the first solo exhibition in mainland China of Wesselmann’s work spans four decades and explores the progression of his oeuvre and the bodies of work that have defined it

a group exhibition bringing together over a dozen international artists - “the exhibition poses an ancient yet ever-renewing question: how does cosmic order mirror itself in the body and the mind”

the debut solo exhibition in Taiwan of the German artist - “Salz paints with a paint roller and harnesses the gravitational flow of poured resin, allowing his work to move beyond the conventions of traditional Minimalism”

the third part of the gallery’s intercontinental series returns to the East with the theme of “unbound” - pointing to ink’s vital capacity to be reborn through breakthrough

for the final exhibition of the year, thirty artists from Europe, the Americas, and Asia and more than sixty small-scale works - selected individually by the Team

Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms

continuing the gallery’s city-based curatorial series, an exhibition looking at the cultural and artistic development in and around San Fransisco, reconsidering significant works from different periods and how they relate to art history and collecting now

“this exhibition is broadly divided into paintings and drawings … large-scale paintings that draw on the compositional logic of Persian miniatures [and] drawings that experiment with comic-strip layouts, doodles, the reverse side of paper”

titled after Gilles Deleuze’s writing on the fold, and curated by Dr. Alfredo Cramerotti and Auronda Scalera, an exhibition bringing together six artists who explore how histories, materials, and cultural knowledge survive transformation

curated by Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana, an exhibition presenting seminal, rare, and unique works from 1949 onward

drawing on Marfo’s Ghanaian heritage and his concept of AfroGenesis - “human faces take on animal characteristics, while horses, flowers and decorative motifs emerge within elaborate arrangements of colour and form”

“each artist works in their own visual language to depict the delicate, hidden relationship between figure, body, and space … looking, here, becomes an accident rather than a purpose”

“the exhibition begins with a desire for things that gradually fade with time to remain as traces and sensations, re-emerging in the present … Park uses materials including sand, hanji, ink, and light to evoke these elements anew”

Elkalaawy’s paintings develop through accumulation and erasure, using ephemeral forms of flowers, butterflies, vessels, photographs, and ghostly figures to explore memory, loss, regeneration, and the passage of time

in his first solo exhibition in Shanghai for over a decade, new works from the acclaimed artist’s celebrated Landline series

“Menzies’s paintings do not remain within a single emotion or a single temporal state … they move between lightness and weight, revelation and concealment, presence and absence”

“Bas’s canvases … exist in a constant dialogue between beauty and absurdity, melancholy and humor, decadent aestheticism and critique” - Yuko Hasegawa, curator

the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity

“walls painted in various shades of gray carry a subtle scenography that lets visitors move through the space in an open choreography, immersing themselves in works” - Nataša Petrešin Bachelez

curated by Domenico de Chirico, Casaretto’s focuses on the processes of geographical and cultural representation, investigating how traditions, objects, and craftsmanship drift from their original contexts through repetition, imitation, and relocation

significant works by one of the most distinctive painters of the late nineteenth and early twentieth centuries, shown with rare original letters, historical manuscripts, and archival documents

“an open-ended, ambivalent affair. Lindeman’s textual works murmur with nuance - a Barthesian drift across witty musings, and stream of consciousness confessions”

curated by Michael Lindeman, a presentation of many of Ball’s iconic series, celebrating his innovation and major contribution to Australian abstraction, as well as the resilience and restless pursuit of discovery that sustained his practice

across two venues, Ruby’s latest works on paper, together with ceramics, and the first exhibition of new spray paintings in nearly a decade

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”