nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

more than three decades of paintings, sculptures, and mixed-media works - “the exhibition emerges from Tyson’s foundational conviction that the universe operates as a single generative system”

Zhang’s debut exhibition on the West Coast presents abstract portraits which are rooted in figuration while exploring abstraction’s power to communicate the human condition

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

new paintings made from single, sequential droplets of paint onto paper, shown with a mural-sized work composed of dozens of marbled paintings on paper

“the starting point for this exhibition was the desire to take on the flag, this supreme icon of nationalism, and to reverse its logic … I wanted to make works that, while evoking the idea of a flag, visually and emotionally contradict its principles”

at sizes ranging from 10x14 inches to 4x8 feet, new paintings in the Los Angeles native’s rich palette of bruised blues and dense greens featuring his characteristic faceless figures

through textile, assemblage, and sculpture, Rico’s first solo exhibition in the city examines connections between humanity to connect the history of Los Angeles - its land, people, and culture - to the artist’s own homeland and beyond

Kudo’s first solo exhibition with the gallery presents oil paintings of animals, humans, and nature in harmony - “huge complex dreamscapes or single moments in miniature, they are both visually enticing and endlessly intriguing” - Victoria Woodcock

new wall-mounted, hand-painted sculptures as Cowan transforms regular studio items through the process of casting to examine their nature and how we look at and think about them

an archivally-driven exhibition of over 200 objects - costume designs, photographs, drawings, garments, jewelry, artworks - from the 50s-70s, exploring the central role of costume design in Saar’s early career and throughout her life

“the exhibition frames surfing less as a lifestyle than as a mutable visual language: one shaped by speed, surface, branding, and the body’s desire to disappear into form”