“at the core of Ida’s practice is the relationship between humanity and the natural world. His paintings consider the delicate balance between human existence and the fragile ecosystems that sustain it”

“inspired by the power of light and heat in producing remarkable objects of contemporary craftsmanship - from the flames of a potter’s kiln and the illumination that vitalizes functional artworks to the intense temperatures that mold glass and metal”

shown together for the first time in over 25 years, Ligon’s Coloring Book paintings reveal a rarely seen facet of his practice - "colorful and exuberant ... the works unfold into a rich meditation on history, authorship and the shifting nature of meaning"

paintings and works on paper from the 1980s, a pivotal period of decisive experimentation and evolution in the late artist’s pioneering six‑decade career

an exhibition devoted entirely to Smith’s seldom-seen and trailblazing body of work - “these luminous palimpsests compress the physical world into radiant fields that reveal a painterly sensitivity as rigorous and as radical as [his] sculpture”

the gallery’s first Los Angeles exhibition of the painter, sculptor, and printmaker - “In both two and three dimensions, Jackson’s figures emerge and recede, generating a vivid sense of movement and depth”

“this exhibition explores the enduring allure of Johnston’s innovative artmaking practice, which spanned seven decades of painting, drawing, printmaking, and sculpture”

Edmonds expands her Flag series with a critical reflection on the relationship between memory, national identity, and collective responsibility - in a moment when Black and Brown presence and histories are increasingly targeted for erasure

new documentary-style drawings, paintings, and sculptural installations that honor immigrant experiences and reject the moral economy of gratitude imposed on them

Guirguis presents monoprints exploring Indigenous Egyptian language revitalization through ancestral symbols, pigments, and repetition, rethinking cultural memory and colonial knowledge systems

the gallery’s inaugural exhibition - and Megall’s first solo exhibition in LA - brings together paintings in which porcelain figurines and floral forms appear in states of repetition, fragmentation, and recombination

renderings exploring how architecture embodies the spectacle, as well as how our bodies inhabit that built environment, shown alongside the newest installment of his series of multi-part wooden sculptures of bodily fragments, based on historical icons

co-curated by his son Kwame S. Brathwaite and Jesse Williams- newly-released and never-before-seen works by the photographer, media theorist, and one of the most important American artists of the second half of the 20th century

new work by Middleton - “these new paintings recast recognizable forms as surreal archetypes, dramatizing the interplay between presence and absence, and between the literal and the metaphorical”

Aaron Glasson, Chris Johanson, Suchitra Mattai, Evan Nesbit, Wendy Red Star, and Brenna Youngblood encompass “representation and non-representation by reconfiguring color, light, material and texture as tools for rendering ineffable sensibilities”