“each artist works in their own visual language to depict the delicate, hidden relationship between figure, body, and space … looking, here, becomes an accident rather than a purpose”

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

the gallery’s inaugural exhibition - and Megall’s first solo exhibition in LA - brings together paintings in which porcelain figurines and floral forms appear in states of repetition, fragmentation, and recombination

new paintings by Delhanty - “charged with a vast sense of landscape, the vigor of hot climate and the turbulence of shifting weather - they are ablaze with the literal and metaphorical light for which the exhibition is named”

new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

these new paintings by the Japanese artist blur the boundary between figuration and abstraction with work that is introspective and reflective, focusing on phenomena observable in his everyday environment

“structure and depth develop through the superimposition of gestures, sweeps and loops … colours accumulate at the edges of the picture surface, while traces of successive layers converge into lines of demarcation” - Mareike Dittmer

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle

“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

new paintings by Delhanty - “charged with a vast sense of landscape, the vigor of hot climate and the turbulence of shifting weather - they are ablaze with the literal and metaphorical light for which the exhibition is named”

a focused installation of two fire paintings by the American artist - from the pivotal series inspired by the dramatic skies and smoke of a devastating wildfire in California

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

with rare works from the artist’s private collection, this major retrospective of one of the founding figures of contemporary art in the UAE offers an in-depth look at a practice that has helped shape the country’s modern visual and cultural identity

paintings and a sculpture by the Swiss-Italian artist - “the works operate at the scale of the body: figures lean, bend and fold, caught in postures that read as structural as much as physical”

this new solo exhibition dedicated to the Belgian artist brings together over twenty works exploring the relationship between sculpture, language, light, and perception

large-scale oil paintings and works on paper by Goode, spanning over three decades of his sustained engagement with the sky as both subject and site of intervention

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

paintings by six British artists whose practices were forged in the London art world of the 1990s - “painters who, against the prevailing weather, declared that painting remained a medium adequate to its moment”

two distinct bodies of black and white photographs, alongside the short film “Family Portraits” in the acclaimed American photographer’s first exhibition with the gallery, following the recent announcement of her representation

recent photographs by Morell alongside exemplary paintings by each of the four Color Field artists - in the first exhibition where the gallery presents painting alongside photography

titled after the departed sun, and the light a body radiates, new works by four artists - Maitha Abdalla, Omar Kholeif, Mohamed Monaiseer, and Randa Maddah - who work across painting, spoken word and poetry, installation, mixed media, and sculpture

new paintings by Penny in an exhibition titled after the “feasts” we encounter throughout life - experiences, ideas, relationships, ambition, pleasure, success, and failure - and the instinct to survive one only to find an appetite for the next

new film, kinetic installation, monumental sculpture, and a wall-mounted tondo - Nguyen brings together his expansive film oeuvre with his long-standing sculptural practice of transforming material remnants of war into objects of healing

new film, kinetic installation, monumental sculpture, and a wall-mounted tondo - Nguyen brings together his expansive film oeuvre with his long-standing sculptural practice of transforming material remnants of war into objects of healing

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

titled after Gilles Deleuze’s writing on the fold, and curated by Dr. Alfredo Cramerotti and Auronda Scalera, an exhibition bringing together six artists who explore how histories, materials, and cultural knowledge survive transformation

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

an exhibition exploring the cultural exchange between Cuban communism and the French avant-garde in the 50s and 60s

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

the current Turner Prize nominee presents new sculptures exploring the relationship between tropical leisure, militarism and colonial memory

recent paintings and sculptures inspired by the urban landscape and engagement with the city - “reducing her subjects to basic geometric forms, stripes, and broad planes of color, Simon distills familiar urban motifs to the point of near illegibility”

the gallery’s first Los Angeles exhibition of the painter, sculptor, and printmaker - “In both two and three dimensions, Jackson’s figures emerge and recede, generating a vivid sense of movement and depth”

conceived with Studio Ellie Peugeot as a meditation in three acts, works from 1866 to the present day exploring the motif of “reflection”

Elkalaawy’s paintings develop through accumulation and erasure, using ephemeral forms of flowers, butterflies, vessels, photographs, and ghostly figures to explore memory, loss, regeneration, and the passage of time

to inaugurate the gallery’s representation of Plessen, an exhibition of twenty paintings created between 2024 and 2026 revealing the latest developments in his practice

three artists from three continents who “offer an immersion into imaginary worlds in which printmaking becomes a fertile ground for narrative freedom”

the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

the gallery presents a group assembled by Ligon of earlier and new works “which conspicuously inform, contextualise, re-contextualise, appropriate and, somehow, ‘prompt’ one another”

presented with TURN Gallery, an exhibition of new work “Manion’s canvased sculptures are solely constructed vessels that summon a calmness of observation and travel across emotional and physical realms

titled after the centaur who gave up immortality - “silver, gold, and pearl filaments radiate from dense nodes and branch across the surface like star charts, maps, or neural networks, patterns of connection found in the sky, the city, and the brain”

“the gallery takes on the appearance of … an apartment-like setting where architecture, objects, and natural light become part of a choreography unfolding over time”

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”