a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

“together, these three artists demonstrate that the significance of Asian artists lies not in adding ‘Eastern’ elements to Modernism, but in offering new ways to rethink and extend it’

new and historical work by Ghada Amer, William Kentridge, David Koloane, Laura Lima, Misheck Masamvu, Cassi Namoda, Georgina Maxim, Pamela Phatsimo Sunstrum, and Yinka Shonibare

the gallery’s annual Summer Group Exhibition presents twelve international artists whose diverse practices offer distinct perspectives on the world around us

an exhibition of thirty artists who move fluidly between painting, sculpture, and object-making, to examine how abstraction is shaped not only through image, but through material decisions

new and historic works by ten artists of different generations, geographies, and backgrounds, who explore painting, sculpture, and assemblage to interrogate interiority, personal vision, and the nature of the art object today

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together artists from the United States, Britain and Europe, the exhibition traces how abstraction developed transnationally while pursuing that quintessential Modern ambition for a new kind of truth”

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

an open call exhibition for Taiwan artists born after 1985

new paintings by one of the most distinctive voices in contemporary urban landscape painting

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

“bringing together artists from the United States, Britain and Europe, the exhibition traces how abstraction developed transnationally while pursuing that quintessential Modern ambition for a new kind of truth”

a non-hierarchical, artist-led touring exhibition curated by Maria do Carmo M. P. de Pontes, with works by Esvin Alarcón Lam, Antonio Pichillá Quiacaín, and Simón Vega

the Bangkok-based artist presents analogue, handprinted photographic portraits of people living on the margins of the city’s streets - showing youth as a capacity for adaptation, reinvention and resilience

drawing on nature as inspiration, Simonsen creates vividly colored, immersive paintings in which botanical forms drift between observation and imagination, transforming landscape into an experience of light, atmosphere, and renewal

offering a rare overview of his disciplined and deeply poetic approach, paintings, works on paper, drawings, and etchings in the late American artist’s first solo exhibition in France

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

“Heinze’s work moves between painting and drawing and is characterized by a distinctive, often fragmentary visual language … in which bodies, spaces, and signs overlap”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

a new body of work by Khatri presented alongside Chronicles by Kain

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

in a celebration of the American Semiquincentennial an exhibition of master prints by Vija Celmins, Edward Hopper, William Henry Johnson, Jasper Johns, Ed Ruscha, Andy Warhol, and H.C. Westermann

works by Georg Baselitz, Enrico David, Per Kirkeby, Florian Krewer, Eugène Leroy, Markus Lüpertz, Francis Picabia, Andy Robert, and Raphaela Simon

new paintings by one of the most distinctive voices in contemporary urban landscape painting

in his first solo exhibition with the gallery the Thai-British artist “transforms autobiographical fragments into psychologically charged environments where memory becomes both subject and material”

“the show stages a dialogue between materiality and external observation [and] continues Guérard’s reflection on painting in space, apprehending the medium outside its borders and pushing the scale”

“together, these three artists demonstrate that the significance of Asian artists lies not in adding ‘Eastern’ elements to Modernism, but in offering new ways to rethink and extend it’

the latest in the gallery series presents significant works by Volpi alongside paintings by artists from subsequent generations who reflect on - and depart from - his example

works on paper, paintings, neon sculpture, and installation celebrating Dominican players in US Major League Baseball, in the first posthumous exhibition of the Dominican-born New York-based artist

the arts and mental health charity marks its 10-year anniversary with a major exhibition at the gallery bringing together leading contemporary artists from across the Hospital Rooms programme

a solo exhibition by the Potter in Residence 2026, exploring the material and optical properties of rare earth elements through ceramic form, asking us “to reconsider the relationship between material, technology, and perception”

sixteen international artists whose practices move between sculpture, object, and spatial gesture in a summer group exhibition running alongside London Design Week - “asking not what art depicts, but what it does within a space”

a landmark exhibition dedicated to the late British sculptor, bringing together for the first time in Paris a group of works from one of his most significant late bodies of work

“I would place Jethro somewhere between a cheekier Cartier-Bresson and a more worldly James Ravilious - the tradition of the quiet English observer, but with a continental range and a sense of humour” Benedict Shakespeare, curator

new work in the artist’s debut solo exhibition at the gallery in Paris - “Prempeh does not paint a destination, she paints the doorway, and leaves it open” - Brice Arsène Yonkeu, curator

a major group exhibition, curated by OHSH Projects, bringing together painting, sculpture, and installation to explore one of humanity’s oldest and most enduring stories

a new exhibition of the Naarm/Melbourne-based artist presents paintings and watercolours created while she was pregnant - a visual diary writ large, chronicling a period she calls “a state of becoming - turning from one thing into another”

“Förg took four monumental color photographs of the Lange house … [exhibited] again for the first time on the occasion of the new Frankfurt gallery season. A show nothing short of a small sensation ” - Christian Malycha

following Koether’s exhibition at the gallery in New York, this new show begins with works from 1995, after her move to the city and the decisive transformation in her practice

Carrington’s first solo exhibition at the gallery, organized with the Consejo Leonora Carrington and rossogranada, with drawing, painting, sculpture, tapestry, and writing, the exhibition presents the full range of media she explored throughout her career

new paintings and installation by Jahmal in an exhibition focussing on the historical contradictions of piracy

an exhibition which “reunites a group of paintings created between 2012-2014, never before seen in New York, to accompany and contextualize a selection of large-scale portraits created between 2015-2019”

a floor to ceiling installation comprising fifty-seven new works on paper in Pessoli’s first exhibition at WINDOW, and his ninth with the gallery

new paintings interrogating the power structures that manipulate and divide global society - in this case particularly the rise of neoliberalism - using the billionaire owned media as source material

Toh Djojo’s first solo exhibition in the US - “the artifice of the medium and the feeling of its impact is the point. Big vistas - cityscapes, deserts … recall key moments of peak Hollywood-esque visual magic” - James Casey

Henrot’s first public exhibition in NYC brings a group of sculptures of dogs to the entrance of Central Park - each born out of visual references including Saul Steinberg drawings, Tex Avery cartoons, ancient Egyptian sculpture, dog show competitions, …

“Bas’s canvases … exist in a constant dialogue between beauty and absurdity, melancholy and humor, decadent aestheticism and critique” - Yuko Hasegawa, curator

“McGarrity paints at the hour of threshold: sunset, dusk, the moment before dark. His canvases catch light at its most unfixed [in] a body of work unusually committed to atmosphere”

new work by the New York-based abstract artist - “Mait’s paintings are infused with pure emotions but remain controlled and not overwhelmed by them”

the Bangkok-based artist presents analogue, handprinted photographic portraits of people living on the margins of the city’s streets - showing youth as a capacity for adaptation, reinvention and resilience

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

in partnership with The Little Black Gallery, and curated by Brandei Estes, an exhibition to mark the 20th anniversary of the death of the legendary photographer

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

marking the launch of Glazzard’s new photobook, an exhibition which reimagines the family through photography, intimacy, and the living archive

“I would place Jethro somewhere between a cheekier Cartier-Bresson and a more worldly James Ravilious - the tradition of the quiet English observer, but with a continental range and a sense of humour” Benedict Shakespeare, curator

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

recent photographs by Morell alongside exemplary paintings by each of the four Color Field artists - in the first exhibition where the gallery presents painting alongside photography

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

the London based, Bergamo born artist’s debut solo exhibition at the gallery - “Longhi’s sculptural works draw our attention to the vivid expressions of human life and history that can be found on the walls and surfaces of the metropolis”

an exhibition by the South Korean artist who, expressed through the Taoist philosophy of Wu Wei, creates sculptures in sterling silver inspired by the natural landscapes of her birthplace, the volcanic island of Jeju

in his first exhibition with the gallery, new work by the American artist - “sculptures … not defined by formal transformation, but rather by the repositioning of recognisable materials through acts of selection, displacement, and framing”

recent paintings and sculptures inspired by the urban landscape and engagement with the city - “reducing her subjects to basic geometric forms, stripes, and broad planes of color, Simon distills familiar urban motifs to the point of near illegibility”

new works by Ragna Bley, Sabine Moritz, Carrie Moyer, Mary Ramsden, Rachel Rose, Tschabalala Self, Lina Iris Viktor, Georg Wilson, and Vivien Zhang in the second instalment of this thematic exhibition at the gallery’s Savile Row space

a non-hierarchical, artist-led touring exhibition curated by Maria do Carmo M. P. de Pontes, with works by Esvin Alarcón Lam, Antonio Pichillá Quiacaín, and Simón Vega

an exhibition of eight contemporary artists working across painting and sculpture - Benjamin Orlow, Emil Sands, Galli, Hannah Quinlan and Rosie Hastings, Kira Freije, Suleman Aqeel Khilji, Tanoa Sasraku, and Tiona Nekkia McClodden

a landmark exhibition dedicated to the late British sculptor, bringing together for the first time in Paris a group of works from one of his most significant late bodies of work

new works developed out of months of research into UK football culture, in the first solo London exhibition of Italian artist Ruth Beraha - “the drawings, like images, explore what lasts. What stays after the game ends: in memory, in affect” - Orit Gat

initiated by Martin Brémond, this project brings together a selection of emerging French galleries with varied approaches, all driven by the same passion for supporting emerging or re-emerging artists

new work in the artist’s debut solo exhibition at the gallery in Paris - “Prempeh does not paint a destination, she paints the doorway, and leaves it open” - Brice Arsène Yonkeu, curator

“at once deeply personal and strikingly universal, the exhibition unfolds as an immersive journey through technological archaeology, political allegory, and mythological imagination”

presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work

in collaboration with Corbett vs. Dempsey, an exhibition of Wright’s flower paintings, alongside works on paper, made from 1992 onwards

“for his first exhibition at Semiose, Mathieu Cherkit presents fifteen paintings that share a unity of place, all originating in or around his home-studio … for a pictorial investigation into the question of viewpoints” - Camille Richert

“for this exhibition, I wanted to immerse myself entirely in abstraction - setting aside any notion of subject or image as a starting point for the painting. The aim was to lose myself in the painting itself” - Bellot

spanning thirty years of work with the single subject of “food”, new large-scale oil paintings alongside canvases reaching back to 1996 - “I have selected a group of works that explore the relationship between food and my own life journey” - Oiwa

new paintings and a spatial light installation, in “a reflection on surface, presence and inner content. It makes us consider what lies behind the objects, the images or the meanings generated by an AI that endlessly produces poems” - Lotten Wiklund