over twenty works from 1970-2005 - some unveiled here for the first time - showcase the integral role of printmaking in LeWitt’s work

an exhibition which examines the development from Impressionism to Neo- and Post-Impressionism - a pivotal period when the movements liberated “both color and painting itself”

in a “varied and nuanced selection of works … that reflect the complexity of the theme of love”, sculpture, photography, painting, print, and drawings by over thirty artists, from the 15th Century to today

the leading organisation supporting early career and emerging artists in the UK presents its annual group exhibition. showcasing 26 artists selected through an open call by Pio Abad, Louise Giovanelli, and Grace Ndiritu

significant works from the 1960s and 1990s - “Yoshida invites the viewer to consider the fundamental forces of life and to meditate upon that essential unity which binds all living beings together”

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

including much not shown in the UK before, an exhibition of early and later work by the icons of German postwar photography

the Swiss artist presents a painting from his Patti Smith series together with large-scale and medium-format woodcuts in an exhibition curated by Tobia Bezzola, showcasing his precise photorealistic portraits and landscapes based on his own photographs

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

curated by Catherine Lampert, over forty of the most ambitious works by one of Britain’s most significant 20th-century painters, known for his painstaking technique often taking months or years to complete a piece

a new series of Fugues inspired by Venice’s reflections and silence, blending influences from Titian to Monet in paintings that evoke water’s depth and pictorial surfaces as interfaces between sea and sky

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

paintings by Nessi drawn from her work on landscape and urban motifs in an exhibition organized around place rather than chronology

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

the French-Ivorian artist’s first solo exhibition - “her sculptural practice begins with personal archives and the textures of domestic life. Through processes of carving and assembling, she reanimates these remnants into new, enigmatic forms”

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

an installation of new paintings of abstracted landscapes on paper and panel alongside mixed media works and objects - “in Helene Billgren’s artistry, even the most insignificant and fragile can become important and meaningful”

works by eight artists ”focussing on the raw mechanics of making — the calibration, structural clarity and material decisions that define each practice”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

in an exhibition titled after the neurological condition, Alison Blickle and Irini Karayannopoulou “join forces in an act of painterly sisterhood; a transcontinental communion rooted in shared mythologies and a mutual devotion to the feminine image”

“her canvases reflect a meditation on the transience of moments sensed along the paths she has walked, on rhythms that flow beyond conscious awareness, and on the tension between a constantly changing world and human perception”

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

titled after the Virginia Woolf novel, “the exhibition foregrounds the performative and narrative capacities of art, emphasising the pause within the creative process as a space for reflection”

covering nearly sixty years of her paintings on canvas, clayboard and paper, this is the first major monographic exhibition in Europe devoted to the visionary American abstract painter

the first solo exhibition with the gallery of the late major figure who “contributed decisively to the birth of a new kind of geometric art” - Domitille D’Orgeval

paintings, wall sculptures, and installations spanning the 1960s through the 2000s in an exhibition examining the evolution of Burwell’s practice, highlighting her evolution from the two-dimensional to the three-dimensional

painting in dialogue with an imposing sculptural installation as the Paris-based artist’s exhibition takes over both gallery spaces - “Linard Osorio’s singular body of work is born out of a fortuitous command of his chance operations”

the fourth edition of the gallery’s acclaimed performance series presents a collaboration between Linard Osorio’s site-responsive installation and Etay Axelroad’s choreography

works from across the renowned counter-culture illustrator’s sixty-year career

“his paintings collapse time, revealing how the ordinary can be a vessel for the eternal … Dawson embodies both the zeal of an ecological activist and the faith of a mystic painter. His love for his subject is contagious” - Brad Philips

marking the gallery’s 56th anniversary, a selection of works from the 1960s to the present day highlighting the relationships fostered through artists closely associated with its founder

in partnership with Castelli Gallery, an exhibition of the historic crosshatch paintings and drawings that dominated Johns’ practice from 1973 to 1983, including works that have rarely been seen before

“this exhibition opens like a landscape. We can follow Valentin Carron down the slope … This exhibition is a window onto our ability to survive the slipping away of our dreams”

an exhibition bringing together artists who use small-scale formats to create concentrated, self-contained scenes, exploring how small spaces can hold entire worlds of memory and imagination

collages on paper, wall paintings, carpet inlays, curtains, projections, films, and photographs, exploring the sculptural potential of architecture

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

in an exhibition which relates the wild, uncultivated nature of painting to an untouched environment - heightened, dreamlike images of nature, rooted in reality and transformed through subconscious perception and the act of painting

“Burtz’s paintings draw the viewer into moments that are intimate and deeply felt … a meditation on the interior life of women: how it gathers, splits, mirrors itself, and shines through moments that might otherwise go unnoticed”

shown together for the first time, works of meditative minimalism by the Chinese artist alongside pieces by one of the forefathers of the Los Angeles light artists

works by Eleni Bagaki, Chloe Beddow, Beth McAlester, Heeyoung Noh, Boo Saville, and Nina Silverberg, six female artists who examine how the body is mediated, fragmented, and spatially constructed in contemporary practice

an exhibition of one of the leading figures of the Washington Color Field School

curated by Jihyun Kim, an exhibition “that imagines the future of ceramics through the lens of bio-futurism … how ceramic practice might evolve in the year 2126”

new paintings by the British artist who draws inspiration from the landscapes and artistic heritage of the South of France to reinterpret classical principles of composition and light through the language of contemporary abstraction

to mark its 10th anniversary, a group exhibition featuring new works by the gallery’s long-standing artists, including Maurizio Cattelan and Takashi Murakami, alongside Korean masters such as Park Seo-Bo, Lee Bae, and Shim Moon-Seup

a critical continuation of Gnoli’s legacy in America after his major 2021–22 retrospective at the Fondazione Prada, Milan. The canvases here are at once absorbing and uncanny, revealing secrets of contemporary life yet unconsidered

a focused exhibition that reveals a pivotal and previously unseen moment in the development of abstraction by one of Britain’s most intellectually rigorous post-war painters

fictional landscapes exploring humanity’s relationship with nature through scale, illusion and perception, inviting reconsideration of nature, wilderness, and relational meaning in imagined worlds

curated by Rolando J. Carmona, the exhibition examines how the Brazilian artist Lygia Clark engaged, throughout her career, the relationship between the body, psychoanalysis, and geometric abstraction

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist\'s expressive, physically charged style informed by her passion for modern dance and profound engagement with the natural environment

centred on Boy, a painting that resonates with the artist\'s sustained exploration of identity, vulnerability, and the ambiguities of the self, together with a selection of key works drawn from across his remarkable career

titled after a late photobook by Frank, this exhibition “explores people and places across his long and multifaceted life through images and fragments of memory presented through the artist’s original maquette”

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

working across installation, moving image, sculpture, drawing, and performance, Williams explores “food” - specifically butter - through a feminist lens to examine collective consumption, excess, and waste

on its fortieth anniversary - and for the first time in the UK - an exhibition of all 126 photographs from Goldin’s genre-defining photobook

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

including much not shown in the UK before, an exhibition of early and later work by the icons of German postwar photography

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

comprised of scanned documents, photographs, and auditory sculptures, Scala explores systems of standardisation in music through reproductions and sampling

“two wooden arches flank the entrances to the exhibition, marking points of passage … four trompe l\'œil frescoes depicting a seascape creates this setting, and mirrored surfaces affixed to two central pillars reflect and multiply the viewer’s presence”

in this exhibition curated by Donna De Salvo, De Maria’s final sculpture is shown for the first time outside the US alongside other rarely seen sculptures, drawings, films, and archival materials

new sculptures, recent paintings, and drawings by the artist - “site-specific reconfigurations open up narrative portals, where the various media are combined with natural elements such as wind or gravity and the electromagnetic field”

De Bruyckere presents drawings and sculptures exploring the human body as a hybrid entity expressing desire, suffering, and transformation, highlighting themes of vulnerability, memory, and social-political corporeality

this milestone exhibition highlights the breadth and relevance of the late Zarina’s vision and includes woodcut, collage, print portfolios, cast-paper, and other sculptural pieces from across her seven-decade career

“two wooden arches flank the entrances to the exhibition, marking points of passage … four trompe l\'œil frescoes depicting a seascape creates this setting, and mirrored surfaces affixed to two central pillars reflect and multiply the viewer’s presence”

with the debut of new work - including an installation of fifty stars of tree branches - this exhibition explores Pivi\'s “unique ability to transform wonder into a potent tool for political and spiritual reflection”

“Orchard extends the modern project into the present tense, her complex compositions demonstrating that painting remains capable of addressing the deepest human concerns … through the disciplined organization of visual means” - Max Weintraub

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

new paintings with controlled brushwork and vibrant colors, featuring cropped figures and coded gestures that explore narrative, authority, and meaning through fragmented images and posture

this solo exhibition of new paintings continues Zaidi’s practice of world-making, envisioning surreal, imagined topographies shaped by memory and myth

in JR's first solo exhibition with the gallery in Los Angeles, large-scale photographic works realised across California transform built environments into spaces of visibility, memory and community

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery