the first solo exhibition in mainland China of Wesselmann’s work spans four decades and explores the progression of his oeuvre and the bodies of work that have defined it

Cherry’s first solo exhibition in China brings together sculpture, sound, and olfactory elements to reflect on the mutable threshold between the conscious and subconscious, the seen and unseen, the self and the other

the third part of the gallery’s intercontinental series returns to the East with the theme of “unbound” - pointing to ink’s vital capacity to be reborn through breakthrough

in his first solo exhibition in Shanghai for over a decade, new works from the acclaimed artist’s celebrated Landline series

the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity

oil paintings and cut-canvas collages by the American artist - “with pointed ambiguity, Trampler playfully challenges us to examine our interpretations of the pieces it presents” - Masha Strasburger

a comprehensive exhibition of works on paper spanning fifty years of work by the Colombia-based artist whose fantastical drawings explore the subconscious, the body, and desire

“an exceptional group of artists whose bold and individual approaches helped shape the legacy of postwar abstraction”

presented with TURN Gallery, an exhibition of new work “Manion’s canvased sculptures are solely constructed vessels that summon a calmness of observation and travel across emotional and physical realms

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney

more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, new paintings and oil studies on paper shown alongside a film that delves into the histories and lives of several of the individuals portrayed

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018

“across the exhibition as a whole, a family of plinths, animals and gestures of affection takes shape, each containing its own worlds: worlds of colour, contaminated and transformed” - Julia Marchand

new work that takes the Star Quilt through a series of material transformations - mirrored installations and works on paper that show the enduring symbolic resonance of the stars

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

new installation, sculpture, and moving image by the two artists

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

curated by Arne Glimcher, an exhibition of paintings and works on paper by two of the central protagonists of Abstract Expressionism

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

“Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

small-scale works by over 50 artists, bringing together painting, drawing, printmaking, collage, sculpture, and mixed media

“spanning ceramics, metal and neon, the exhibition considers the point as both a mark and a moment: something carved, excavated, recorded, created or reached”

the London-based artist draws on found photography, early internet aesthetics, and tabloid culture to explore the relationship between personal image-making and public memory

Curzon Price’s first solo exhibition brings together mixed-media paintings and archival research to explore the ideals and realities of post-war social architecture

“everything in the same room. A man perched on a branch is eating an apple, while behind him several horses graze undisturbed. A pack of dogs waits; a man holds a bone behind his back”

“the works tell the story of a seismic shift into motherhood, through a flood, a rescue, and its aftermath into a world that is familiar and yet has irrevocably transformed” - Tomoko Kanamitsu

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle

“one of the most important figures in photographic art. He takes his time over his work, creating an environment of silence. The contemplative depth of his images exudes an intense serenity”

conceived specially for the gallery’s spaces in Cologne, an exhibition by one of Germany’s foremost contemporary artists of colour photographs from 1983 to 2021 that focus on spatial situations of transition

marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

titled after Calder’s house in the Loire Valley as well as the gallery’s street in Paris, the first major exhibition dedicated to the postwar return to France of one of the greatest artists of the 20th Century

two seminal bodies of work by the influential Greek-born American artist, including never-before-seen fabric paintings from his pioneering yet little-known 1979 Reconstructions series

a single installation of 100 self-made spirit levels - “in a wonky world, on a round planet, with a serious abscence of level–headedness globally, this would seem a timely show”

over twenty artists in this exhibition curated by Vik Muniz, that concludes the celebrations marking 50 years of Nara Roesler’s career as a gallerist

“spanning ceramics, metal and neon, the exhibition considers the point as both a mark and a moment: something carved, excavated, recorded, created or reached”

in collaboration with Galleria dello Scudo, an exhibition focusing on the radical body of sculpture created in the last ten years of his life by the most significant sculptors of the twentieth century

“in Hägglund’s drawings and paintings, networks and constellations never settle into a fixed pattern. Her sculptures likewise remain open-ended, with each constituent part distinct and visible” - Edmée Lepercq

“across the exhibition as a whole, a family of plinths, animals and gestures of affection takes shape, each containing its own worlds: worlds of colour, contaminated and transformed” - Julia Marchand

“Chevalley uses fiction and a variety of artistic forms to contemplate alternative ways of existing with the environment that surrounds us … his work suggests that we view the world differently” - Nicolas Trembley

new work that takes the Star Quilt through a series of material transformations - mirrored installations and works on paper that show the enduring symbolic resonance of the stars

new portraits and still lifes bringing personal recollections into conversation with art-historical references, rendered in Obijiaku’s distinctive linework and graphic compositions

“I’ve long photographed small, ambiguous objects and detritus. Their ambiguity was essential to their appeal to me. Their methods of capture were particularly bent on distorting and rewriting details” - Oelbaum

across two venues, Ruby’s latest works on paper, together with ceramics, and the first exhibition of new spray paintings in nearly a decade

thirteen artistic positions that explore the space between dream and reality, abstraction and figuration - “works that do not depict the world as it is, but as it can be remembered, felt, dreamed, and imagined”

the gallery’s first exhibition dedicated to one of the most remarkable yet relatively little-known representatives of Swiss Surrealism - a deliberate contribution to establishing his position as a significant part of the history of Swiss art

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018