curated by Sam Cornish, an alternative view of art in 1990s London

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

covering nearly three decades, new paintings and key sculptural works exploring personal memories, myth, and the female body over the passing of time

the London and Sussex-based 3D-artist’s first exhibition at the gallery in New Bond Street centres on works created from books

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

curated by Isaac Ji, this exhibition re-imagines the gallery space as a “darkroom of perception”

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

paintings and works on paper from the 1960s to the 2010s, covering five decades of McNeely’s fearless and provocative approach to the human body, in the late New Yorker’s first solo exhibition in London

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

new lighting pieces by the Paris-based design studio known for “serene, dreamlike creations that evoke poignant and harmonious confluences with the natural world”

an ambitious exhibition celebrating two centuries since the dawn of photography

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects

“Scheibtz draws equally from everyday life and from art history, distilling both into dense, vividly coloured paintings and elusive sculptures: repositories of accumulated imagery, layered and compressed”

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

“through her compassionate lens” the Ethiopean artist “reminds us that love lives not only in grand declarations, but in the quiet, steadfast practice of being there for one another”

a solo exhibition of paintings - her first in over ten years - by the first woman to be nominated for the Turner Prize

in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

to mark his 88th birthday, an exhibition of new etchings and aquatints by Baselitz that “establishes a dialogue between two of his most famous motifs: the eagle and Elke [his wife]”

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

an exhibition bringing together a group of paintings created between 1967 and 2020, at the center of which is a rare presentation of nine monumental works on paper from 1993, further complemented by a selected group of paintings on canvas

curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects

an exhibition of the work of three international painters - Isabella Amram, Kan Hung-Ju, and Yehong Mao

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

Gutierrez explores philosophy and absurdity through video, drawing, painting, and performance, addressing resilience, connection, and emotional distance

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

multi-media works on paper reflecting Widener’s volunteer experiences in Ukraine, combining symbols, words, and numbers to depict the conflict’s chaos and emotional intensity with abstracted maps and personal narrative

“Hayoun’s work continues to interrogate contemporary politics through the lens of his North African heritage and the stories of people he observes in daily life”

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

curated by Sam Hanson, the Taiwanese artist’s first solo exhibition in the UK explores “deterrence and disruption through large, ambiguous compositions with intersecting lines, scratched surfaces, and sculptural urban forms”

encounters between artists whose practices expand the boundaries between functional art and collectible design

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

“charged with discourse on craft, gender, and class, Shead’s Machine Paintings transform what is otherwise private and domestic into the public”

paintings centered on the theme of “Night dancing” and exploring the relationships between humans and nature, movement and space, and color and form, in an exhibition inspired by the poetry of Ian Hamilton Finlay

“Frize's paintings are also sensory, sensual, organic bodies, conveying the pleasure of painting, of watching paint open its chromatic corollas at the intersection of brushstrokes and the unruly flow of matter” - Jean-Charles Vergne

works on fabric and paper and a site-specific sound installation exploring the rhythms of rain, memory, and the emotional landscapes of lived experiences in Waruguru’s first solo exhibition in Turkey

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

this new exhibition by the British artist presents works centring on processes of material change, erosion, and preservation developed during a recent residency at the Albers Foundation on the Atlantic coast of Ireland

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

titled after a poem by Louise Glück, the debut of new paintings in Parson’s first solo exhibition in Paris - “with great economy of means, her works capture a glance … they are painted reveries of instances of sadness, joy, and beauty”

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

an exhibition revisiting Hird’s paintings - “perceptual fields unfolding with rhythmic and subtle variations. Undulating bands of color and translucent veils evoke the simultaneity of oceanic movement and atmospheric drift”

curated by Laïdi-Hanieh, the exhibition presents the pioneering Turkish-Arab modernist’s 1940s–60s works featuring gestural abstractions, figurative paintings, and works on paper exploring colour, texture, and cosmic themes

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” - Pieter Vermeulen

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

in Cassigneul’s first solo US exhibition for 40 years - “luminous harmonies of color and expressive linearity coalesce into compositions of emotional clarity and understated restraint”

raw plaster sculptures alongside limited edition prints and drawings - “Love invites viewers to feel those emotional states that flow not just between us but throughout our wider ecology where fragility, tenderness and strength understand each other”

recent paintings and object from one of the founders of the Supports/Surfaces movement, who has spent six decades pushing the boundaries of painting

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

photographs recording fleeting scenes which might go unnoticed, in the first London exhibition by the Irish artist

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

shown for the first time, unique oversized dye-transfer prints by Eggleston taken in the late sixties and early seventies - rare works distinguished by their scale, chromatic intensity, and material presence.

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

the first part of the gallery’s programme on the theme of sound, investigates sonic entropy and the concept of a “loop” as a grinding mechanism that wears down the subject - whether human mindmachine part, or city ecosystem

“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

new sculptures, recent paintings, and drawings by the artist - “site-specific reconfigurations open up narrative portals, where the various media are combined with natural elements such as wind or gravity and the electromagnetic field”

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

an installation that sees Andrew draw on romanticised historical images of Aboriginal people - disrupting, reframing, and transforming them through new symbolic interventions

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

Patil’s first solo exhibition in Switzerland presents sculpture, painting, drawing, video, and immersive installation in a powerful meditation on labor, migration, and visibility

“Scheibtz draws equally from everyday life and from art history, distilling both into dense, vividly coloured paintings and elusive sculptures: repositories of accumulated imagery, layered and compressed”

recent pieces by the Brooklyn-based abstract painter whose work enigmatically resembles geographical maps, aerial views, circuit boards, and coding systems, exploring race, culture, and systems of societal classification

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

including pieces not previously exhibited, a major exhibition of drawings and works on paper by Rego demonstrating her evolving use of line in media from pen and ink to pastel, conté, charcoal, and pencil

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

Herbst’s inaugural solo exhibition with the gallery presents recent paintings created with her own “generative system” that allows narratives and visuals to emerge through a theatrical staging with repetition, variation, and play

“this exhibition positions itself at the intersection of the familiar and the uncanny, raising questions about how we perceive time, imagine the future, and how we will come to find a balance between a technological reality and nature”

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

the London and Sussex-based 3D-artist’s first exhibition at the gallery in New Bond Street centres on works created from books

curated by Maria do Carmo M. P. de Pontes, an exhibition of new painting, sculpture, and ceramics - “in a moment of synthesis, Palms and Smoke presents a culmination of Kritzman’s artistic evolution”

titled after the fan culture term for a non-official version of a story, four artists who approach repetition as a method of revision, and explore how repeated gestures, processes, and images allow for small shifts to emerge through sustained attention

O’Brien reconfigures everyday objects through processes of twisting, binding, stretching, and puncturing … to probe how desire is constructed, how economies of consumption are sedimented, and how queer aesthetics operate