“at the core of Ida’s practice is the relationship between humanity and the natural world. His paintings consider the delicate balance between human existence and the fragile ecosystems that sustain it”

“inspired by the power of light and heat in producing remarkable objects of contemporary craftsmanship - from the flames of a potter’s kiln and the illumination that vitalizes functional artworks to the intense temperatures that mold glass and metal”

shown together for the first time in over 25 years, Ligon’s Coloring Book paintings reveal a rarely seen facet of his practice - "colorful and exuberant ... the works unfold into a rich meditation on history, authorship and the shifting nature of meaning"

paintings and works on paper from the 1980s, a pivotal period of decisive experimentation and evolution in the late artist’s pioneering six‑decade career

an exhibition devoted entirely to Smith’s seldom-seen and trailblazing body of work - “these luminous palimpsests compress the physical world into radiant fields that reveal a painterly sensitivity as rigorous and as radical as [his] sculpture”

the gallery’s first Los Angeles exhibition of the painter, sculptor, and printmaker - “In both two and three dimensions, Jackson’s figures emerge and recede, generating a vivid sense of movement and depth”

“this exhibition explores the enduring allure of Johnston’s innovative artmaking practice, which spanned seven decades of painting, drawing, printmaking, and sculpture”

an exhibition of drawings that conceptualize the ebbs and flows of financial transactions, debt, mortgages, and Phelps’ own pursuit of financial stability as a mother and working artist

Garcia’s debut solo exhibition with the gallery “embarks on an ambitious process of worldbuilding, deconstructing and reconstructing familial histories, artifacts, and archives through sculpture, inviting a spatial encounter with the past”

renderings exploring how architecture embodies the spectacle, as well as how our bodies inhabit that built environment, shown alongside the newest installment of his series of multi-part wooden sculptures of bodily fragments, based on historical icons

co-curated by his son Kwame S. Brathwaite and Jesse Williams- newly-released and never-before-seen works by the photographer, media theorist, and one of the most important American artists of the second half of the 20th century

new portraits and still lifes bringing personal recollections into conversation with art-historical references, rendered in Obijiaku’s distinctive linework and graphic compositions

new work that takes the Star Quilt through a series of material transformations - mirrored installations and works on paper that show the enduring symbolic resonance of the stars