projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

some twenty works by Francis, from three decades of his exploration of the possibilities of colour

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

“sculpture is the underlying principle of François’ practice, informing his work across photography, video, installation and performance. His research centres on matter, space and the relations that emerge between forms, volumes and surfaces”

“thirteen new paintings … in which any subject can change its nature through contact with paint … a promise of the absolute, immediately tempered by a qualification. Between the two, an interval opens in which painting acts”

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney

Indiana’s first monographic exhibition with the gallery - “the technique, if successful, is that happy transmutation of the lost into the found, junk into art, the neglected into the wanted, the unloved into the loved, dross into gold, hence: alchemy”

the first solo exhibition in mainland China of Wesselmann’s work spans four decades and explores the progression of his oeuvre and the bodies of work that have defined it

large-scale paintings, displayed alongside drawings as well as complementary works from the gallery offer an insight into Head’s approach to painting, revealing the processes, themes and visual connections that underpin his work

the Aboriginal artist’s first London exhibition begins with a childhood memory of visits to Melbourne’s National Gallery of Victoria and questions who is represented in museums, who decides, and who is left out

“an exceptional group of artists whose bold and individual approaches helped shape the legacy of postwar abstraction”

“work that is both playful and thought-provoking. The minimal interventions of the artist … turn a common sight into a contemplative artistic encounter” - Georgia Gerson

twelve new oil paintings and, for the first time, five small tables positioning the imaginary space of a painting alongside functional objects - “the exhibition considers the act of looking, and the permeability of fantasy and reality”

Althamer moves his studio from Warsaw to the gallery, making sculptures on site using materials found in New York

“Newby … pushes the boundaries of sculpture and blurs the lines between object, architecture, and landscape. Rather than simply occupying a site, her works alter how a place is understood and experienced” - Ida Simon-Raynaud

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

curated by Rolando J. Carmona, Quispe’s first solo exhibition in Paris brings together recent works - paintings on wood, reliefs, and pieces that move toward sculpture and installation

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

“Emrys knows … that he is ‘dragging things forth’, that they remain a mystery to the rest of us, and only just within his own reach, as passing from memory, like dreams on waking, endlessly reconfigured” - John Gillett

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

“at the core of Ida’s practice is the relationship between humanity and the natural world. His paintings consider the delicate balance between human existence and the fragile ecosystems that sustain it”

a group exhibition bringing together over a dozen international artists - “the exhibition poses an ancient yet ever-renewing question: how does cosmic order mirror itself in the body and the mind”

the debut solo exhibition in Taiwan of the German artist - “Salz paints with a paint roller and harnesses the gravitational flow of poured resin, allowing his work to move beyond the conventions of traditional Minimalism”

the third part of the gallery’s intercontinental series returns to the East with the theme of “unbound” - pointing to ink’s vital capacity to be reborn through breakthrough

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

for the final exhibition of the year, thirty artists from Europe, the Americas, and Asia and more than sixty small-scale works - selected individually by the Team

an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“inspired by the power of light and heat in producing remarkable objects of contemporary craftsmanship - from the flames of a potter’s kiln and the illumination that vitalizes functional artworks to the intense temperatures that mold glass and metal”

renowned for his work across art, architecture, and design, Holtrop’s inaugural exhibition with the gallery presents new functional artworks in cast glass that explore the dynamic relationship between light, space, and material

inaugurating their large new underground exhibition space, an exhibition foregrounding alternative perspectives on space, material, and craftsmanship - adding a fresh perspective to the gallery’s engagement with art, design, craft, and architecture

“I have sought to strip away every trace of artistic affectation until my objects reveal themselves as pure crystallisations of natural forces into essential forms” - Vízner

new works inspired by the dune landscapes and beaches of the Dutch coastline where Molenschot lives and walks often

the British ceramic artist known for his highly tactile treatment of the ceramic vessel presents new molded and punctured pale porcelain, dark, rugged stoneware, liquid glazes, and thermally transformed granite

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

spanning a hundred years of work, a rare opportunity to see exceptional pieces - many rarely shown outside Japan - by some of the most important figures in twentieth and twenty-first centuries Japanese ceramics

curated by Michèle Lamy an exhibition of new editions of iconic functional artworks placed in conversation with pieces from Owens and Lamy’s own contemporary art collection

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

paintings by Maximilian Rödel and glass-and-steel sculptures by Gabriele Beveridge - “these distinct experiences of the sublime find expression through radically different material and perceptual means” - Rebecca Birrell, PhD

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

the first international solo exhibition of this Yolŋu artist, “whose remarkable practice brings together artistic mastery, Country, family and cultural continuity” - Lucy Foster

the Dutch artist and designer continues his engagement in reinterpreting classical furniture - “sinuous, brushstroke-like shapes, which are created from sketches and rendered in patinated bronze, evoke the feeling of matter in flux”

an exhibition of new and historical prints from the workshop and publisher, highlighting the history and production of the Copenhagen-based studio from its modest beginnings to its present-day collaborations with leading international contemporary artists

furniture, found objects, figures, costumes, painted surfaces, and images are dismantled, altered and recombined, moving between domestic spaces, film sets, and installations, in the artist duo’s first exhibition with the gallery

Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms

Simmons’s first solo exhibition with the gallery presents photographs from three series spanning nearly two decades, two on view for the first time

in Camil’s debut solo exhibition in London and with the gallery, new works exploring the unstable boundaries between looking and being looked at

a limited edition of ten sets of Tarot Major Arcana illustrated in sepia with the economy and freedom of the ancient Chinese calligraphers - “Tarot treated as movement … each stroke carries weight” - Leon Steinmetz

works by Rafaela de Ascanio, Mónica Figueroa, Marco Kalach, Romana Londi, Hala Matta, Tori Pounds, Kitty Rice, and Isabella Vella approach the figure as something continually transformed by emotion, memory, mythology and the natural world

new paintings in Brosinski’s first solo exhibition with the gallery following their announcement of her representation - “Brosinski’s paintings are cool, serious, and at times funny, but also fragile and moving” - Jurriaan Benschop

“the gallery takes on the appearance of … an apartment-like setting where architecture, objects, and natural light become part of a choreography unfolding over time”

new videos, photographs, and a drawing employing a mix of analogue collage, digital modifications, and cinematic techniques - “a dense mix of historical references, found images, and traces of contemporary image worlds”

a focused exhibition of large-scale paintings by the leading figure of Lyrical Abstraction - “expansive fields of stained color, shifting horizons, and atmospheric depth reveal the immersive power of Landfield’s work at monumental scale”

paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women

new works by the American artist - “these paintings are not proclamations but records of showing up, layer after layer, mark after mark: evidence of a decision to participate in the world rather than merely comment on it” - Cohen

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

found photographs from Fecteau’s personal collection, chosen and arranged him for this year’s Christmas window

“I’ve long photographed small, ambiguous objects and detritus. Their ambiguity was essential to their appeal to me. Their methods of capture were particularly bent on distorting and rewriting details” - Oelbaum

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

“one of the most important figures in photographic art. He takes his time over his work, creating an environment of silence. The contemplative depth of his images exudes an intense serenity”

dedicated to one of the most important and influential Swiss artists of the 20th century, “the exhibition exemplifies how Roth, with his open concept of the artwork, redefined the boundaries between work, material, and working process” - Dr. Raphael Gygax

“one of the defining painters of his generation, Smith has developed a multifaceted body of work over more than two decades, characterized by seriality, repetition, and an ongoing engagement with the possibilities of painting” - Dr. Raphael Gygax

a selection of dresses revealing Hollein’s distinctive vocabulary, oscillating between fashion and sculpture - “activated by the body, the garments shift between strict framework and comfortable wearability”

“a two year long inquiry into the ontological capacity of contemporary painting … this new body of work uses human conflict, the theatre of conviction and the quiet mechanics of everyday life as its point of departure”

the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years

to inaugurate the gallery’s representation of Plessen, an exhibition of twenty paintings created between 2024 and 2026 revealing the latest developments in his practice

three artists from three continents who “offer an immersion into imaginary worlds in which printmaking becomes a fertile ground for narrative freedom”

work by the late groundbreaking American artist, including her masterwork Music of the Spheres paintings, pieces from her Heliocentric Series, and works on paper and ephemera, offering an expanded understanding of her practice and interests

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

a group exhibition across different practices and generations which explores the relationships between writing, language, and image

thirteen artistic positions that explore the space between dream and reality, abstraction and figuration - “works that do not depict the world as it is, but as it can be remembered, felt, dreamed, and imagined”

William’s first solo exhibition in France brings together pictorial and sculptural elements within a complex, immersive spatial environment - with water as its starting point

new works by Sepuya that offer a concentrated insight into two decades of his practice, including the first presentation of his “Portfolio” series

the gallery’s first exhibition dedicated to one of the most remarkable yet relatively little-known representatives of Swiss Surrealism - a deliberate contribution to establishing his position as a significant part of the history of Swiss art

titled from Clarice Lispector’s posthumous novel, Sintura’s first solo exhibition at the gallery presents a series of new paintings - “an attempt to unite form, material, and subject in order to bring something elusive and hard to grasp to light”

“when working on these paintings, I have gathered motifs much like diary entries. Light, shapes, and associations are the main factors guiding my choices, but also intuition and doubt” - Bjerger

“revisiting some of the dialogues with contemporary and post-war artists previously presented. Morandi’s paintings are thus placed in dialogue with works by Lee Ufan, Josef Albers, Ettore Spalletti and Lucio Fontana”

“this exhibition is broadly divided into paintings and drawings … large-scale paintings that draw on the compositional logic of Persian miniatures [and] drawings that experiment with comic-strip layouts, doodles, the reverse side of paper”

the gallery’s first solo exhibition with one of the defining figures of British Pop Art presents a substantial body of new work alongside significant pieces from across his career

titled after Gilles Deleuze’s writing on the fold, and curated by Dr. Alfredo Cramerotti and Auronda Scalera, an exhibition bringing together six artists who explore how histories, materials, and cultural knowledge survive transformation

works by Raymond Pettibon, Atticus Wakefield, and Susan Kellaway

new large-scale, multi-panel paintings by the Korean-born artist, which take her own body and field of vision as their subject

developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage

monumental carved-wood reliefs, dramatically vertical sculptures in cast iron and granite, and intimate bronze works in Plensa’s tenth solo exhibition with the gallery

new paintings by Kameya continue his visual exploration of Peruvian socio-politics, tracing the narratives and myths of everyday life, and interweaving the intensely personal with national identity and historical events

“the paintings in Goodnight Moon feel generationally significant. They reflect how it is to live within a mesh of human connections and dependencies, how it feels to grieve, to love, and to be a father” - Hettie Judah

based around the 2013 discovery of the rare bronze sculpture Apollo, new paintings by Nashashibi in the first solo exhibition of her work in London since her 2020 National Gallery exhibition

presented with TURN Gallery, an exhibition of new work “Manion’s canvased sculptures are solely constructed vessels that summon a calmness of observation and travel across emotional and physical realms

titled after the centaur who gave up immortality - “silver, gold, and pearl filaments radiate from dense nodes and branch across the surface like star charts, maps, or neural networks, patterns of connection found in the sky, the city, and the brain”

an exhibition exploring the cultural exchange between Cuban communism and the French avant-garde in the 50s and 60s

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

titled after Calder’s house in the Loire Valley as well as the gallery’s street in Paris, the first major exhibition dedicated to the postwar return to France of one of the greatest artists of the 20th Century

new works see Goodman combine strongly pigmented oil paint, expressive brushwork, oil sticks, drips, and washes to create immersive abstract paintings and explore “how painting can hold both quietness and turbulence”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

a major solo exhibition conceived in partnership with the Emma Kunz Foundation bringing together a rare selection of works that unfold across multiple galleries, offering an insight into the visionary practice of the artist, researcher, poet, and healer

shown together for the first time in over 25 years, Ligon’s Coloring Book paintings reveal a rarely seen facet of his practice - "colorful and exuberant ... the works unfold into a rich meditation on history, authorship and the shifting nature of meaning"

the genre-defying artist presents new paintings in his debut exhibition with the gallery in New York

this August, Hauser & Wirth Basel presents a solo exhibition dedicated to the work of the late Swiss artist. Born in Basel, Zurkinden defied easy categorisation, developing a distinctive painterly language that drew on both …

paintings and works on paper from the 1980s, a pivotal period of decisive experimentation and evolution in the late artist’s pioneering six‑decade career

new large-scale paintings, multi-panel compositions, and sculpture by Simpson revealing the symbiotic relationship between her paintings, collages, and wider oeuvre

curated by Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana, an exhibition presenting seminal, rare, and unique works from 1949 onward

prints, mixed-media drawings and collages, some shown publicly for the first time, created during Kelley’s undergraduate years at the University of Michigan in an exhibition focused on his works on paper

an exhibition devoted entirely to Smith’s seldom-seen and trailblazing body of work - “these luminous palimpsests compress the physical world into radiant fields that reveal a painterly sensitivity as rigorous and as radical as [his] sculpture”

new mosaic works, suspended sculptural figures, and a film, that together consider the complex relationships between fathers and sons and how recognising another person’s uniqueness can become its own expression of attachment

new sculpture and paintings that conjure imagined celestial landscapes and topographies, in the celebrated Beijing-based artist’s first New York City exhibition in over a decade

films and archival images in a major solo show by the American artist and activist - “Goldin’s extraordinary perspective, seen through the lens of her camera, invites you to understand how personal experience and political action are interconnected”

an exhibition of works spanning over fifty years and three distinct phases of Riley’s career, revealing the remarkable evolution of her exploration of visual perception

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

conceived with Studio Ellie Peugeot as a meditation in three acts, works from 1866 to the present day exploring the motif of “reflection”

more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery

works developed over the past three years which continue Corujeira’s longstanding exploration of abstraction, light, rhythm, and the relationship between form and space

a new installation and performance work about the act of complaining, in the first major UK presentation of Knight’s interdisciplinary practice, which draws on theatre, psychology, improvisation, and social exchange

new oil paintings, ink drawings, and a large-scale installation in Ivy-Royal’s first exhibition with the gallery since the announcement of his representation

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

eclectic and flamboyant fashion worn by 20-year-olds in Kitakyushu as they mark their entry into adulthood, with outfits, tactile displays, and video interviews following eight ‘new adults’ from first fitting to ceremony

drawing on Marfo’s Ghanaian heritage and his concept of AfroGenesis - “human faces take on animal characteristics, while horses, flowers and decorative motifs emerge within elaborate arrangements of colour and form”

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”

new paintings by Magill - “the drama is these paintings is released and withheld … there is no simple meaning; instead there is much ambiguity and strange, coiled beauty” - Colm Tóibín

a comprehensive exhibition of works on paper spanning fifty years of work by the Colombia-based artist whose fantastical drawings explore the subconscious, the body, and desire

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

Elkalaawy’s paintings develop through accumulation and erasure, using ephemeral forms of flowers, butterflies, vessels, photographs, and ghostly figures to explore memory, loss, regeneration, and the passage of time

twelve new paintings by Caroline Absher and Annice Fell, made in direct response to a rare early oil sketch by Bonnard and hung in dialogue with it - “the two artists take up Bonnard’s saturated palette, his figures absorbed into their surroundings”

Isherwood’s marble sculptures explore the passage of time and the desire to preserve what is inherently fleeting

in the artists’ first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

twelve new canvases created in direct dialogue with Alberto Giacometti’s Still Life with an Apple in Koether’s first solo exhibition at the gallery’s New York space

in collaboration with Galleria dello Scudo, an exhibition focusing on the radical body of sculpture created in the last ten years of his life by the most significant sculptors of the twentieth century

a remarkable group of intimate-scale abstract paintings from the early 1960s, recently rediscovered within Kurz’s SoHo loft - “the paintings reveal a young artist deeply engaged with the language of postwar abstraction”

inspired by Herrera’s shift in style following her move from Cuba to Paris, and including an early, never-before-seen work by her, this exhibition centers on a group of 20th-century artists who moved to spend formative time in new communities

in his first solo exhibition in Shanghai for over a decade, new works from the acclaimed artist’s celebrated Landline series

Yu Hong’s debut at the gallery in New York is a monumental exhibition of new and recent paintings that extend her touching, allegorical, and apocalyptic approach to contemporary life

“Scheirl astonishes us with an even greater variety of materials and techniques: pencil, pastel, crayons, oil stick, ballpointpen, charcoal, watercolour, acrylic on collage of printed paper”

“Knebl’s work explores how art and design are shaped by spatial, social, and political conditions, both historically and in the present. Her installations offer a sensual invitation: they awaken desire and create spaces in which it can take shape”

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

“this exhibition explores the enduring allure of Johnston’s innovative artmaking practice, which spanned seven decades of painting, drawing, printmaking, and sculpture”

new and recent work by Moran continues his inquiry into the histories, objects, gestures, and ideas that shape jazz and its cultural landscape, explored through a range of materials including works on paper, sculpture, and video

exploring the resonance between artistic practices and Maison Leleu’s living legacy, a collaborative installation of works by Lee Friedlander, Richard Rezac, and Rachel Whiteread shown alongside Leleu creations

an exhibition of drawings that conceptualize the ebbs and flows of financial transactions, debt, mortgages, and Phelps’ own pursuit of financial stability as a mother and working artist

Garcia’s debut solo exhibition with the gallery “embarks on an ambitious process of worldbuilding, deconstructing and reconstructing familial histories, artifacts, and archives through sculpture, inviting a spatial encounter with the past”

curated by Luisa Catucci - “Keibel turns his attention to structures that present themselves as fixed - philosophical systems, canonical images, and inherited narratives - and patiently takes them apart”

organised in collaboration with the artist’s estate and Gomide&Co, São Paulo - and exhibited in both the gallery space and Frieze Masters - an exhibition dedicated to Schendel’s unique material language

across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

“in celebrating this gathering of major work by Brown we are grateful for her sustained attention to the spaces where story-telling is revivified, bodies are inhabited, our fears and our delights are brought into magnificent focus” - Edmund de Waal

“through constructed forms, Maw creates lines that float, intersect, and cast shadows, allowing drawing to occupy space as a material presence”

accompanying the Christie Brown retrospective, a substantial analysis of 20th and 21st century figurative drawing practice

with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

marking the fiftieth anniversary of the British painter’s death, an overview exhibition of his many themes and subjects, from landscapes and seascapes to portraits and surreal imaginings

works by six major artists of the Parisian Avant-garde and Surrealist movement - Roberto Matta, Louise Janin, Irène Lagut, Véronique Wirbel, Eric Cederberg, and Marcel Defize

looking the artist’s studio, new paintings by Freeman Bentley, presented in dialogue with 20th Century Masters including Braque, Dufy, de Chirico, Matisse, and Picasso

over twenty artists in this exhibition curated by Vik Muniz, that concludes the celebrations marking 50 years of Nara Roesler’s career as a gallerist

this first of three annual focused presentations showcases intimate self-portraits by the British American artist, musician, and writer, who examines intimacy, desire, consumer culture, and the complexities of contemporary identity

curated by Susanna Brown , an exploration of queer identity, community, and love through the lens of one of Britain’s foremost photographers