including monumental canvases shown for the first time, new paintings advancing Uslé’s exploration of abstraction - “rhythmic, short brushstrokes arranged in bands of shimmering color”

the paintings in Falcetta’s first solo exhibition with the gallery show his abstract explorations of surface, color and space

the first solo exhibition with the gallery of the co-founder in 1957 of the renowned ZERO movement

the first major survey exhibition to provide an in-depth examination of the noted Abstract Expressionist’s complete practice

bringing together two generations of abstraction, an exhibition which juxtaposes the bold, gestural work of Briggs with the introspective, process-driven paintings of Bonner

over forty works from Picasso’s own collection - including pieces never seen in public before - shown together for the first time, together with rarely exhibited objects from his studios

the US premiere of works from Huyghe’s groundbreaking exhibition in Venice last year at Punta della Dogana - Pinault Collection

new stone paintings alongside oil on panel paintings and handmade paper works by Moyer, merging abstraction and materiality and redefining conventional sculptural forms through innovative use of natural materials

over twenty early works by the American Abstract Expressionist painter - “the works themselves reveal how Kline’s considerable talents for drawing and painting culminate in the architectonic calligraphies of his mature style” - Roberta Smith

an exhibition of drawings by Shaw - “I’m drawn towards things that are weird - that show you something about America”
- Shaw

the inaugural exhibition at the gallery’s new space 47 W 28th St presents some of Fini’s crucial lesser-known small-scale drawings - “complex, unsettling, and utterly hypnotic”

in this collaboration between the British-French artist and filmmaker and the Senegalese artist, Shulman places Diop in original vernacular photographs to create scenes that examine who gets to be seen, remembered, and included

“I’m engaging in an artistic variety of backcrossing, the process by which one generation is made by crossing two different varieties, and in subsequent generations, one of the parent varieties is crossed back with the offspring” - Murakami

an exhibition of vibrant photographs by the Malian artist - including some not previously exhibited - in a celebration of Sidibé’s role as a pioneer who sculpted the visual identity of the African diaspora, offering a window into a Malian nation

in partnership with Paloma Picasso, over fifty rarely seen - or in some cases never previously exhibited - paintings, sculptures, and drawings from the full span of Picasso’s career

painting and sculpture in the abstract artist’s first solo exhibition with the gallery

new paintings by Blum, abstract compositions produced by a layered, intuitive process of adding and subtracting thinly inked sheets of silk to panel

Cotton’s first exhibition at the gallery introduces his monumental paintings of a new American mythology with sugary treats, pink unicorns, hypermasculine cowboys, and mermaids

the first presentation at the gallery’s newly renovated Chelsea space is an exhibition curated by Cecilia Alemani with both paintings and sculpture by the pioneering figure of postwar art - “a restless explorer of the canvas” - Alemani

Edward Sullivan curates the first exhibition of Chervin’s prints in New York - “in the current exhibition we are deeply interested in suggesting the “universalist” significance of her compelling visual language”

curated by Beverley Calté and Arnauld Pierre, over forty post-war works by the French avant-garde artist in the first major solo exhibition exclusively exploring his unique final period

alongside his exhibition at the gallery’s 22nd Street space, the dedicated editions space on 18th Street presents prints of Kentridge’s work from the last two decades

five different series exploring the South African artist and visual activist’s overarching project of empowering the Black LGTBQIA+ community in South Africa, including the first gallery exhibition outside Africa of their early work

the most comprehensive presentation of Herrera’s post-war Paris years to date “examines a young artist deep in experimentation, subsuming the seismic influences of many colliding midcentury art movements”

an eclectic group of twenty-four women artists from across nearly 100 years of artistic production, united by a kaleidoscope of influence

installed across both gallery locations, an exhibition of new work in Toor’s first solo show with the gallery - paintings at Luhring Augustine Chelsea and the artist’s first dedicated presentation of works on paper at Luhring Augustine Tribeca

conceived by Saara Pritchard, this exhibition is the first to focus on the three artists, who worked in New York City during the 1960s, 1970s, and 1980s, often portraying mutual sitters, exhibiting together, and participating in public discussions

in collaboration with Timothy Baum, a significant collection of collages by leading Surrealist artists including André Breton, Joseph Cornell, Marcel Duchamp, Nusch Éluard, Paul Éluard, Max Ernst, Georges Hugnet, Valentine Hugo, René Magritte, Man Ray,...

a wide range of works in media from paintings in tempera to bronze figures and glass forms in Ikemura’s first exhibition with the gallery “an impressive act of world building and longevity”

drawing on the Dutch masters, these two artists use a contemporary voice to reinterpret genres that have historically been dominated by men

in his first exhibition at the gallery in New York, an immersive installation of Kentridge’s acclaimed film series ‘Self-Portrait as a Coffee Pot’ and more than forty-five drawings integral to its creation alongside a group of sculptural works

new pieces by the multidisciplinary design studio known for “serene, dreamy, creations that evoke poignant and harmonious confluences with the natural world”

curated by Robert Zeller, an exhibition exploring the enduring influence of Surrealism, with contemporary artists placed in conversation with works by historic artists Giorgio di Chirico, Leonor Fini, Yves Tanguy, and Leonora Carrington

in this collaboration with the independent movie theatre Metrograph in New York, new paintings by Giovanelli created in relation to five selected films screened at the theatre to accompany the gallery exhibition

significant paintings alongside archival material, photography, and ephemera, presenting the personal and intellectual exchanges between four pioneering artists who shaped modern Korean art during the transformative decades after the Korean War

over two dozen artists working across a wide range of media, at scales both intimate and grand, offer a sustained reflection on the social and political climate of our time

eight standing wooden structures, encasing delicate tapestries in the French artist’s first US exhibition - “Peroi is not interested in revelation, but rather in uncovering something fundamental about how art is conceived” - Dr. Rebecca Birrell

new atmospheric paintings that explore the complex dynamics of intimacy and its expressions in the British artist’s first solo exhibition in the US

the tenth edition of this flagship annual exhibition presenting the finest works by Australia’s pre-eminent First Nations artists

photography, drawing, painting, and text in an exhibition using memory, landscape, language, and the body to explore how identity is constructed, performed, and resisted - “where each artist acts as both cartographer and witness”

“maybe these painted bodies are extensions of my own fear of attracting visitors, and Pierrot’s blushing cheeks an inflammation of the uncomfortable desire that always already accompanies this fear of exposure” - Kantarovsky

new and recent multi-paneled paintings by Lovelace exploring the relationship between nature and society in his native Trinidad

in homage to the eponymous 1559 painting by Pieter Bruegel the Elder, a group exhibition curated by Max Lust which celebrates diversity and duality in society and art

three monumental “landscape and mindscape” paintings form an immersive installation in Weiner’s debut solo exhibition with the gallery

an eagerly awaited exhibition featuring recent abstract expressionist paintings by the acclaimed artist - “a heartfelt journey into the psyche of an artist devoted to exploring the depths of her creativity”

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

an exhibition exploring the careers of the two artists, who worked alongside each other and were briefly married, presenting how their vitality, freedom, and innovative practices impacted the community of artists recognized during Abstract Expressionism

an exhibition which brings together leading figures of modern and contemporary Italian design to explore how beauty and function intersect in a world shaped by industry, urbanisation and cultural tradition

a historical survey of seventeen Black American artists who lived and worked in France from the late nineteenth century through the present

in Castillo’s first solo exhibition in New York, recent sculptures and works on paper exploring Cuba’s modernization in the 1960s and 1970s and reflecting on politics and design, function and form, history, art, and decoration

five towering figurative bronze sculptures and a large-scale photographic work in Price’s first major solo exhibition with the gallery in New York

an exhibition which “captures the raw, edgy, and moody draw of downtown New York City while showcasing the hidden beauty in the overlooked and abandoned”

curated by Oscar Murillo with artworks by Wifredo Lam, Arshile Gorky, and Roberto Matta

a dynamic group exhibition exploring the expressive power of the line across painting, sculpture, and conceptual art from the early 1950s to the present day

installed across both gallery locations, an exhibition of new work in Toor’s first solo show with the gallery - paintings at Luhring Augustine Chelsea and the artist’s first dedicated presentation of works on paper at Luhring Augustine Tribeca

significant and recently discovered erotic drawings by key Bloomsbury group member Duncan Grant, alongside works by contemporary queer artists including Soufiane Ababri, Leilah Babirye, Anthony Cudahy, Kyle Dunn, Alex Foxton, Jonathan Lyndon Chase …

more than thirty pen and ink drawings, watercolor and oil paintings created over seven decades in Hannon’s first exhibition with the gallery

a special survey exhibition of almost twenty years of work “link[ing] crucial previous bodies of work with new interventions that offer tender protest to the bombast of the world around” - Melanie Kress

in Pillay’s US debut and first solo exhibition at the gallery’s New York location, new paintings inspired by a visit to Réunion Island explore cultural hybridity, resilience and the ways landscapes serve as silent witnesses to history

anthropomorphic serveware, cartoon busts, moon jars, and signature Mongmong Lassie vessels alongside a video installation and a Risograph flip-book by the Brooklyn-based South Korean sculptor known for her hand-built and 3D-printed ceramic figures

to announce their representation of the Nancy Graves Foundation, an exhibition of work by the prominent twentieth-century American who “translated scientific information into an abstract gestural language by reducing sources to their essential forms”

presented by Deanna Evans with works by Kerri Ammirata, Lisha Bai, Tess Bilhartz, Fiona Buchanan, Erica Mao, Lauren Portada, Marisol Ruiz, Aparna Sarkar, Polly Shindler

four artists who take their cue from “Self Portrait in a Convex Mirror” - “each be seen to respond to Parmigianino’s legacy, his entwining of sight and doubt, his exploration of the tensions between image and reality” - Dr. Rebecca Birrell

featuring works by Julia Wachtel, Wendy White, and Jason Yates

Haft-Candell “we could call the show reach/grasp? Interlocking hands is a recurring theme in my work too” - Feng “Yes. That describes that painting–and the show”

works by artists including Jean Arp, Dan Basen, Rudolf Bauer, Sándor Bortnyik, Georges Braque, Marc Chagall, Sonia Delaunay, Richard Diebenkorn, Jean Dubuffet, Lyonel Feininger, Matalia Goncharova, František Kupka, Wifredo Lam, ...

“Graft opens connections between Puerto Rican communities across the city and reminds us of the centrality of the Caribbean to the history of New York City and the United States” - Melanie Kress

“vividly hued and wildly imaginative Surrealist works from 1939 to 1949” in the gallery’s first exhibition of the work of the celebrated late artist