organised by Christoph Doswald, Hildebrandt’s first solo exhibition with the gallery, as well as in Turkey, creates an energetic, all-over-environment that reflects the ambiguity of cultural interferences in Berlin

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

“a trio of centrifugal energies” - Florian Genzken, Simon Popper, and Adam Barker-Mills

in the gallery’s inaugural exhibition, painting, drawing, and sculpture “characterised by its frankness, honesty, and startling sincerity” by four London-based artists, Hunter Amos, Alexander Carey-Morgan, Charlie Gosling and Emily Wilcock

painting and sculpture by eight international artists whose work channels the spirit of the universe and our connection to the natural world

encounters between artists whose practices expand the boundaries between functional art and collectible design

in an exhibition held across this and the Studio M space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour”

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

new lighting pieces by the Paris-based design studio known for “serene, dreamlike creations that evoke poignant and harmonious confluences with the natural world”

“Fevers, shown here in complete form for the first time at Sylvia’s gallery, marks an endpoint to the last few years’ activity … I’ve wanted this piece to feel like a fever dream. Unfolding restlessly: surfaces fracture and accumulate” - Richards

curated by Davide Mogetta this exhibition explores the formative tension of fragility in works by Dadamaino, François Morellet, Arcangelo Sassolino, Günter Umberg, and Grazia Varisco - five leading figures from different generations of international art

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

“what emerges is not merely a painting of a photograph, but an interrogation of how images circulate, what they signify, and what happens when they\'re forced to be still”

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

works by Tonico Lemos Auad, Pearl Alcock, Lubaina Himid, Barbara Levittoux-Świderska, Marlow Moss, and Paul Thek mark “the intervals between falling and rising, moments shaped by gravity: like the tide”

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

an exhibition of one of the leading figures of the Washington Color Field School

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

“these are, above all, abstract works, and as such are committed to full pictorial disclosure … for all their undoubted poise and beauty, Sandström’s paintings have a restless quality” - Tom Morton

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s

an exhibition bringing together works that reflect the breadth and character of British figurative art across the twentieth century

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

a unique dialogue between the rigorous works of two major figures of French art: photographer Yannig Hedel and painter Geneviève Asse. Curated by Thierry Bigaignon and Eléonore Chatina and presented in collaboration with Galerie Catherine Putman

Lindman and Motherwell explore found materials to shape compositions, linking Picasso’s collage legacy with distinct approaches to abstraction and picture-making in their Open and Blanks series

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

a conversation between two artists from different generations and cultures who share earthy palettes and sympathetic visions of the human figure

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

an exhibition bringing together artists who use small-scale formats to create concentrated, self-contained scenes, exploring how small spaces can hold entire worlds of memory and imagination

collages on paper, wall paintings, carpet inlays, curtains, projections, films, and photographs, exploring the sculptural potential of architecture

an exhibition of outstanding Italian and Spanish paintings including Old Master works rarely seen outside of museums

Verdier’s acclaimed series of large-scale paintings interpreting Mozart arias in visual form, shown alongside drawings made during a two-year plein-air project in Provence

“Halley, with humor and precision, continues to question the relationship between modernist utopia and digital reality” - Stefania Angelini

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

Tal presents an exhibition exploring Symbolist poetry’s dreamlike structures and associative powers, emphasizing subjective emotional responses and the evocation of ineffable intuitions through complex metaphors and sensory substitutions

“taken together these new works resist - with antipictorial désœuvrement, with negation, with Fagtualität - this moment of rapid and rabid (so-called) hyperrealism” - Bruce Hainley

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

in the gallery’s inaugural exhibition, painting, drawing, and sculpture “characterised by its frankness, honesty, and startling sincerity” by four London-based artists, Hunter Amos, Alexander Carey-Morgan, Charlie Gosling and Emily Wilcock

new paintings and works on paper - including the debut of a group of monochromatic pieces - in Neel’s first solo presentation with the gallery

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

key works from across the late British artist’s career, centering on the painting “Boy” and his exploration of identity, vulnerability, and the ambiguities of the self

paintings exploring the tension between built environments and nature - depicting sociopolitical and ecological themes through cityscapes, weather, mythic figures, and autobiographical elements

curated with Martin Schwander, rare paintings from the 1920s to 1970s showcasing Stoecklin’s evolution from Neue Sachlichkeit realism to luminous magic realism

curated by Tobia Bezzola, this exhibition by the celebrated Swiss artist includes a major painting from his Patti Smith series and important large-scale and medium-format woodcuts

narrative figure paintings inspired by early Renaissance art and classical sculpture, using compositional restraint and a unique palette to explore human relationships and psychological play through gesture and space

multi-media works on paper reflecting Widener’s volunteer experiences in Ukraine, combining symbols, words, and numbers to depict the conflict’s chaos and emotional intensity with abstracted maps and personal narrative

night-time landscapes of every full-moon - sketched by Hockney on his iPad - during the 2020 lockdown in Normandy

including piece that have not been exhibited before, an exhibition of the late artist’s works on paper show alongside two tapestries

an exhibition devoted to Uslé’s drawings - “kinds of visual fragment that have accompanied his artistic process for more than thirty-five years”

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects

an exhibition exploring Rosenthal and Moody’s experimental theatre with archival materials, props, and immersive set designs

“five paintings and ceramic panel works exploring landscapes through layered paint and textured resin, capturing natural phenomena and time’s accumulation in shifting scenes”

encounters between artists whose practices expand the boundaries between functional art and collectible design

“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

an ambitious exhibition celebrating two centuries since the dawn of photography

new photographic and sculptural work by the Spanish artist - one of the key figures in the renewal of Basque sculpture

working across installation, moving image, sculpture, drawing, and performance, Williams explores “food” - specifically butter - through a feminist lens to examine collective consumption, excess, and waste

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

“two wooden arches flank the entrances to the exhibition, marking points of passage … four trompe l’œil frescoes depicting a seascape creates this setting, and mirrored surfaces affixed to two central pillars reflect and multiply the viewer’s presence”

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

painting, works on paper, and glass sculpture from throughout her career, in an exhibition celebrating the life and work of the late Argentine-born New York artist

the inaugural exhibition at the gallery's new space on 54th Street focuses on Genzken’s projects for outdoor sculptures

“through her compassionate lens” the Ethiopean artist “reminds us that love lives not only in grand declarations, but in the quiet, steadfast practice of being there for one another”

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

in an exhibition held across this and the Studio M space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour”

an exhibition by the Danish ceramic artist - “delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression”

life-size reproductions of now-closed nightclub or community establishment doors, alongside bronze casts of shoes, continue Connor’s exploration of peripheral forms and spatial details in sites of exchange and communication

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters

an exhibition of the work of three international painters - Isabella Amram, Kan Hung-Ju, and Yehong Mao

“these are, above all, abstract works, and as such are committed to full pictorial disclosure … for all their undoubted poise and beauty, Sandström’s paintings have a restless quality” - Tom Morton

painting, drawing, performance, video, and photography from four Native American artists - James Luna, Mario Martinez, Jaune Quick-to-See Smith, and Emmi Whitehorse - who explore the cultural resilience of Indigenous independence