oil paintings and cut-canvas collages by the American artist - “with pointed ambiguity, Trampler playfully challenges us to examine our interpretations of the pieces it presents” - Masha Strasburger

in his first solo exhibition in Shanghai for over a decade, new works from the acclaimed artist’s celebrated Landline series

the third part of the gallery’s intercontinental series returns to the East with the theme of “unbound” - pointing to ink’s vital capacity to be reborn through breakthrough

the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity

the first solo exhibition in mainland China of Wesselmann’s work spans four decades and explores the progression of his oeuvre and the bodies of work that have defined it

Cherry’s first solo exhibition in China brings together sculpture, sound, and olfactory elements to reflect on the mutable threshold between the conscious and subconscious, the seen and unseen, the self and the other

“an exceptional group of artists whose bold and individual approaches helped shape the legacy of postwar abstraction”

presented with TURN Gallery, an exhibition of new work “Manion’s canvased sculptures are solely constructed vessels that summon a calmness of observation and travel across emotional and physical realms

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, new paintings and oil studies on paper shown alongside a film that delves into the histories and lives of several of the individuals portrayed

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

“across the exhibition as a whole, a family of plinths, animals and gestures of affection takes shape, each containing its own worlds: worlds of colour, contaminated and transformed” - Julia Marchand

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

new installation, sculpture, and moving image by the two artists

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture

paintings by Maximilian Rödel and glass-and-steel sculptures by Gabriele Beveridge - “these distinct experiences of the sublime find expression through radically different material and perceptual means” - Rebecca Birrell, PhD

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years

“through constructed forms, Maw creates lines that float, intersect, and cast shadows, allowing drawing to occupy space as a material presence”

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

these new paintings by Bas focus on overlooked characters - “capturing the interactions that make a transaction possible and the brief window that exposes a person\'s vulnerability or confidence”

the debut of ambitious sculptural and video work as Winder-Lind draws both on a 19th century English fable and the fabric of the gallery to create an entire world rendered in vivid and whimsical detail

new works by the American artist - “these paintings are not proclamations but records of showing up, layer after layer, mark after mark: evidence of a decision to participate in the world rather than merely comment on it” - Cohen

small-scale works by over 50 artists, bringing together painting, drawing, printmaking, collage, sculpture, and mixed media

“spanning ceramics, metal and neon, the exhibition considers the point as both a mark and a moment: something carved, excavated, recorded, created or reached”

the London-based artist draws on found photography, early internet aesthetics, and tabloid culture to explore the relationship between personal image-making and public memory

Curzon Price’s first solo exhibition brings together mixed-media paintings and archival research to explore the ideals and realities of post-war social architecture

“everything in the same room. A man perched on a branch is eating an apple, while behind him several horses graze undisturbed. A pack of dogs waits; a man holds a bone behind his back”

“the works tell the story of a seismic shift into motherhood, through a flood, a rescue, and its aftermath into a world that is familiar and yet has irrevocably transformed” - Tomoko Kanamitsu

films and archival images in a major solo show by the American artist and activist - “Goldin’s extraordinary perspective, seen through the lens of her camera, invites you to understand how personal experience and political action are interconnected”

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

in the artists’ first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time

curated by Susanna Brown , an exploration of queer identity, community, and love through the lens of one of Britain’s foremost photographers

an exhibition dedicated to Barney’s early black-and-white photographs, with rarely seen works offering an intimate portrait of American East Coast society in the late 1970s

“I’ve long photographed small, ambiguous objects and detritus. Their ambiguity was essential to their appeal to me. Their methods of capture were particularly bent on distorting and rewriting details” - Oelbaum

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

this group exhibition curated by Salomé Burstein “brings together works that reveal the mechanisms behind what’s made to meet the eye”

both traditional and contemporary approaches to the photographic portrait as the prize showcases the work of talented young photographers, gifted amateurs, and established professionals

across two venues, Ruby’s latest works on paper, together with ceramics, and the first exhibition of new spray paintings in nearly a decade

the painting, sculpture, printmaking, sound, and film in Caguiat’s first UK institutional exhibition explores the architecture, spiritual resonance, and symbolic qualities of sacred spaces, and the structures and rhythms of everyday urban infrastructure

the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity

“spanning ceramics, metal and neon, the exhibition considers the point as both a mark and a moment: something carved, excavated, recorded, created or reached”

“in celebrating this gathering of major work by Brown we are grateful for her sustained attention to the spaces where story-telling is revivified, bodies are inhabited, our fears and our delights are brought into magnificent focus” - Edmund de Waal

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

a wide group exhibition gathering the full range of practices from gallery artists including Jean-Marie Appriou, Iván Argote, Hernan Bas, Anna-Eva Bergman, Sophie Calle, Johan Creten, Jean-Philippe Delhomme, Wim Delvoye, and more

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

“in Hägglund’s drawings and paintings, networks and constellations never settle into a fixed pattern. Her sculptures likewise remain open-ended, with each constituent part distinct and visible” - Edmée Lepercq

“across the exhibition as a whole, a family of plinths, animals and gestures of affection takes shape, each containing its own worlds: worlds of colour, contaminated and transformed” - Julia Marchand

“Chevalley uses fiction and a variety of artistic forms to contemplate alternative ways of existing with the environment that surrounds us … his work suggests that we view the world differently” - Nicolas Trembley

new work that takes the Star Quilt through a series of material transformations - mirrored installations and works on paper that show the enduring symbolic resonance of the stars

new portraits and still lifes bringing personal recollections into conversation with art-historical references, rendered in Obijiaku’s distinctive linework and graphic compositions

“I’ve long photographed small, ambiguous objects and detritus. Their ambiguity was essential to their appeal to me. Their methods of capture were particularly bent on distorting and rewriting details” - Oelbaum

across two venues, Ruby’s latest works on paper, together with ceramics, and the first exhibition of new spray paintings in nearly a decade

thirteen artistic positions that explore the space between dream and reality, abstraction and figuration - “works that do not depict the world as it is, but as it can be remembered, felt, dreamed, and imagined”

the gallery’s first exhibition dedicated to one of the most remarkable yet relatively little-known representatives of Swiss Surrealism - a deliberate contribution to establishing his position as a significant part of the history of Swiss art

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018