curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

in an exhibition exploring sound as a medium, painting, photography, video, sound, sculpture, and installation works by an all-female group of artists

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

“across these eight paintings, transformed forms abound, deconstructed through a liberation of mind and brushstroke” - Louisa Mahoney

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” - Pieter Vermeulen

the artist’s first solo exhibition with the gallery in the United States - “I’ve been watching the water / the way light reflects off its surface, shining and glistening. / When we cry, our tears return to it’ - Josephs

“one cannot move through the exhibition - which Calleja conceived with the cabinet of curiosities in mind - without savoring the charged pleasure of works whose messages seem to answer one another” - Éric Troncy

an exhibition highlighting the founding members of the late-1950s group ZERO - “as our world continues to erode amid cascading crises and devastating wars, the ZERO group’s project might yet inspire through its unshakeable optimism” - Matthieu Jacquet

Tran uses lime plaster and layered washes to create liminal grey spaces that resist visual control and evoke complex histories, in this exhibition drawn from her series examining the history of the US chemical bombardment of Vietnam and its euphemisms

focussed on the First World War, the interwar period, and the Second World War, a chronological and thematic exploration of the relationship between conflict and artistic transformation

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

new sculptures made from simple, everyday materials- “folding, cutting, pressing and stacking, Foxcroft\'s sculptures unfurl from the wall or corner of the room, arranging material on the floor and up walls”

“for this project - another in my Imaginary Architecture series - I chose to explore iridescent clouds, sometimes known as \"rainbow clouds\", a meteorological phenomenon characterised by vibrant, colourful bands appearing on thin, semi-transparent clouds

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

“across photography, water becomes a way of seeing” - iconic 20th century photography and contemporary perspectives from nearly twenty artists reveal the visual and symbolic power of water across generations and styles

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

recent and previously unseen works that move between sculpture, drawing, and painting - “a meditation on time’s slow work upon the body and the landscape, and the place where the two meet”

part of the inaugural Mallorca PhotoFest, an exhibition focused on Olaf’s still lifes - “a meditation on time and its resistance”

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

the artist’s debut solo exhibition in Paris and with the gallery brings together new site-responsive works spanning sculpture, textiles, installation, and architecture

new work by one of the most distinctive voices in contemporary geometric abstraction, demonstrating his ability to combine conceptual precision with visual spontaneity to create works that are at once rigorously constructed and unexpectedly lyrical

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

titled after the physical trace a memory leaves in the brain, an exhibition of new paintings and works on paper by the Brooklyn-based artist

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

gallery artists and guests in a special exhibition to celebrate the gallery’s tenth anniversary - “I know from experience that BERG’s artists will continue to venture forward … and I’m excited to accompany them into the future” - Ingibjörg Jónsdótti

using scientific data from quantum physics, cosmology, and institutions like NASA, Ikeda creates mathematical compositions with sound and light, exploring microscopic and cosmic scales in a multi-sensory experience

an exhibition focusing on Purcell’s works between 1975 and 1979 - a formative moment in her career

an exhibition focusing on Mark’s “collage paintings” from the 1960s where she combined gestural abstraction with layered surfaces of crumpled paper, pigment, and impasto

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

one of Spain’s most internationally acclaimed contemporary artists, Aragó “explores voyages between sky and sea, employing mechanical elements such as propellers, submarines, and airplanes to construct a poetic narrative of time, space, and life”

nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

major works from three significant series by Drühl - silicone paintings, lacquer paintings, and sculpture

“Siber chooses to return to the most fundamental dialogue with materiality: making steel weightless, letting wood breathe, transforming colour into time, allowing nature to blossom in Baroque splendour”

“Nagel’s work reminds me of storms. The ones that leave you a bit bruised but with a fresh oxyden. Invigorated … I am full of admiration. Do not change a thing” - Morten Løbner Espersen

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

Sobczak’s paintings “blend historical allegories, queer identities, and contemporary social critique into a dense, multilayered visual language”

centred on an area deeply embedded in New York’s queer history and made when the AIDS crisis had already indelibly affected the city’s LGBTQ+ community, a reminder of how closely questions of visibility, public space, and social belonging are intertwined

the Mumbai-based designer and artist’s first solo exhibition in the UK presents new sculptures woven, held, or structured in copper

encounters between artists whose practices expand the boundaries between functional art and collectible design

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

a new exhibition by the French artists and designers, reflecting on how perspectives and observations are shaped by journeys and movements through shifting landscapes

contemporary and historic works that embrace brightness and openness, showcasing playful and instinctive design languages and celebrating light, vibrancy, color, and texture

“the exhibition shows how Herman’s depiction of flowers and mountains form part of a gestural and vividly colorful painting practice that blossoms across both canvas and ceramic works”

shown for the first time in New York, works by the acclaimed British designer in dialogue with the pioneering engineer - “a refined study in balance, where structural innovation meets sculptural clarity”

exceptional and previously unseen works in a new exhibition marking the centenary of the birth of one of the most significant and celebrated Japanese ceramic artists of the twentieth century

“these artists emphasize the expansive, freeing qualities of metamorphosis as a feminine strategy of self-(re)discovery that opposes the historically limiting aspects of femininity” - Rebecca Birrell

the fifth in the gallery’s biannual performance series - a living meadow sculpted by Nicole Rossi encasing the latest work by choreographer Andrew Skeels, performed by two of contemporary dance’s most distinctive artists, Lloyd Knight and Jacquelin Harris

the Eritrean painter’s first solo exhibition with the gallery presents layered, atmospheric compositions that explore migration, memory, displacement, and the fragile architecture of belonging

the gallery’s first solo exhibition of the Nairobi-based mixed media artist who explores process, material experimentation, and the atmosphere of everyday life

Alexander's first solo exhibition in Latin America marks a pivotal moment in his evolution - “the fifteen paintings gathered in the exhibition trace a landscape that is at once geographic and interior” - Lorenzo Martz

thirty of Fini’s graphic works “in a trans-temporal dialogue with Greco-Roman, Egyptian, and African ritual objects”

inspired by his heritage and the vibrant energy of communal gatherings, new paintings, prints, sculpture, and an immersive sound installation in the British Nigerian artist and designer’s first solo gallery exhibition in his home city

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them”

De Falco’s first solo exhibition at the gallery - “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities”

curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach”

“Curious Yellow / I hadn’t forgotten her, I just couldn’t remember her name. / Only when I looked back did I remember.”

“entering into Antone Könst’s practice, one should abandon symbolic terms or the burdens of figuration. The artist usually maneuvers in opposition to narrative or meaning, instead cultivating an ambient hum through formal tools” - Reilly Davidson

in “a dialogue centred on material engagement and sustained making”, new work by Lidia Lisbôa and Thiago Barbalho - two artists grounded in handmade processes

Campbell explores evolutionary history, mythology, and queer culture through sculpture - metaphorising marine and terrestrial nature to reveal the flimsiness of social and political binary systems

new paintings in Berhanu’s first solo presentation in Asia - “interlocking organic forms that suggest bodies, landscapes, and cellular structures simultaneously, without resolving into any one of them”

showing at the gallery in Paris and Galerie Natalie Seroussi, an exhibtion of artists whose work engages with histories of migration, memory, language and belonging, contemplating the diasporic experience as lived reality and as imagined space

an exhibition by the distinguished artist, filmmaker, and poet bringing together recent works on brown paper, drawn-on objects, and bunting fragments in a layered act of visual storytelling

new works by the New York-based abstract artist - “her paintings open across fields of luminous white, where saturated forms gather and dissolve, veiled passages shift in and out of focus”

“these paintings carry the memory of Paris, the urgency of New York, and Ferren’s own belief in the quiet authority of color and control. They are works of balance and passage”

large-scale pictures printed in acrylic on white gessoed linen canvases depicting infinitely complex forest ecosystems, in the New York-based artist’s first solo London gallery exhibition

the Swiss-British-Iranian artist presents “various works, (various in scale, material, and subject), which taken collectively address meaning (or lack of), purpose (or lack of), and the discourse surrounding authorship and ownership”

“Rivers channels this sense of the fragile human figure making its intrepid way through the mercurial, shifting uncertainty of a hostile and indifferent environment, where orientation is only provided by an infinitely-distant, glittering star”

new photographs of London by Riddy - “both a description of place and a kind of social survey”

“Stetz questions what it means to capture a place whose central feature already consists in its stylistic and historical displacement; how to document something that already looks like a picture itself” - Anna-Lisa Scherfose

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

newspaper paintings, paintings on canvas, and drawings shown alongside a 1971 sculptural installation and a quilted flag from 1977

the second part of Agematsu’s first solo exhibition with the gallery, and in Germany, is an installation of 35mm slide projections of photographs made in Marseille, France in 1994 - “photography needs time, I think, in order for us to see it” - Agematsu

“two artists, two ways of breaking free from photography in order to question it more effectively”

“Kilimnik operates with an iconographic archive that spans several centuries: from 17th- and 18th-century court painting to romantic landscapes and history painting to references to popular culture, fashion, television, and movies” - Dr. Raphael Gygax

“this exhibition opens like a landscape. We can follow Valentin Carron down the slope … This exhibition is a window onto our ability to survive the slipping away of our dreams”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

paintings, ink drawings, and screen prints created during his travels to New York and Zurich - “Christoph condenses fleeting impressions into atmospheric scenes, distilling the essence of each place”

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

“instead of a theme that connects these seven artists, this exhibition tries to create possibilities for associations tied to the artworks and objects in the space” - Hector Hollein, curator

Chillida’s work on paper was an important part of his creative process, and this exhibition focusses on rare etchings from the 1960s and 70s

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

an exhibition focussing on an intense three-year period Rego spent in her London studio, devoting herself almost exclusively to drawing and lithography

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

works by Yves Klein, Lita Albuquerque, and Jack Goldstein in an exhibition which explores the connections between the cosmos, perception, and immateriality

new animations, original drawings, small-scale paintings, and an installation in the first exhibition at the gallery dedicated specifically to Alÿs’ animations

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

paintings, works on paper, and mural drawings form a spatial and narrative constellation with a soundtrack by Sin Maldita (Tim Roth) and Philipp Hülsenbeck

an exhibition exploring the varied work of the German painter, graphic designer, sculptor, and photographer

new works that criss-cross between two and three dimensions in sculptures, objects, and works on paper “engaged in a playful dialogue with geometric, non-figurative art”

screen prints and sculptures cast in aluminium - “in the autumn of 2025, I was restless because of the state of the world. My angry energy wasn’t suited to studio work but worked well for the metal foundry and the printmaking workshop” - Jonasson

an exhibition examining one among the most unconventional artists of the post-war period and his “disquieting and prophetic pictorial vision … grasping the tensions between humanity and technology long before their full contemporary manifestation”

more than fifty paintings and works on paper - including many never before publicly exhibited - in this major solo exhibition of works by one of Azerbaijan’s most influential twentieth-century artists

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

new works by Pillay, “paint becomes a medium through which to bridge geographies, timelines and archives, alongside histories of indenture, colonialism, displacement and erasure within the artist’s own family history”

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

curated by Tom Morton, an international group of painters and sculptors in - “an exhibition about how works of art address us at a level beyond the eye or the mind”

paintings, works on paper, sculpture, and textiles by some of the most important names in South Asian modernism in an exhibition spanning the late nineteenth century through to the contemporary period

“Cox’s paintings are built rather than composed … thick deposits of oil paint are pressed onto canvas through sheets of plastic, the surface becoming less a support for image than a site of accumulation, resistance and record”

an exhibition of thirty seven artists who engage the concept of the window - not as a romantic device but a site of tension, between visibility and obstruction, intimacy and exposure, architecture and atmosphere

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

the gallery celebrates the centenary of the Franco-Polish artist’s birth with an autobiographical exhibition, coordinated with the exhibition at Galerie Loevenbruck in Paris

the Montreal-born, London-based artist’s first solo exhibition with the gallery in New York “proposes painting as a medium uniquely capable of holding disparate registers within a single, shifting field of vision”

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

new paintings and a site-specific architectural intervention “transforming the upstairs Zurich gallery into a space reminiscent of a casino - a charged environment shaped by surveillance”

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

in his first solo exhibition in Asia, historical and recent works that showcase the mastery of surface texture by one of Britain’s most significant living artists

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

more than three decades of paintings, sculptures, and mixed-media works - “the exhibition emerges from Tyson’s foundational conviction that the universe operates as a single generative system”

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

covering the entire career of one of the most important painters of his time, this exhibition brings together his brooding social allegories with luminous landscapes and portraits, revealing a tension between intimacy and the brutality of the 20th Century

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

Zhang’s debut exhibition on the West Coast presents abstract portraits which are rooted in figuration while exploring abstraction’s power to communicate the human condition

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

Singh’s first UK solo exhibition presents an installation of film and paintings to offer a poetic meditation on the urgent link between climate change and agricultural crises

including several paintings never previously exhibited, this exhibition focusses on a pivotal period in the early 1950s when Heron negotiated his own path between figuration and abstraction

this collaborative exhibition and artist residency features hand-carved furniture inspired by the forms and tones of the Scandinavian landscape by the Danish designers Mette Bentzen and Lasse Kristensen

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

emblematic works from a decade whose legacy remains profoundly relevant today, revealing the richness and diversity of a constantly evolving creative landscape

bringing together Picasso's Personages with new and existing works by California-based contemporary artist Zheng Chongbin, an exhibition focussed on how an image is assembled in the very act of looking

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

works on paper, paintings, neon sculpture, and installation celebrating Dominican players in US Major League Baseball, in the first posthumous exhibition of the Dominican-born New York-based artist

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

a new curatorial initiative dedicated to supporting and showcasing emerging contemporary artists working across the country

Smith’s first solo exhibition in the UK - “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” - Smith

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation