“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery

curated by Sarah Griffin, an exhibition which explores the interconnected concepts of the three sites of production and transformation - where material, environment and process converge across photography, weaving and ceramics

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

titled after the departed sun, and the light a body radiates, new works by four artists - Maitha Abdalla, Omar Kholeif, Mohamed Monaiseer, and Randa Maddah - who work across painting, spoken word and poetry, installation, mixed media, and sculpture

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture

new installation, sculpture, and moving image by the two artists

paintings by Maximilian Rödel and glass-and-steel sculptures by Gabriele Beveridge - “these distinct experiences of the sublime find expression through radically different material and perceptual means” - Rebecca Birrell, PhD

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

ceramic, stoneware, porcelain, Corten steel, bent metal, and charred wood sconces exploring the sconce as a meeting point between contemporary art and design - “the familiar object becomes a site of ambiguity, where function gives way to symbolism”

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

in conversation with newer work, an opportunity to revisit paintings first shown at the gallery twenty years ago - “Krut demonstrates a Surrealist’s facility for perceiving links between the most disparate commonplace objects” - Andreas Leventis

significant works by one of the most distinctive painters of the late nineteenth and early twentieth centuries, shown with rare original letters, historical manuscripts, and archival documents

curated by Arne Glimcher, an exhibition of new paintings and drawings by the Brooklyn-based artist - “Liftin’s practice is deeply rooted in the intersection between image-making and image-processing”

continuing the gallery’s city-based curatorial series, an exhibition looking at the cultural and artistic development in and around San Fransisco, reconsidering significant works from different periods and how they relate to art history and collecting now

“since the day I decided I wanted to call myself a draftsman I try to draw every day. A little bit at least” - Ortiz

curated by Marie Perennès, an exhibition of drawings, paintings, and sculpture spanning the final decade of Herrera’s life - “the vital culmination of an eighty-year enquiry into line, form and colour”

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

the inaugural show at the gallery of one of the world’s foremost abstract painters, surveying his experimentation and mastery over the past six decades of pioneering work in a wide-ranging survey including some of his earliest extant works

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity

in his first solo exhibition in Shanghai for over a decade, new works from the acclaimed artist’s celebrated Landline series

the first solo exhibition in mainland China of Wesselmann’s work spans four decades and explores the progression of his oeuvre and the bodies of work that have defined it

inspired by amusement parks, world fairs and expos, five intriguing dioramas created by the acclaimed sound artist imagine new ways of experiencing sound and space

twelve new oil paintings and, for the first time, five small tables positioning the imaginary space of a painting alongside functional objects - “the exhibition considers the act of looking, and the permeability of fantasy and reality”

a selection of dresses revealing Hollein’s distinctive vocabulary, oscillating between fashion and sculpture - “activated by the body, the garments shift between strict framework and comfortable wearability”

Althamer moves his studio from Warsaw to the gallery, making sculptures on site using materials found in New York

major late paintings alongside bronze sculptures - forms emerge from dense passages of color and shadow only to recede again, as still-life elements, fragments of trees, geological formations, and other traces of landscape appear and dissolve

marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

Simmons’s first solo exhibition with the gallery presents photographs from three series spanning nearly two decades, two on view for the first time

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

in the artists’ first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time

developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage

new videos, photographs, and a drawing employing a mix of analogue collage, digital modifications, and cinematic techniques - “a dense mix of historical references, found images, and traces of contemporary image worlds”

a previously unseen ensemble of paintings, drawings, and sculptures created over the past four years “shift the boundaries between painting and narrative, image and language, the visible and the invisible”

an exhibition exploring the cultural exchange between Cuban communism and the French avant-garde in the 50s and 60s

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

Indiana’s first monographic exhibition with the gallery - “the technique, if successful, is that happy transmutation of the lost into the found, junk into art, the neglected into the wanted, the unloved into the loved, dross into gold, hence: alchemy”

“revisiting some of the dialogues with contemporary and post-war artists previously presented. Morandi’s paintings are thus placed in dialogue with works by Lee Ufan, Josef Albers, Ettore Spalletti and Lucio Fontana”

new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

“Knebl’s work explores how art and design are shaped by spatial, social, and political conditions, both historically and in the present. Her installations offer a sensual invitation: they awaken desire and create spaces in which it can take shape”

the gallery’s first Los Angeles exhibition of the painter, sculptor, and printmaker - “In both two and three dimensions, Jackson’s figures emerge and recede, generating a vivid sense of movement and depth”

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

an exhibition dedicated to Barney’s early black-and-white photographs, with rarely seen works offering an intimate portrait of American East Coast society in the late 1970s

“when working on these paintings, I have gathered motifs much like diary entries. Light, shapes, and associations are the main factors guiding my choices, but also intuition and doubt” - Bjerger

in collaboration with Galleria dello Scudo, an exhibition focusing on the radical body of sculpture created in the last ten years of his life by the most significant sculptors of the twentieth century

twelve new canvases created in direct dialogue with Alberto Giacometti’s Still Life with an Apple in Koether’s first solo exhibition at the gallery’s New York space

an exhibition demonstrating the breadth of Kim’s work within his singular subject - “transforming the waterdrop into a sustained meditation on memory, materiality, repetition, and time”

the third part of the gallery’s intercontinental series returns to the East with the theme of “unbound” - pointing to ink’s vital capacity to be reborn through breakthrough

curated by Luisa Catucci - “Keibel turns his attention to structures that present themselves as fixed - philosophical systems, canonical images, and inherited narratives - and patiently takes them apart”

nine luminous late monochromes from Soulages’s iconic series, reflecting the breadth of his sustained exploration of the interplay between darkness and light

across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

twelve new paintings by Caroline Absher and Annice Fell, made in direct response to a rare early oil sketch by Bonnard and hung in dialogue with it - “the two artists take up Bonnard’s saturated palette, his figures absorbed into their surroundings”