“for this exhibition, I wanted to immerse myself entirely in abstraction - setting aside any notion of subject or image as a starting point for the painting. The aim was to lose myself in the painting itself” - Bellot

in his first exhibition with the gallery, new work by the American artist - “sculptures … not defined by formal transformation, but rather by the repositioning of recognisable materials through acts of selection, displacement, and framing”

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

“Müller's paintings begin with an act of attention. His paintings do not ask us to search for dramatic events, symbolic narratives, or psychological portraits. Instead, they invite us to dwell within ordinary moments and simply look”

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

the Bangkok-based artist presents analogue, handprinted photographic portraits of people living on the margins of the city’s streets - showing youth as a capacity for adaptation, reinvention and resilience

a non-hierarchical, artist-led touring exhibition curated by Maria do Carmo M. P. de Pontes, with works by Esvin Alarcón Lam, Antonio Pichillá Quiacaín, and Simón Vega

following the first part of “An East-West Dialogue of Perception” in LA, this second chapter brings together twelve contemporary artists from East and West who explore space, perception, and the possibilities of existence

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

“together, these three artists demonstrate that the significance of Asian artists lies not in adding ‘Eastern’ elements to Modernism, but in offering new ways to rethink and extend it’

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

an exhibition of rare, important, and coveted paintings and works on paper from the pioneering Abstract Expressionist’s most celebrated period

the first UK solo show of new paintings by the American artist whose work centres on carefully painted interior spaces - “that are at once familiar and quietly estranged”

new works developed out of months of research into UK football culture, in the first solo London exhibition of Italian artist Ruth Beraha - “the drawings, like images, explore what lasts. What stays after the game ends: in memory, in affect” - Orit Gat

examining the enduring impact of Jaar’s foundational public installation, a newly digitized version, the original storyboard drawings, photographic suites, lightboxes, and videos showing how it remains a poignant emblem of American identity

new work by the New York-based abstract artist - “Mait’s paintings are infused with pure emotions but remain controlled and not overwhelmed by them”

in collaboration with Jilamara Arts and Crafts Association, new bark paintings and works on linen in the modern master of Tiwi painting’s first international exhibition

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

organized by Curatorial Senior Director Alexis Lowry, this is the first New York exhibition in nearly fifteen years dedicated to the seminal German-French modernist

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

works spanning six decades by Victor Brauner, Toyen, Leonor Fini, Max Walter Svanberg, Bona de Mandiargues, Myriam Bat-Yosef, Suzanne Van Damme, Reuben Mednikoff, and Grace Pailthorpe

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

bringing together the work of two contemporary Kenyan artists who draw deeply from their immediate surroundings, an exhibition exploring different facets of everyday Kenyan life, identity and culture

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

a new body of work by Khatri presented alongside Chronicles by Kain

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

new paintings combining luminous portraiture with bold passages of color, ornamental patterns, and symbolic imagery as the husband-and-wife artists explore the boundaries between the visible and the imagined

ten years after they first showed together, the two artists renew their conversation, with Ricci’s drawings showing her interest in pattern, geometry and landscape, and Chilvers’ drawings and paintings using dice to introduce an element of chance

new work by Thuring - “her approach to painting pushes against monolithic thinking; against assumptions that what is shall ever be … the never-ending entanglements of nature, technology and human beings that confront us every day” - Jennifer Higgie

the Bangkok-based artist presents analogue, handprinted photographic portraits of people living on the margins of the city’s streets - showing youth as a capacity for adaptation, reinvention and resilience

an exhibition of works highlighting Ramos Martínez’s profound connection to his homeland

selected and curated by Alyce Mahon, the shortlist for the 2026 David and Yuko Juda Art Foundation Grant

“together, these three artists demonstrate that the significance of Asian artists lies not in adding ‘Eastern’ elements to Modernism, but in offering new ways to rethink and extend it’

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

ten years after they first showed together, the two artists renew their conversation, with Ricci’s drawings showing her interest in pattern, geometry and landscape, and Chilvers’ drawings and paintings using dice to introduce an element of chance

drawing on nature as inspiration, Simonsen creates vividly colored, immersive paintings in which botanical forms drift between observation and imagination, transforming landscape into an experience of light, atmosphere, and renewal

in an exhibition titled after, and drawing on themes from, the 1952 novel by John Steinbeck, “Hwang’s paintings explore the relationships between distinct beings and the pictorial landscape that emerges through their encounters”

more than fifty paintings and works on paper - including many never before publicly exhibited - in this major solo exhibition of works by one of Azerbaijan’s most influential twentieth-century artists

painting, ceramics, and text-based assemblages in a powerful First Nations exhibition with new works by Tony Albert and artists from Iltja Ntjarra (Many Hands) and the Hermannsburg Potters, honouring Albert Namatjira and his enduring legacy

an immersive, interactive installation “a post-apocalyptic, six-week-long playground that imagines a world beyond anthropocentrism … stimulating a shift of perception toward a sensibility where transformation, matter, memory, and time are inseparable”

new paintings in an exhibition exploring how identity is reshaped by experience - “bodies merge with forests, rivers and stone; landscapes grow through the human form; figures become entangled with one another; and faces repeat, fragment and disappear”

“I have sought to strip away every trace of artistic affectation until my objects reveal themselves as pure crystallisations of natural forces into essential forms” - Vízner

an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

these new paintings by Bas focus on overlooked characters - “capturing the interactions that make a transaction possible and the brief window that exposes a person's vulnerability or confidence”

new paintings combining luminous portraiture with bold passages of color, ornamental patterns, and symbolic imagery as the husband-and-wife artists explore the boundaries between the visible and the imagined

Barrero’s first exhibition with the gallery debuts eight large-scale ceramic bead sculptures - a “chorus” of mother figures, “bearing witness and answering one another across the room” - Barrero

monumental carved-wood reliefs, dramatically vertical sculptures in cast iron and granite, and intimate bronze works in Plensa’s tenth solo exhibition with the gallery

curated by Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana, an exhibition presenting seminal, rare, and unique works from 1949 onward

an exhibition devoted entirely to Smith’s seldom-seen and trailblazing body of work - “these luminous palimpsests compress the physical world into radiant fields that reveal a painterly sensitivity as rigorous and as radical as [his] sculpture”

paintings and works on paper in the centenarian New York-based artist’s first solo exhibition in Europe - “tracing her remarkable contribution to the language of abstract painting over more than five decades”

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

providing fresh insight into his work - as memory and anecdote (re)animate his photographs - an exhibition revisiting Parks through the reflections of the people and families he portrayed

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

in the New York-based artist’s first solo exhibition in London, new paintings which expand his thematic repertoire, bringing his distinctive attention to the glorious and the everyday in both public and private life

Dodd’s exhibition centers on the goddess Diana and, having relocated from upstate New York to Scotland’s Moray Coast, uses materials from her new home like peat, copper ink, spirulina, cochineal, local herbs and powdered meteorite

curated by Bertrand Godot, an exhibition with over twenty artists including Pierre Ardouvin, Pierre Besson, Michel Blazy, Lilian Bourgeat, Anne Brégeaut, Céline Cléron, François Curlet, Michael Dans, François Dufeil, Sammy Engramer, Makiko Furuichi, …

the gallery’s first Los Angeles exhibition of the painter, sculptor, and printmaker - “In both two and three dimensions, Jackson’s figures emerge and recede, generating a vivid sense of movement and depth”

renderings exploring how architecture embodies the spectacle, as well as how our bodies inhabit that built environment, shown alongside the newest installment of his series of multi-part wooden sculptures of bodily fragments, based on historical icons

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

“I would place Jethro somewhere between a cheekier Cartier-Bresson and a more worldly James Ravilious - the tradition of the quiet English observer, but with a continental range and a sense of humour” Benedict Shakespeare, curator

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

in Franco Klein’s debut solo exhibition with the gallery, new work which continues her examination of the anxieties, stresses and types of psychological response that present-day history elicits

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu

“Förg took four monumental color photographs of the Lange house … [exhibited] again for the first time on the occasion of the new Frankfurt gallery season. A show nothing short of a small sensation ” - Christian Malycha

curated by Rolando J. Carmona in collaboration with Mountains, Berlin, this exhibition of the pioneering Filipino artist offers a rare presentation of one of his Bubble Machine sculptures, alongside a historical panorama spanning six decades

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

initiated by Martin Brémond, this project brings together a selection of emerging French galleries with varied approaches, all driven by the same passion for supporting emerging or re-emerging artists

a major group exhibition, curated by OHSH Projects, bringing together painting, sculpture, and installation to explore one of humanity’s oldest and most enduring stories

works spanning several decades reveal an artist continually attentive to the dignity, vitality and complexity of Black experience - “there is warmth throughout Lloyd’s work, but never sentimentality” - Cameron Amiri

Floyer’s first solo exhibition with the gallery in China presents a poetic, rigorously minimalist body of work spanning sound, light projections, and readymade objects

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

“to care is to act; to recognise another person’s needs is to take responsibility for their wellbeing. In Clothes (Kleidung), love therefore becomes material: it is found in what is remembered, reclaimed, shared, given away” - Anna Roberta Goetz

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

a landmark exhibition dedicated to the late British sculptor, bringing together for the first time in Paris a group of works from one of his most significant late bodies of work

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles

“McGarrity paints at the hour of threshold: sunset, dusk, the moment before dark. His canvases catch light at its most unfixed [in] a body of work unusually committed to atmosphere”

an exhibition dedicated to “the painters who, at the end of the 19th century, chose no longer to depict the world but to express it. … a journey into the art of almost nothing, where the familiar becomes a revelation”

the London-based painter’s first solo exhibition with the gallery showcases how he mixes a cultural lexicon of symbols with an individual process of grieving following the death of his brother

Barnes’ paintings - large-scale, monumental, realistically-rendered female heads - are isolated against flat colour-field backgrounds and depicted with a thorough coating of viscous liquid like a sudden immersion

curated by Jinyi Freya Xu, and moving across painting, digital imaging, robotic fabrication, and sculptural relief, this exhibition examines how a technology acquires weight, texture, and bodily presence after leaving the screen

new paintings interrogating the power structures that manipulate and divide global society - in this case particularly the rise of neoliberalism - using the billionaire owned media as source material

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

marking a new chapter in Mapondera’s practice, these new paintings explore the potentially fragile boundary between legality and moral responsibility

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal