conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, new paintings and oil studies on paper shown alongside a film that delves into the histories and lives of several of the individuals portrayed

an exhibition demonstrating the breadth of Kim’s work within his singular subject - “transforming the waterdrop into a sustained meditation on memory, materiality, repetition, and time”

new portrait and figure paintings show Reagh’s ongoing fascination with fictionalizing heads, figures, and scenes that begin with direct observation or photographic references, allowing something new and surprising to emerge

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

a remarkable group of intimate-scale abstract paintings from the early 1960s, recently rediscovered within Kurz’s SoHo loft - “the paintings reveal a young artist deeply engaged with the language of postwar abstraction”

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

new and recent work by Moran continues his inquiry into the histories, objects, gestures, and ideas that shape jazz and its cultural landscape, explored through a range of materials including works on paper, sculpture, and video

works by six major artists of the Parisian Avant-garde and Surrealist movement - Roberto Matta, Louise Janin, Irène Lagut, Véronique Wirbel, Eric Cederberg, and Marcel Defize

over twenty artists in this exhibition curated by Vik Muniz, that concludes the celebrations marking 50 years of Nara Roesler’s career as a gallerist

Yu Hong’s debut at the gallery in New York is a monumental exhibition of new and recent paintings that extend her touching, allegorical, and apocalyptic approach to contemporary life

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018

new paintings by Kameya continue his visual exploration of Peruvian socio-politics, tracing the narratives and myths of everyday life, and interweaving the intensely personal with national identity and historical events

“the paintings in Goodnight Moon feel generationally significant. They reflect how it is to live within a mesh of human connections and dependencies, how it feels to grieve, to love, and to be a father” - Hettie Judah

recent paintings and sculptures inspired by the urban landscape and engagement with the city - “reducing her subjects to basic geometric forms, stripes, and broad planes of color, Simon distills familiar urban motifs to the point of near illegibility”

in the artists’ first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time

twelve new canvases created in direct dialogue with Alberto Giacometti’s Still Life with an Apple in Koether’s first solo exhibition at the gallery’s New York space

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

in collaboration with Galleria dello Scudo, an exhibition focusing on the radical body of sculpture created in the last ten years of his life by the most significant sculptors of the twentieth century

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

“an exceptional group of artists whose bold and individual approaches helped shape the legacy of postwar abstraction”

twelve new oil paintings and, for the first time, five small tables positioning the imaginary space of a painting alongside functional objects - “the exhibition considers the act of looking, and the permeability of fantasy and reality”

Althamer moves his studio from Warsaw to the gallery, making sculptures on site using materials found in New York

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

paintings by Maximilian Rödel and glass-and-steel sculptures by Gabriele Beveridge - “these distinct experiences of the sublime find expression through radically different material and perceptual means” - Rebecca Birrell, PhD

the first international solo exhibition of this Yolŋu artist, “whose remarkable practice brings together artistic mastery, Country, family and cultural continuity” - Lucy Foster

Simmons’s first solo exhibition with the gallery presents photographs from three series spanning nearly two decades, two on view for the first time

a focused exhibition of large-scale paintings by the leading figure of Lyrical Abstraction - “expansive fields of stained color, shifting horizons, and atmospheric depth reveal the immersive power of Landfield’s work at monumental scale”

new works by the American artist - “these paintings are not proclamations but records of showing up, layer after layer, mark after mark: evidence of a decision to participate in the world rather than merely comment on it” - Cohen

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

work by the late groundbreaking American artist, including her masterwork Music of the Spheres paintings, pieces from her Heliocentric Series, and works on paper and ephemera, offering an expanded understanding of her practice and interests

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

new paintings by Kameya continue his visual exploration of Peruvian socio-politics, tracing the narratives and myths of everyday life, and interweaving the intensely personal with national identity and historical events

“the paintings in Goodnight Moon feel generationally significant. They reflect how it is to live within a mesh of human connections and dependencies, how it feels to grieve, to love, and to be a father” - Hettie Judah

presented with TURN Gallery, an exhibition of new work “Manion’s canvased sculptures are solely constructed vessels that summon a calmness of observation and travel across emotional and physical realms

titled after the centaur who gave up immortality - “silver, gold, and pearl filaments radiate from dense nodes and branch across the surface like star charts, maps, or neural networks, patterns of connection found in the sky, the city, and the brain”

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

the genre-defying artist presents new paintings in his debut exhibition with the gallery in New York

prints, mixed-media drawings and collages, some shown publicly for the first time, created during Kelley’s undergraduate years at the University of Michigan in an exhibition focused on his works on paper

new mosaic works, suspended sculptural figures, and a film, that together consider the complex relationships between fathers and sons and how recognising another person’s uniqueness can become its own expression of attachment

new sculpture and paintings that conjure imagined celestial landscapes and topographies, in the celebrated Beijing-based artist’s first New York City exhibition in over a decade

more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery

works developed over the past three years which continue Corujeira’s longstanding exploration of abstraction, light, rhythm, and the relationship between form and space

new oil paintings, ink drawings, and a large-scale installation in Ivy-Royal’s first exhibition with the gallery since the announcement of his representation

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

Isherwood’s marble sculptures explore the passage of time and the desire to preserve what is inherently fleeting

in the artists’ first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

twelve new canvases created in direct dialogue with Alberto Giacometti’s Still Life with an Apple in Koether’s first solo exhibition at the gallery’s New York space

in collaboration with Galleria dello Scudo, an exhibition focusing on the radical body of sculpture created in the last ten years of his life by the most significant sculptors of the twentieth century

a remarkable group of intimate-scale abstract paintings from the early 1960s, recently rediscovered within Kurz’s SoHo loft - “the paintings reveal a young artist deeply engaged with the language of postwar abstraction”

inspired by Herrera’s shift in style following her move from Cuba to Paris, and including an early, never-before-seen work by her, this exhibition centers on a group of 20th-century artists who moved to spend formative time in new communities

Yu Hong’s debut at the gallery in New York is a monumental exhibition of new and recent paintings that extend her touching, allegorical, and apocalyptic approach to contemporary life

new and recent work by Moran continues his inquiry into the histories, objects, gestures, and ideas that shape jazz and its cultural landscape, explored through a range of materials including works on paper, sculpture, and video

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

works by six major artists of the Parisian Avant-garde and Surrealist movement - Roberto Matta, Louise Janin, Irène Lagut, Véronique Wirbel, Eric Cederberg, and Marcel Defize

over twenty artists in this exhibition curated by Vik Muniz, that concludes the celebrations marking 50 years of Nara Roesler’s career as a gallerist

Glick’s debut solo exhibition with the gallery showcases the first body of work she has produced since returning to live in New York City after a 30-year hiatus

new film, kinetic installation, monumental sculpture, and a wall-mounted tondo - Nguyen brings together his expansive film oeuvre with his long-standing sculptural practice of transforming material remnants of war into objects of healing

new film, kinetic installation, monumental sculpture, and a wall-mounted tondo - Nguyen brings together his expansive film oeuvre with his long-standing sculptural practice of transforming material remnants of war into objects of healing

curated by Arne Glimcher, an exhibition of new paintings and drawings by the Brooklyn-based artist - “Liftin’s practice is deeply rooted in the intersection between image-making and image-processing”

the debut one of the duo’s most ambitious projects to date - a 40-ton, traversable steel sculpture - shown alongside new wall works pursuing their longstanding interest in the performative aspects of architecture

new paintings by the London-based artist situating Li’s oneiric, effervescent compositions in a mediated viewing environment - existing between figuration and abstraction

two seminal bodies of work by the influential Greek-born American artist, including never-before-seen fabric paintings from his pioneering yet little-known 1979 Reconstructions series

“an enigmatically powerful array of paintings and sculptures that collectively propel [Kato’s] exploration of form, color, and spatiality into new realms of consciousness” - Michelle Yun Mapplethorpe

preparatory sketches, never-before-seen archival photographs, and mixed media works crafted through photography, drawing, collage, and manual manipulation - offering insight into the making of JR’s monumental public art project

“a pivotal moment in Graves’ practice, as her longstanding engagement with scientific observation evolved into an increasingly fluid and open-ended visual language” - Juliette Theureau

Henrot’s first public exhibition in NYC brings a group of sculptures of dogs to the entrance of Central Park - each born out of visual references including Saul Steinberg drawings, Tex Avery cartoons, ancient Egyptian sculpture, dog show competitions, …

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, new paintings and oil studies on paper shown alongside a film that delves into the histories and lives of several of the individuals portrayed

co-curated with Harry Tafoya, eleven emerging, mid-career, and established American and European painters from across seven decades present abstract landscapes exploring how artists turn to nature to find inspiration and locate meaning

an exhibition bringing together complete sets of five landmark print portfolios by Marden, alongside rare and foundational prints spanning more than three decades of his practice

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

new portrait and figure paintings show Reagh’s ongoing fascination with fictionalizing heads, figures, and scenes that begin with direct observation or photographic references, allowing something new and surprising to emerge

new paintings by Feld, whose work has evolved to use acrylic paint and collaged imagery printed on acetate - “t is a joy to find these new visual tools”

an exhibition demonstrating the breadth of Kim’s work within his singular subject - “transforming the waterdrop into a sustained meditation on memory, materiality, repetition, and time”

recent paintings and sculptures inspired by the urban landscape and engagement with the city - “reducing her subjects to basic geometric forms, stripes, and broad planes of color, Simon distills familiar urban motifs to the point of near illegibility”

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle