an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

“through her signature use of neutral-toned textile art, [the Norwegian artist] probes the collective conditions of contemporary society – restriction, expectation, order, and isolation”

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

the Ukrainian artist explores hope and resistance through time, space, and history with a meditation on the unbreakable spirit of culture in times of war

this flagship exhibition explores mental health and the human condition, and the relationship between personal pressures and universal challenges

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

curated by Catherine Lampert, over forty of the most ambitious works by one of Britain’s most significant 20th-century painters, known for his painstaking technique often taking months or years to complete a piece

a new series of Fugues inspired by Venice’s reflections and silence, blending influences from Titian to Monet in paintings that evoke water’s depth and pictorial surfaces as interfaces between sea and sky

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

an exhibition which examines the development from Impressionism to Neo- and Post-Impressionism - a pivotal period when the movements liberated “both color and painting itself”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

in an exhibition titled after the neurological condition, Alison Blickle and Irini Karayannopoulou “join forces in an act of painterly sisterhood; a transcontinental communion rooted in shared mythologies and a mutual devotion to the feminine image”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

this flagship exhibition explores mental health and the human condition, and the relationship between personal pressures and universal challenges

the third of a three-part cycle at the Jean Nouvel-designed venue in the heart of the city presents twelve artists who explore “space”

“through her signature use of neutral-toned textile art, [the Norwegian artist] probes the collective conditions of contemporary society – restriction, expectation, order, and isolation”

works by Eleni Bagaki, Chloe Beddow, Beth McAlester, Heeyoung Noh, Boo Saville, and Nina Silverberg, six female artists who examine how the body is mediated, fragmented, and spatially constructed in contemporary practice

“Aimee Goguen, Margaret Haines, and P. Staff brandish prophecy, theatre, poetry, surveillance, alchemical instruments, masks, blades, regurgitated teratomas, and the fixative properties of cement itself” - Henry Hopper, curator

“when I work with plants, flowers, or everyday elements, I am not aiming for literal representation; they are a vehicle to express abstract metaphors of myself and the moment I am living while creating the work” - Olaso

new paintings by the Korean artist - “working in the liminal space between recognisable form and abstraction, he builds depth through accumulated layers and subtle shifts in hue”

this joint booth with BorzoGallery brings together a focused selection of post-war and contemporary masters central to the European and international avant-garde

an exhibition pairing two artists who take inspiration from being in the woods and getting lost among the trees

an exhibition of the late prominent Western Desert artist - “her canvases became tangible records of touch, memory, and devotion, proving that painting is not just about sight, but sensation itself”

Mushtaq’s first exhibition with the gallery explores notions of nationhood and identity through the lens of her home country of Pakistan

titled after a Duke Ellington quote, Seakgoe\'s debut solo exhibition forms part of her ongoing work with linguistic relativity, referencing Black thought, literature, and music

new works by the Hamburg-based Canadian artist, presented in dialogue with her 2023 series FAMILY WALLS

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

in an exhibition which relates the wild, uncultivated nature of painting to an untouched environment - heightened, dreamlike images of nature, rooted in reality and transformed through subconscious perception and the act of painting

“Burtz’s paintings draw the viewer into moments that are intimate and deeply felt … a meditation on the interior life of women: how it gathers, splits, mirrors itself, and shines through moments that might otherwise go unnoticed”

shown together for the first time, works of meditative minimalism by the Chinese artist alongside pieces by one of the forefathers of the Los Angeles light artists

works by Eleni Bagaki, Chloe Beddow, Beth McAlester, Heeyoung Noh, Boo Saville, and Nina Silverberg, six female artists who examine how the body is mediated, fragmented, and spatially constructed in contemporary practice

the first part of the gallery’s programme on the theme of sound, investigates sonic entropy and the concept of a “loop” as a grinding mechanism that wears down the subject - whether human mindmachine part, or city ecosystem

“civilisation is approached not as moral progress, but as performance—rehearsed through spectacle, ornament, and repetition”

an exhibition of one of the leading figures of the Washington Color Field School

curated by Jihyun Kim, an exhibition “that imagines the future of ceramics through the lens of bio-futurism … how ceramic practice might evolve in the year 2126”

new paintings by the British artist who draws inspiration from the landscapes and artistic heritage of the South of France to reinterpret classical principles of composition and light through the language of contemporary abstraction

to mark its 10th anniversary, a group exhibition featuring new works by the gallery’s long-standing artists, including Maurizio Cattelan and Takashi Murakami, alongside Korean masters such as Park Seo-Bo, Lee Bae, and Shim Moon-Seup

a critical continuation of Gnoli’s legacy in America after his major 2021–22 retrospective at the Fondazione Prada, Milan. The canvases here are at once absorbing and uncanny, revealing secrets of contemporary life yet unconsidered

a focused exhibition that reveals a pivotal and previously unseen moment in the development of abstraction by one of Britain’s most intellectually rigorous post-war painters

fictional landscapes exploring humanity’s relationship with nature through scale, illusion and perception, inviting reconsideration of nature, wilderness, and relational meaning in imagined worlds

curated by Rolando J. Carmona, the exhibition examines how the Brazilian artist Lygia Clark engaged, throughout her career, the relationship between the body, psychoanalysis, and geometric abstraction

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist\'s expressive, physically charged style informed by her passion for modern dance and profound engagement with the natural environment

centred on Boy, a painting that resonates with the artist\'s sustained exploration of identity, vulnerability, and the ambiguities of the self, together with a selection of key works drawn from across his remarkable career

in a “varied and nuanced selection of works … that reflect the complexity of the theme of love”, sculpture, photography, painting, print, and drawings by over thirty artists, from the 15th Century to today

an exhibition of three decades of Brancusi photographs - many shown in London for the first time

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

curated by Rolando J. Carmona, the exhibition examines how the Brazilian artist Lygia Clark engaged, throughout her career, the relationship between the body, psychoanalysis, and geometric abstraction

titled after a Duke Ellington quote, Seakgoe\'s debut solo exhibition forms part of her ongoing work with linguistic relativity, referencing Black thought, literature, and music

to mark both the gallery’s 60th anniversary and over twenty years of collaboration with Navarro, a chronological overview of his work from 2004 onwards

new sculptures, paintings, and drawings by the artist - “Arsham imagines how the future of the material world will appear after it ages out” - Linda Yablonsky

Bunmi Agusto, Carla Gueye, Marcia Falcão, Miranda Forrester, Ugonna Hosten, and Sikelela Owen explore figuration through painting, sculpture, and mixed media

“two wooden arches flank the entrances to the exhibition, marking points of passage … four trompe l\'œil frescoes depicting a seascape creates this setting, and mirrored surfaces affixed to two central pillars reflect and multiply the viewer’s presence”

Marras presents functional works exploring identity, memory, and human relationships through paintings, drawings, sculptures, and upcycled objects including stitched vases, twisted ceramics, sculptural mirrors, and portraiture on varied papers

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

this milestone exhibition highlights the breadth and relevance of the late Zarina’s vision and includes woodcut, collage, print portfolios, cast-paper, and other sculptural pieces from across her seven-decade career

“two wooden arches flank the entrances to the exhibition, marking points of passage … four trompe l\'œil frescoes depicting a seascape creates this setting, and mirrored surfaces affixed to two central pillars reflect and multiply the viewer’s presence”

with the debut of new work - including an installation of fifty stars of tree branches - this exhibition explores Pivi\'s “unique ability to transform wonder into a potent tool for political and spiritual reflection”

“Orchard extends the modern project into the present tense, her complex compositions demonstrating that painting remains capable of addressing the deepest human concerns … through the disciplined organization of visual means” - Max Weintraub

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

new paintings with controlled brushwork and vibrant colors, featuring cropped figures and coded gestures that explore narrative, authority, and meaning through fragmented images and posture

this solo exhibition of new paintings continues Zaidi’s practice of world-making, envisioning surreal, imagined topographies shaped by memory and myth

in JR's first solo exhibition with the gallery in Los Angeles, large-scale photographic works realised across California transform built environments into spaces of visibility, memory and community

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery