a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

presented with Matthew Marks Gallery, sculpture and drawing - including works on view in London for the first time - in an exhibition of the influential and relentlessly inventive LA-based artist

an exhibition reviewing the notion of “value” - ethical, political, economic, emotional, and environmental - in relation to the infrastructures of coloniality and the flows of global capital between the African continent and the rest of the world

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

new paintings exploring the politics of green spaces in urban centres and questioning the power structures that govern climate catastrophe - proposing the garden as a radical symbol of equality and inclusiveness

a focused exhibition highlighting Silberberg’s porcelain sculptures from the 1980s - “a distinct and powerful body of work that marks a pivotal moment of evolution in her practice and material exploration”

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

an ambitious exhibition positioning the esteemed Japanese contemporary artist as a vital continuation of American Abstract Expressionism who simultaneously redefines its underlying Eastern spirituality within the broader context of global art history

“Ahn continues to summon the ordinary, the anonymous, and the ghostly within the urban landscape of her everyday life in the UK”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line

new paintings and sculptures as Eisenman concentrates on three sites of middle-class living: home, work, beach

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

ten watercolor works on panel, developing Qian Qian’s concept of a “practice-based cosmology”, not a representation of a world already known, but a landscape of consciousness - unstable, generative, and not yet fully understood

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

an ambitious exhibition celebrating two centuries since the dawn of photography

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

an exhibition dedicated to one of the most significant 20th-century Sri Lankan painters, a founder-member of the influential ’43 Group and pioneering figure in the development of abstraction in South Asia

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

referencing the denouement of Orson Welles’ Citizen Kane, these new paintings by Dan Coombs and Sophie Ives reflect on memory and time past

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

large-format paintings create a loosely immersive installation on the gallery’s ground floor, accompanied by a video performance inviting the audience into the artist’s personal universe

recent pieces by the Brooklyn-based abstract painter whose work enigmatically resembles geographical maps, aerial views, circuit boards, and coding systems, exploring race, culture, and systems of societal classification

“working with imitation gold leaf on Belgian linen, [Vermeulen] uses sweat as an oxidising force, producing corrosive imprints that register physical presence over time”

new works by Simonsen - paintings rooted in the practice of drawing that explore nature through vivid color fields and layered botanical forms, blending observation and imagination into immersive, atmospheric landscapes

curated by Dr. Sophie Bostock and presented in collaboration with Galerie Ary Jan and Kent Antiques, a significant group of paintings and works on paper that collectively examine the visual and cultural frameworks of 19th-century Orientalism

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

recent paintings that respond to the discord between the beauty and tedium of daily routines - shifting light, patterned wallpaper, how textiles soften a room’s hard edges

fifteen paintings exploring structural abstraction through drawing and mark-making, depicting spaces where architectural and organic forms overlap, revealing fragility or the moments after disaster in a delicate equilibrium

part of the inaugural Mallorca PhotoFest, an exhibition focused on Olaf’s still lifes - “a meditation on time and its resistance”

works by Manon Steyaert, Gwenyth Fugard, and Vasylyna Vrublevska, three distinct artistic voices in an exploration of texture, materiality, and subtle transformation

“Bozó’s images might appear to resemble storyboard frames from Hanna-Barbera or Disney cartoons, they in fact have more in common with Cy Twombly’s scribbles and gestures, Jackson Pollock’s splatter paintings or William de Kooning” - Saša Bogojev

the first exhibition of Baxter at the gallery stands as a tribute to the artist, who sadly passed away in March of this year

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

on show for the first time at Petworth - and extending thoughout the house and grounds - towering sculptures by the renowned ceramicist

one of Spain’s most internationally acclaimed contemporary artists, Aragó “explores voyages between sky and sea, employing mechanical elements such as propellers, submarines, and airplanes to construct a poetic narrative of time, space, and life”

the Yorkshire-based sculptor’s debut solo exhibition explores the tension and connections between sculpture and architecture

the painter and film artist’s first solo exhibition at the gallery in London “explores cultural memory through landscape and examines our shifting ideas of homeland from the perspective of diaspora”

”simple, reduced compositions exist alongside dense, multilayered structures; monochrome palettes contrast with the emergence of more vibrant hues; intimate formats coexist with larger, more expansive works”

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces

more than three decades of paintings, sculptures, and mixed-media works - “the exhibition emerges from Tyson’s foundational conviction that the universe operates as a single generative system”

the gallery presents works by Joana Vasconcelos, Bruno Novelli, and Mano Penalva with “a dialogue between Portuguese and Brazilian artistic practices, highlighting cultural affinities, displacements, and shared resonances”

an exhibition reviewing the notion of “value” - ethical, political, economic, emotional, and environmental - in relation to the infrastructures of coloniality and the flows of global capital between the African continent and the rest of the world

the gallery launches its exhibition programme with painting, sculpture, and mixed media work by five contemporary artists who explore the liminal state as a productive site of possibility

works by artists including Anne-Lise Coste, Slawomir Elsner, Franziska Furter, Clare Goodwin, Bob Gramsma, Rachel Lumsden, and Koka Ramishvili

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

new photographs of London by Riddy - “both a description of place and a kind of social survey”

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

“known for his atmospheric nocturnal scenes and psychologically charged portraits, Hido now turns toward the expanded visual form of collages and explores the shifting terrain between memory, place, and narrative”

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

presented with Isamaya ffrench

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

curated by Qi Chao, this group exhibition with DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu examines which aspects of human thought and artistic creation remain uniquely human

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

new paintings focusing on the Shinto ritual ceremonial dance “kagura” - something Yamashita has been working on since 2024 - shown alongside paintings that draw on classical snow scenes and waterside settings

nineteen works by the Belgian painter exploring mythologized French women including Joan of Arc and Bardot to examine how the authority of the gaze shapes their iconic images and collective memory

new paintings - “vivid, figurative scenes of striking intensity” - drawn from two years of research into ancestral customs and rituals across Diagne’s homeland of Senegal

an exhibition examining one among the most unconventional artists of the post-war period and his “disquieting and prophetic pictorial vision … grasping the tensions between humanity and technology long before their full contemporary manifestation”

an exhibition focussing on an intense three-year period Rego spent in her London studio, devoting herself almost exclusively to drawing and lithography

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

Chillida’s work on paper was an important part of his creative process, and this exhibition focusses on rare etchings from the 1960s and 70s