 1982

new paintings by the Argentine-born Madrid-based artist, drawing thematically on Shelley’s poem - “eerie, evocative landscapes embedded with fragments from the present industrial age”

the second exhibition in a collaborative series with extends the ongoing project of examining African and European objects side by side, situating them within a shared art-historical and material conversation

the gallery’s second solo exhibition of work by the late Korean artist bringing together the Couple and Nude paintings and tracing his ”sustained engagement with the human figure as a site for exploring painterly surface, materiality, and form”

the first New York solo exhibition of the clan advocate and leading figure in contemporary Indigenous art presents works painted on bark cloth that he harvests and prepares by hand

an exhibition of powerful paintings by the renowned Australian First Nations artist

contemporary artists working across painting, sculpture, installation, video, and photography who create “a space for reflection and encounter, where the pursuit of the unattainable becomes a catalyst for imagination, empathy, and renewal”

Ilya Bolotowsky, Ernest Briggs, Seymour Boardman, Peter Busa, Peter Bonner, Mario Bencomo, James Brooks, Lina Binkele - “united by a shared initial … their works form an intriguing dialogue across decades, styles, and modes of expression”

in his first solo US exhibition, Şehitoğlu explores Maciavelli’s “Whoever possesses knowledge possesses power” - constructing an allegory that takes his own field as a reference point to “reflect on what the current age has brought”

new works on paper by the Brooklyn-based artist – “the slow, repetitive act of mark-making creates a visual embodiment of time which she describes as ‘demanding repetition of the body and perpetual renewal in the realm of the imagination’”

an exhibition bringing together twelve new paintings by the Irish artist, together with four small works on panel presenting “a microcosmic snippet of his world … a tiny window onto the limitless eternity of time”

an exhibition of the renowned American artist’s prints, multiples, and tapestries

curated by Shazzi Thomas, an exhibition of artists who “navigate the shifting boundaries between clarity and obscurity, the material and the ephemeral, the revealed and the concealed … across abstraction, landscape, figuration, and experimental surface”

including woodcut, collage, print portfolios, cast-paper, and other sculptural pieces from across Zarina’s seven-decade career, this milestone exhibition highlights the breadth and relevance of the late artist’s vision

curated by Molly Warnock and titled after his 1973 National Endowment of the Arts Grant Application, paintings and works on paper by the self-proclaimed “Abstract Expressionist of the quieter branch”

“enveloping the room entirely in vinyl tiles, the installation creates an environment that is both immersive and reflective—an echo of sacred architecture transposed into a contemporary context” - Laura Helena Wurth

new paintings and drawings by the Japanese artist exploring how imagination and reality interact

Young-Il Ahn, Anna-Eva Bergman, John Henderson, and Shim Moon-Seup in a painting exhibition organized by John Henderson

Rockman’s first solo exhibition with the gallery presents new and recent paintings and works on paper in dialogue with two of his now classic works

Cherri’s first solo exhibition at the gallery “unfolds as a meditation on fragile bodies caught within immovable systems - where … history reveals itself not as past tense, but as an unrelenting present” - Terence Trouillot

in Robarts’ first solo exhibition with the gallery, sculptures made “from the cast offs of society”

Sergio Sister and Karin Lambrecht, two of Brazil’s most distinctive painters, “explore the transformative, emotional, and material force of color in contemporary art”

this new exhibition sees the South African artist revisit his 2010 presentation at the gallery’s Johannesburg space - of works marking the 50th anniversary of Miles Davis’s landmark album “Kind of Blue”

the Estonian and South Korean artists “explore the same desires of capturing spatial experiences as they slowly disperse from their memories”

new paintings by gallery artists and select previews of forthcoming exhibitions

a two-part exhibition of new and historic works on paper by Ligon presenting “richly layered compositions that meditate on the color blue and its emotional, historical and cultural inflections”

the first installment of a two-part survey exhibition tracing the evolution and achievements of American art across the 19th and 20th centuries - in celebration of the gallery’s 25th anniversary and the 250th of America’s founding

Surrealist | Modern | Post-War Art