the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

including several paintings never previously exhibited, this exhibition focusses on a pivotal period in the early 1950s when Heron negotiated his own path between figuration and abstraction

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

large-scale paintings, music, film, and installation transform the gallery into an immersive environment of sound and image

curated by Jenni Lomax, an exhibition of seventeen works by the late painter - “a flaneuse and a magpie - Clough collected shapes, colours, textures, contradictions and incongruities; objects and images of all that was a part of everyday life”

curated by Carol Maund, the late artist’s first solo exhibition in a London commercial gallery presents paintings and drawings examining the mental breakdown she experienced following the death of her father

Isa’s first solo exhibition at the gallery is inspired by a dream and presents painting and sculpture engaging with spirituality, faith, womanhood, and the complexity of locating the self

new paintings by Lyons examining how animals have shaped the human world materially, technologically, and philosophically

Sikander's exhibition is centred on her acclaimed new animation - a cinematic tableau exploring the currents of power and trade that have shaped the global landscape from the 19th century to the contemporary era - heard now for the first with its score

curated by Fraser Muggeridge, an exploration of Buren’s use of stripes over almost six decades, from the street to the gallery walls and from the canvas to the printed page

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

Hockney’s new paintings extend his lifelong fascination with the act of looking, affirming his belief that simple beauty is worth celebrating

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

“a group exhibition marking the 250th anniversary of American independence … a focused reflection on the vitality and diversity of American post-war and contemporary art”

“Nagel’s work reminds me of storms. The ones that leave you a bit bruised but with a fresh oxyden. Invigorated … I am full of admiration. Do not change a thing” - Morten Løbner Espersen

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

in Cassigneul’s first solo US exhibition for 40 years - “luminous harmonies of color and expressive linearity coalesce into compositions of emotional clarity and understated restraint”

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

“curated by Brian Griffiths, the exhibition examines the space between instruction and impulse, extending his longstanding interest in the artist as an unreliable narrator and exhibition-making as staged and provisional”

in the Thai-born, France-based artist’s debut solo exhibition in the UK, new paintings of family and friends, explore memory, distance, and presence

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

Sean Zhang curates an exhibition that brings together Elizabeth Dimitroff, Alice Ningci Jiang, Paulina Moncada, and Yutong Yin, who explore how identity is formed through transition, environment, encounters, and the traces we carry forward

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

“Benito treats painting as a space where the things he adores have the possibility of cohabitation … literary extracts, personal experiences and references to other artists’ work are painted along with each other”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

in Cassigneul’s first solo US exhibition for 40 years - “luminous harmonies of color and expressive linearity coalesce into compositions of emotional clarity and understated restraint”

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

“Nojo invites viewers into a space of attentiveness and stillness; one where perception sharpens, time slows, and meaning emerges through sustained observation”

created by Glenn Harvey, an exhibition where each artwork is paired with a three-part audio piece of spoken narration, artist reflection, and an original soundscape - inviting audiences to experience the work through sound as well as sight

“a fascinating window into the unseen world of Victorian science [which] celebrates the work of naturalist Charles Thomas Hudson, a pioneer in the world of microscopy”

Joseph’s first large-scale exhibition in the UK draws on her Indian-American upbringing and presents ambitious large scale felted works created in response to her research following sheep across Scotland

De Falco’s first solo exhibition at the gallery - “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities”

Bainbridge’s sculptures explore the threshold between earth and sky, presence and absence, body and landscape

at sizes ranging from 10x14 inches to 4x8 feet, new paintings in the Los Angeles native’s rich palette of bruised blues and dense greens featuring his characteristic faceless figures

through textile, assemblage, and sculpture, Rico’s first solo exhibition in the city examines connections between humanity to connect the history of Los Angeles - its land, people, and culture - to the artist’s own homeland and beyond

Kudo’s first solo exhibition with the gallery presents oil paintings of animals, humans, and nature in harmony - “huge complex dreamscapes or single moments in miniature, they are both visually enticing and endlessly intriguing” - Victoria Woodcock

the Mexico City-based studio founded by Isabel Abascal and Alessandro Arienzo presents a serpentine pavilion as the 2026 Serpentine Pavilion

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

new paintings in Berhanu’s first solo presentation in Asia - “interlocking organic forms that suggest bodies, landscapes, and cellular structures simultaneously, without resolving into any one of them”

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

“across photography, water becomes a way of seeing” - iconic 20th century photography and contemporary perspectives from nearly twenty artists reveal the visual and symbolic power of water across generations and styles

titled after the physical trace a memory leaves in the brain, an exhibition of new paintings and works on paper by the Brooklyn-based artist

paintings, works on paper, sculpture, and textiles by some of the most important names in South Asian modernism in an exhibition spanning the late nineteenth century through to the contemporary period

in his first solo exhibition in Asia, historical and recent works that showcase the mastery of surface texture by one of Britain’s most significant living artists

the gallery celebrates the centenary of the Franco-Polish artist’s birth with an autobiographical exhibition, coordinated with the exhibition at Galerie Loevenbruck in Paris

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

part of the inaugural Mallorca PhotoFest, an exhibition focused on Olaf’s still lifes - “a meditation on time and its resistance”

a group exhibition of drawings, paintings, photography, and mixed-media works by ten artists who explore visibility, empathy, resilience, and collective memory

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

in an exhibition exploring sound as a medium, painting, photography, video, sound, sculpture, and installation works by an all-female group of artists

emblematic works from a decade whose legacy remains profoundly relevant today, revealing the richness and diversity of a constantly evolving creative landscape

presented with Matthew Marks Gallery, sculpture and drawing - including works on view in London for the first time - in an exhibition of the influential and relentlessly inventive LA-based artist

curated by Prajna Desai, the gallery’s first exhibition at No.9 Cork Street is about the nature and evidence of arboreal power - with Claire Baker, Goutam Ghosh, Mahesh Baliga, Neha Choksi, Tejal Shah, and Trupti Patel

the artist’s debut solo exhibition in Paris and with the gallery brings together new site-responsive works spanning sculpture, textiles, installation, and architecture

Aguirre’s first solo exhibition at the gallery is an immersive installation of sculpture, painting, film, and audio exploring “the intersections of body, land, memory and migration through the construction of mythopoetic landscapes”

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

the gallery launches its exhibition programme with painting, sculpture, and mixed media work by five contemporary artists who explore the liminal state as a productive site of possibility

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

organised in collaboration with Sam Fogg, an exhibition exploring the influence and relevance of stained-glass window making on modern art practices through the lens of three artists - Piet Mondrian, Paul Klee, and Brice Marden

presented for the first time in the gallery’s Marais space, enamelled faience sculptures with striking trompe-l’œil effects - “Carone reminds us that one deception can still hide another. Welcome to the kingdom of false appearances” - Serge Bramly

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

new and historical works by Arsham, spanning sculpture, painting, and works on paper drawn from nearly two decades of his practice - tracing the sustained engagement with geology, archaeology, and the cultural residue of the recent past

showing at the gallery in Paris and Galerie Natalie Seroussi, an exhibtion of artists whose work engages with histories of migration, memory, language and belonging, contemplating the diasporic experience as lived reality and as imagined space

the Swiss-British-Iranian artist presents “various works, (various in scale, material, and subject), which taken collectively address meaning (or lack of), purpose (or lack of), and the discourse surrounding authorship and ownership”

Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

“Loeb answers to the true substance and matter of painting. She takes a sculptural approach to paint, building immersive fields of colour … which are then scraped, reworked and reapplied to achieve a dense, tactile surface”

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them”