new oil-on-canvas paintings by the Los Angeles-based artist “consider modern American life through the lens of Realism”

“oil paintings and works on paper, inspired by the discovery of previously unknown family photographs following his father’s passing … through vivid, dreamlike imagery, experiences of loss and remembrance are distilled into a universal theater of life”

including work exhibited in the UK for the first time, alongside seminal images from his seven-decade career, a major exhibition of one of the most important and celebrated photographers of the late 20th Century

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

a new series of Fugues inspired by Venice’s reflections and silence, blending influences from Titian to Monet in paintings that evoke water’s depth and pictorial surfaces as interfaces between sea and sky

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

“in Birna’s work, time drips, circles, evaporates and returns. It moves like breath: tidally, patiently, repeating itself, yet never quite the same” - Helena Solveigar Aðalsteinsbur

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

Kapoor’s groundbreaking explorations of scale, color, volume, and materiality unfold through a focused presentation of mirror works created between 2010 and the present

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

curated by Catherine Lampert, over forty of the most ambitious works by one of Britain’s most significant 20th-century painters, known for his painstaking technique often taking months or years to complete a piece

a new series of Fugues inspired by Venice’s reflections and silence, blending influences from Titian to Monet in paintings that evoke water’s depth and pictorial surfaces as interfaces between sea and sky

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

in an exhibition titled after the neurological condition, Alison Blickle and Irini Karayannopoulou “join forces in an act of painterly sisterhood; a transcontinental communion rooted in shared mythologies and a mutual devotion to the feminine image”

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

this flagship exhibition explores mental health and the human condition, and the relationship between personal pressures and universal challenges

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

Lindman and Motherwell explore found materials to shape compositions, linking Picasso’s collage legacy with distinct approaches to abstraction and picture-making in their Open and Blanks series

curated by Maria do Carmo M. P. de Pontes, the gallery’s first presentation of both artists - the late Moraes and emerging talent Takyi - highlights the enduring influence of spirituality and identity as driving conceptual catalysts

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

new paintings and works on paper by the two artists in an intimate and expansive dialogue across landscape, language, surface, and reflection

a unique dialogue between the rigorous works of two major figures of French art: photographer Yannig Hedel and painter Geneviève Asse. Curated by Thierry Bigaignon and Eléonore Chatina and presented in collaboration with Galerie Catherine Putman

a conversation between two artists from different generations and cultures who share earthy palettes and sympathetic visions of the human figure

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

comprised of scanned documents, photographs, and auditory sculptures, Scala explores systems of standardisation in music through reproductions and sampling

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

“in Birna’s work, time drips, circles, evaporates and returns. It moves like breath: tidally, patiently, repeating itself, yet never quite the same” - Helena Solveigar Aðalsteinsbur

with Alejandro Campins, Carlos Garaicoa, Osvaldo González, Zhanna Kadyrova, Moataz Nasr, Michelangelo Pistoletto, and Hiroshi Sugimoto

a retrospective survey exhibition of glass sculpture, lighting, furniture design, and art installations by one of the most celebrated Nordic designers

in an exhibition titled after the neurological condition, Alison Blickle and Irini Karayannopoulou “join forces in an act of painterly sisterhood; a transcontinental communion rooted in shared mythologies and a mutual devotion to the feminine image”

an exhibition which examines the development from Impressionism to Neo- and Post-Impressionism - a pivotal period when the movements liberated “both color and painting itself”

“Devriendt’s works are characterised by a captivating blend of sequential cinematic processes and a kind of pictorial meticulousness reminiscent of the refinement of classical Flemish painting” - Patrick Amine

new and recent speculative thought experiments - developed in collaboration with scientists, linguists, engineers, and philosophers - see Kurant examine how digital capitalism converts human culture into data

in Yoon’s first exhibition in New York, “landscapes of the soul” - new paintings and works on paper exploring imagination and cultural memory through invented topographies of past and present

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

an exhibition of works by UK-born Stephenson and the German artist Stewen

new paintings and works on paper by the two artists in an intimate and expansive dialogue across landscape, language, surface, and reflection

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

in Jackson’s first solo exhibition in Asia, new and recent paintings - and a never-before exhibited multi-panel screen - where intricate, stratified compositions with figurative forms, or “paint people”, emerge from dynamic fields of paint

“her canvases reflect a meditation on the transience of moments sensed along the paths she has walked, on rhythms that flow beyond conscious awareness, and on the tension between a constantly changing world and human perception”

“what emerges is not merely a painting of a photograph, but an interrogation of how images circulate, what they signify, and what happens when they're forced to be still”

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

works from the late 1960s to the present - “I use language as a sign to indicate that there is art, the direction in which it exists, to prepare for it” - Barry

presented with VarYox as part of a three-month women’s art festival in Baku, a group exhibition with over twenty-five artists who explore home as a shifting condition shaped by the feminine experience

new paintings by Bastidas which reflect on the social, historical, and psychological conditions present around us yet not fully understood

organised by Christoph Doswald, Hildebrandt’s first solo exhibition with the gallery, as well as in Turkey, creates an energetic, all-over-environment that reflects the ambiguity of cultural interferences in Berlin

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

Lindman and Motherwell explore found materials to shape compositions, linking Picasso’s collage legacy with distinct approaches to abstraction and picture-making in their Open and Blanks series

new paintings and sculptures as Eisenmann concentrates on three sites of middle-class living: home, work, beach

a monograph exhibition dedicated to this major figure in twentieth-century modern art

Denize’s first solo exhibition in Japan - “the paintings function as a single album, or their arrangement operates like a musical score, through which visual language is transposed into a musical configuration” - Yusuke Nishimoto

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

“these are, above all, abstract works, and as such are committed to full pictorial disclosure … for all their undoubted poise and beauty, Sandström’s paintings have a restless quality” - Tom Morton

including much not shown in the UK before, an exhibition of early and later work by the icons of German postwar photography

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

an exhibition of three decades of Brancusi photographs - many shown in London for the first time

working across installation, moving image, sculpture, drawing, and performance, Williams explores “food” - specifically butter - through a feminist lens to examine collective consumption, excess, and waste

conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles - employing textiles, painting, porcelain, and video, the exhibition conjures memory, emotion, and material transformation

an exhibition exploring the late Canadian artist’s longstanding relationship to the natural world through two major bodies of work related to trees - accompanied by a new “accidental novella” in 100-word bursts by Max Porter

on three hundred bus shelters across New York City, Chicago, and Boston, works by six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who “move fluidly between commercial and fine art practices”

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

in a “varied and nuanced selection of works … that reflect the complexity of the theme of love”, sculpture, photography, painting, print, and drawings by over thirty artists, from the 15th Century to today

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

the leading organisation supporting early career and emerging artists in the UK presents its annual group exhibition. showcasing 26 artists selected through an open call by Pio Abad, Louise Giovanelli, and Grace Ndiritu

in the first solo exhibition in London by the Brazilian artist, new and existing performative installations with sculpture, movement, live performers, and public participation

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

a retrospective survey exhibition of glass sculpture, lighting, furniture design, and art installations by one of the most celebrated Nordic designers

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it - Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

organised by Christoph Doswald, Hildebrandt’s first solo exhibition with the gallery, as well as in Turkey, creates an energetic, all-over-environment that reflects the ambiguity of cultural interferences in Berlin

conceived by Hervé Loevenbruck, “bold juxtapositions [provide] an invitation to go beyond appearances and discover, in the confrontation of styles and periods, a new way of looking at art”

new intimately scaled paintings by the Los Angeles-based artist in “a refracted retrospective”

new works see the New York-based artist explore the gallery architecture as both subject and structural partner, expanding her investigation into the relationship between photography, sculpture, and the built environment

paintings exploring the tension between built environments and nature - depicting sociopolitical and ecological themes through cityscapes, weather, mythic figures, and autobiographical elements

Ralaivao’s first UK solo exhibition presents new paintings that draw on Old Master techniques while pushing figuration to its limits, “flirting with but never fully embracing abstraction”

fifteen Asian artists whose practices reflect a shared sensibility shaped by time, memory and a spiritual journey suggesting that time is not linear, but cyclical - gestures return, symbols reappear, memory resurfaces through material form

Marras presents functional works exploring identity, memory, and human relationships through paintings, drawings, sculptures, and upcycled objects including stitched vases, twisted ceramics, sculptural mirrors, and portraiture on varied papers

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”

eighteen sculptures in linseed oil-burnt cast iron - “the very core of the story is carved out in a lasting expression cast in iron, like artefacts or relics from a lost era”

new lighting pieces by the Paris-based design studio known for “serene, dreamlike creations that evoke poignant and harmonious confluences with the natural world”

curated by Maria do Carmo M. P. de Pontes, “a constellation of objects, images, and sonic interventions that reflect  Feriancová’s longstanding interest in origins, be them mythological, biological, or archaeological”