in his first solo exhibition with the gallery the Thai-British artist “transforms autobiographical fragments into psychologically charged environments where memory becomes both subject and material”

an exhibition bringing together five contemporary painters concerned with memory, inheritance and traces of the past

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

“Siber chooses to return to the most fundamental dialogue with materiality: making steel weightless, letting wood breathe, transforming colour into time, allowing nature to blossom in Baroque splendour”

over forty prints and editions spanning a fifty-year period by artists who played a key role in shaping and expanding the visual culture of the Pop-era

an exhibition bringing together twelve artists who embrace the landscape tradition, but construct images both real and reimagined within their unique visual languages

drawing, sculpture, photography, and found objects in an exhibition of works by eight gallery artists linked through their use of repetition, series and classification

a special display of eight works to mark the centenary of Spero’s birth - pieces that exemplify the range, themes and ambition of her practice

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

“working across batik, tapestry, Jacquard weaving, carpet inlay, embroidery, digital image-making and AI, the exhibition explores textiles not simply as a medium, but as a way of thinking: one built through connection, accumulation and transformation”

works by Anna Pakosz, Sabine Pigalle, Jan Urant, Phil Goss, John Bartlett, and Seohyun Oh

new and historical work by Ghada Amer, William Kentridge, David Koloane, Laura Lima, Misheck Masamvu, Cassi Namoda, Georgina Maxim, Pamela Phatsimo Sunstrum, and Yinka Shonibare

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

the latest in the gallery series presents significant works by Volpi alongside paintings by artists from subsequent generations who reflect on - and depart from - his example

“Padeu works with the tradition of narrative painting, employing the language and stories of the Old Masters and Christianity to depict contemporary Cameroon and the continuing legacy of colonialism”

curated as a cabinet of curiosities, new sculptures by Houseago alongside objects ranging from ancient artefacts to works by artists including Joseph Beuys, Louise Bourgeois, Jacob Epstein, Lucio Fontana, Henri Gaudier-Brzeska, Julia Isídrez, …

the artist, architect, and theorist’s first solo exhibition in the UK brings together sculptures, large-scale paintings, and a selection from his small scale, artist-framed Zero Thumbnail series

new and historical works by Arsham, spanning sculpture, painting, and works on paper drawn from nearly two decades of his practice - tracing the sustained engagement with geology, archaeology, and the cultural residue of the recent past

new paintings which examine “the effects of systems that separate people from land, ancestry, ecology and embodied forms of knowledge”, drawing on Kahraman’s personal history as a Kurdish-Iraqi refugee and the loss of her home in the LA wildfires

focussing on moments of yielding, this first instalment in a two-part thematic exhibition includes works by Sophie von Hellermann, Pierre Knop, Manuel Mathieu, Mary Ramsden, Rachel Rose, Tschabalala Self, and Lina Iris Viktor

titled after Emily Dickinson poem and curated with London-based painter Shaqúelle Whyte, this exhibition presents eleven artists who “explore the in-between, searching out moments that hover at the threshold of articulation, suspended in time and space”

a master of aerial perspective, Faulkner’s new paintings explore the urban landscape of contemporary Los Angeles - “a behemoth, a machine for living, indifferent to its inhabitants and seemingly self-perpetuating”

the gallery launches its exhibition programme with painting, sculpture, and mixed media work by five contemporary artists who explore the liminal state as a productive site of possibility

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

the debut solo exhibition in the UK of the self-taught Iraqi artist who “works across her paintings with her arms and body as a tool, in a semi-meditative state, building layers of pigment through gesture and intuition until something tells her to stop”

the debut solo exhibition by the Los Angeles-based artist known for his hyperreal photography includes dual-imaged lenticulars, lightbox, installation, sculpture, and self portraiture

“post-war and contemporary artists whose bold, colourful prints evoke the joy of sunny days”

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

new work by Thuring - “her approach to painting pushes against monolithic thinking; against assumptions that what is shall ever be … the never-ending entanglements of nature, technology and human beings that confront us every day” - Jennifer Higgie

in the American artist’s first solo exhibition in the UK, this focused selection of paintings spanning more than five decades explores the evolution of his approach to appropriation

“celebrating the living history of a group that transformed modern painting with extraordinary boldness, and [placing] it amongst a new generation of artistic visionaries who reflect or reimagine that spirit”