“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

a series of paintings exploring childbirth sensations through abstraction, featuring sculptural orbs and concentric lines that depict energy and emotion in shifting scales of consciousness

Herbst’s inaugural solo exhibition with the gallery presents recent paintings created with her own “generative system” that allows narratives and visuals to emerge through a theatrical staging with repetition, variation, and play

the gallery’s first exhibition at No.9 presents a new body of work by Yousefzada that considers the home as a site of tension, memory, and embodied experience

“a group exhibition bringing together a collective of artists to reflect on continuity, resilience, and quiet optimism … the exhibition draws on the symbolic energy of the spring season - where renewal unfolds”

the inaugural exhibition at the gallery's new space on 54th Street focuses on Genzken’s projects for outdoor sculptures

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

paintings and works on paper from the 1960s to the 2010s, covering five decades of McNeely’s fearless and provocative approach to the human body, in the late New Yorker’s first solo exhibition in London

new sculptures by Wright, including an important Jesmonite installation alongside works made from unfired clay and a group of small wall-based pieces

new large-scale works on lead, with gemstones and Renaissance-style frames, as Vega explores the transhistorical nature of spirituality

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it - Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

an ambitious exhibition celebrating two centuries since the dawn of photography

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

an exhibition of one of the leading figures of the Washington Color Field School

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects

“Scheibtz draws equally from everyday life and from art history, distilling both into dense, vividly coloured paintings and elusive sculptures: repositories of accumulated imagery, layered and compressed”

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

“these are, above all, abstract works, and as such are committed to full pictorial disclosure … for all their undoubted poise and beauty, Sandström’s paintings have a restless quality” - Tom Morton

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

to mark his 88th birthday, an exhibition of new etchings and aquatints by Baselitz that “establishes a dialogue between two of his most famous motifs: the eagle and Elke [his wife]”

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

Lindman and Motherwell explore found materials to shape compositions, linking Picasso’s collage legacy with distinct approaches to abstraction and picture-making in their Open and Blanks series

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

Amani Azari, Mohmed Essam, Mahmoud Farah, Alsadig Mahmoud, Waleed Mohammed, Mohammed Morda, Sanaad Shreef - seven Sudanese artists living in Nairobi due to the war in Khartoum

Khosravi’s first solo exhibition in the US is inspired by the Pasolini film Salò - and his own archival images - and explores memory, beauty, and violence through layered paintings

an exhibition of one of the leading figures of the Washington Color Field School

the Chinese painter’s first solo exhibition in the UK - “Dong’s paintings inhabit the in-between state of tangible reality and fantastic possibilities”

Lindman and Motherwell explore found materials to shape compositions, linking Picasso’s collage legacy with distinct approaches to abstraction and picture-making in their Open and Blanks series

“in Haddad’s work, the multiplicity of sensory interactions unsettles us and offers little comfort” - Marie Muracciole

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects

an exhibition exploring Rosenthal and Moody’s experimental theatre with archival materials, props, and immersive set designs

“five paintings and ceramic panel works exploring landscapes through layered paint and textured resin, capturing natural phenomena and time’s accumulation in shifting scenes”

encounters between artists whose practices expand the boundaries between functional art and collectible design

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

“charged with discourse on craft, gender, and class, Shead’s Machine Paintings transform what is otherwise private and domestic into the public”

paintings centered on the theme of “Night dancing” and exploring the relationships between humans and nature, movement and space, and color and form, in an exhibition inspired by the poetry of Ian Hamilton Finlay

“Frize's paintings are also sensory, sensual, organic bodies, conveying the pleasure of painting, of watching paint open its chromatic corollas at the intersection of brushstrokes and the unruly flow of matter” - Jean-Charles Vergne

works on fabric and paper and a site-specific sound installation exploring the rhythms of rain, memory, and the emotional landscapes of lived experiences in Waruguru’s first solo exhibition in Turkey

“Curious Yellow / I hadn't forgotten her, I just couldn't remember her name. / Only when I looked back did I remember.”

Andrews’ Migrant Series traces Black, White, and Cherokee migration routes through ink drawings and collage paintings using textile fragments and painted canvas to depict hardship, resilience, and hope in human migration experiences

the youngest artist to exhibit at the gallery shows a series of original works looking forward with hope following the end of her treatment for B-cell acute lymphoblastic leukaemia

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

large-format paintings create a loosely immersive installation on the gallery’s ground floor, accompanied by a video performance inviting the audience into the artist’s personal universe

the multimedia artist’s large-scale sculptures of buttons, beads, and crystals reflect Zen Buddhism’s discipline and mindfulness through meticulous, repetitive craftsmanship and themes of change and resilience

curated by Laïdi-Hanieh, the exhibition presents the pioneering Turkish-Arab modernist\'s 1940s–60s works featuring gestural abstractions, figurative paintings, and works on paper exploring colour, texture, and cosmic themes

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line

the first part of the gallery’s programme on the theme of sound, investigates sonic entropy and the concept of a “loop” as a grinding mechanism that wears down the subject - whether human mindmachine part, or city ecosystem

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

curated by Maria do Carmo M. P. de Pontes, “a constellation of objects, images, and sonic interventions that reflect  Feriancová’s longstanding interest in origins, be them mythological, biological, or archaeological”

shown for the first time, unique oversized dye-transfer prints by Eggleston taken in the late sixties and early seventies - rare works distinguished by their scale, chromatic intensity, and material presence.

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

shown for the first time at TEMPLON Brussels, Crewdson’s black-and-white photographs of solitary figures in suburban landscapes combine film noir aesthetics with sociopolitical themes of decline and urgency

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

new sculptures by Wright, including an important Jesmonite installation alongside works made from unfired clay and a group of small wall-based pieces

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

an exhibition by the late Argentinian sculptor

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

sculptures from 2009 to the present and his latest painted self-portraits in an exhibition spanning almost twenty years of the Swiss artist’s work, “exemplifying Vital’s multidisciplinary approach and his alternative strategies of representation”

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

new works see the New York-based artist explore the gallery architecture as both subject and structural partner, expanding her investigation into the relationship between photography, sculpture, and the built environment

including pieces not previously exhibited, a major exhibition of drawings and works on paper by Rego demonstrating her evolving use of line in media from pen and ink to pastel, conté, charcoal, and pencil

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

Herbst’s inaugural solo exhibition with the gallery presents recent paintings created with her own “generative system” that allows narratives and visuals to emerge through a theatrical staging with repetition, variation, and play

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

the London and Sussex-based 3D-artist’s first exhibition at the gallery in New Bond Street centres on works created from books

curated by Maria do Carmo M. P. de Pontes, an exhibition of new painting, sculpture, and ceramics - “in a moment of synthesis, Palms and Smoke presents a culmination of Kritzman’s artistic evolution”

titled after the fan culture term for a non-official version of a story, four artists who approach repetition as a method of revision, and explore how repeated gestures, processes, and images allow for small shifts to emerge through sustained attention

O’Brien reconfigures everyday objects through processes of twisting, binding, stretching, and puncturing … to probe how desire is constructed, how economies of consumption are sedimented, and how queer aesthetics operate

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney