a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

“working fluidly between painting and installation [Song E Yoon] investigates the relationship between material and immaterial, visible, and invisible dimensions”

a focused exhibition highlighting Silberberg’s porcelain sculptures from the 1980s - “a distinct and powerful body of work that marks a pivotal moment of evolution in her practice and material exploration”

the gallery’s first exhibition of Chase’s work since announcing its representation of her estate - Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

in Cassigneul’s first solo US exhibition for 40 years - “luminous harmonies of color and expressive linearity coalesce into compositions of emotional clarity and understated restraint”

new intimately scaled paintings by the Los Angeles-based artist in “a refracted retrospective”

new works see the New York-based artist explore the gallery architecture as both subject and structural partner, expanding her investigation into the relationship between photography, sculpture, and the built environment

in Garaicoa’s first solo exhibition at the gallery’s NY viewing room, reliefs combining painting and photography, and sculptural models using nineteenth-century French engravings, reflect his interest in how the city and its architecture reflect society

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

“rich, velvety fields of color alongside reflective, sparkling, and metallic surfaces”

in his first solo exhibition with the gallery Brant draws on old black-and-white photos, vintage postcards, film stills, and album covers in new paintings where a figure or figures appear as part of a landscape narrative

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

the Montreal-born, London-based artist’s first solo exhibition with the gallery in New York “proposes painting as a medium uniquely capable of holding disparate registers within a single, shifting field of vision”

a celebratory exhibition to honor director George Henoch Shechtman’s sixtieth anniversary as an art dealer and champion of contemporary realism

new paintings - dramatically scaled roses, peonies, daisies, tulips, and poppies erupt beyond the canvas - engaging the Old Masters to address contemporary preoccupations with the self, the body, and ecological anxiety about the fate of the natural world

painting, works on paper, and glass sculpture from throughout her career, in an exhibition celebrating the life and work of the late Argentine-born New York artist

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

the multimedia artist’s large-scale sculptures of buttons, beads, and crystals reflect Zen Buddhism’s discipline and mindfulness through meticulous, repetitive craftsmanship and themes of change and resilience

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

major paintings from across Kossoff’s career in this rare and substantial exhibition of the leading figure of postwar British art, presented in partnership with his Estate

new large-scale abstract works which engage with the history of abstract expressionism and color-field painting, in the London-based artist’s first solo show with the gallery and in New York

the debut of a series of paintings exploring Santos’ personal and pastoral relationship to Puerto Rico, drawing on historical, archival, and ecological inspiration - “the works are reminders of the past but also a way to understand what is happening now”

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

Andrews’ Migrant Series traces Black, White, and Cherokee migration routes through ink drawings and collage paintings using textile fragments and painted canvas to depict hardship, resilience, and hope in human migration experiences

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

new works on paper and large-scale canvases in Chihota's first solo presentation with the gallery - “a fluid exchange between media … to explore profound questions of being, belonging, and the mutability of self”

an exhibition revisiting Hird’s paintings - “perceptual fields unfolding with rhythmic and subtle variations. Undulating bands of color and translucent veils evoke the simultaneity of oceanic movement and atmospheric drift”

Crenshaw’s portraits of immigrants and cigarette stubs, in thrifted picture frames, explore themes of displacement, resilience, value, and disposability

“an intimate series of portrait paintings born from a radical shift in practice and a contemporary experiment in collaboration”

a special presentation of new paintings - “through still lifes and portraits set within seascapes and landscapes, Park creates psychological explorations shaped by the transition of day into night”

new paintings - labyrinthine architectural settings populated by people, animals, and mannequins - which function like a visual experiment, generating paradoxes rather than answers

in an exhibition which explores the relationship between land and technology and progress and destruction, new wall-mounted collages and an immersive installation of a psychic parlor, Doyle’s first experiment with AI

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

“ink, charcoal, and video works exploring bodily memory, gesture, and the fragile relationship between image and surface through porous, atmospheric drawings and a looping video of fleeting landscapes”

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

including the debut of the artist’s double-sided ‘qamariya’ paintings - referencing the traditional stained glass windows of Sanaa - the exhibition brings together multiple bodies of work that comprise the holistic ‘Door to Life’ series for the first time

the gallery’s inaugural exhibition is devoted to Polke’s major four-painting cycle and presents a rare opportunity to view one of the German artist’s most seminal series in full

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton