an exhibition bringing together works from about twenty galleries and art spaces across Iran … the initiative creates a direct connection between artists, galleries and audiences inside and outside Iran

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

Dong’s meticulously crafted multi-panel paintings draw energy and influence from classical Chinese ink painting and systems of cultivating nature

new works developed out of months of research into UK football culture, in the first solo London exhibition of Italian artist Ruth Beraha - “the drawings, like images, explore what lasts. What stays after the game ends: in memory, in affect” - Orit Gat

the first UK solo show of new paintings by the American artist whose work centres on carefully painted interior spaces - “that are at once familiar and quietly estranged”

new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured

“bringing together artists from the United States, Britain and Europe, the exhibition traces how abstraction developed transnationally while pursuing that quintessential Modern ambition for a new kind of truth”

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

in partnership with The Little Black Gallery, and curated by Brandei Estes, an exhibition to mark the 20th anniversary of the death of the legendary photographer

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

paintings by six British artists whose practices were forged in the London art world of the 1990s - “painters who, against the prevailing weather, declared that painting remained a medium adequate to its moment”

“Emrys knows … that he is ‘dragging things forth’, that they remain a mystery to the rest of us, and only just within his own reach, as passing from memory, like dreams on waking, endlessly reconfigured” - John Gillett

sixteen international artists whose practices move between sculpture, object, and spatial gesture in a summer group exhibition running alongside London Design Week - “asking not what art depicts, but what it does within a space”

an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

“I have sought to strip away every trace of artistic affectation until my objects reveal themselves as pure crystallisations of natural forces into essential forms” - Vízner

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

a solo exhibition by the Potter in Residence 2026, exploring the material and optical properties of rare earth elements through ceramic form, asking us “to reconsider the relationship between material, technology, and perception”

works by Georg Baselitz, Jim Dine, Tom Hammick, Fernand Léger, Hew Locke, Humphrey Ocean, Julian Opie, Mimmo Paladino, Paula Rego, Yinka Shonibare, and Joe Tilson in an exhibition of artists who weave images of birds into their visual narratives

Kazim’s first solo exhibition with the gallery presents new watercolours of solitary figures and circus acts alongside his first major portfolio of prints, illustrating the Urdu alphabet

in the New York-based artist’s first solo exhibition in London, new paintings which expand his thematic repertoire, bringing his distinctive attention to the glorious and the everyday in both public and private life

interrogating the visual language of landscape - “expansive skies punctuated by stars unfold above architectural forms resembling boxes, walls or foundations, creating a tension between infinite space and structures of human making” - Anastasiia Fedorova

in conversation with newer work, an opportunity to revisit paintings first shown at the gallery twenty years ago - “Krut demonstrates a Surrealist’s facility for perceiving links between the most disparate commonplace objects” - Andreas Leventis

a non-hierarchical, artist-led touring exhibition curated by Maria do Carmo M. P. de Pontes, with works by Esvin Alarcón Lam, Antonio Pichillá Quiacaín, and Simón Vega

an ongoing, developing exhibition of landscapes and cityscapes from various eras, traditions, and media - this exhibition represents the physical world around us in all its multifaceted glory

works spanning several decades reveal an artist continually attentive to the dignity, vitality and complexity of Black experience - “there is warmth throughout Lloyd’s work, but never sentimentality” - Cameron Amiri

titled after the 1911 novel by Frances Hodgson Burnett, an exhibition of contemporary painting from artists exploring subjects including and relating to the natural landscape - ideas of Arcadia and its assimilation into contemporary city life

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

“working across batik, tapestry, Jacquard weaving, carpet inlay, embroidery, digital image-making and AI, the exhibition explores textiles not simply as a medium, but as a way of thinking: one built through connection, accumulation and transformation”

presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

earthworks, sculpture, tapestry, ceramics, and large-scale outdoor installations by world-renowned artists, all placed in conversation with the Foundation’s 70-acre estate

in an exhibition extending out of the gallery and across the landscape, “Rothschild combines hand-made processes with industrial fabrication to disrupt expectations through material, colour and composition”

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

new paintings by the British artist, melding the contemporary and the classical, and capturing moments of suspension and transition to result in a palpable, physical experience that connects vision, film, memory, and matter

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

a new installation and performance work about the act of complaining, in the first major UK presentation of Knight’s interdisciplinary practice, which draws on theatre, psychology, improvisation, and social exchange

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

new paintings interrogating the power structures that manipulate and divide global society - in this case particularly the rise of neoliberalism - using the billionaire owned media as source material

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

curated by Marie Perennès, an exhibition of drawings, paintings, and sculpture spanning the final decade of Herrera’s life - “the vital culmination of an eighty-year enquiry into line, form and colour”

the inaugural show at the gallery of one of the world’s foremost abstract painters, surveying his experimentation and mastery over the past six decades of pioneering work in a wide-ranging survey including some of his earliest extant works

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

“I would place Jethro somewhere between a cheekier Cartier-Bresson and a more worldly James Ravilious - the tradition of the quiet English observer, but with a continental range and a sense of humour” Benedict Shakespeare, curator

a major group exhibition, curated by OHSH Projects, bringing together painting, sculpture, and installation to explore one of humanity’s oldest and most enduring stories

“McGarrity paints at the hour of threshold: sunset, dusk, the moment before dark. His canvases catch light at its most unfixed [in] a body of work unusually committed to atmosphere”

focussing on a little-known aspect of the painter, writer, and photographer, over 150 early stereoscopic images, vintage prints, unique works on paper, lightboxes, and projections in the first UK public exhibition of his work for over 10 years

the annual award celebrates the very best in contemporary portrait painting

Crowther’s first solo exhibition at the Centre showcases her work, sculpted from naturally felled local timber, on all scales

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

“the horizon is always far away. In a painting, however, it can be right in front of us … Nasu’s second solo exhibition at NISO, begins in the space that opens between these two distances” - Christian Domínguez Dietzel

curated by Péjú Oshin, paintings and mixed-media works made over more than a decade of practice in a career-spanning look at the work of Nigerian-British artist

a new body of work by Khatri presented alongside Chronicles by Kain

photographic works by the South African artist Masombuka, deeply rooted in her Ndebele culture, alongside a Spotlight on pieces by the award-winning photographer and “Choreo-Photolist” Reid

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

new paintings, in the Kraków-based artist’s first solo exhibition in the UK, that explore the body as a construct, how it holds memories of past selves, and how those selves remain visible as we age

in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth”

a new solo presentation by the London-based artist, comprising a sculptural installation - of the Barking fish and chip shop run for forty years by his Italian immigrant grandparents - alongside an accompanying live performance

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

on show for the first time at Petworth - and extending thoughout the house and grounds - towering sculptures by the renowned ceramicist

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

new works by Ragna Bley, Sabine Moritz, Carrie Moyer, Mary Ramsden, Rachel Rose, Tschabalala Self, Lina Iris Viktor, Georg Wilson, and Vivien Zhang in the second instalment of this thematic exhibition at the gallery’s Savile Row space

new paintings by the London-based artist portraying a fictional Jewish family and their social circle, based at their imagined home in Gunnersbury Park, London

Barnes’ paintings - large-scale, monumental, realistically-rendered female heads - are isolated against flat colour-field backgrounds and depicted with a thorough coating of viscous liquid like a sudden immersion

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

new paintings by Sujin Lee

a major solo exhibition of the prominent New Delhi-based artist and filmmaker whose distinctive lyrical films move between documentary, travelogue, and visual essay to explore the specific conditions of the Indian subcontinent

an interactive ten metre long sculpture made of 4,000 suspended yellow PVC tubes - by one of the pioneers of kinetic art

the Mexico City-based studio founded by Isabel Abascal and Alessandro Arienzo presents a serpentine pavilion as the 2026 Serpentine Pavilion

the London-based painter’s first solo exhibition with the gallery showcases how he mixes a cultural lexicon of symbols with an individual process of grieving following the death of his brother

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

in Wenhui’s first solo exhibition in London, new large-scale paintings, including her largest to date, exploring the complexities of women’s lived experience through an immersive painterly language in which body, landscape and memory become inseparable

for its annual celebration of art, design and hospitality, the internationally acclaimed artist and designer known for her use of colour, geometry, and immersive environments reimagines sketch in a way only she can

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

Dodd’s exhibition centers on the goddess Diana and, having relocated from upstate New York to Scotland’s Moray Coast, uses materials from her new home like peat, copper ink, spirulina, cochineal, local herbs and powdered meteorite

“paintings of women, each portrayed with an extraordinary intensity and psychological tenderness … vulnerability, psychic weight, the precarious nature of being alive: her subjects wrestle with and negotiate the human condition”

in his first exhibition with the gallery, new work by the American artist - “sculptures … not defined by formal transformation, but rather by the repositioning of recognisable materials through acts of selection, displacement, and framing”

an exhibition of eight contemporary artists working across painting and sculpture - Benjamin Orlow, Emil Sands, Galli, Hannah Quinlan and Rosie Hastings, Kira Freije, Suleman Aqeel Khilji, Tanoa Sasraku, and Tiona Nekkia McClodden

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

in collaboration with Corbett vs. Dempsey, an exhibition of Wright’s flower paintings, alongside works on paper, made from 1992 onwards

an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

the London based, Bergamo born artist’s debut solo exhibition at the gallery - “Longhi’s sculptural works draw our attention to the vivid expressions of human life and history that can be found on the walls and surfaces of the metropolis”

the current Turner Prize nominee presents new sculptures exploring the relationship between tropical leisure, militarism and colonial memory

paintings and works on paper in the centenarian New York-based artist’s first solo exhibition in Europe - “tracing her remarkable contribution to the language of abstract painting over more than five decades”

these new paintings by Bas focus on overlooked characters - “capturing the interactions that make a transaction possible and the brief window that exposes a person\'s vulnerability or confidence”

a survey exhibition celebrating the remarkable breadth of Davenport’s career from the late 1980s to the present

an ambitious group exhibition curated by the cross-disciplinary initiatives Teaspoon Projects and Wyn, with photography, sculpture, painting, and video works by Margherita Pedrotta, Natalie Sasi Organ, Linnea Skoglösa, Danae Stratou, and Kusukazu Uraguchi