the third part of the gallery’s intercontinental series returns to the East with the theme of “unbound” - pointing to ink’s vital capacity to be reborn through breakthrough

the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity

in his first solo exhibition in Shanghai for over a decade, new works from the acclaimed artist’s celebrated Landline series

the first solo exhibition in mainland China of Wesselmann’s work spans four decades and explores the progression of his oeuvre and the bodies of work that have defined it

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018

Yu Hong’s debut at the gallery in New York is a monumental exhibition of new and recent paintings that extend her touching, allegorical, and apocalyptic approach to contemporary life

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

curated by Arne Glimcher, an exhibition of paintings and works on paper by two of the central protagonists of Abstract Expressionism

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

paintings by Maximilian Rödel and glass-and-steel sculptures by Gabriele Beveridge - “these distinct experiences of the sublime find expression through radically different material and perceptual means” - Rebecca Birrell, PhD

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

new installation, sculpture, and moving image by the two artists

marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture

“Bas’s canvases … exist in a constant dialogue between beauty and absurdity, melancholy and humor, decadent aestheticism and critique” - Yuko Hasegawa, curator

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

a limited edition of ten sets of Tarot Major Arcana illustrated in sepia with the economy and freedom of the ancient Chinese calligraphers - “Tarot treated as movement … each stroke carries weight” - Leon Steinmetz

new paintings by Sujin Lee

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years

recent oil on panel paintings, drawn from Mannerism, Dutch Golden Age, and Flemish still lives, in the first presentation in Europe by the Jamaican-born and New York-based artist

silk, ceramic, glass, metal, and photography from ten artists from Scandinavia, Korea, and France - “matter seems to lose its weight, light becomes tangible, and the familiar takes on the quiet strangeness of a dream”

“in Hägglund’s drawings and paintings, networks and constellations never settle into a fixed pattern. Her sculptures likewise remain open-ended, with each constituent part distinct and visible” - Edmée Lepercq

the genre-defying artist presents new paintings in his debut exhibition with the gallery in New York

over fifteen works in Turrell’s first exhibition with the gallery in the US

a series of works by Fautrier on display alongside "Figuren" - prints that celebrate obsessive layering and an incisive line that often cuts right through the underlying ground

Simmons’s first solo exhibition with the gallery presents photographs from three series spanning nearly two decades, two on view for the first time

the artist’s debut solo exhibition at the gallery - “in a series of moody, atmospheric nocturnes, Wootton-Davies interrogates issues of class, national identity and societal fracture”

“while constantly evolving and ever reflective of the questions he has asked himself at different times, there is a line of enquiry that runs through the work … a narrative constructed in thread”

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

Simmons’s first solo exhibition with the gallery presents photographs from three series spanning nearly two decades, two on view for the first time

“Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

exploring the profound transformation of vision in the age of artificial intelligence, robotic drawings, dye-sublimation digigraphs on aluminium engraved with laser technology, 3D-printed sculptures, video works on screen and an interactive installation

Henrot’s first public exhibition in NYC brings a group of sculptures of dogs to the entrance of Central Park - each born out of visual references including Saul Steinberg drawings, Tex Avery cartoons, ancient Egyptian sculpture, dog show competitions, …

for the final exhibition of the year, thirty artists from Europe, the Americas, and Asia and more than sixty small-scale works - selected individually by the Team

with glass and metal sculptures, ceramic sculptures with integrated sound, paintings, fabric works printed with images from his family archive, and video works, Ngoya explores his identity through family history

new mosaic works, suspended sculptural figures, and a film, that together consider the complex relationships between fathers and sons and how recognising another person’s uniqueness can become its own expression of attachment

Levine’s first solo exhibition at the gallery’s New York space is conceived as a constellation of historic works alongside new works produced for this occasion

in the artists’ first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

Simmons’s first solo exhibition with the gallery presents photographs from three series spanning nearly two decades, two on view for the first time

new and recent work by Moran continues his inquiry into the histories, objects, gestures, and ideas that shape jazz and its cultural landscape, explored through a range of materials including works on paper, sculpture, and video

eight gallery artists explore the idea of the night - “as atmosphere, sensation, memory, desire, solitude, artificial light, or psychological space”

paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women

Glick’s debut solo exhibition with the gallery showcases the first body of work she has produced since returning to live in New York City after a 30-year hiatus

marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture

curated by Domenico de Chirico, Casaretto’s focuses on the processes of geographical and cultural representation, investigating how traditions, objects, and craftsmanship drift from their original contexts through repetition, imitation, and relocation

an exhibition of new and historical prints from the workshop and publisher, highlighting the history and production of the Copenhagen-based studio from its modest beginnings to its present-day collaborations with leading international contemporary artists

new videos, photographs, and a drawing employing a mix of analogue collage, digital modifications, and cinematic techniques - “a dense mix of historical references, found images, and traces of contemporary image worlds”