projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

an exhibition bringing together works from about twenty galleries and art spaces across Iran … the initiative creates a direct connection between artists, galleries and audiences inside and outside Iran

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

Dong’s meticulously crafted multi-panel paintings draw energy and influence from classical Chinese ink painting and systems of cultivating nature

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

curated by Mario Francesco Simeone, Biele’s first solo exhibition with the gallery presents new paintings and a sculptural intervention based on extensive research centered on the garden - a site of continuous negotiation between nature and artifice

“the exhibition … reunites about 300 works (cardboard, printed matter, felt-pen, ballpoint-pen, paper, tape) from the series “POST”. I made them during 2025 and 2026, and posted some of them (therefore the title “POST”) on my Instagram-Account”

new works developed out of months of research into UK football culture, in the first solo London exhibition of Italian artist Ruth Beraha - “the drawings, like images, explore what lasts. What stays after the game ends: in memory, in affect” - Orit Gat

the first UK solo show of new paintings by the American artist whose work centres on carefully painted interior spaces - “that are at once familiar and quietly estranged”

new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

Carrington’s first solo exhibition at the gallery, organized with the Consejo Leonora Carrington and rossogranada, with drawing, painting, sculpture, tapestry, and writing, the exhibition presents the full range of media she explored throughout her career

“Nguyen brings together nearly twenty paintings, sculptures, and installations. Beyond the recurring motif of clouds lies something more fundamental: a sustained resonance between the artist and the natural world” - Ying, writer and editor

“like Foucault’s pendulum, which moves in an ellipse as it oscillates between its outer limits, Zio Ziegler’s 'The Tesseract' swings the viewer in whirling, elliptical fashion from one aesthetic mode to another” - Jeffrey Richmond-Moll, Ph.D.

“bringing together artists from the United States, Britain and Europe, the exhibition traces how abstraction developed transnationally while pursuing that quintessential Modern ambition for a new kind of truth”

a floor to ceiling installation comprising fifty-seven new works on paper in Pessoli’s first exhibition at WINDOW, and his ninth with the gallery

new paintings and installation by Jahmal in an exhibition focussing on the historical contradictions of piracy

an exhibition which “reunites a group of paintings created between 2012-2014, never before seen in New York, to accompany and contextualize a selection of large-scale portraits created between 2015-2019”

“for this exhibition, I wanted to immerse myself entirely in abstraction - setting aside any notion of subject or image as a starting point for the painting. The aim was to lose myself in the painting itself” - Bellot

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

in partnership with The Little Black Gallery, and curated by Brandei Estes, an exhibition to mark the 20th anniversary of the death of the legendary photographer

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

curated by Rolando J. Carmona in collaboration with Mountains, Berlin, this exhibition of the pioneering Filipino artist offers a rare presentation of one of his Bubble Machine sculptures, alongside a historical panorama spanning six decades

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time

paintings by six British artists whose practices were forged in the London art world of the 1990s - “painters who, against the prevailing weather, declared that painting remained a medium adequate to its moment”

“Emrys knows … that he is ‘dragging things forth’, that they remain a mystery to the rest of us, and only just within his own reach, as passing from memory, like dreams on waking, endlessly reconfigured” - John Gillett

“Vecsey arrives at her minimal compositions through an elaborate series of actions that begins with direct observation and ends with improvisation [she] describes her distinctive process as ‘working like a watercolorist with liquefied oil paint’”

an exhibition of rare, important, and coveted paintings and works on paper from the pioneering Abstract Expressionist’s most celebrated period

offering a rare overview of his disciplined and deeply poetic approach, paintings, works on paper, drawings, and etchings in the late American artist’s first solo exhibition in France

“at the core of Ida’s practice is the relationship between humanity and the natural world. His paintings consider the delicate balance between human existence and the fragile ecosystems that sustain it”

a group exhibition bringing together over a dozen international artists - “the exhibition poses an ancient yet ever-renewing question: how does cosmic order mirror itself in the body and the mind”

sixteen international artists whose practices move between sculpture, object, and spatial gesture in a summer group exhibition running alongside London Design Week - “asking not what art depicts, but what it does within a space”

an open call exhibition for Taiwan artists born after 1985

following the first part of “An East-West Dialogue of Perception” in LA, this second chapter brings together twelve contemporary artists from East and West who explore space, perception, and the possibilities of existence

an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it”

Schweizer’s ceramic sculptures resemble vessels but are non-functional, Van Leeuwen creates ceramic assemblages of bowls and vessels using natural objects, and Omidi-Sabet applies fashion techniques to minimalist Moon Jar vases

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

encounters between artists whose practices expand the boundaries between functional art and collectible design

“I have sought to strip away every trace of artistic affectation until my objects reveal themselves as pure crystallisations of natural forces into essential forms” - Vízner

new works inspired by the dune landscapes and beaches of the Dutch coastline where Molenschot lives and walks often

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

contemporary and historic works that embrace brightness and openness, showcasing playful and instinctive design languages and celebrating light, vibrancy, color, and texture

“the exhibition shows how Herman’s depiction of flowers and mountains form part of a gestural and vividly colorful painting practice that blossoms across both canvas and ceramic works”

shown for the first time in New York, works by the acclaimed British designer in dialogue with the pioneering engineer - “a refined study in balance, where structural innovation meets sculptural clarity”

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

bringing together the work of two contemporary Kenyan artists who draw deeply from their immediate surroundings, an exhibition exploring different facets of everyday Kenyan life, identity and culture

a major retrospective of the late artist, bringing together paintings, prints, drawings, and archival material spanning more than four decades

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

a solo exhibition by the Potter in Residence 2026, exploring the material and optical properties of rare earth elements through ceramic form, asking us “to reconsider the relationship between material, technology, and perception”

works by Georg Baselitz, Jim Dine, Tom Hammick, Fernand Léger, Hew Locke, Humphrey Ocean, Julian Opie, Mimmo Paladino, Paula Rego, Yinka Shonibare, and Joe Tilson in an exhibition of artists who weave images of birds into their visual narratives

Kazim’s first solo exhibition with the gallery presents new watercolours of solitary figures and circus acts alongside his first major portfolio of prints, illustrating the Urdu alphabet

in collaboration with Jilamara Arts and Crafts Association, new bark paintings and works on linen in the modern master of Tiwi painting’s first international exhibition

in the New York-based artist’s first solo exhibition in London, new paintings which expand his thematic repertoire, bringing his distinctive attention to the glorious and the everyday in both public and private life

interrogating the visual language of landscape - “expansive skies punctuated by stars unfold above architectural forms resembling boxes, walls or foundations, creating a tension between infinite space and structures of human making” - Anastasiia Fedorova

new paintings in an exhibition exploring how identity is reshaped by experience - “bodies merge with forests, rivers and stone; landscapes grow through the human form; figures become entangled with one another; and faces repeat, fragment and disappear”

Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms

in conversation with newer work, an opportunity to revisit paintings first shown at the gallery twenty years ago - “Krut demonstrates a Surrealist’s facility for perceiving links between the most disparate commonplace objects” - Andreas Leventis

recent photographs by Morell alongside exemplary paintings by each of the four Color Field artists - in the first exhibition where the gallery presents painting alongside photography

a non-hierarchical, artist-led touring exhibition curated by Maria do Carmo M. P. de Pontes, with works by Esvin Alarcón Lam, Antonio Pichillá Quiacaín, and Simón Vega

an ongoing, developing exhibition of landscapes and cityscapes from various eras, traditions, and media - this exhibition represents the physical world around us in all its multifaceted glory

shown for the first time in Berlin, four videos which continue Claerbout’s long-standing engagement with time and duration

showing at the gallery in Paris and Galerie Natalie Seroussi, an exhibition of artists whose work engages with histories of migration, memory, language and belonging, contemplating the diasporic experience as lived reality and as imagined space

presented in a series of themed rooms with differently colored walls, new paintings featuring his cartoon figure Who the Bær, in Fujiwara’s first solo exhibition in the Seoul gallery

new mobiles made from artillery shells salvaged in Vietnam in Nguyen’s first solo exhibition with the gallery

works spanning several decades reveal an artist continually attentive to the dignity, vitality and complexity of Black experience - “there is warmth throughout Lloyd’s work, but never sentimentality” - Cameron Amiri

new work by the New York-based abstract artist - “Mait’s paintings are infused with pure emotions but remain controlled and not overwhelmed by them”

titled after the 1911 novel by Frances Hodgson Burnett, an exhibition of contemporary painting from artists exploring subjects including and relating to the natural landscape - ideas of Arcadia and its assimilation into contemporary city life

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

“Förg took four monumental color photographs of the Lange house … [exhibited] again for the first time on the occasion of the new Frankfurt gallery season. A show nothing short of a small sensation ” - Christian Malycha

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

“the show organized itself around the painting of my partner watching a film. I took the watching-body as the limit point between passivity and activity; the interval, variable itself, between an image received and an image produced” - Price

following Koether’s exhibition at the gallery in New York, this new show begins with works from 1995, after her move to the city and the decisive transformation in her practice

“by rejecting the picturesque and narrative, by favouring gradations over contrasts, silences over assertions, Molaeb constructs a pictorial language of rare coherence”

“from the early 1990s, Bulloch glimpsed the twenty-first century. The central subject of her work is the condition of the human being caught within an automated society” - Nicolas Bourriaud

dedicated to one of the most important and influential Swiss artists of the 20th century, “the exhibition exemplifies how Roth, with his open concept of the artwork, redefined the boundaries between work, material, and working process” - Dr. Raphael Gygax

“one of the defining painters of his generation, Smith has developed a multifaceted body of work over more than two decades, characterized by seriality, repetition, and an ongoing engagement with the possibilities of painting” - Dr. Raphael Gygax

“a two year long inquiry into the ontological capacity of contemporary painting … this new body of work uses human conflict, the theatre of conviction and the quiet mechanics of everyday life as its point of departure”

paintings, ink drawings, and screen prints created during his travels to New York and Zurich - “Christoph condenses fleeting impressions into atmospheric scenes, distilling the essence of each place”

“to care is to act; to recognise another person’s needs is to take responsibility for their wellbeing. In Clothes (Kleidung), love therefore becomes material: it is found in what is remembered, reclaimed, shared, given away” - Anna Roberta Goetz

“Andrés’s work invites an intimate psychological experience: an excavation sparked by loosened, slightly abstracted images rendered as if viewed only by candlelight. These images pull one into oneself and allow the inside to turn out” - DJ Hellerman

examining the enduring impact of Jaar’s foundational public installation, a newly digitized version, the original storyboard drawings, photographic suites, lightboxes, and videos showing how it remains a poignant emblem of American identity

“Barthélémy Toguo creates a space in which imaginations intermingle and cultures and traditions come together in harmony. For the artist, travel is a way of inhabiting the world and celebrating its profound unity”

“my natural medium for making is wood. Finding forms that flow from the character of the material; moist or dry, easily splits or not, its volume and shape, all contribute possibilities” - Nash

“these are almost like a sculptor’s drawings: essential, uncluttered, minimalist. They appeal to all the senses: one feels as though one can smell the scent of resin, hear the whisper of the wind through the pine needles”

an exhibition by the South Korean artist who, expressed through the Taoist philosophy of Wu Wei, creates sculptures in sterling silver inspired by the natural landscapes of her birthplace, the volcanic island of Jeju

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

marking a new chapter in Mapondera’s practice, these new paintings explore the potentially fragile boundary between legality and moral responsibility

“by translating historical paintings into a contemporary visual context [the exhibition] demonstrates that the past always remains an active and vital component of contemporary cultural discourse”

a group exhibition of nineteen distinctive artistic voices in “a rich and varied exploration of contemporary painting”

new work where the Swiss artist engages with themes of life and death, transcendence, and spirituality

new paintings and a spatial light installation, in “a reflection on surface, presence and inner content. It makes us consider what lies behind the objects, the images or the meanings generated by an AI that endlessly produces poems” - Lotten Wiklund

“this exhibition invites us to hold once again to love, dreams, and hope the oldest forces that no fall can ever completely destroy”

new paintings combining luminous portraiture with bold passages of color, ornamental patterns, and symbolic imagery as the husband-and-wife artists explore the boundaries between the visible and the imagined

“working across batik, tapestry, Jacquard weaving, carpet inlay, embroidery, digital image-making and AI, the exhibition explores textiles not simply as a medium, but as a way of thinking: one built through connection, accumulation and transformation”

presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work

in the gallery’s new Seoul location, an exhibition by the acclaimed British artistresenting a major new moving image piece alongside a series of expanded photographic works, sculptures, and frottages

spanning thirty years of work with the single subject of “food”, new large-scale oil paintings alongside canvases reaching back to 1996 - “I have selected a group of works that explore the relationship between food and my own life journey” - Oiwa

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

earthworks, sculpture, tapestry, ceramics, and large-scale outdoor installations by world-renowned artists, all placed in conversation with the Foundation’s 70-acre estate

in an exhibition extending out of the gallery and across the landscape, “Rothschild combines hand-made processes with industrial fabrication to disrupt expectations through material, colour and composition”

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

monumental carved-wood reliefs, dramatically vertical sculptures in cast iron and granite, and intimate bronze works in Plensa’s tenth solo exhibition with the gallery

new paintings by the British artist, melding the contemporary and the classical, and capturing moments of suspension and transition to result in a palpable, physical experience that connects vision, film, memory, and matter

new works by the German artist - “Franz invites us to reconsider the relationship between past and present, reflecting the continuing artistic struggle for creative autonomy in an age of technological changes and advancement”

titled after the Paul Klee painting, this exhibition of new works sees the German-born, Brooklyn-based Hüller for the first time focus purely on figuration

an exhibition of thirty artists who move fluidly between painting, sculpture, and object-making, to examine how abstraction is shaped not only through image, but through material decisions

recent drawings by Rafferty which foreground the handmade alongside color combinations that evoke palettes, test patterns, and seasonal collections

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

organized by Curatorial Senior Director Alexis Lowry, this is the first New York exhibition in nearly fifteen years dedicated to the seminal German-French modernist

new works see Goodman combine strongly pigmented oil paint, expressive brushwork, oil sticks, drips, and washes to create immersive abstract paintings and explore “how painting can hold both quietness and turbulence”

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

the latest body of work by the London-based artist spotlights his ongoing, helictical exploration of the human body in states of transformation, reconstruction and becoming

this August, Hauser & Wirth Basel presents a solo exhibition dedicated to the work of the late Swiss artist. Born in Basel, Zurkinden defied easy categorisation, developing a distinctive painterly language that drew on both …

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

curated by Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana, an exhibition presenting seminal, rare, and unique works from 1949 onward

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

an exhibition devoted entirely to Smith’s seldom-seen and trailblazing body of work - “these luminous palimpsests compress the physical world into radiant fields that reveal a painterly sensitivity as rigorous and as radical as [his] sculpture”

“Ackermann takes on a new source of vocabulary: letters from a Semitic alphabet. The structure of each symbol serves as an anchor for each composition”

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

an exhibition dedicated to “the painters who, at the end of the 19th century, chose no longer to depict the world but to express it. … a journey into the art of almost nothing, where the familiar becomes a revelation”

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

works developed over the past three years which continue Corujeira’s longstanding exploration of abstraction, light, rhythm, and the relationship between form and space

a new installation and performance work about the act of complaining, in the first major UK presentation of Knight’s interdisciplinary practice, which draws on theatre, psychology, improvisation, and social exchange

with these new paintings of imagined spaces and intimate vignettes, Suss continues her exploration of interiority, domesticity, and memory

providing fresh insight into his work - as memory and anecdote (re)animate his photographs - an exhibition revisiting Parks through the reflections of the people and families he portrayed

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

“rooted in timeless inspiration from nature, Kaluza arrays various depictions of the subject in both hyper-realistic and abstract paintings … return[ing] to landscapes, forests, and other natural environments as subjects in transformation”

new painting and sculpture by Egan “initiated by a sense of touch and movement alongside a sense of sight .. painting is imagined as an activity of passage and continuum; an internal language that permeates the artists‘ practice”

new paintings interrogating the power structures that manipulate and divide global society - in this case particularly the rise of neoliberalism - using the billionaire owned media as source material

new paintings in an exhibition which sees Gao continue his investigation of movement, perception, and the unstable threshold between abstraction and recognizable form

curated by Jinyi Freya Xu, and moving across painting, digital imaging, robotic fabrication, and sculptural relief, this exhibition examines how a technology acquires weight, texture, and bodily presence after leaving the screen

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

Barrero’s first exhibition with the gallery debuts eight large-scale ceramic bead sculptures - a “chorus” of mother figures, “bearing witness and answering one another across the room” - Barrero

in collaboration with the artist’s widow Colette, this exhibition presents more than twenty of Soulages’s works on paper, the majority never previously exhibited

inspired by Ngugi wa Thiong’o’s 2009 book on the critical impacts of colonialism and slavery, Mathenge’s first solo exhibition with the gallery debuts sculpture and paintings exploring how culture, memory, and landscape are made and unmade

a remarkable group of nine paintings created between 1977 and 1983, a pivotal period for the acclaimed Color Field and Lyrical Abstraction painter

curated by Marie Perennès, an exhibition of drawings, paintings, and sculpture spanning the final decade of Herrera’s life - “the vital culmination of an eighty-year enquiry into line, form and colour”

Floyer’s first solo exhibition with the gallery in China presents a poetic, rigorously minimalist body of work spanning sound, light projections, and readymade objects

the inaugural show at the gallery of one of the world’s foremost abstract painters, surveying his experimentation and mastery over the past six decades of pioneering work in a wide-ranging survey including some of his earliest extant works

photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu

an exhibition spanning the short and prodigious career of the Brazilian artist - from the mid-1970s mixed-media assemblages to the stylistic plurality of his 1980s drawings and paintings, and the small embroidery works that followed his 1991 HIV diagnosis

the gallery’s first Los Angeles exhibition of the painter, sculptor, and printmaker - “In both two and three dimensions, Jackson’s figures emerge and recede, generating a vivid sense of movement and depth”

curated by Bertrand Godot, an exhibition with over twenty artists including Pierre Ardouvin, Pierre Besson, Michel Blazy, Lilian Bourgeat, Anne Brégeaut, Céline Cléron, François Curlet, Michael Dans, François Dufeil, Sammy Engramer, Makiko Furuichi, …

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

Edmonds expands her Flag series with a critical reflection on the relationship between memory, national identity, and collective responsibility - in a moment when Black and Brown presence and histories are increasingly targeted for erasure

new documentary-style drawings, paintings, and sculptural installations that honor immigrant experiences and reject the moral economy of gratitude imposed on them

Guirguis presents monoprints exploring Indigenous Egyptian language revitalization through ancestral symbols, pigments, and repetition, rethinking cultural memory and colonial knowledge systems

“the concept for this exhibition, curated together with Melania Rossi, draws quietly on … never quite belonging entirely to one place and one culture” - Luisa Catucci

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

“I would place Jethro somewhere between a cheekier Cartier-Bresson and a more worldly James Ravilious - the tradition of the quiet English observer, but with a continental range and a sense of humour” Benedict Shakespeare, curator

a major group exhibition, curated by OHSH Projects, bringing together painting, sculpture, and installation to explore one of humanity’s oldest and most enduring stories

“McGarrity paints at the hour of threshold: sunset, dusk, the moment before dark. His canvases catch light at its most unfixed [in] a body of work unusually committed to atmosphere”

curated by Reiter Raabe, the exhibition explores painting, attention, and abstraction as a space where love, hesitation, and persistence create a relation beyond recognition and function, inviting a rare form of generosity called attention

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

focussing on a little-known aspect of the painter, writer, and photographer, over 150 early stereoscopic images, vintage prints, unique works on paper, lightboxes, and projections in the first UK public exhibition of his work for over 10 years

works spanning six decades by Victor Brauner, Toyen, Leonor Fini, Max Walter Svanberg, Bona de Mandiargues, Myriam Bat-Yosef, Suzanne Van Damme, Reuben Mednikoff, and Grace Pailthorpe

curated by Luis Pérez-Oramas, an exhibition which brings together a series of white works produced during the later years of Ohtake’s life with works from her “blind paintings" series

the annual award celebrates the very best in contemporary portrait painting

Crowther’s first solo exhibition at the Centre showcases her work, sculpted from naturally felled local timber, on all scales

“bringing together a new body of work spanning three distinct series, the exhibition blurs the boundaries between traditional landscape and portraiture”

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

“the horizon is always far away. In a painting, however, it can be right in front of us … Nasu’s second solo exhibition at NISO, begins in the space that opens between these two distances” - Christian Domínguez Dietzel

curated by Péjú Oshin, paintings and mixed-media works made over more than a decade of practice in a career-spanning look at the work of Nigerian-British artist

a new body of work by Khatri presented alongside Chronicles by Kain

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

“Colombet’s abstractions carry a rhythmic, almost variable logic, echoing the geometries nature repeats at every scale - ripples on the surface of water, waves lapping up sand, tectonic plates forming vast topographies”

photographic works by the South African artist Masombuka, deeply rooted in her Ndebele culture, alongside a Spotlight on pieces by the award-winning photographer and “Choreo-Photolist” Reid

“Reyle has developed a unique visual language that continues to challenge how we experience painting and sculpture. Combining bold material experimentation with a deep understanding of abstraction” - Belén Herrera Ottino

painting, sculpture, multimedia, installation, objets d’art, and conceptual practice in an exhibition of eight leading contemporary artists with deep connections to the state, one of the most compelling sites of artistic production in the US today

the artist’s first major show in Monaco - “beneath their serene surfaces, Solà’s paintings reveal the quiet complexity of human relationships, inviting viewers to linger within these suspended moments, where meaning always remains just beyond reach”

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

titled after the Surrealist game and curated by Loie Hollowell, paintings, works on paper, and sculptures by four cross-continental, multigenerational artists, each of whom explore the, particularly female, body

new paintings, in the Kraków-based artist’s first solo exhibition in the UK, that explore the body as a construct, how it holds memories of past selves, and how those selves remain visible as we age

in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth”

a new solo presentation by the London-based artist, comprising a sculptural installation - of the Barking fish and chip shop run for forty years by his Italian immigrant grandparents - alongside an accompanying live performance

“Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

Toh Djojo’s first solo exhibition in the US - “the artifice of the medium and the feeling of its impact is the point. Big vistas - cityscapes, deserts … recall key moments of peak Hollywood-esque visual magic” - James Casey

new work in the artist’s debut solo exhibition at the gallery in Paris - “Prempeh does not paint a destination, she paints the doorway, and leaves it open” - Brice Arsène Yonkeu, curator

“Bas’s canvases … exist in a constant dialogue between beauty and absurdity, melancholy and humor, decadent aestheticism and critique” - Yuko Hasegawa, curator

“at once deeply personal and strikingly universal, the exhibition unfolds as an immersive journey through technological archaeology, political allegory, and mythological imagination”

Mr. returns to Seoul with a new body of paintings, works on paper, and a sculpture in his first exhibition at Perrotin Dosan Park, inviting visitors into a world where memory, familiarity, and everyday observation converge

“in Maloof’s paintings, human figures are partially obscured, never quite revealing themselves, but animals are fully visible with intact identities” - Brienne Walsh

renderings exploring how architecture embodies the spectacle, as well as how our bodies inhabit that built environment, shown alongside the newest installment of his series of multi-part wooden sculptures of bodily fragments, based on historical icons

initiated by Martin Brémond, this project brings together a selection of emerging French galleries with varied approaches, all driven by the same passion for supporting emerging or re-emerging artists