“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair

“each artist works in their own visual language to depict the delicate, hidden relationship between figure, body, and space … looking, here, becomes an accident rather than a purpose”

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

the gallery’s inaugural exhibition - and Megall’s first solo exhibition in LA - brings together paintings in which porcelain figurines and floral forms appear in states of repetition, fragmentation, and recombination

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

“structure and depth develop through the superimposition of gestures, sweeps and loops … colours accumulate at the edges of the picture surface, while traces of successive layers converge into lines of demarcation” - Mareike Dittmer

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

earthworks, sculpture, tapestry, ceramics, and large-scale outdoor installations by world-renowned artists, all placed in conversation with the Foundation’s 70-acre estate

in an exhibition extending out of the gallery and across the landscape, “Rothschild combines hand-made processes with industrial fabrication to disrupt expectations through material, colour and composition”

in a private apartment on Rue de Rivoli, this collaborative exhibition with Galerie Chastel-Maréchal brings masterworks of 20th-century art into dialogue with exceptional examples of French design from the Art Deco period to mid-century

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

more than thirty works by some of the most significant artists of the 20th and 21st centuries, shown across four immersive chapters inspired by spaces of musical creation with playlists by sound curator and frontman of The Strokes, Julian Casablancas

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

“set within intimate domestic spaces, award-winning painter Ellis King captures the moments before composure returns - where frustration, grief, doubt and exhaustion are quietly absorbed before the routines of everyday life resume”

“revisiting some of the dialogues with contemporary and post-war artists previously presented. Morandi’s paintings are thus placed in dialogue with works by Lee Ufan, Josef Albers, Ettore Spalletti and Lucio Fontana”

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

“centered on new cast stainless steel sculptures and paintings made for this occasion, the exhibition surveys a career of nearly half a century that began with printmaking in the 1970s”

new mosaic works, suspended sculptural figures, and a film, that together consider the complex relationships between fathers and sons and how recognising another person’s uniqueness can become its own expression of attachment

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

a previously unseen ensemble of paintings, drawings, and sculptures created over the past four years “shift the boundaries between painting and narrative, image and language, the visible and the invisible”

twelve new canvases created in direct dialogue with Alberto Giacometti’s Still Life with an Apple in Koether’s first solo exhibition at the gallery’s New York space

in collaboration with Galleria dello Scudo, an exhibition focusing on the radical body of sculpture created in the last ten years of his life by the most significant sculptors of the twentieth century

the gallery’s first exhibition of Lydia Corbett / Sylvette David's work presents the paintings, drawings, and sculpture of an extraordinary artistic life and career

inspired by Herrera’s shift in style following her move from Cuba to Paris, and including an early, never-before-seen work by her, this exhibition centers on a group of 20th-century artists who moved to spend formative time in new communities

across two venues, Ruby’s latest works on paper, together with ceramics, and the first exhibition of new spray paintings in nearly a decade

Yu Hong’s debut at the gallery in New York is a monumental exhibition of new and recent paintings that extend her touching, allegorical, and apocalyptic approach to contemporary life

works by six major artists of the Parisian Avant-garde and Surrealist movement - Roberto Matta, Louise Janin, Irène Lagut, Véronique Wirbel, Eric Cederberg, and Marcel Defize

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle

preparatory sketches, never-before-seen archival photographs, and mixed media works crafted through photography, drawing, collage, and manual manipulation - offering insight into the making of JR’s monumental public art project

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

films and archival images in a major solo show by the American artist and activist - “Goldin’s extraordinary perspective, seen through the lens of her camera, invites you to understand how personal experience and political action are interconnected”

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

“one of the most important figures in photographic art. He takes his time over his work, creating an environment of silence. The contemplative depth of his images exudes an intense serenity”

Tsukuda’s first solo exhibition with the gallery - “conceived as a constellation of newly produced two-dimensional and sculptural works, the exhibition draws viewers into a world in which distinctions … begin to collapse” - Samuel Leuenberger

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

curated by Rolando J. Carmona, Quispe’s first solo exhibition in Paris brings together recent works - paintings on wood, reliefs, and pieces that move toward sculpture and installation

in the first exhibition at the collaborative space, five artists who consider belonging, vulnerability, material memory, and the unstable boundaries between bodies, objects and places

new works from iconic series by the major figure of the contemporary Korean art scene, combining traditional Asian calligraphy with Western abstraction

“revisiting some of the dialogues with contemporary and post-war artists previously presented. Morandi’s paintings are thus placed in dialogue with works by Lee Ufan, Josef Albers, Ettore Spalletti and Lucio Fontana”

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

a wide group exhibition gathering the full range of practices from gallery artists including Jean-Marie Appriou, Iván Argote, Hernan Bas, Anna-Eva Bergman, Sophie Calle, Johan Creten, Jean-Philippe Delhomme, Wim Delvoye, and more

a remarkable group of intimate-scale abstract paintings from the early 1960s, recently rediscovered within Kurz’s SoHo loft - “the paintings reveal a young artist deeply engaged with the language of postwar abstraction”

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

marking the fiftieth anniversary of the British painter’s death, an overview exhibition of his many themes and subjects, from landscapes and seascapes to portraits and surreal imaginings

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

looking the artist’s studio, new paintings by Freeman Bentley, presented in dialogue with 20th Century Masters including Braque, Dufy, de Chirico, Matisse, and Picasso

preparatory sketches, never-before-seen archival photographs, and mixed media works crafted through photography, drawing, collage, and manual manipulation - offering insight into the making of JR’s monumental public art project

“a pivotal moment in Graves’ practice, as her longstanding engagement with scientific observation evolved into an increasingly fluid and open-ended visual language” - Juliette Theureau

“an enigmatically powerful array of paintings and sculptures that collectively propel [Kato’s] exploration of form, color, and spatiality into new realms of consciousness” - Michelle Yun Mapplethorpe

curated by Michael Lindeman, a presentation of many of Ball’s iconic series, celebrating his innovation and major contribution to Australian abstraction, as well as the resilience and restless pursuit of discovery that sustained his practice