reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

“alternate views on reality in post-war France”

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

the final part in a three-part exhibition marking the gallery’s centenary brings together artists from Eastern Europe and Asia whose practices redefined abstraction, conceptualism, and material experimentation in the second half of the twentieth century

the Ukrainian artist explores hope and resistance through time, space, and history with a meditation on the unbreakable spirit of culture in times of war

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

curated in collaboration with the artist, and including pieces not publicly shown before, a rare opportunity to see Whiteread’s drawings shown alongside a related selection of her sculptures

“a trio of centrifugal energies” - Florian Genzken, Simon Popper, and Adam Barker-Mills

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”

the Danish painter’s debut exhibition with the gallery explores the quiet rituals, unspoken understandings, and agreed-upon negotiations behind human interaction

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

new lighting pieces by the Paris-based design studio known for “serene, dreamlike creations that evoke poignant and harmonious confluences with the natural world”

“Fevers, shown here in complete form for the first time at Sylvia’s gallery, marks an endpoint to the last few years’ activity … I’ve wanted this piece to feel like a fever dream. Unfolding restlessly: surfaces fracture and accumulate” - Richards

curated by Davide Mogetta this exhibition explores the formative tension of fragility in works by Dadamaino, François Morellet, Arcangelo Sassolino, Günter Umberg, and Grazia Varisco - five leading figures from different generations of international art

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

“what emerges is not merely a painting of a photograph, but an interrogation of how images circulate, what they signify, and what happens when they\'re forced to be still”

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

an ambitious exhibition celebrating two centuries since the dawn of photography

an exhibition of one of the leading figures of the Washington Color Field School

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

“a single giant roll, wide as a field, that Poons fills with free gestures of thick, energetic paint … he then removes fragments, cut into independent pictorial units” - Marjolaine Lévy

“these are, above all, abstract works, and as such are committed to full pictorial disclosure … for all their undoubted poise and beauty, Sandström’s paintings have a restless quality” - Tom Morton

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s

Lindman and Motherwell explore found materials to shape compositions, linking Picasso’s collage legacy with distinct approaches to abstraction and picture-making in their Open and Blanks series

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

a unique dialogue between the rigorous works of two major figures of French art: photographer Yannig Hedel and painter Geneviève Asse. Curated by Thierry Bigaignon and Eléonore Chatina and presented in collaboration with Galerie Catherine Putman

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

“Mitsola’s female beings consist of curves and lines, opaque surfaces and expressive brushstrokes; they are fiction made image through and through” - Vanessa Joan Müller

the final part in a three-part exhibition marking the gallery’s centenary brings together artists from Eastern Europe and Asia whose practices redefined abstraction, conceptualism, and material experimentation in the second half of the twentieth century

including pieces by Enrico Castellani, Agostino Bonalumi, Getulio Alviani, and Fausto Melotti, this exhibition of works from a defining moment in Italy’s artistic history explore spatial experimentation, material innovation, and sculptural abstraction

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

the Danish painter’s debut exhibition with the gallery explores the quiet rituals, unspoken understandings, and agreed-upon negotiations behind human interaction

a unique dialogue between the rigorous works of two major figures of French art: photographer Yannig Hedel and painter Geneviève Asse. Curated by Thierry Bigaignon and Eléonore Chatina and presented in collaboration with Galerie Catherine Putman

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

a two-part exhibition of new and historic works on paper by Ligon presenting “richly layered compositions that meditate on the color blue and its emotional, historical and cultural inflections”

new paintings and sculptures as Eisenmann concentrates on three sites of middle-class living: home, work, beach

a monograph exhibition dedicated to this major figure in twentieth-century modern art

Denize’s first solo exhibition in Japan - “the paintings function as a single album, or their arrangement operates like a musical score, through which visual language is transposed into a musical configuration” - Yusuke Nishimoto

sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

an exhibition centered on a roll painting based on one of the short animated films produced by Disney between 1929 and 1939 - “Lee approaches painting not as a single frozen moment, but as something ongoing”

“these are, above all, abstract works, and as such are committed to full pictorial disclosure … for all their undoubted poise and beauty, Sandström’s paintings have a restless quality” - Tom Morton

the American artist’s first solo exhibition in Milan presents new paintings alongside an important watercolour by Turner in a dialogue between her atmospheric renderings merging figuration with abstract geometries and his visionary approach to landscape

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters

an ambitious exhibition celebrating two centuries since the dawn of photography

in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives

encounters between artists whose practices expand the boundaries between functional art and collectible design

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

“charged with discourse on craft, gender, and class, Shead’s Machine Paintings transform what is otherwise private and domestic into the public”

“Frize's paintings are also sensory, sensual, organic bodies, conveying the pleasure of painting, of watching paint open its chromatic corollas at the intersection of brushstrokes and the unruly flow of matter” - Jean-Charles Vergne

works on fabric and paper and a site-specific sound installation exploring l rain, memory, and the emotional landscapes of lived experiences in Waruguru’s first solo exhibition in Turkey

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

this new exhibition by the British artist presents works centring on processes of material change, erosion, and preservation developed during a recent residency at the Albers Foundation on the Atlantic coast of Ireland

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

titled after a poem by Louise Glück, the debut of new paintings in Parson’s first solo exhibition in Paris - “with great economy of means, her works capture a glance … they are painted reveries of instances of sadness, joy, and beauty”

“working with imitation gold leaf on Belgian linen, [Vermeulen] uses sweat as an oxidising force, producing corrosive imprints that register physical presence over time”

Hallett’s first exhibition at the gallery presents a compelling new body of paintings that examine the search for stability under the weight of existence

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

working across installation, moving image, sculpture, drawing, and performance, Williams explores “food” - specifically butter - through a feminist lens to examine collective consumption, excess, and waste

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

including work exhibited in the UK for the first time, alongside seminal images from his seven-decade career, a major exhibition of one of the most important and celebrated photographers of the late 20th Century

painting, drawing, performance, video, and photography from four Native American artists - James Luna, Mario Martinez, Jaune Quick-to-See Smith, and Emmi Whitehorse - who explore the cultural resilience of Indigenous independence

curated by Maria do Carmo M. P. de Pontes, “a constellation of objects, images, and sonic interventions that reflect  Feriancová’s longstanding interest in origins, be them mythological, biological, or archaeological”

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

“drawn from a wide range of sources - from domestic objects to oral histories, Jamaican dominoes culture to common psychological phenomena - Collin’s work explores notions of distorted memory, shifting perspectives and contemporary mythology”

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

curated by Maria do Carmo M. P. de Pontes, an exhibition of new painting, sculpture, and ceramics - “in a moment of synthesis, Palms and Smoke presents a culmination of Kritzman’s artistic evolution”

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it - Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

the final part in a three-part exhibition marking the gallery’s centenary brings together artists from Eastern Europe and Asia whose practices redefined abstraction, conceptualism, and material experimentation in the second half of the twentieth century

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

new and recent woodcuts by Baumgartner - monumental seascapes and landscapes in both black and white and color which explore the contemporary perception of time, and the fragile space between control and uncertainty

“through her compassionate lens” the Ethiopean artist “reminds us that love lives not only in grand declarations, but in the quiet, steadfast practice of being there for one another”

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

in an exhibition held across this and the Studio M space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour”

an exhibition by the Danish ceramic artist - “delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression”

life-size reproductions of now-closed nightclub or community establishment doors, alongside bronze casts of shoes, continue Connor’s exploration of peripheral forms and spatial details in sites of exchange and communication

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters