an exhibition bringing together works from about twenty galleries and art spaces across Iran … the initiative creates a direct connection between artists, galleries and audiences inside and outside Iran

Dong’s meticulously crafted multi-panel paintings draw energy and influence from classical Chinese ink painting and systems of cultivating nature

the first UK solo show of new paintings by the American artist whose work centres on carefully painted interior spaces - “that are at once familiar and quietly estranged”

“bringing together artists from the United States, Britain and Europe, the exhibition traces how abstraction developed transnationally while pursuing that quintessential Modern ambition for a new kind of truth”

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

paintings by six British artists whose practices were forged in the London art world of the 1990s - “painters who, against the prevailing weather, declared that painting remained a medium adequate to its moment”

sixteen international artists whose practices move between sculpture, object, and spatial gesture in a summer group exhibition running alongside London Design Week - “asking not what art depicts, but what it does within a space”

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

works by Georg Baselitz, Jim Dine, Tom Hammick, Fernand Léger, Hew Locke, Humphrey Ocean, Julian Opie, Mimmo Paladino, Paula Rego, Yinka Shonibare, and Joe Tilson in an exhibition of artists who weave images of birds into their visual narratives

Kazim’s first solo exhibition with the gallery presents new watercolours of solitary figures and circus acts alongside his first major portfolio of prints, illustrating the Urdu alphabet

in the New York-based artist’s first solo exhibition in London, new paintings which expand his thematic repertoire, bringing his distinctive attention to the glorious and the everyday in both public and private life

interrogating the visual language of landscape - “expansive skies punctuated by stars unfold above architectural forms resembling boxes, walls or foundations, creating a tension between infinite space and structures of human making” - Anastasiia Fedorova

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

“working across batik, tapestry, Jacquard weaving, carpet inlay, embroidery, digital image-making and AI, the exhibition explores textiles not simply as a medium, but as a way of thinking: one built through connection, accumulation and transformation”

presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

new paintings by the British artist, melding the contemporary and the classical, and capturing moments of suspension and transition to result in a palpable, physical experience that connects vision, film, memory, and matter

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

new paintings interrogating the power structures that manipulate and divide global society - in this case particularly the rise of neoliberalism - using the billionaire owned media as source material

curated by Péjú Oshin, paintings and mixed-media works made over more than a decade of practice in a career-spanning look at the work of Nigerian-British artist

a new body of work by Khatri presented alongside Chronicles by Kain

new paintings, in the Kraków-based artist’s first solo exhibition in the UK, that explore the body as a construct, how it holds memories of past selves, and how those selves remain visible as we age

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

new works by Ragna Bley, Sabine Moritz, Carrie Moyer, Mary Ramsden, Rachel Rose, Tschabalala Self, Lina Iris Viktor, Georg Wilson, and Vivien Zhang in the second instalment of this thematic exhibition at the gallery’s Savile Row space

new paintings by the London-based artist portraying a fictional Jewish family and their social circle, based at their imagined home in Gunnersbury Park, London

Barnes’ paintings - large-scale, monumental, realistically-rendered female heads - are isolated against flat colour-field backgrounds and depicted with a thorough coating of viscous liquid like a sudden immersion

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

new paintings by Sujin Lee

the London-based painter’s first solo exhibition with the gallery showcases how he mixes a cultural lexicon of symbols with an individual process of grieving following the death of his brother

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

for its annual celebration of art, design and hospitality, the internationally acclaimed artist and designer known for her use of colour, geometry, and immersive environments reimagines sketch in a way only she can

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

Dodd’s exhibition centers on the goddess Diana and, having relocated from upstate New York to Scotland’s Moray Coast, uses materials from her new home like peat, copper ink, spirulina, cochineal, local herbs and powdered meteorite

in his first exhibition with the gallery, new work by the American artist - “sculptures … not defined by formal transformation, but rather by the repositioning of recognisable materials through acts of selection, displacement, and framing”

an exhibition of eight contemporary artists working across painting and sculpture - Benjamin Orlow, Emil Sands, Galli, Hannah Quinlan and Rosie Hastings, Kira Freije, Suleman Aqeel Khilji, Tanoa Sasraku, and Tiona Nekkia McClodden

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

in collaboration with Corbett vs. Dempsey, an exhibition of Wright’s flower paintings, alongside works on paper, made from 1992 onwards

an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

the current Turner Prize nominee presents new sculptures exploring the relationship between tropical leisure, militarism and colonial memory

a survey exhibition celebrating the remarkable breadth of Davenport’s career from the late 1980s to the present

an ambitious group exhibition curated by the cross-disciplinary initiatives Teaspoon Projects and Wyn, with photography, sculpture, painting, and video works by Margherita Pedrotta, Natalie Sasi Organ, Linnea Skoglösa, Danae Stratou, and Kusukazu Uraguchi