with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

works by over a dozen artists in an exhibition that celebrates the styles and content in paintings, drawings and sculptures by African American artists from the 19th century to the present

the Danish painter’s debut exhibition with the gallery explores the quiet rituals, unspoken understandings, and agreed-upon negotiations behind human interaction

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

painting and sculpture in a group exhibition which explores pressure as a defining condition within contemporary practice

the Ukrainian artist explores hope and resistance through time, space, and history with a meditation on the unbreakable spirit of culture in times of war

Sergio Sister and Karin Lambrecht, two of Brazil’s most distinctive painters, “explore the transformative, emotional, and material force of color in contemporary art”

new paintings - psychological portraits drawing inspiration from fashion shoots, mugshots, and Hollywood films - in Solà’s first solo exhibition in New York

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

the French-Ivorian artist’s first solo exhibition - “her sculptural practice begins with personal archives and the textures of domestic life. Through processes of carving and assembling, she reanimates these remnants into new, enigmatic forms”

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

an installation of new paintings of abstracted landscapes on paper and panel alongside mixed media works and objects - “in Helene Billgren’s artistry, even the most insignificant and fragile can become important and meaningful”

works by eight artists ”focussing on the raw mechanics of making — the calibration, structural clarity and material decisions that define each practice”

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

an exhibition which examines the development from Impressionism to Neo- and Post-Impressionism - a pivotal period when the movements liberated “both color and painting itself”

titled after a late photobook by Frank, this exhibition “explores people and places across his long and multifaceted life through images and fragments of memory presented through the artist’s original maquette”

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

the debut of works in color by the New York-based artist - a significant evolution of his practice - alongside new gouaches on paper

in the first solo exhibition in London by the Brazilian artist, new and existing performative installations with sculpture, movement, live performers, and public participation

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

Mushtaq’s first exhibition with the gallery explores notions of nationhood and identity through the lens of her home country of Pakistan

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

in this exhibition curated by Donna De Salvo, De Maria’s final sculpture is shown for the first time outside the US alongside other rarely seen sculptures, drawings, films, and archival materials

paintings, drawings, and etchings by the British-Caribbean artist “engage critically with questions of memory, belonging, and identity, while simultaneously foregrounding the enduring significance of community and cultural resilience” - Cameron Amiri

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

works by over a dozen artists in an exhibition that celebrates the styles and content in paintings, drawings and sculptures by African American artists from the 19th century to the present

a broad selection of the Korean artist’s defining series in her first solo exhibition in Brussels - “the act of leaving traces of the time I have lived” - Kim

“the painter’s cloud-like formations take on a newly latent form akin to colored fumes. Diffused patches of pyrotechnic yellows burst through the canvas like smoke flowers in the midst of an auspicious firework”

the act of painting is an “attempt to identify with the universal whole … I want to find my own small plot or pattern of energy that will express the inner me in terms of rhythmic movement and color” - Springford

“a mini-retrospective honouring the late, great photographer whose timeless images captured the humour, irony, and soul of the human (and canine) condition”

“on encountering these new canvases, there is an electric charge, a sense of primal energy … this is poetry” - Benjamin Rhodes

“at its core, Matière Noire can be understood as an attempt to exhaust the act of photography, while simultaneously preserving the legacy of modernity”

an exhibition of photographs by Ethridge - “a confluence of fashion shoots, portraits, still-life arrangements, and interior scenes, embodying disparate modes”

titled in reference to James Baldwin’s civil-rights-era book, Kaphar’s first exhibition in Paris presents new paintings and hand-carved wood sculptures

this new exhibition sees the South African artist revisit his 2010 presentation at the gallery’s Johannesburg space - of works marking the 50th anniversary of Miles Davis’s landmark album “Kind of Blue”

curated by Ian Hartshorne, this exhibition “celebrates the intergenerational impact of teaching painting and reveals engaging and dynamic relationships between those participating”

including never-before-exhibited works, an exhibition presenting Gorky’s landscapes from before and after his transformative 1941 transcontinental road trip with Agnes ‘Mougouch’ Magruder and Isamu Noguchi

new and recent works by Dean including 35mm film installations, a new 16mm film, new chalk and slate drawings, Polaroid works, and works on glass

including works not shown before in the US, an exhibition of paintings by the late artist spanning the early to middle parts of her career

“Aimee Goguen, Margaret Haines, and P. Staff brandish prophecy, theatre, poetry, surveillance, alchemical instruments, masks, blades, regurgitated teratomas, and the fixative properties of cement itself” - Henry Hopper, curator

a major exhibition by the distinguished Australian artist, her most extensive in the US to date, presents new paintings exploring the dialogue between abstraction and landscape through layered oil and wax

Quarles’ first exhibition with the gallery in Los Angeles - “at its core, her practice contemplates the instability of existence, the extent of resilience and what it means to inhabit multiple realities at once”

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

Khosravi’s first solo exhibition in the US is inspired by the Pasolini film Salò - and his own archival images - and explores memory, beauty, and violence through layered paintings

Ikemura’s first exhibition in Los Angeles explores “the relationship between the female body and the natural world, the heavens and the horizon line, or as she describes it - ‘the place where two worlds come together’”

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

recent and past works in the first solo exhibition in Los Angeles by one of the most influential living artists in the decorative arts

works by artists including Lynne Drexler, Sheila Hicks, Robert Indiana, Richard Serra, and Sean Scully in an exhibition focused on the 1970s, a decade of profound artistic and cultural change

new paintings by Bastidas which reflect on the social, historical, and psychological conditions present around us yet not fully understood

organised by Christoph Doswald, Hildebrandt’s first solo exhibition with the gallery, as well as in Turkey, creates an energetic, all-over-environment that reflects the ambiguity of cultural interferences in Berlin

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

the inaugural exhibition at the gallery's new space on 54th Street focuses on Genzken’s projects for outdoor sculptures

bringing together four London-based artists, Hunter Amos, Alexander Carey-Morgan, Charlie Gosling and Emily Wilcock in an exhibition of painting, drawing and sculpture, in the inaugural show hosted by the gallery

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

working across installation, moving image, sculpture, drawing, and performance, Williams explores “food” - specifically butter - through a feminist lens to examine collective consumption, excess, and waste

“at its core, Matière Noire can be understood as an attempt to exhaust the act of photography, while simultaneously preserving the legacy of modernity”

alongside new photographic works, the world premiere of Julien’s acclaimed five-screen film installation - “a vivid, sweeping, visual poem about change, what it means to transform, to adapt and to survive”

“known for his atmospheric nocturnal scenes and psychologically charged portraits, Hido now turns toward the expanded visual form of collages and explores the shifting terrain between memory, place, and narrative”

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

new and exemplary works by Morimura spanning his over four-decade career, and a new 30-minute program of portraits by Atlas focussing on drag and gender

including work exhibited in the UK for the first time, alongside seminal images from his seven-decade career, a major exhibition of one of the most important and celebrated photographers of the late 20th Century

shown for the first time at TEMPLON Brussels, Crewdson’s black-and-white photographs of solitary figures in suburban landscapes combine film noir aesthetics with sociopolitical themes of decline and urgency

Alice Wilson, Alison Wilding, Dominic Beattie, Fabian Peake, Karolina Albricht, Maud Cotter, Mhairi Vari, Neil Zakiewicz, Nicky Hirst, Phyllida Barlow, and Richard Woods question the traditional hierarchies of painting, sculpture, and design

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

a solo exhibition by one of the most emblematic figures of the contemporary Cuban art scene - “each piece represents a silenced cry, a lament drowned out by the white noise surrounding us, a constant drone that keeps us submerged in emotional lethargy”

the leading organisation supporting early career and emerging artists in the UK presents its annual group exhibition. showcasing 26 artists selected through an open call by Pio Abad, Louise Giovanelli, and Grace Ndiritu

the Ukrainian artist explores hope and resistance through time, space, and history with a meditation on the unbreakable spirit of culture in times of war

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

“what emerges is not merely a painting of a photograph, but an interrogation of how images circulate, what they signify, and what happens when they're forced to be still”

Patil’s first solo exhibition in Switzerland presents sculpture, painting, drawing, video, and immersive installation in a powerful meditation on labor, migration, and visibility

works by Eleni Bagaki, Chloe Beddow, Beth McAlester, Heeyoung Noh, Boo Saville, and Nina Silverberg, six female artists who examine how the body is mediated, fragmented, and spatially constructed in contemporary practice

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it, Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

shown together for the first time, works of meditative minimalism by the Chinese artist alongside pieces by one of the forefathers of the Los Angeles light artists

van Son’s debut solo exhibition with the gallery presents new paintings examining the intimate fascination she has of her partner as their wedding approaches

in an exhibition titled after the neurological condition, Alison Blickle and Irini Karayannopoulou “join forces in an act of painterly sisterhood; a transcontinental communion rooted in shared mythologies and a mutual devotion to the feminine image”

“civilisation is approached not as moral progress, but as performance—rehearsed through spectacle, ornament, and repetition”

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”