“I had the whole fall free to paint dahlias as they slowly came into bloom ... I was in heaven, haunting the flower sellers at our nearby farmers market, looking for new colors and forms and then trying to capture their individual personalities” - Kushner

the gallery’s first solo exhibition with Nauman presents sculptures, installations, sound works, videos, works on paper, and editions to explore the prolific decade that established him as one of the most important contemporary artists of our time

new paintings and a freestanding sculpture alongside earlier assemblages and photography as Youngblood explores the complexities of American material culture

to celebrate its anniversary, an exhibition surveying the history from 1975 to now of one of the longest-established contemporary art galleries on the West Coast

on the release of William J. Canning second album, an exhibition of his video, photography, and sculptural works that “spring forth from the album’s visual world”

presented for the first time since its celebrated 2002 debut, this is another chance to catch Hammons’ acclaimed installation work

new Plexiglas works and watercolors by the pioneering conceptual artist in his first LA solo exhibition since 2019

all new works in the British artist’s first US solo exhibition with the gallery - together with the US premiere of a collaborative creation with the acclaimed choreographer Sharon Eyal

Karetzky produces a hybrid of oil painting, clay sculpture, woodcut, and sgraffito, carving paint into relief surfaces, applying ceramic glazes to render illusionistic space, and pushing the boundaries of the rectangular canvas

a survey exhibition announcing their global representation of the Estate of Ahn - “I painted and painted and could not stop … no matter how many water ideas I manage to express on canvas, more water ideas continue to surge” - Ahn

deeply personal paintings exploring portraiture and mythology, as Adams reimagines himself within landscapes and interiors that merge past and present

an immersive multi-media installation forms the centrepiece of the first solo exhibition in Los Angeles of works by one of the boldest and most influential artists of the twentieth and early twenty-first centuries

a two-person exhibition of Terrick Gutierrez and Ayobami Ogungbe, who both explore the relationships between memory, architecture, and the emotional resonance of place

large works on paper, intimately-scaled drawings, ceramic sculptures and a monumental hanging drawing in Fried’s first solo exhibition in Los Angeles

celebrating the work of the late architect, sculptor, designer, and leading figure in Brazilian modernism, known both for his sculptural style and ecological awareness

a grab-bag of works looking at desire, excess, and the fluctuating value of objects - “like any good sale rack: a little messy, a little magic”

the Brooklyn-based artist’s first solo exhibition with the gallery - “scientists tell you that in nature, light makes the color. But a painter will tell you that colors make light” - Evertz

recently rediscovered early sixties photographs by McCartney - including some previously unseen - which provide an inside snapshot of Beatlemania just as it was becoming a global phenomenon

new works by the Los Angeles-based artist, honoring the intimacy of the everyday - “I capture the appearance of people that I paint. I love their spontaneous image”

works which “explore the synthesis of time and form as Keyser asks how we can propagate new beauty, new language, new structures, and new tools using the elastic language of painting”

LACMA is the largest art museum in the western United States, with a collection of nearly 152,000 objects. The museum exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage.