recent pieces by the Brooklyn-based abstract painter whose work enigmatically resembles geographical maps, aerial views, circuit boards, and coding systems, exploring race, culture, and systems of societal classification

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” - Pieter Vermeulen

an exhibition revisiting Hird’s paintings - “perceptual fields unfolding with rhythmic and subtle variations. Undulating bands of color and translucent veils evoke the simultaneity of oceanic movement and atmospheric drift”

works from the late 1960s to the present - “I use language as a sign to indicate that there is art, the direction in which it exists, to prepare for it” - Barry

including piece that have not been exhibited before, an exhibition of the late artist’s works on paper show alongside two tapestries

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

“conceived as the pages of a vast manuscript [the exhibition] transforms the gallery into an in-between space: a fertile, ever-shifting organism threaded with passages to other worlds, oscillating between unease and a longing for re-enchantment”

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

paintings centered on the theme of “Night dancing” and exploring the relationships between humans and nature, movement and space, and color and form, in an exhibition inspired by the poetry of Ian Hamilton Finlay

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

“five paintings and ceramic panel works exploring landscapes through layered paint and textured resin, capturing natural phenomena and time’s accumulation in shifting scenes”

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

an ambitious exhibition celebrating two centuries since the dawn of photography

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

the gallery’s first exhibition of Chase’s work since announcing its representation of her estate - Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

“expanding the palette beyond the template of four primary Yolŋu colours - black, red, yellow and white - allows the story to come alive … an old song in a fresh key” - Will Stubbs

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

works from the late 1960s to the present - “I use language as a sign to indicate that there is art, the direction in which it exists, to prepare for it” - Barry

Marras presents functional works exploring identity, memory, and human relationships through paintings, drawings, sculptures, and upcycled objects including stitched vases, twisted ceramics, sculptural mirrors, and portraiture on varied papers

“charged with discourse on craft, gender, and class, Shead’s Machine Paintings transform what is otherwise private and domestic into the public”

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

new intimately scaled paintings by the Los Angeles-based artist in “a refracted retrospective”

new works see the New York-based artist explore the gallery architecture as both subject and structural partner, expanding her investigation into the relationship between photography, sculpture, and the built environment

curated by Sam Cornish, an alternative view of art in 1990s London

paintings centered on the theme of “Night dancing” and exploring the relationships between humans and nature, movement and space, and color and form, in an exhibition inspired by the poetry of Ian Hamilton Finlay

an exhibition tracing the stylistic evolution of the late Chinese American artist as she moved from semi-autobiographical figuration to fluently expressive abstract painting

eighteen sculptures in linseed oil-burnt cast iron - “the very core of the story is carved out in a lasting expression cast in iron, like artefacts or relics from a lost era”

Herbst’s inaugural solo exhibition with the gallery presents recent paintings created with her own “generative system” that allows narratives and visuals to emerge through a theatrical staging with repetition, variation, and play

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

new works by Simonsen - paintings rooted in the practice of drawing that explore nature through vivid color fields and layered botanical forms, blending observation and imagination into immersive, atmospheric landscapes

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

major paintings from across Kossoff’s career in this rare and substantial exhibition of the leading figure of postwar British art, presented in partnership with his Estate

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

“Curious Yellow / I hadn’t forgotten her, I just couldn’t remember her name. / Only when I looked back did I remember.”

Andrews’ Migrant Series traces Black, White, and Cherokee migration routes through ink drawings and collage paintings using textile fragments and painted canvas to depict hardship, resilience, and hope in human migration experiences

a large selection of paintings created by Potter between 1944 and 1979 and showcasing the development of her vision

curated by Riccardo Greco and titled after the chauffeur-angel in Cocteau’s Orphée, this exhibition presents “a space in which bodies, objects and images are held in states of latent tremor, suspension and return”

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

Aguirre’s first solo exhibition at the gallery is an immersive installation of sculpture, painting, film, and audio exploring “the intersections of body, land, memory and migration through the construction of mythopoetic landscapes”

new wall-mounted, hand-painted sculptures as Cowan transforms regular studio items through the process of casting to examine their nature and how we look at and think about them

“expanding the palette beyond the template of four primary Yolŋu colours - black, red, yellow and white - allows the story to come alive … an old song in a fresh key” - Will Stubbs

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

new paintings, in dialogue with a site-specific wall painting, based on “myths, Biblical accounts and fairy tales, with an emphasis on stories detailing fantastical conceptions and births”

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

shown for the first time, unique oversized dye-transfer prints by Eggleston taken in the late sixties and early seventies - rare works distinguished by their scale, chromatic intensity, and material presence.

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an exhibition of one of the leading figures on the international contemporary scene, recognized for his research into light, space, and landscape - “this is neither a systematic inquiry nor a photographic project … what emerges is an experience” - Ozzola

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

in an exhibition which explores the relationship between land and technology and progress and destruction, new wall-mounted collages and an immersive installation of a psychic parlor, Doyle’s first experiment with AI

immersive installations and sculptures in the first major UK survey exhibition of the artist who makes “multimedia artworks that negotiate the spaces between memories, individuals and the globalised societies that we live in today”

new works exploring our relationship to the universe and the ways humankind has sought to inhabit and shape it - “the exhibition traces a passage from planetary materiality to celestial speculation, where human thought, law, and imagination intersect”

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

including the debut of the artist’s double-sided ‘qamariya’ paintings - referencing the traditional stained glass windows of Sanaa - the exhibition brings together multiple bodies of work that comprise the holistic ‘Door to Life’ series for the first time

the gallery celebrates its thirtieth anniversary with a landmark presentation “from those who laid our foundation, to those who remain vital touchstones today, on to those whose work will shape the decades ahead”

“Rivers’ trademark is his gestural handling of vigorously applied oil paint that articulates pulsating clouds of intense, vaporous colour [with] a sumptuous palette that deploys rich ultramarines, rosy pinks, dusty ochres”

presented with Isamaya ffrench

an installation that sees Andrew draw on romanticised historical images of Aboriginal people - disrupting, reframing, and transforming them through new symbolic interventions

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

Rapone’s first presentation with the gallery debuts three paintings where she explores “the heated juncture of sensuous stimulation and nervous irritation in narratively dense compositions”

in thirteen pointillist paintings depicting close-up images of soap foams, captured through a microscope, a focus - “on nodes of connection, self-organization and how individual elements refract through one another”

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

recent paintings and object from one of the founders of the Supports/Surfaces movement, who has spent six decades pushing the boundaries of painting

in an exhibition which explores the relationship between land and technology and progress and destruction, new wall-mounted collages and an immersive installation of a psychic parlor, Doyle’s first experiment with AI