“in this exhibition, the artist further develops his conception of painting as a field in which a range of dynamics emerges from his response to individual colors”

marking a new chapter in Mapondera’s practice, these new paintings explore the potentially fragile boundary between legality and moral responsibility

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured

new works by the German artist - “Franz invites us to reconsider the relationship between past and present, reflecting the continuing artistic struggle for creative autonomy in an age of technological changes and advancement”

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

“by translating historical paintings into a contemporary visual context [the exhibition] demonstrates that the past always remains an active and vital component of contemporary cultural discourse”

“by rejecting the picturesque and narrative, by favouring gradations over contrasts, silences over assertions, Molaeb constructs a pictorial language of rare coherence”

shown for the first time in Berlin, four videos which continue Claerbout’s long-standing engagement with time and duration

a group exhibition bringing together over a dozen international artists - “the exhibition poses an ancient yet ever-renewing question: how does cosmic order mirror itself in the body and the mind”

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

Kid’s fourth solo exhibition with the gallery - “conceived around the first presentation of works from his new LIFE series, the exhibition places a focused selection of works from the past decade into dialogue with this new body of work”

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

“across thirty new paintings and drawings, Brown elides myth and archaeology with the clamour of contemporary tourists who jostle for snapshots and cocktails across the continent’s summer hotspots”

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

this August, Hauser & Wirth Basel presents a solo exhibition dedicated to the work of the late Swiss artist. Born in Basel, Zurkinden defied easy categorisation, developing a distinctive painterly language that drew on both …

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

new paintings and a spatial light installation, in “a reflection on surface, presence and inner content. It makes us consider what lies behind the objects, the images or the meanings generated by an AI that endlessly produces poems” - Lotten Wiklund

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

with these new paintings of imagined spaces and intimate vignettes, Suss continues her exploration of interiority, domesticity, and memory

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu

an exhibition of rare, important, and coveted paintings and works on paper from the pioneering Abstract Expressionist’s most celebrated period

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

new paintings combining luminous portraiture with bold passages of color, ornamental patterns, and symbolic imagery as the husband-and-wife artists explore the boundaries between the visible and the imagined

bringing together the work of two contemporary Kenyan artists who draw deeply from their immediate surroundings, an exhibition exploring different facets of everyday Kenyan life, identity and culture

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

two artists who approach nature from opposite directions in an exhibition siting Michèle Buhofer’s photographs of extreme landscapes within Marya Kazoun’s installation of imagined organisms and environments

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

in the gallery’s first exhibition dedicated to Bard, recent work that explores the enduring language of figurative painting through the lens of contemporary experience

the annual award celebrates the very best in contemporary portrait painting

the final works from a series which Kwak has developed since 2019, shown with new drawings from an emerging series to capture a transitional moment as one body of work comes to a close and another begins to take shape

painting, sculpture, multimedia, installation, objets d’art, and conceptual practice in an exhibition of eight leading contemporary artists with deep connections to the state, one of the most compelling sites of artistic production in the US today

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

an exhibition exploring the cultural exchange between Cuban communism and the French avant-garde in the 50s and 60s

with rare works from the artist’s private collection, this major retrospective of one of the founding figures of contemporary art in the UAE offers an in-depth look at a practice that has helped shape the country’s modern visual and cultural identity

“since the day I decided I wanted to call myself a draftsman I try to draw every day. A little bit at least” - Ortiz

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“drawing on Rivers’ iconic foundational series … familiar celestial creatures and tumbling astronauts amid pulsating clouds of intense vaporous colour”

on the groundfloor Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova, and Salvatore Pione “treat the artwork as vessel for memory” - while Lucas Dupuy’s solo presentation downstairs “pushes the same question into architecture and form itself”

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney

in Franco Klein’s debut solo exhibition with the gallery, new work which continues her examination of the anxieties, stresses and types of psychological response that present-day history elicits

in the gallery’s new Seoul location, an exhibition by the acclaimed British artist presenting a major new moving image piece alongside a series of expanded photographic works, sculptures, and frottages

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

co-curated by his son Kwame S. Brathwaite and Jesse Williams- newly-released and never-before-seen works by the photographer, media theorist, and one of the most important American artists of the second half of the 20th century

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

iconic photographs by the legendary Mexican artist, considered one of the most important photographers in the history of the medium,

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

Henrot’s first public exhibition in NYC brings a group of sculptures of dogs to the entrance of Central Park - each born out of visual references including Saul Steinberg drawings, Tex Avery cartoons, ancient Egyptian sculpture, dog show competitions, …

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

Carrington’s first solo exhibition at the gallery, organized with the Consejo Leonora Carrington and rossogranada, with drawing, painting, sculpture, tapestry, and writing, the exhibition presents the full range of media she explored throughout her career

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

“Reyle has developed a unique visual language that continues to challenge how we experience painting and sculpture. Combining bold material experimentation with a deep understanding of abstraction” - Belén Herrera Ottino

Floyer’s first solo exhibition with the gallery in China presents a poetic, rigorously minimalist body of work spanning sound, light projections, and readymade objects

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

“walls painted in various shades of gray carry a subtle scenography that lets visitors move through the space in an open choreography, immersing themselves in works” - Nataša Petrešin Bachelez

“in this exhibition, the artist further develops his conception of painting as a field in which a range of dynamics emerges from his response to individual colors”

recent photographs by Morell alongside exemplary paintings by each of the four Color Field artists - in the first exhibition where the gallery presents painting alongside photography

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

new paintings by Delhanty - “charged with a vast sense of landscape, the vigor of hot climate and the turbulence of shifting weather - they are ablaze with the literal and metaphorical light for which the exhibition is named”

new documentary-style drawings, paintings, and sculptural installations that honor immigrant experiences and reject the moral economy of gratitude imposed on them

Edmonds expands her Flag series with a critical reflection on the relationship between memory, national identity, and collective responsibility - in a moment when Black and Brown presence and histories are increasingly targeted for erasure

“Colombet’s abstractions carry a rhythmic, almost variable logic, echoing the geometries nature repeats at every scale - ripples on the surface of water, waves lapping up sand, tectonic plates forming vast topographies”

paintings and works on paper in the centenarian New York-based artist’s first solo exhibition in Europe - “tracing her remarkable contribution to the language of abstract painting over more than five decades”

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”