projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

“sculpture is the underlying principle of François’ practice, informing his work across photography, video, installation and performance. His research centres on matter, space and the relations that emerge between forms, volumes and surfaces”

“thirteen new paintings … in which any subject can change its nature through contact with paint … a promise of the absolute, immediately tempered by a qualification. Between the two, an interval opens in which painting acts”

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

large-scale paintings, displayed alongside drawings as well as complementary works from the gallery offer an insight into Head’s approach to painting, revealing the processes, themes and visual connections that underpin his work

the Aboriginal artist’s first London exhibition begins with a childhood memory of visits to Melbourne’s National Gallery of Victoria and questions who is represented in museums, who decides, and who is left out

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

in this exhibition curated by Paola Lucente three contemporary artists - Chloe Bonfield, Kate Lyddon and Zulfiya Spowart - explore memory, inheritance, and the traces experience leaves behind

“work that is both playful and thought-provoking. The minimal interventions of the artist … turn a common sight into a contemplative artistic encounter” - Georgia Gerson

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

curated by Rolando J. Carmona, Quispe’s first solo exhibition in Paris brings together recent works - paintings on wood, reliefs, and pieces that move toward sculpture and installation

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

“Emrys knows … that he is ‘dragging things forth’, that they remain a mystery to the rest of us, and only just within his own reach, as passing from memory, like dreams on waking, endlessly reconfigured” - John Gillett

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

renowned for his work across art, architecture, and design, Holtrop’s inaugural exhibition with the gallery presents new functional artworks in cast glass that explore the dynamic relationship between light, space, and material

inaugurating their large new underground exhibition space, an exhibition foregrounding alternative perspectives on space, material, and craftsmanship - adding a fresh perspective to the gallery’s engagement with art, design, craft, and architecture

“I have sought to strip away every trace of artistic affectation until my objects reveal themselves as pure crystallisations of natural forces into essential forms” - Vízner

the British ceramic artist known for his highly tactile treatment of the ceramic vessel presents new molded and punctured pale porcelain, dark, rugged stoneware, liquid glazes, and thermally transformed granite

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

the Dutch artist and designer continues his engagement in reinterpreting classical furniture - “sinuous, brushstroke-like shapes, which are created from sketches and rendered in patinated bronze, evoke the feeling of matter in flux”

an exhibition of new and historical prints from the workshop and publisher, highlighting the history and production of the Copenhagen-based studio from its modest beginnings to its present-day collaborations with leading international contemporary artists

furniture, found objects, figures, costumes, painted surfaces, and images are dismantled, altered and recombined, moving between domestic spaces, film sets, and installations, in the artist duo’s first exhibition with the gallery

Zimmermann’s first solo exhibition at the gallery’s London space brings together for the first time his most recent body of epoxy-on-canvas works

Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms

in conversation with newer work, an opportunity to revisit paintings first shown at the gallery twenty years ago - “Krut demonstrates a Surrealist’s facility for perceiving links between the most disparate commonplace objects” - Andreas Leventis

in Camil’s debut solo exhibition in London and with the gallery, new works exploring the unstable boundaries between looking and being looked at

a limited edition of ten sets of Tarot Major Arcana illustrated in sepia with the economy and freedom of the ancient Chinese calligraphers - “Tarot treated as movement … each stroke carries weight” - Leon Steinmetz

new paintings in Brosinski’s first solo exhibition with the gallery following their announcement of her representation - “Brosinski’s paintings are cool, serious, and at times funny, but also fragile and moving” - Jurriaan Benschop

“the gallery takes on the appearance of … an apartment-like setting where architecture, objects, and natural light become part of a choreography unfolding over time”

new videos, photographs, and a drawing employing a mix of analogue collage, digital modifications, and cinematic techniques - “a dense mix of historical references, found images, and traces of contemporary image worlds”

paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

found photographs from Fecteau’s personal collection, chosen and arranged him for this year’s Christmas window

“I’ve long photographed small, ambiguous objects and detritus. Their ambiguity was essential to their appeal to me. Their methods of capture were particularly bent on distorting and rewriting details” - Oelbaum

dedicated to one of the most important and influential Swiss artists of the 20th century, “the exhibition exemplifies how Roth, with his open concept of the artwork, redefined the boundaries between work, material, and working process” - Dr. Raphael Gygax

“one of the defining painters of his generation, Smith has developed a multifaceted body of work over more than two decades, characterized by seriality, repetition, and an ongoing engagement with the possibilities of painting” - Dr. Raphael Gygax

a selection of dresses revealing Hollein’s distinctive vocabulary, oscillating between fashion and sculpture - “activated by the body, the garments shift between strict framework and comfortable wearability”

“a two year long inquiry into the ontological capacity of contemporary painting … this new body of work uses human conflict, the theatre of conviction and the quiet mechanics of everyday life as its point of departure”

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

thirteen artistic positions that explore the space between dream and reality, abstraction and figuration - “works that do not depict the world as it is, but as it can be remembered, felt, dreamed, and imagined”

new works by Sepuya that offer a concentrated insight into two decades of his practice, including the first presentation of his “Portfolio” series

the gallery’s first exhibition dedicated to one of the most remarkable yet relatively little-known representatives of Swiss Surrealism - a deliberate contribution to establishing his position as a significant part of the history of Swiss art

titled from Clarice Lispector’s posthumous novel, Sintura’s first solo exhibition at the gallery presents a series of new paintings - “an attempt to unite form, material, and subject in order to bring something elusive and hard to grasp to light”

“when working on these paintings, I have gathered motifs much like diary entries. Light, shapes, and associations are the main factors guiding my choices, but also intuition and doubt” - Bjerger

the gallery’s first solo exhibition with one of the defining figures of British Pop Art presents a substantial body of new work alongside significant pieces from across his career

titled after Gilles Deleuze’s writing on the fold, and curated by Dr. Alfredo Cramerotti and Auronda Scalera, an exhibition bringing together six artists who explore how histories, materials, and cultural knowledge survive transformation

new and recent works on canvas by the multidisciplinary artist “whose approach is inspired by the visual fragments of everyday life, the energy of the city, and overlooked details within our surroundings”

works by Raymond Pettibon, Atticus Wakefield, and Susan Kellaway

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage

based around the 2013 discovery of the rare bronze sculpture Apollo, new paintings by Nashashibi in the first solo exhibition of her work in London since her 2020 National Gallery exhibition

an exhibition exploring the cultural exchange between Cuban communism and the French avant-garde in the 50s and 60s

titled after Calder’s house in the Loire Valley as well as the gallery’s street in Paris, the first major exhibition dedicated to the postwar return to France of one of the greatest artists of the 20th Century

new works see Goodman combine strongly pigmented oil paint, expressive brushwork, oil sticks, drips, and washes to create immersive abstract paintings and explore “how painting can hold both quietness and turbulence”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

a major solo exhibition conceived in partnership with the Emma Kunz Foundation bringing together a rare selection of works that unfold across multiple galleries, offering an insight into the visionary practice of the artist, researcher, poet, and healer

this August, Hauser & Wirth Basel presents a solo exhibition dedicated to the work of the late Swiss artist. Born in Basel, Zurkinden defied easy categorisation, developing a distinctive painterly language that drew on both …

new large-scale paintings, multi-panel compositions, and sculpture by Simpson revealing the symbiotic relationship between her paintings, collages, and wider oeuvre

films and archival images in a major solo show by the American artist and activist - “Goldin’s extraordinary perspective, seen through the lens of her camera, invites you to understand how personal experience and political action are interconnected”

an exhibition of works spanning over fifty years and three distinct phases of Riley’s career, revealing the remarkable evolution of her exploration of visual perception

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

a new installation and performance work about the act of complaining, in the first major UK presentation of Knight’s interdisciplinary practice, which draws on theatre, psychology, improvisation, and social exchange

eclectic and flamboyant fashion worn by 20-year-olds in Kitakyushu as they mark their entry into adulthood, with outfits, tactile displays, and video interviews following eight ‘new adults’ from first fitting to ceremony

new paintings by Magill - “the drama is these paintings is released and withheld … there is no simple meaning; instead there is much ambiguity and strange, coiled beauty” - Colm Tóibín

a comprehensive exhibition of works on paper spanning fifty years of work by the Colombia-based artist whose fantastical drawings explore the subconscious, the body, and desire

twelve new paintings by Caroline Absher and Annice Fell, made in direct response to a rare early oil sketch by Bonnard and hung in dialogue with it - “the two artists take up Bonnard’s saturated palette, his figures absorbed into their surroundings”

curated by Marie Perennès, an exhibition of drawings, paintings, and sculpture spanning the final decade of Herrera’s life - “the vital culmination of an eighty-year enquiry into line, form and colour”

the inaugural show at the gallery of one of the world’s foremost abstract painters, surveying his experimentation and mastery over the past six decades of pioneering work in a wide-ranging survey including some of his earliest extant works

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

curated by Luisa Catucci - “Keibel turns his attention to structures that present themselves as fixed - philosophical systems, canonical images, and inherited narratives - and patiently takes them apart”

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

organised in collaboration with the artist’s estate and Gomide&Co, São Paulo - and exhibited in both the gallery space and Frieze Masters - an exhibition dedicated to Schendel’s unique material language

Tsukuda’s first solo exhibition with the gallery - “conceived as a constellation of newly produced two-dimensional and sculptural works, the exhibition draws viewers into a world in which distinctions … begin to collapse” - Samuel Leuenberger

“structure and depth develop through the superimposition of gestures, sweeps and loops … colours accumulate at the edges of the picture surface, while traces of successive layers converge into lines of demarcation” - Mareike Dittmer

across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

“in celebrating this gathering of major work by Brown we are grateful for her sustained attention to the spaces where story-telling is revivified, bodies are inhabited, our fears and our delights are brought into magnificent focus” - Edmund de Waal

“through constructed forms, Maw creates lines that float, intersect, and cast shadows, allowing drawing to occupy space as a material presence”

accompanying the Christie Brown retrospective, a substantial analysis of 20th and 21st century figurative drawing practice

with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture

marking the fiftieth anniversary of the British painter’s death, an overview exhibition of his many themes and subjects, from landscapes and seascapes to portraits and surreal imaginings

looking the artist’s studio, new paintings by Freeman Bentley, presented in dialogue with 20th Century Masters including Braque, Dufy, de Chirico, Matisse, and Picasso

this first of three annual focused presentations showcases intimate self-portraits by the British American artist, musician, and writer, who examines intimacy, desire, consumer culture, and the complexities of contemporary identity

curated by Susanna Brown , an exploration of queer identity, community, and love through the lens of one of Britain’s foremost photographers

both traditional and contemporary approaches to the photographic portrait as the prize showcases the work of talented young photographers, gifted amateurs, and established professionals

Crowther’s first solo exhibition at the Centre showcases her work, sculpted from naturally felled local timber, on all scales

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

titled after the departed sun, and the light a body radiates, new works by four artists - Maitha Abdalla, Omar Kholeif, Mohamed Monaiseer, and Randa Maddah - who work across painting, spoken word and poetry, installation, mixed media, and sculpture

new paintings by Penny in an exhibition titled after the “feasts” we encounter throughout life - experiences, ideas, relationships, ambition, pleasure, success, and failure - and the instinct to survive one only to find an appetite for the next

in the first exhibition at the collaborative space, five artists who consider belonging, vulnerability, material memory, and the unstable boundaries between bodies, objects and places

addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit

the first solo exhibition in London since 2015 of the celebrated Colombian artist has a scenography by Cécile Degos and presents a major selection of paintings, drawings, and sculptures produced over almost six decades

conceived as an annual exhibition at the gallery in Geneva, this show brings together eight international artists whose distinct practices invite new perspectives and discoveries

titled after Adriana Cavarero’s philosophy of relational identity, Kafantari’s first solo exhibition in London presents new paintings exploring one of the most enduring questions of human experience - how identity is shaped through encounter

a selection of sculptures by the acclaimed Uruguayan artist focussing on his distinctive ability to reconcile material density with a striking sense of lift and fluidity

curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair

inspired by amusement parks, world fairs and expos, five intriguing dioramas created by the acclaimed sound artist imagine new ways of experiencing sound and space

new site-specific paintings in the first solo London exhibition by the New York-based artist - “Manning embraces an intensity of color and compositional movement to create works held at the apex of a tide, where one state has not yet yielded to the next”

in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth”

a new solo presentation by the London-based artist, comprising a sculptural installation - of the Barking fish and chip shop run for forty years by his Italian immigrant grandparents - alongside an accompanying live performance

“Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’

“since the day I decided I wanted to call myself a draftsman I try to draw every day. A little bit at least” - Ortiz

Argote’s first exhibition at Perrotin London celebrates fifteen years of his eponymous paintings and sculptures originating from digital scribbles - exploring constraint and freedom while inviting the public to participate within the gallery space

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

drawing on the gallery’s location, an exhibition of new paintings and performance making a connection between British military history and the histories of labour, craft, and production of Savile Row itself

the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented

“these pictures are not psychologically penetrative; the subjects are mostly unknowable and remote. They explore a pictorial iconography of mysterious regality, feminine guile and archetype”

curated by Antony Hudek, the first institutional exhibition in the UK since her death reveals how Sturtevant’s radical conceptual practice continues to probe the power of images

“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince

the debut of ambitious sculptural and video work as Winder-Lind draws both on a 19th century English fable and the fabric of the gallery to create an entire world rendered in vivid and whimsical detail

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

the first ever recreation of the 2005 exhibition at the historic 12th-century Cistercian abbey, Abbaye de Silvacane, in France - “a renewed opportunity to consider Jenkins’s engagement with space, light, and process at a pivotal moment in his career”

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

new paintings by Sujin Lee

curated by Domenico de Chirico, Casaretto’s focuses on the processes of geographical and cultural representation, investigating how traditions, objects, and craftsmanship drift from their original contexts through repetition, imitation, and relocation

a major solo exhibition of the prominent New Delhi-based artist and filmmaker whose distinctive lyrical films move between documentary, travelogue, and visual essay to explore the specific conditions of the Indian subcontinent

the painting, sculpture, printmaking, sound, and film in Caguiat’s first UK institutional exhibition explores the architecture, spiritual resonance, and symbolic qualities of sacred spaces, and the structures and rhythms of everyday urban infrastructure

works by Aziza, Erin Mommsen, Jordan Rubio, Julien Heintz, Maia Twombly, Nick Jensen, Nicholas Aliberti, Sage Schachter, and Zachary Merle - “across nine practices, personal histories are salvaged through deep engagement with material”

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

“bringing together paintings on birch panel, painted photographs and installation in the form of steel agricultural gates, the exhibition explores what it means to look closely, to slow down and to become attentive to one’s surroundings”

for its annual celebration of art, design and hospitality, the internationally acclaimed artist and designer known for her use of colour, geometry, and immersive environments reimagines sketch in a way only she can

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

organised in collaboration with Gió Marconi, Milan, an exhibition of fourteen works by Schifano dating from 1960 to 1967 when he was at the height of his expressive strength, “genuine masterpieces” - Marco Meneguzzo

new paintings placed in conversation with earlier works in Song’s first exhibition in the UK

an exhibition of new work by the multidisciplinary artist which “challenges distinctions between the human and non-human, the present and the absent, the living and the dead”

new installation, sculpture, and moving image by the two artists

curated by Sarah Griffin, an exhibition which explores the interconnected concepts of the three sites of production and transformation - where material, environment and process converge across photography, weaving and ceramics

recent oil on panel paintings, drawn from Mannerism, Dutch Golden Age, and Flemish still lives, in the first presentation in Europe by the Jamaican-born and New York-based artist

an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting

the first solo UK exhibition dedicated to the life and work of the self-taught painter - a central figure in 20th century African-American art - whose bold works on corrugated roofing, sheet metal, and found lumber filled the front yard of his homestead

exploring the profound transformation of vision in the age of artificial intelligence, robotic drawings, dye-sublimation digigraphs on aluminium engraved with laser technology, 3D-printed sculptures, video works on screen and an interactive installation

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

the gallery’s first exhibition of Lydia Corbett / Sylvette David's work presents the paintings, drawings, and sculpture of an extraordinary artistic life and career

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“across thirty new paintings and drawings, Brown elides myth and archaeology with the clamour of contemporary tourists who jostle for snapshots and cocktails across the continent’s summer hotspots”

the gallery presents a group assembled by Ligon of earlier and new works “which conspicuously inform, contextualise, re-contextualise, appropriate and, somehow, ‘prompt’ one another”

a new single screen video installation by Pfeiffer - filmed across three interconnected sites the work traces the networks that sustain bullfighting, one of the world’s most enduring and contested public spectacles

nine luminous late monochromes from Soulages’s iconic series, reflecting the breadth of his sustained exploration of the interplay between darkness and light

ceramic, stoneware, porcelain, Corten steel, bent metal, and charred wood sconces exploring the sconce as a meeting point between contemporary art and design - “the familiar object becomes a site of ambiguity, where function gives way to symbolism”

the London-based artist’s debut solo exhibition is inspired by the act of looking back and a childhood obsession with miniatures and examines the existential weight of what is missing by turning a feeling of emptiness into a palpable reality

new paintings made in Tokyo, London, and Athens, over the past year

paintings and works on paper in the centenarian New York-based artist’s first solo exhibition in Europe - “tracing her remarkable contribution to the language of abstract painting over more than five decades”

new paintings by Paul which examine the act of looking and being looked at

these new paintings by Bas focus on overlooked characters - “capturing the interactions that make a transaction possible and the brief window that exposes a person\'s vulnerability or confidence”

new paintings by Thompson, who “invites viewers into the everyday lives of his subjects through vibrant domestic scenes, full of texture and pattern that create an expansive form of portraiture … weaving through time”

a survey exhibition celebrating the remarkable breadth of Davenport’s career from the late 1980s to the present

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

with glass and metal sculptures, ceramic sculptures with integrated sound, paintings, fabric works printed with images from his family archive, and video works, Ngoya explores his identity through family history

conceived specially for the gallery’s spaces in Cologne, an exhibition by one of Germany’s foremost contemporary artists of colour photographs from 1983 to 2021 that focus on spatial situations of transition