“alternate views on reality in post-war France”

van Son’s debut solo exhibition with the gallery presents new paintings examining the intimate fascination she has of her partner as their wedding approaches

Khosravi’s first solo exhibition in the US is inspired by the Pasolini film Salò - and his own archival images - and explores memory, beauty, and violence through layered paintings

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

“a trio of centrifugal energies” - Florian Genzken, Simon Popper, and Adam Barker-Mills

painting and sculpture in a group exhibition which explores pressure as a defining condition within contemporary practice

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

fifteen Asian artists whose practices reflect a shared sensibility shaped by time, memory and a spiritual journey suggesting that time is not linear, but cyclical - gestures return, symbols reappear, memory resurfaces through material form

Verdier’s acclaimed series of large-scale paintings interpreting Mozart arias in visual form, shown alongside drawings made during a two-year plein-air project in Provence

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

Kapoor’s groundbreaking explorations of scale, color, volume, and materiality unfold through a focused presentation of mirror works created between 2010 and the present

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

curated by Catherine Lampert, over forty of the most ambitious works by one of Britain’s most significant 20th-century painters, known for his painstaking technique often taking months or years to complete a piece

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

this flagship exhibition explores mental health and the human condition, and the relationship between personal pressures and universal challenges

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

the Danish painter’s debut exhibition with the gallery explores the quiet rituals, unspoken understandings, and agreed-upon negotiations behind human interaction

significant works from the 1960s and 1990s - “Yoshida invites the viewer to consider the fundamental forces of life and to meditate upon that essential unity which binds all living beings together”

“civilisation is approached not as moral progress, but as performance—rehearsed through spectacle, ornament, and repetition”

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

a unique dialogue between the rigorous works of two major figures of French art: photographer Yannig Hedel and painter Geneviève Asse. Curated by Thierry Bigaignon and Eléonore Chatina and presented in collaboration with Galerie Catherine Putman

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

a major exhibition by the distinguished Australian artist, her most extensive in the US to date, presents new paintings exploring the dialogue between abstraction and landscape through layered oil and wax

a new exhibition exploring landscape as portraiture and reflecting on intimacy and belonging - working with oil sticks, Khoza creates large-scale paintings inspired by gardens, solitude, and the Margate coastline

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

featuring an ensemble of bronze sculptures from his ongoing bodies of works, the exhibition intends to reveal a deeply humanitarian streak, dealing with the essence of life

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

works from the late 1960s to the present - “I use language as a sign to indicate that there is art, the direction in which it exists, to prepare for it” - Barry

“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

presented with VarYox as part of a three-month women’s art festival in Baku, a group exhibition with over twenty-five artists who explore home as a shifting condition shaped by the feminine experience

new paintings by Bastidas which reflect on the social, historical, and psychological conditions present around us yet not fully understood

organised by Christoph Doswald, Hildebrandt’s first solo exhibition with the gallery, as well as in Turkey, creates an energetic, all-over-environment that reflects the ambiguity of cultural interferences in Berlin

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

Lindman and Motherwell explore found materials to shape compositions, linking Picasso’s collage legacy with distinct approaches to abstraction and picture-making in their Open and Blanks series

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

the inaugural exhibition at the gallery's new space on 54th Street focuses on Genzken’s projects for outdoor sculptures

an exhibition bringing together a group of paintings created between 1967 and 2020, at the center of which is a rare presentation of nine monumental works on paper from 1993, further complemented by a selected group of paintings on canvas

in the gallery’s inaugural exhibition, painting, drawing, and sculpture “characterised by its frankness, honesty, and startling sincerity” by four London-based artists, Hunter Amos, Alexander Carey-Morgan, Charlie Gosling and Emily Wilcock

new paintings and sculptures as Eisenmann concentrates on three sites of middle-class living: home, work, beach

a monograph exhibition dedicated to this major figure in twentieth-century modern art

Denize’s first solo exhibition in Japan - “the paintings function as a single album, or their arrangement operates like a musical score, through which visual language is transposed into a musical configuration” - Yusuke Nishimoto

sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

an exhibition centered on a roll painting based on one of the short animated films produced by Disney between 1929 and 1939 - “Lee approaches painting not as a single frozen moment, but as something ongoing”

“these are, above all, abstract works, and as such are committed to full pictorial disclosure … for all their undoubted poise and beauty, Sandström’s paintings have a restless quality” - Tom Morton

the American artist’s first solo exhibition in Milan presents new paintings alongside an important watercolour by Turner in a dialogue between her atmospheric renderings merging figuration with abstract geometries and his visionary approach to landscape

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters

an ambitious exhibition celebrating two centuries since the dawn of photography

in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives

“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

new and exemplary works by Morimura spanning his over four-decade career, and a new 30-minute program of portraits by Atlas focussing on drag and gender

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

painting, drawing, performance, video, and photography from four Native American artists - James Luna, Mario Martinez, Jaune Quick-to-See Smith, and Emmi Whitehorse - who explore the cultural resilience of Indigenous independence

an ambitious exhibition celebrating two centuries since the dawn of photography

new work in an exhibition which marks Flad’s return to Taipei after a six-year interval

over four decades, the late post-war Japanese artist explored the implications of what would later be termed the Anthropocene in prescient work that interrogated the proliferation of mass consumption, the rise of technology and environmental degradation

Alice Wilson, Alison Wilding, Dominic Beattie, Fabian Peake, Karolina Albricht, Maud Cotter, Mhairi Vari, Neil Zakiewicz, Nicky Hirst, Phyllida Barlow, and Richard Woods question the traditional hierarchies of painting, sculpture, and design

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

the gallery highlights the vision of one of the foremost creative thinkers of our time - paintings, sculptures, watercolors, films, and photographs explore his surreal visual language and material experimentation

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it - Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

in the gallery’s inaugural exhibition, painting, drawing, and sculpture “characterised by its frankness, honesty, and startling sincerity” by four London-based artists, Hunter Amos, Alexander Carey-Morgan, Charlie Gosling and Emily Wilcock

“conceived as the pages of a vast manuscript [the exhibition] transforms the gallery into an in-between space: a fertile, ever-shifting organism threaded with passages to other worlds, oscillating between unease and a longing for re-enchantment”

Perrotin’s debut exhibition with the LA-based artist presents his iconic photo sculptures - “viewed together, the works in Portals offer a reminder of how the lives of Black people in the West have been shaped by legacies of racial othering” - Ekow Eshun

new intimately scaled paintings by the Los Angeles-based artist in “a refracted retrospective”

new works see the New York-based artist explore the gallery architecture as both subject and structural partner, expanding her investigation into the relationship between photography, sculpture, and the built environment

paintings exploring the tension between built environments and nature - depicting sociopolitical and ecological themes through cityscapes, weather, mythic figures, and autobiographical elements

Ralaivao’s first UK solo exhibition presents new paintings that draw on Old Master techniques while pushing figuration to its limits, “flirting with but never fully embracing abstraction”

fifteen Asian artists whose practices reflect a shared sensibility shaped by time, memory and a spiritual journey suggesting that time is not linear, but cyclical - gestures return, symbols reappear, memory resurfaces through material form

Marras presents functional works exploring identity, memory, and human relationships through paintings, drawings, sculptures, and upcycled objects including stitched vases, twisted ceramics, sculptural mirrors, and portraiture on varied papers

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”