the first solo exhibition in mainland China of Wesselmann’s work spans four decades and explores the progression of his oeuvre and the bodies of work that have defined it

in his first solo exhibition in Shanghai for over a decade, new works from the acclaimed artist’s celebrated Landline series

the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity

the third part of the gallery’s intercontinental series returns to the East with the theme of “unbound” - pointing to ink’s vital capacity to be reborn through breakthrough

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018

titled after the departed sun, and the light a body radiates, new works by four artists - Maitha Abdalla, Omar Kholeif, Mohamed Monaiseer, and Randa Maddah - who work across painting, spoken word and poetry, installation, mixed media, and sculpture

“an exceptional group of artists whose bold and individual approaches helped shape the legacy of postwar abstraction”

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

curated by Arne Glimcher, an exhibition of paintings and works on paper by two of the central protagonists of Abstract Expressionism

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

paintings by Maximilian Rödel and glass-and-steel sculptures by Gabriele Beveridge - “these distinct experiences of the sublime find expression through radically different material and perceptual means” - Rebecca Birrell, PhD

paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women

the Dutch artist and designer continues his engagement in reinterpreting classical furniture - “sinuous, brushstroke-like shapes, which are created from sketches and rendered in patinated bronze, evoke the feeling of matter in flux”

works by Aziza, Erin Mommsen, Jordan Rubio, Julien Heintz, Maia Twombly, Nick Jensen, Nicholas Aliberti, Sage Schachter, and Zachary Merle - “across nine practices, personal histories are salvaged through deep engagement with material”

“Bas’s canvases … exist in a constant dialogue between beauty and absurdity, melancholy and humor, decadent aestheticism and critique” - Yuko Hasegawa, curator

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

a limited edition of ten sets of Tarot Major Arcana illustrated in sepia with the economy and freedom of the ancient Chinese calligraphers - “Tarot treated as movement … each stroke carries weight” - Leon Steinmetz

new paintings by Sujin Lee

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

twelve new oil paintings and, for the first time, five small tables positioning the imaginary space of a painting alongside functional objects - “the exhibition considers the act of looking, and the permeability of fantasy and reality”

a selection of dresses revealing Hollein’s distinctive vocabulary, oscillating between fashion and sculpture - “activated by the body, the garments shift between strict framework and comfortable wearability”

Althamer moves his studio from Warsaw to the gallery, making sculptures on site using materials found in New York

major late paintings alongside bronze sculptures - forms emerge from dense passages of color and shadow only to recede again, as still-life elements, fragments of trees, geological formations, and other traces of landscape appear and dissolve

Levine’s first solo exhibition at the gallery’s New York space is conceived as a constellation of historic works alongside new works produced for this occasion

eclectic and flamboyant fashion worn by 20-year-olds in Kitakyushu as they mark their entry into adulthood, with outfits, tactile displays, and video interviews following eight ‘new adults’ from first fitting to ceremony

recent oil on panel paintings, drawn from Mannerism, Dutch Golden Age, and Flemish still lives, in the first presentation in Europe by the Jamaican-born and New York-based artist

silk, ceramic, glass, metal, and photography from ten artists from Scandinavia, Korea, and France - “matter seems to lose its weight, light becomes tangible, and the familiar takes on the quiet strangeness of a dream”

“in Hägglund’s drawings and paintings, networks and constellations never settle into a fixed pattern. Her sculptures likewise remain open-ended, with each constituent part distinct and visible” - Edmée Lepercq

the genre-defying artist presents new paintings in his debut exhibition with the gallery in New York

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

an exhibition dedicated to Barney’s early black-and-white photographs, with rarely seen works offering an intimate portrait of American East Coast society in the late 1970s

eclectic and flamboyant fashion worn by 20-year-olds in Kitakyushu as they mark their entry into adulthood, with outfits, tactile displays, and video interviews following eight ‘new adults’ from first fitting to ceremony

both traditional and contemporary approaches to the photographic portrait as the prize showcases the work of talented young photographers, gifted amateurs, and established professionals

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

over twenty artists in this exhibition curated by Vik Muniz, that concludes the celebrations marking 50 years of Nara Roesler’s career as a gallerist

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

new videos, photographs, and a drawing employing a mix of analogue collage, digital modifications, and cinematic techniques - “a dense mix of historical references, found images, and traces of contemporary image worlds”

for the final exhibition of the year, thirty artists from Europe, the Americas, and Asia and more than sixty small-scale works - selected individually by the Team

projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented

“sculpture is the underlying principle of François’ practice, informing his work across photography, video, installation and performance. His research centres on matter, space and the relations that emerge between forms, volumes and surfaces”

new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

a previously unseen ensemble of paintings, drawings, and sculptures created over the past four years “shift the boundaries between painting and narrative, image and language, the visible and the invisible”

eight gallery artists explore the idea of the night - “as atmosphere, sensation, memory, desire, solitude, artificial light, or psychological space”

paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women

Glick’s debut solo exhibition with the gallery showcases the first body of work she has produced since returning to live in New York City after a 30-year hiatus

marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture

curated by Domenico de Chirico, Casaretto’s focuses on the processes of geographical and cultural representation, investigating how traditions, objects, and craftsmanship drift from their original contexts through repetition, imitation, and relocation

an exhibition of new and historical prints from the workshop and publisher, highlighting the history and production of the Copenhagen-based studio from its modest beginnings to its present-day collaborations with leading international contemporary artists

new videos, photographs, and a drawing employing a mix of analogue collage, digital modifications, and cinematic techniques - “a dense mix of historical references, found images, and traces of contemporary image worlds”

new paintings in Brosinski’s first solo exhibition with the gallery following their announcement of her representation - “Brosinski’s paintings are cool, serious, and at times funny, but also fragile and moving” - Jurriaan Benschop

“the paintings in Goodnight Moon feel generationally significant. They reflect how it is to live within a mesh of human connections and dependencies, how it feels to grieve, to love, and to be a father” - Hettie Judah

an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it”

new paintings by Kameya continue his visual exploration of Peruvian socio-politics, tracing the narratives and myths of everyday life, and interweaving the intensely personal with national identity and historical events

an exhibition dedicated to Barney’s early black-and-white photographs, with rarely seen works offering an intimate portrait of American East Coast society in the late 1970s