using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives

an exhibition of paintings by three artists whose lives spanned the twentieth century - working across generations and geographies yet united by their distilled observations of place and the journeys that inspired them

encounters between artists whose practices expand the boundaries between functional art and collectible design

fifteen Asian artists whose practices reflect a shared sensibility shaped by time, memory and a spiritual journey suggesting that time is not linear, but cyclical - gestures return, symbols reappear, memory resurfaces through material form

presented with VarYox as part of a three-month women’s art festival in Baku, a group exhibition with over twenty-five artists who explore home as a shifting condition shaped by the feminine experience

the Danish painter’s debut exhibition with the gallery explores the quiet rituals, unspoken understandings, and agreed-upon negotiations behind human interaction

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

new lighting pieces by the Paris-based design studio known for “serene, dreamlike creations that evoke poignant and harmonious confluences with the natural world”

“Fevers, shown here in complete form for the first time at Sylvia’s gallery, marks an endpoint to the last few years’ activity … I’ve wanted this piece to feel like a fever dream. Unfolding restlessly: surfaces fracture and accumulate” - Richards

curated by Davide Mogetta this exhibition explores the formative tension of fragility in works by Dadamaino, François Morellet, Arcangelo Sassolino, Günter Umberg, and Grazia Varisco - five leading figures from different generations of international art

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

“what emerges is not merely a painting of a photograph, but an interrogation of how images circulate, what they signify, and what happens when they\'re forced to be still”

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

works by Tonico Lemos Auad, Pearl Alcock, Lubaina Himid, Barbara Levittoux-Świderska, Marlow Moss, and Paul Thek mark “the intervals between falling and rising, moments shaped by gravity: like the tide”

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

an ambitious exhibition celebrating two centuries since the dawn of photography

an exhibition of one of the leading figures of the Washington Color Field School

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

narrative figure paintings inspired by early Renaissance art and classical sculpture, using compositional restraint and a unique palette to explore human relationships and psychological play through gesture and space

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

shown together for the first time, works of meditative minimalism by the Chinese artist alongside pieces by one of the forefathers of the Los Angeles light artists

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

a conversation between two artists from different generations and cultures who share earthy palettes and sympathetic visions of the human figure

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

Tal presents an exhibition exploring Symbolist poetry’s dreamlike structures and associative powers, emphasizing subjective emotional responses and the evocation of ineffable intuitions through complex metaphors and sensory substitutions

“taken together these new works resist - with antipictorial désœuvrement, with negation, with Fagtualität - this moment of rapid and rabid (so-called) hyperrealism” - Bruce Hainley

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

in the gallery’s inaugural exhibition, painting, drawing, and sculpture “characterised by its frankness, honesty, and startling sincerity” by four London-based artists, Hunter Amos, Alexander Carey-Morgan, Charlie Gosling and Emily Wilcock

new paintings and works on paper - including the debut of a group of monochromatic pieces - in Neel’s first solo presentation with the gallery

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

the late painter and photographer’s first solo exhibition in Europe highlights the central role of portraiture in his practice and offers a comprehensive overview of his multifaceted work

paintings and works on paper made between 1954 and 1968 - “I learned about light from Beauford Delaney” - James Baldwin

accompanied by a playlist of the songs that Williams listened while working, the debut presentation of his newest body of paintings

new paintings exploring the relationship between memory, architecture, and perception by this major figure in the Albanian and European art scene

new paintings by Bastidas which reflect on the social, historical, and psychological conditions present around us yet not fully understood

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

“a single giant roll, wide as a field, that Poons fills with free gestures of thick, energetic paint … he then removes fragments, cut into independent pictorial units” - Marjolaine Lévy

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

curated by Esmeralda Gómez Galera, an exhibition of works by Amparo de la Sota, Elisa Pardo Puch, Eugenio Espinoza, Mano Penalva, and Néstor García, who explore textile practice as both metaphor and gesture

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

an exhibition bringing together works that reflect the breadth and character of British figurative art across the twentieth century

continuing his collaboration with the German actress Lilith Stangenberg and returning to his enduring motif of Santa Claus, new large-scale drawings and a six-channel video installation by one of the leading contemporary American artists of his generation

encounters between artists whose practices expand the boundaries between functional art and collectible design

photographs recording fleeting scenes which might go unnoticed, in the first London exhibition by the Irish artist

including work exhibited in the UK for the first time, alongside seminal images from his seven-decade career, a major exhibition of one of the most important and celebrated photographers of the late 20th Century

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

shown for the first time at TEMPLON Brussels, Crewdson’s black-and-white photographs of solitary figures in suburban landscapes combine film noir aesthetics with sociopolitical themes of decline and urgency

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

the final part in a three-part exhibition marking the gallery’s centenary brings together artists from Eastern Europe and Asia whose practices redefined abstraction, conceptualism, and material experimentation in the second half of the twentieth century

curated by Sam Cornish, an alternative view of art in 1990s London

immersive installations and sculptures in the first major UK survey exhibition of the artist who makes “multimedia artworks that negotiate the spaces between memories, individuals and the globalised societies that we live in today”

eighteen sculptures in linseed oil-burnt cast iron - “the very core of the story is carved out in a lasting expression cast in iron, like artefacts or relics from a lost era”

new sculptures, recent paintings, and drawings by the artist - “site-specific reconfigurations open up narrative portals, where the various media are combined with natural elements such as wind or gravity and the electromagnetic field”

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

new and recent woodcuts by Baumgartner - monumental seascapes and landscapes in both black and white and color which explore the contemporary perception of time, and the fragile space between control and uncertainty

“through her compassionate lens” the Ethiopean artist “reminds us that love lives not only in grand declarations, but in the quiet, steadfast practice of being there for one another”

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

in an exhibition held across this and the Studio M space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour”

an exhibition by the Danish ceramic artist - “delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression”

life-size reproductions of now-closed nightclub or community establishment doors, alongside bronze casts of shoes, continue Connor’s exploration of peripheral forms and spatial details in sites of exchange and communication

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters