new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured

new works by the German artist - “Franz invites us to reconsider the relationship between past and present, reflecting the continuing artistic struggle for creative autonomy in an age of technological changes and advancement”

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

focussing on a little-known aspect of the painter, writer, and photographer, over 150 early stereoscopic images, vintage prints, unique works on paper, lightboxes, and projections in the first UK public exhibition of his work for over 10 years

“by translating historical paintings into a contemporary visual context [the exhibition] demonstrates that the past always remains an active and vital component of contemporary cultural discourse”

“by rejecting the picturesque and narrative, by favouring gradations over contrasts, silences over assertions, Molaeb constructs a pictorial language of rare coherence”

shown for the first time in Berlin, four videos which continue Claerbout’s long-standing engagement with time and duration

a group exhibition bringing together over a dozen international artists - “the exhibition poses an ancient yet ever-renewing question: how does cosmic order mirror itself in the body and the mind”

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

new painting and sculpture by Egan “initiated by a sense of touch and movement alongside a sense of sight .. painting is imagined as an activity of passage and continuum; an internal language that permeates the artists‘ practice”

Kid’s fourth solo exhibition with the gallery - “conceived around the first presentation of works from his new LIFE series, the exhibition places a focused selection of works from the past decade into dialogue with this new body of work”

the final works from a series which Kwak has developed since 2019, shown with new drawings from an emerging series to capture a transitional moment as one body of work comes to a close and another begins to take shape

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

this August, Hauser & Wirth Basel presents a solo exhibition dedicated to the work of the late Swiss artist. Born in Basel, Zurkinden defied easy categorisation, developing a distinctive painterly language that drew on both …

new paintings and a spatial light installation, in “a reflection on surface, presence and inner content. It makes us consider what lies behind the objects, the images or the meanings generated by an AI that endlessly produces poems” - Lotten Wiklund

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

with these new paintings of imagined spaces and intimate vignettes, Suss continues her exploration of interiority, domesticity, and memory

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

Dong’s meticulously crafted multi-panel paintings draw energy and influence from classical Chinese ink painting and systems of cultivating nature

photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

two artists who approach nature from opposite directions in an exhibition siting Michèle Buhofer’s photographs of extreme landscapes within Marya Kazoun’s installation of imagined organisms and environments

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

new paintings combining luminous portraiture with bold passages of color, ornamental patterns, and symbolic imagery as the husband-and-wife artists explore the boundaries between the visible and the imagined

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

bringing together the work of two contemporary Kenyan artists who draw deeply from their immediate surroundings, an exhibition exploring different facets of everyday Kenyan life, identity and culture

works by Georg Baselitz, Jim Dine, Tom Hammick, Fernand Léger, Hew Locke, Humphrey Ocean, Julian Opie, Mimmo Paladino, Paula Rego, Yinka Shonibare, and Joe Tilson in an exhibition of artists who weave images of birds into their visual narratives

interrogating the visual language of landscape - “expansive skies punctuated by stars unfold above architectural forms resembling boxes, walls or foundations, creating a tension between infinite space and structures of human making” - Anastasiia Fedorova

new painting and sculpture by Egan “initiated by a sense of touch and movement alongside a sense of sight .. painting is imagined as an activity of passage and continuum; an internal language that permeates the artists‘ practice”

Kazim’s first solo exhibition with the gallery presents new watercolours of solitary figures and circus acts alongside his first major portfolio of prints, illustrating the Urdu alphabet

an exhibition of thirty artists who move fluidly between painting, sculpture, and object-making, to examine how abstraction is shaped not only through image, but through material decisions

“I would place Jethro somewhere between a cheekier Cartier-Bresson and a more worldly James Ravilious - the tradition of the quiet English observer, but with a continental range and a sense of humour” Benedict Shakespeare, curator

a major group exhibition, curated by OHSH Projects, bringing together painting, sculpture, and installation to explore one of humanity’s oldest and most enduring stories

a new exhibition of the Naarm/Melbourne-based artist presents paintings and watercolours created while she was pregnant - a visual diary writ large, chronicling a period she calls “a state of becoming - turning from one thing into another”

offering a rare overview of his disciplined and deeply poetic approach, paintings, works on paper, drawings, and etchings in the late American artist’s first solo exhibition in France

new paintings, in the Kraków-based artist’s first solo exhibition in the UK, that explore the body as a construct, how it holds memories of past selves, and how those selves remain visible as we age

Barnes’ paintings - large-scale, monumental, realistically-rendered female heads - are isolated against flat colour-field backgrounds and depicted with a thorough coating of viscous liquid like a sudden immersion

presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work

the first solo UK exhibition dedicated to the life and work of the self-taught painter - a central figure in 20th century African-American art - whose bold works on corrugated roofing, sheet metal, and found lumber filled the front yard of his homestead

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

on the groundfloor Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova, and Salvatore Pione “treat the artwork as vessel for memory” - while Lucas Dupuy’s solo presentation downstairs “pushes the same question into architecture and form itself”

Argote’s first exhibition at Perrotin London celebrates fifteen years of his eponymous paintings and sculptures originating from digital scribbles - exploring constraint and freedom while inviting the public to participate within the gallery space

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

“Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’

photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

in the gallery’s new Seoul location, an exhibition by the acclaimed British artist presenting a major new moving image piece alongside a series of expanded photographic works, sculptures, and frottages

co-curated by his son Kwame S. Brathwaite and Jesse Williams- newly-released and never-before-seen works by the photographer, media theorist, and one of the most important American artists of the second half of the 20th century

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

fourteen artists who explore transformation through material process and altered perception - “throughout the exhibition, light changes the encounter with each work and draws attention to the physical properties of its materials”

Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms

the artist duo focusses “conceptually, sculpturally, and performatively on exploring the interfaces between model and architecture … they interrogatively produce permanently changing spatial installations and sculptures”

two artists who approach nature from opposite directions in an exhibition siting Michèle Buhofer’s photographs of extreme landscapes within Marya Kazoun’s installation of imagined organisms and environments

curated by Mario Francesco Simeone, Biele’s first solo exhibition with the gallery presents new paintings and a sculptural intervention based on extensive research centered on the garden - a site of continuous negotiation between nature and artifice

Barrero’s first exhibition with the gallery debuts eight large-scale ceramic bead sculptures - a “chorus” of mother figures, “bearing witness and answering one another across the room” - Barrero

following the first part of “An East-West Dialogue of Perception” in LA, this second chapter brings together twelve contemporary artists from East and West who explore space, perception, and the possibilities of existence

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

paintings and a sculpture by the Swiss-Italian artist - “the works operate at the scale of the body: figures lean, bend and fold, caught in postures that read as structural as much as physical”

an exhibition by the South Korean artist who, expressed through the Taoist philosophy of Wu Wei, creates sculptures in sterling silver inspired by the natural landscapes of her birthplace, the volcanic island of Jeju

recent photographs by Morell alongside exemplary paintings by each of the four Color Field artists - in the first exhibition where the gallery presents painting alongside photography

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

new documentary-style drawings, paintings, and sculptural installations that honor immigrant experiences and reject the moral economy of gratitude imposed on them

Edmonds expands her Flag series with a critical reflection on the relationship between memory, national identity, and collective responsibility - in a moment when Black and Brown presence and histories are increasingly targeted for erasure

“Colombet’s abstractions carry a rhythmic, almost variable logic, echoing the geometries nature repeats at every scale - ripples on the surface of water, waves lapping up sand, tectonic plates forming vast topographies”

paintings and works on paper in the centenarian New York-based artist’s first solo exhibition in Europe - “tracing her remarkable contribution to the language of abstract painting over more than five decades”

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

organized by Curatorial Senior Director Alexis Lowry, this is the first New York exhibition in nearly fifteen years dedicated to the seminal German-French modernist

new paintings in an exhibition exploring how identity is reshaped by experience - “bodies merge with forests, rivers and stone; landscapes grow through the human form; figures become entangled with one another; and faces repeat, fragment and disappear”

Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms