in his first solo exhibition in the UK the Taiwanese artist explores \"deterrence and disruption through large, ambiguous compositions with intersecting lines, scratched surfaces, and sculptural urban forms\" curated by Sam Hanson

“combining works of diverse styles from different periods … the gallery space is dialectically structured, suggesting an allocation of historical examples in the front as opposed to later ones in the back” - Franz Kaiser

an exhibition tracing the stylistic evolution of the late Chinese American artist as she moved from semi-autobiographical figuration to fluently expressive abstract painting

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

the Ukrainian artist explores hope and resistance through time, space, and history with a meditation on the unbreakable spirit of culture in times of war

in the multidisciplinary artist’s first solo exhibition outside of the country, new paintings and sculptures exploring identity, personal memory, and popular culture in Puerto Rico and its diaspora

new photographic and sculptural work by the Spanish artist - one of the key figures in the renewal of Basque sculpture

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

the gallery’s first solo exhibition with Kawabara - “his talent flourishes not when form merely follows ornamentation, but when it arises from the principle of ornamentation itself” - Minoru Shimizu

the inaugural exhibition at the gallery's new space on 54th Street focuses on Genzken’s projects for outdoor sculptures

“what emerges is not merely a painting of a photograph, but an interrogation of how images circulate, what they signify, and what happens when they\'re forced to be still”

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

Gutierrez explores philosophy and absurdity through video, drawing, painting, and performance, addressing resilience, connection, and emotional distance

this milestone exhibition highlights the breadth and relevance of the late Zarina’s vision and includes woodcut, collage, print portfolios, cast-paper, and other sculptural pieces from across her seven-decade career

works by Tonico Lemos Auad, Pearl Alcock, Lubaina Himid, Barbara Levittoux-Świderska, Marlow Moss, and Paul Thek mark “the intervals between falling and rising, moments shaped by gravity: like the tide”

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

Kapoor’s groundbreaking explorations of scale, color, volume, and materiality unfold through a focused presentation of mirror works created between 2010 and the present

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

an exhibition of one of the leading figures of the Washington Color Field School

an exhibition bringing together works that reflect the breadth and character of British figurative art across the twentieth century

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

Perrotin’s debut exhibition with the LA-based artist presents his iconic photo sculptures - “viewed together, the works in Portals offer a reminder of how the lives of Black people in the West have been shaped by legacies of racial othering” - Ekow Eshun

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

curated by Jihyun Kim, an exhibition “that imagines the future of ceramics through the lens of bio-futurism … how ceramic practice might evolve in the year 2126”

narrative figure paintings inspired by early Renaissance art and classical sculpture, using compositional restraint and a unique palette to explore human relationships and psychological play through gesture and space

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

curated by Maria do Carmo M. P. de Pontes, the gallery’s first presentation of both artists - the late Moraes and emerging talent Takyi - highlights the enduring influence of spirituality and identity as driving conceptual catalysts

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

a unique dialogue between the rigorous works of two major figures of French art: photographer Yannig Hedel and painter Geneviève Asse. Curated by Thierry Bigaignon and Eléonore Chatina and presented in collaboration with Galerie Catherine Putman

Lindman and Motherwell explore found materials to shape compositions, linking Picasso’s collage legacy with distinct approaches to abstraction and picture-making in their Open and Blanks series

titled after the Welsh for motherland, the Welsh-Ghanaian artist’s first solo exhibition with the gallery marks her return to the country with a presentation of fibre and textile-based works

Ilya Bolotowsky, Ernest Briggs, Seymour Boardman, Peter Busa, Peter Bonner, Mario Bencomo, James Brooks, Lina Binkele - “united by a shared initial … their works form an intriguing dialogue across decades, styles, and modes of expression”

Gutierrez explores philosophy and absurdity through video, drawing, painting, and performance, addressing resilience, connection, and emotional distance

comprised of scanned documents, photographs, and auditory sculptures, Scala explores systems of standardisation in music through reproductions and sampling

Alice Wilson, Alison Wilding, Dominic Beattie, Fabian Peake, Karolina Albricht, Maud Cotter, Mhairi Vari, Neil Zakiewicz, Nicky Hirst, Phyllida Barlow, and Richard Woods question the traditional hierarchies of painting, sculpture, and design

curated by Maria do Carmo M. P. de Pontes, the gallery’s first presentation of both artists - the late Moraes and emerging talent Takyi - highlights the enduring influence of spirituality and identity as driving conceptual catalysts

curated by Tobia Bezzola, an exhibition bringing together paintings, sculptures and drawings focusing on the people and landscapes closest to the artist - shown alongside photographs by his friend Ernst Scheidegger

in the first solo exhibition at the gallery’s new space, new works on paper and paintings in oil as Chiamonwu’s explores the Nigerian Igbo community she was raised in, and the contemporary relevance of its cultural and mythological forms

recent sculptures in her signature medium of cedar, shown with a selection of drawings in this new exhibition by the esteemed artist

Ikemura’s first exhibition in Los Angeles explores “the relationship between the female body and the natural world, the heavens and the horizon line, or as she describes it - ‘the place where two worlds come together’”

“her canvases reflect a meditation on the transience of moments sensed along the paths she has walked, on rhythms that flow beyond conscious awareness, and on the tension between a constantly changing world and human perception”

“in Haddad’s work, the multiplicity of sensory interactions unsettles us and offers little comfort” - Marie Muracciole

new work in an exhibition which marks Flad’s return to Taipei after a six-year interval

referencing “both the etymology of “window” and the metaphor of architectural openings … windows, screens, and thresholds operate as formal and conceptual devices - structures that frame vision while signaling movement, migration, and communication”

in the multidisciplinary artist’s first solo exhibition outside of the country, new paintings and sculptures exploring identity, personal memory, and popular culture in Puerto Rico and its diaspora

exploring Japanese and British ceramics through the Modern period, this exhibition examines a relationship based on knowledge-sharing and mutual respect

“Orchard extends the modern project into the present tense, her complex compositions demonstrating that painting remains capable of addressing the deepest human concerns … through the disciplined organization of visual means” - Max Weintraub

with the debut of new work - including an installation of fifty stars of tree branches - this exhibition explores Pivi’s “unique ability to transform wonder into a potent tool for political and spiritual reflection”

Wang’s first collaboration with the gallery presents a survey of his painting from 2008 to the present - in particular his inquiry into Post-Orientalism and modes of non-iconic existence

for this first exhibition in Paris, oil paintings and watercolours by Wittwer inspired by great French masters including Paul Cézanne, Henri Fantin-Latour, and Nicolas Poussin

new oil-on-canvas paintings by the Los Angeles-based artist “consider modern American life through the lens of Realism”

Henriquez’s latest work imaginatively re-stages inherited family mythologies and stories set within the lush landscape of Jamaica

recent work continuing Berding’s decades-long exploration of painting as a space for “re-ambiguating the world through collapsing histories and categorical understandings”

\"through her compassionate lens,\" the Ethiopean artist \"reminds us that love lives not only in grand declarations, but in the quiet, steadfast practice of being there for one another\"

an exhibition by the late Argentinian sculptor

the two artists present \"figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context\"

the paintings in this exhibition depict \"children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape\"

an exhibition dedicated to the work of the late artist highlighting his deft handling of vibrant color in the often abstract compositions and including photographs and notebooks from recent discoveries in the artist’s archive by his son Solomon

the artist\'s first solo exhibition in the UK

\\\"ink, charcoal, and video works exploring bodily memory, gesture, and the fragile relationship between image and surface through porous, atmospheric drawings and a looping video of fleeting landscapes\\\"

in his first solo exhibition in the UK the Taiwanese artist explores \"deterrence and disruption through large, ambiguous compositions with intersecting lines, scratched surfaces, and sculptural urban forms\" curated by Sam Hanson

the exhibition presents \"immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds\"

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles - employing textiles, painting, porcelain, and video, the exhibition conjures memory, emotion, and material transformation

on three hundred bus shelters across New York City, Chicago, and Boston, works by six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who “move fluidly between commercial and fine art practices”

shown for the first time, unique oversized dye-transfer prints by Eggleston taken in the late sixties and early seventies - rare works distinguished by their scale, chromatic intensity, and material presence.

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

in a “varied and nuanced selection of works … that reflect the complexity of the theme of love”, sculpture, photography, painting, print, and drawings by over thirty artists, from the 15th Century to today

an exhibition exploring the late Canadian artist’s longstanding relationship to the natural world through two major bodies of work related to trees - accompanied by a new “accidental novella” in 100-word bursts by Max Porter

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

fifteen Asian artists whose practices reflect a shared sensibility shaped by time, memory and a spiritual journey suggesting that time is not linear, but cyclical - gestures return, symbols reappear, memory resurfaces through material form

Alice Wilson, Alison Wilding, Dominic Beattie, Fabian Peake, Karolina Albricht, Maud Cotter, Mhairi Vari, Neil Zakiewicz, Nicky Hirst, Phyllida Barlow, and Richard Woods question the traditional hierarchies of painting, sculpture, and design

new work in an exhibition which marks Flad’s return to Taipei after a six-year interval

life-size reproductions of now-closed nightclub or community establishment doors, alongside bronze casts of shoes, continue Connor’s exploration of peripheral forms and spatial details in sites of exchange and communication

the two artists present \"figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context\"

“drawn from a wide range of sources - from domestic objects to oral histories, Jamaican dominoes culture to common psychological phenomena - Collin’s work explores notions of distorted memory, shifting perspectives and contemporary mythology”

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s

curated by Tobia Bezzola, this exhibition by the celebrated Swiss artist includes a major painting from his Patti Smith series and important large-scale and medium-format woodcuts

an exhibition tracing the stylistic evolution of the late Chinese American artist as she moved from semi-autobiographical figuration to fluently expressive abstract painting

to celebrate Ei Arakawa-Nash as Japan’s representative at the Venice Biennale, a look back at his sculptural work in the context of his frequent collaborators, Nora Schultz, and Nikolas Gambaroff

“combining works of diverse styles from different periods … the gallery space is dialectically structured, suggesting an allocation of historical examples in the front as opposed to later ones in the back” - Franz Kaiser

inspired by the gallery’s unique location in Kensington Gardens, new and key paintings, monotypes, and drawings by the artist known for her vigorous brushwork, vivid colour and dynamic compositions

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

including piece that have not been exhibited before, an exhibition of the late artist’s works on paper show alongside two tapestries

the American artist’s first solo exhibition in Milan presents new paintings alongside an important watercolour by Turner in a dialogue between her atmospheric renderings merging figuration with abstract geometries and his visionary approach to landscape

“Hayoun’s work continues to interrogate contemporary politics through the lens of his North African heritage and the stories of people he observes in daily life”