“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

Barrero’s first exhibition with the gallery debuts eight large-scale ceramic bead sculptures - a “chorus” of mother figures, “bearing witness and answering one another across the room” - Barrero

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

fourteen artists who explore transformation through material process and altered perception - “throughout the exhibition, light changes the encounter with each work and draws attention to the physical properties of its materials”

“in this exhibition, the artist further develops his conception of painting as a field in which a range of dynamics emerges from his response to individual colors”

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured

new works by the German artist - “Franz invites us to reconsider the relationship between past and present, reflecting the continuing artistic struggle for creative autonomy in an age of technological changes and advancement”

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

this August, Hauser & Wirth Basel presents a solo exhibition dedicated to the work of the late Swiss artist. Born in Basel, Zurkinden defied easy categorisation, developing a distinctive painterly language that drew on both …

the first solo UK exhibition dedicated to the life and work of the self-taught painter - a central figure in 20th century African-American art - whose bold works on corrugated roofing, sheet metal, and found lumber filled the front yard of his homestead

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

“across thirty new paintings and drawings, Brown elides myth and archaeology with the clamour of contemporary tourists who jostle for snapshots and cocktails across the continent’s summer hotspots”

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

two artists who approach nature from opposite directions in an exhibition siting Michèle Buhofer’s photographs of extreme landscapes within Marya Kazoun’s installation of imagined organisms and environments

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

an exhibition dedicated to “the painters who, at the end of the 19th century, chose no longer to depict the world but to express it. … a journey into the art of almost nothing, where the familiar becomes a revelation”

recent paintings by the British artist, whose “luminous abstractions transform impressions of light, memory, and landscape into atmospheric compositions of gesture and color”

new work by the New York-based abstract artist - “Mait’s paintings are infused with pure emotions but remain controlled and not overwhelmed by them”

“in a world where religious and cultural difference is so often used to separate, Wassall’s marionette suggests another possibility - that what unites these faiths might be as visible, and as luminous, as what sets them apart”

as part of the gallery’s 25th anniversary program - and during the country’s Semiquincentennial - a retrospective spanning five decades of the storied career of one of the most quintessential visual narrators of the American experience

organized by Curatorial Senior Director Alexis Lowry, this is the first New York exhibition in nearly fifteen years dedicated to the seminal German-French modernist

Toh Djojo’s first solo exhibition in the US - “the artifice of the medium and the feeling of its impact is the point. Big vistas - cityscapes, deserts … recall key moments of peak Hollywood-esque visual magic” - James Casey

titled from Clarice Lispector’s posthumous novel, Sintura’s first solo exhibition at the gallery presents a series of new paintings - “an attempt to unite form, material, and subject in order to bring something elusive and hard to grasp to light”

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

curated by Antony Hudek, the first institutional exhibition in the UK since her death reveals how Sturtevant’s radical conceptual practice continues to probe the power of images

the London-based artist’s debut solo exhibition is inspired by the act of looking back and a childhood obsession with miniatures and examines the existential weight of what is missing by turning a feeling of emptiness into a palpable reality

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

curated by Luisa Catucci - “Keibel turns his attention to structures that present themselves as fixed - philosophical systems, canonical images, and inherited narratives - and patiently takes them apart”

this major selection of paintings and works on paper “invites us to look anew at a history we may think we already know: not as three separate trajectories, but as a constellation shaped by friendship, admiration and the circulation of ideas”

a new series of mural works and sculptures in the self-taught artist’s first solo exhibition

providing fresh insight into his work - as memory and anecdote (re)animate his photographs - an exhibition revisiting Parks through the reflections of the people and families he portrayed

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

an exhibition dedicated to Barney’s early black-and-white photographs, with rarely seen works offering an intimate portrait of American East Coast society in the late 1970s

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

examining the enduring impact of Jaar’s foundational public installation, a newly digitized version, the original storyboard drawings, photographic suites, lightboxes, and videos showing how it remains a poignant emblem of American identity

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

in this exhibition curated by Paola Lucente three contemporary artists - Chloe Bonfield, Kate Lyddon and Zulfiya Spowart - explore memory, inheritance, and the traces experience leaves behind

“centered on new cast stainless steel sculptures and paintings made for this occasion, the exhibition surveys a career of nearly half a century that began with printmaking in the 1970s”

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

fourteen artists who explore transformation through material process and altered perception - “throughout the exhibition, light changes the encounter with each work and draws attention to the physical properties of its materials”

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

curated by Rolando J. Carmona in collaboration with Mountains, Berlin, this exhibition of the pioneering Filipino artist offers a rare presentation of one of his Bubble Machine sculptures, alongside a historical panorama spanning six decades

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

in Camil’s debut solo exhibition in London and with the gallery, new works exploring the unstable boundaries between looking and being looked at

“an exceptional group of artists whose bold and individual approaches helped shape the legacy of postwar abstraction”

new documentary-style drawings, paintings, and sculptural installations that honor immigrant experiences and reject the moral economy of gratitude imposed on them

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

presented with Canvas Gallery, Karachi, new works by the acclaimed Pakistani artist bringing together “celebration and uncertainty, ornament and violence, authority and resistance in a body of work that is at once visually seductive and quietly charged”

new large-scale paintings, multi-panel compositions, and sculpture by Simpson revealing the symbiotic relationship between her paintings, collages, and wider oeuvre

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

in Camil’s debut solo exhibition in London and with the gallery, new works exploring the unstable boundaries between looking and being looked at

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

“bringing together paintings on birch panel, painted photographs and installation in the form of steel agricultural gates, the exhibition explores what it means to look closely, to slow down and to become attentive to one’s surroundings”

“Menzies’s paintings do not remain within a single emotion or a single temporal state … they move between lightness and weight, revelation and concealment, presence and absence”

“the exhibition begins with a desire for things that gradually fade with time to remain as traces and sensations, re-emerging in the present … Park uses materials including sand, hanji, ink, and light to evoke these elements anew”

new works see Goodman combine strongly pigmented oil paint, expressive brushwork, oil sticks, drips, and washes to create immersive abstract paintings and explore “how painting can hold both quietness and turbulence”

in the New York-based artist’s first solo exhibition in London, new paintings which expand his thematic repertoire, bringing his distinctive attention to the glorious and the everyday in both public and private life

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”