an exhibition of new paintings and sculptures by the Latvian artist which “invites viewers to immerse themselves in Avotiņš' quiet, profound world of images and figures”

new works by the renowned photographer and film director taken in the vast horizons and landscapes of China, and the towering forest - “everything stands still in this dedicated study of moods”

Mivekannin “revisits the history of Orientalism with a bold intervention in the original paintings that he uses for inspiration ... his paintings do not merely reference the Orientalist tradition; they irritate it” - Susana Turbay Botero

new large format works based on film stills photographed on a screen, digitally reworked. and then translated into paintings in oil on canvas

new paintings where Levy explores class and image-making in Britain today - “intimacy and loneliness, camaraderie and isolation, in which we must all ask what price we pay for our obsession with luxury and the fetishisation of objects”

the inaugural exhibition at the gallery’s new space in central London - its first European base - presents four major projects by the Filipino husband-and-wife duo, including a site-specific installation and new large-scale sculptures

new paintings drawing on art history, mass-produced objects and toys, amusement parks, childhood memories, and urban life - “the beauty and accentuated charm ... are deliberate strategies to pull us into hyperreal world of pleasurable artifice”

across all three levels of the gallery, Bonvicini’s first solo exhibition with Capitain Petzel explores space, identity, and their construction with new sculptures, works on paper and a new site-specific video installation

“Stern’s girls see how they’re seen and they’re ready to go to battle with the full arsenal of seduction, smoothness, and adversarial appeal . . .the enemies-to-lovers pipeline has never been so scorching” - Alex Quicho

Rondinone’s first solo exhibition at the gallery inaugurates their new location in Piazza dei Martiri with this homage to Vesuvius

the gallery’s first solo exhibition dedicated to the artist examines the full scale of his sculpture, created in 2015 on the salt desert of Bolivia - “Barth’s work brings us back to the hidden meaning of thing”

important paintings on paper by the late artist which “move between what is clearly spelled out and what is purposely kept behind a thin film of opaque white” - Anders Kreuger

“grappling with the heavy truths of metallurgy - transformed from the start into images of delicate thinness, almost threadlike - Consagra, in this phase, chose to make color the very substance of the sculpture’s body” - Prof. Gabriella Di Milia

paintings and drawings from 1990 through 2025 in a survey exhibition of Lasker’s exploration into line, figure, ground, and pictorial space

“Ferré establishes space, meaning that she opens it. She is armed only with her approach to the canvas, this way of painting that resembles a dancer’s movement ... Her art is about fluidity” - Pierre Wat

“Janská’s practice is a meditation on form and perception, a delicate unravelling of selfhood tracing contours of femininity with an ethereal hand” - Luana Hildebrandt

“this is an exhibition that happens in the timeframe of 7 breaths. As if the works, all together, would dictate its duration and the entire walkthrough would consist of exhaling 7 times” - Pérez Córdova

“with an almost childlike joy, Paquet playfully deconstructs photographic techniques, returns to its essential elements, in order to celebrate a single component: The most important element is light” - Lillian Davies

new hanging light sculptures and a minimalistic lounge chair by the collaborative art and design practice, exploring themes of place and memory with works that echo the designers’ belief in the future and longing for what is left behind

new artworks by the artist and designer “who injects whimsy and nostalgia into a design world that she considers often too serious and self-aggrandising”

curated by Heinz Liesbrock, photographs by Adams and paintings by Albers bring two outstanding protagonists of art after 1945 into conversation to “emphasize that light is the basis of visual language”

curated by Almine Rech and Simon de Pury, recent paintings of “staggering beauty” by one of the great masters of abstraction

around forty works on paper by artists from Balla to Cattelan and Moore to Rauschenberg in an exhibition which “traces the evolution of this flexible and intimate medium”

“a poetic exploration of time, memory, and inheritance, constructing a cartography of the artist’s most intimate universe ... in his practice, plexiglass becomes the evolution of the canvas, and tape, the evolution of paint”

exhibited for the first time, a powerful series of rough and complex collages by Franco, based on LA and made from layers of images and signs, symbols and text

new works by Furter in an immersive installation emphasising the here and now and examining existential questions of human existence

three decades of photographs in the first comprehensive retrospective of Perrier’s work

an exhibition which “unveils the unseen - the physical and historical traces on the reverse of the canvas that offer deeper insight into an artwork’s journey” with works by artists including Braque, Fontana, Magritte, Morandi, Miró, Nicholson, and Picasso

more than fifty aphorisms, remarks, slogans, and “other precepts of questionable significance” by Labelle-Rojoux, all written on colored paper

over forty paintings and sculptures by Saint Phalle and Kusama in an exhibition which explores the Jungian concept of the “inner child” in their work

“Bertrand, however, evokes the décors staged on the record sleeves of certain electronic music pioneers. Repetitive, anonymous and generally uncopyrighted, this music from the 1970s-80s” - Paul Bernard

paintings and an illusionistic wall installation as Ribbeck’s first solo exhibition in France presents his “intricately designed rhythmic and geometric sequences of forms and colors, which spread across the entire surface of the substrates and beyond”

with an installation, photograms, and video, this exhibition examines existence and extinction through spatial constructions and a multilayered perspective across various materials and media

an exhibition of the British artist known for abstractions that explore form, colour and surface, who “unites a profound affinity with the natural world with a commitment to abstraction and painting as object”

new gunshot-pierced gold-plated panels and a single marble sculpture “explore a raft of opposing forces: domesticity and wildness, force and resistance, creation and destruction, perseverance and loss”

a floricultural tribute to Jane Austen, one of England’s best-loved authors, in celebration of what would be her 250th birthday

this solo exhibition of the legendary artist’s six-decade career explores his satirical view of the art world and its politics, mechanics, and history

a retrospective of early works by the late British pioneer of Optical Art and foundational figure in British abstraction

celebrating the influential exhibitions at Jean Pollak’s Galerie Ariel in 1950s Paris, works by artists including Camille Bryen, Jacques Busse, Youla Chapoval, Jean Deyrolle, Pierre Dmitrienko, Henri Goetz, Jean Le Moal, Maryan, and James Pichette

extending beyond the gallery to include outdoor sculptures, this is the most comprehensive institutional exhibition of the leading figure in the Arte Povera movement to be presented in the UK

intricate new drawings by Harnett depicting tender, decadent and dream-like scenes inspired by contemporary film, Greek mythology and Old Master paintings

in Kimeze’s first solo exhibition in the UK, new paintings inspired by the resurgent popularity of roller skating in Black communities in London and beyond explore movement, flight and freedom

sculptural paintings and painterly sculptures by Josef Albers, David Annesley, Paul Feeley, Sheila Hicks, Vanessa Jackson, Sean Shanahan, William Turnbull and Fabienne Verdier in an exhibition that explores the interplay between colour and form

a powerful exhibition of the era-defining and thought-provoking works by one of the most prominent Magnum photographers of the postwar era, and the first to focus almost exclusively on peacetime

new large-scale paintings inspired by the woods and landscape around the artist’s home and studio in Sweden - “the paintings act as windows, rather than a picture of a landscape” - Eriksson

the first exhibition in the UK to focus specifically on portraits by an artist widely regarded as one of the greatest exponents of the genre

referencing the painting genre of a group portrait in an informal setting, an exhibition “creating conversations between the works, creating formal, technical, thematic or more dreamlike and light-hearted connections”

in the first retrospective in France of the British artist, photographs of Morris’s youth in London, his portraits of Bob Marley and the Sex Pistols, and his work with artists including Oasis, Lee ‘Scratch’ Perry, and Marianne Faithfull

intimate portraits by the Ukrainian painter in his first solo exhibition with the gallery

twenty photographs and a painting present “Heck’s unique fusion of photography and painting, characterized by a bold embrace of natural light, resulting in a stunning array of unapologetically beautiful and vividly colorful images”

titled after Eliot’s The Waste Land, an exhibition of emerging artists who either physically use, or metaphorically respond to, sand in their practice

responding directly to the architecture of the building, a monumental new site-specific work, alongside works in glass, on paper, and three-dimensional objects, in the Turner Prize-winning artist’s first solo exhibition at a London institution

over fifty works in the debut retrospective exhibition celebrating the late artist’s wide creativity, and showcasing one of the most original painters to have emerged in recent years

an exhibition of stone, wood and neon sculptures, as well as wall painting, tapestry and print by one of Scotland’s greatest artists, part of a series of exhibitions to mark the centenary of the birth of the artist, poet and landscape designer

new and recent canvases and multi-panel paintings by the British artist - “bold, uniquely recognizable compositions, which reveal witty observations and subtly sophisticated meditations on the nature of visual representation itself”

an extensive exhibition on the printed works of one of the leading portraitists of the Parisian avant-garde

Marcantonio’s debut solo exhibition reimagines Murano and its glass through the bold and imaginative design of new light sculptures and a chandelier

curated with Marco Livingstone, the first posthumous solo exhibition dedicated to the early British Pop Artist exploring his pivotal transition from Pop figuration to bold geometric abstraction

Oliver Bak, Eugène Carrière, Guglielmo Castelli, Enzo Cucchi, Enrico David, Leonor Fini, Anne Imhof, Alexej von Jawlensky, Conny Maier, Rosemarie Trockel and Andro Wekua - works which “interweave past and present in a dreamlike visual language”

intricate ceramics alongside new large-scale paintings “as Hunt focuses on female artists who practiced magick while remaining devoted to their artistic pursuits”

Rockenschaub’s new series explores subtle deviations, irritations, memories and reappropriation

sculptures, new drawings, and clay “sketches” by Spragg, examining landscapes and ecosystems - in dialogue with works by Johanna Tagada Hoffbeck, Rosanna Martin, Inês Neto dos Santos, Sop, and Bethan Lloyd Worthington

in Boafo’s debut at Gagosian London, and his first solo exhibition in the UK, new portraits celebrating the Black figure and placed in a “transformative and involving design conceived by the artist in collaboration with architect Glenn DeRoche”

in the American’s first solo exhibition at the gallery, and in the UK, “sculptures reveal how items can confer social status upon their owner [and] embrace the fragility and impractical beauty of their objects”

an exhibition of still life paintings by the eminent Danish painter, sculptor, filmmaker, and author

recent paintings by the internationally renowned French artist - in a specially-designed exhibition installation of colourful painted zones

“the main idea of this new series of paintings is to be like an opposition to the imperfect world we live in ... images filled with happiness, with beautiful colors and unreal atmosphere” - Grecu

the Colombian and British painters use surreal approaches to reimagine the tradition of landscape painting in the second annual exhibition bringing together two artists whose practices offer distinct and complementary perspectives

new paintings and works on paper by the American artist in his first exhibition in the London space - “through meticulously rendered depictions of nature and manmade structures, Longstreth captures the essence and specificity of a time and place”

“often working with drawings in pencil and pen and several layers of cutouts, of figures and props, Marschner has the sensibility of a puppeteer, albeit one who feels the pull of his own strings by an unseen hand” - Thomas McMullan

more than twenty photographs shot on the streets of Rome, Sicily, and Venice - including the first exhibition of the complete Italy series - alongside iconic portraits of notable cultural figures

new paintings of semi-closed metal shutters as “a threshold into an unknowable, impassable void” in Harrison’s first solo exhibition in the gallery’s London location

Berhanu’s first exhibition with the gallery presents new paintings showing her distinct formal vocabulary combining abstract and representational elements

Richardson’s debut solo exhibition - “these works mark a moment of transition and a broadening of the scope of my practice, presenting a domestic space that is guided by curiosity and an active re-imagining of the everyday”

a dual exhibition of Cesare Lucchini and Stephen Pusey - two artists who have reinterpreted the legacy of first-generation Abstract Expressionism to bring fresh relevance to the movement

“energetic fields of abstract marks that occasionally coalesce into floating forms approaching figuration” - new paintings in the Armerican’s first exhibition with the gallery, and in London

“I took over Picasso museum ... but some visitors never made it to the fourth floor. That’s why I wanted to organize a catch-up session at Perrotin Paris” - Calle

“these saccharine aesthetics are intentionally designed to captivate the viewer, only to expose the deeper truths beneath - how visual appeal has been commodified in modern society, shaping our perceptions of value, beauty, and identity” - Saša Bogojev

seminal photographs from the early 1970s by this pioneer of conceptual and staged photography, which challenge conventional notions of gender and its representation

Singh’s first institutional solo exhibition in London explores the full breadth of her practice, from large-scale oil paintings to intimate watercolours and ink drawings, to showcase her prolific career of over six decades

Ebinama explores contemporary femininity and how it has been shaped through narratives spanning myth and manga, and “love being a potent site of transcendence after destruction and loss” - Ebinama

Knebl is known for her interdisciplinary/transmedia practice, which combines sculpture, installation, design and performative elements

new portraits of herself and her young son where Minnicucci explores how vulnerability and discomfort in front of the camera can become self-discovery and collaboration

an extensive retrospective of the late artist, on the twentieth anniversay of the original exhibition - “West challenges us to take responsibility into our own hands: »do it yourself«, already at the gallery or later right at home” - Christian Malycha

curated by Sabina Jaskot-Gill, over 200 photographs in an exhibition of iconic images and portraits from the trail-blazing youth culture magazine

curated by Claudia Cheng with works by Anna Ortiz, Sara Bonache, Georgia Beaumont, Seline Burn, Gill Button, Annalee Davis, Cecilia Granara, Monika Marchewka, Beatrice Hasell-Mccosh, and Ṣọlá Olúlòde

celebrating four decades of handmade ceramics by Harrison, reflecting the depth and range of his concerns, techniques, and recurring motifs

an exhibition which “celebrates a diverse grouping of artists connected through their visual reinventions of the human figure and incisive portrayals of women”

seven artists from diverse Eastern backgrounds in an exhibition which “investigates the diverse outcomes of a meditative approach to artistic practice”

new paintings by Knop in his first solo exhibition with the gallery - “kaleidoscopic landscapes - lush forests, imposing mountain ranges, chocolate-box village scenes and dramatic seascapes - that unsettle as much as they seduce”

sourced from the artist’s extensive collection of found online images, “Shearer’s images of sleep offer a quiet counterpoint to the culture of hyper-attention and incessant activity that dominates contemporary life” - Andrew Witt

across two gallery spaces, Babirye’s first exhibition with Galerie Max Hetzler presents new sculptures and works on paper using appropriation and reassignment of terms and categorisations to produce real or imagined portraits of the Queer community

“through works on paper, the artist creates a memoir of her time inside the studio ... the paper itself becomes a ritual space”

a landmark exhibition which presents the sculptor and poet’s tribute to the legendary Josephine Baker

a solo retrospective on the Warrington-based painter whose urban scenes captured the essence of his local community

to coincide with her exhibition at Pitzhanger Manor & Gallery, an exhibition of new still lifes by Watt

prints, video works, and an installation by Rovner, named after and exploring the poppy - “drawing viewers into its layered meanings and evolving presence in her work”

across two gallery spaces, Babirye’s first exhibition with Galerie Max Hetzler presents new sculptures and works on paper using appropriation and reassignment of terms and categorisations to produce real or imagined portraits of the Queer community

the second iteration of the gallery’s new program organized with Olivier Renaud-Clement hosts Lo Brutto Stahl

rare maguey fibre tapestries made by Central American craftspeople in association with Alexander Calder - who had a long-term fascination for folk art and indigenous manufacture

large luminous sculptures handcrafted in blown glass in the Finnish artist’s first solo exhibition

“McGee’s exhibitions are characterized by their abundance and generosity. Every corner is filled with art, and the artist’s creativity is splashed onto all kinds of media: glass bottles, surfboards, discarded objects, canvases, drawings” - Richard Leydier

an exhibition of the renowned photographer’s monumental portraits documenting nomadic and Indigenous tribes with dignity and deep human empathy

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

“united by their mastery of the craft and influence on the medium, the artists represented in the exhibition provide a thoughtfully curated overview of the modern masters of photography”

on the 25th anniversary of the Belmacz name, a transforming, three-month exhibition which creates “transitioning scenes, tableaus and clashes, amplifying the voices of our co-collaborators, constructing reverberations”

a group exhibition which explores materiality as both substance and concept in contemporary abstraction - “how texture shapes experience, how material defines space, and how a work’s weight and presence shift perception”

new embroideries, bronze sculptures and canvases in the first exhibition with the gallery, and in Paris, by an artist renowned for her investigations into colour, materiality and form

new paintings on aluminum from Fischer see him explore the imagery of online “fishing” and the definition of beauty

Guerriero’s debut solo exhibition in London - “sensuous and intimate are some of the adjectives that come to mind when confronted with Guerriero’s miniature paintings”

new paintings and a site-specific intervention which explore healing, restoration, and remembrance in relation to conflict and wartime violence

the New York-based artist works at the edge of painting and technology

Smithson’s installation takes the medical cases of the modern ME and the ancient “dancing plague” to explore historical and contemporary contradictions between health, ritual, religious fervor and guilt

“extra-sensory portraits ... paintings of friends and collaborators - a reconstruction, of sorts, of people he likes to spend time with”

titled after Homer’s epic, an exhibition by one of Spain’s most renowned contemporary artists who explores “navigation between the sky and the deep sea” with propellers, submarines, and airplanes constructing a poetic narrative of time, space, and life

Ava Grauls, Diane Chappalley, Epona Smith, Evie Mae Jacobs, Guan Guan, and Hannah Lim - six extraordinary international female artists who explore ephemeral moments that encapsulate the essence of the feminine experience

new work by Robertson, drawing on a working-class history of bodily engagement with the materials of heavy industry through performance, drawing, riveted steel collage, and welded steel sculpture

including rarely-seen works, this survey exhibition provides a new and surprising insight into Struth’s work over four decades

in his first solo exhibition in the UK, over twenty paintings showing the Cuban-American artist’s “captivating and intuitive approach to abstraction”

new oils on canvas and gouaches on paper by Yoon in her first exhibition in France - “each painting has a life of its own, and it's my job to make it visible”

“a striking collection of emotionally charged works that will resonate deeply with many” as Fiszer blends digital tools with generative techniques to produce these still and contemplative images

works by Abraham Kritzman and Philippe Van Snick - shown for the first time in dialogue with each other

paintings and a new sculpture by the acclaimed artist, exploring identity, culture, and social issues

an exhibition of the late Swiss photographer - “his work, which moves between photography, sculpture, object and painting, is characterised by clear, reduced black and white pictures”

the gallery’s first exhibition of the late multi-disciplinary artist presents ten sculptures from a pivotal period in his work where he explored “more corporeal forms that incorporate multiple components, and which balance density with ephemerality”

Portillo explores the emotional terrain of her native El Salvador through paintings which blur distinctions to create “an intentional ambiguity that captures the essence of memory itself”

Bowling’s first solo exhibition in France sees him continue to explore collage as a conceptual tool and technique, and features new works including four monumental paintings

photography, video, painting, installation, and sculptural works by emerging and established artists exploring the dynamic interplay of figure-ground relationships in architecture, psychology, media, and literature

new acrylic and oil paintings in Curtiss’s first solo exhibition with Gagosian, and in Paris - drawing on 18th- and 19th-century European painting and integrating influences from the Chicago Imagists, ukiyo-e, comics, and popular illustration

“the works featured in the exhibition originate from Totsikas’ universe - and it is there they shall return. There, under their own laws, the works exist all together in a permanent state of semi-exhibition’ - George Bekirakis

including many pieces never shown before, this is the first UK solo exhibition of the late Eritrean-born American artist known for richly colourful, dreamlike paintings, reflecting European and American art as well as his native country

alongside new watercolors and a new panel work in the upstairs gallery, Cattelan takes over the main Shop with a presentation of editions, publications, and new merchandise

“Park’s paintings invite us to reconsider the operations of the gaze and the construction of meaning, emphasizing the limits of either/ or thinking and insisting instead on a more nuanced relation to contradiction and multiplicity” - Amanda Holmes

Haffendi Anuar, Elizabeth Gabrielle Lee and Koby Martin - three artists who explore belonging, identity, and the imaginary

the Iranian painter’s first exhibition in Belgium presents the central theme of her work: painting as a means of expressing pleasure and emancipation

a video installation which uses social media as a performative space to explore the impact of it on the commodification of - particularly women’s - bodies

works by artists including Alighiero Boetti, Jean Boghossian, Chiara Dynys, Emilio Isgrò, Anselm Kiefer, Claudio Parmiggiani, Michelangelo Pistoletto, and Yinka Shonibare exploring the book, not only for its literary content but also its symbolic value

in the South Korean artist’s first solo exhibition, paintings ranging from the intimate to over two metres square explore the tensions between utopian beauty and unsettling realities

the first presentation of these performative, personal works by Boothright exploring “the vertical as a symbol of time, transformation and mortality”

the gallery celebrates its one-year anniversary with a Nicolas Sorbac and Christian Dominguez-curated exhibition bringing together a group of artists who challenge the limits of painting

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

Josiah McElheny, Carrie Moyer, Hasani Sahlehe, Arlene Shechet, and Dan Walsh are five artists based on or around the East Coast whose painting and sculpture explores the legacy of modernism

part of Gallery 2, the occasional programme of exhibitions by non-represented artists, abstract paintings from the 1960–90s by Mohanti, for whom painting is a form of meditation and life control

“several protagonists airing a long, drawn-out parlance, each seeking to justify its presence on a platform constructed in a far more functional derivative to the materials of that on top”

curated by Thom Oosterhof and inspired by Philip Guston’s quote “everyone who creates anything knows, there is a moment, when a third hand is doing it” - works by Ina Gerken, Paul Verdell, Julia Bennett, Ji Won Cha, Andre Hemer, and Samuel Bassett

a rare exhibition of black and white paintings by the late Indian artist, one of the most well-known of the 20th Century and a pioneering Indian modernist

examining the challenging of convention and use of repetition, defining works by key postwar figures including De Maria, Fontana, Judd, Manzoni, Merz, Picasso, Rauschenberg, Serra, and Warhol

simple geometric forms encased in Plexiglas, which give the illusion of movement, in this exhibition of one of the leading exponents of constructive and concrete art in Germany

new paintings by Padeu “capture moments of respite, repose and celebration, paying homage to the ceremonies that underpin everyday lives in an African context”

“an unprecedented dialogue between ... two major figures born on opposite sides of the Atlantic, whose deep intellectual and artistic friendship has long remained largely unknown”

an exhibition of unique record sleeve designs by renowned artists and emerging talents - and Yinka Ilori etched-vinyl - in the ninth edition of the charity initiative combining music and art

new digital paintings and an interactive carpet in the German collective’s debut solo presentation at the gallery and in London

new works in lacquered wood and concrete benches by the French designer which “embody the artist’s interest in the architecture of artificial contemporary landscapes”

the first solo exhibition by the French artist in the UK marks the launch of the gallery’s new programme of solo exhibiitons and experimental projects

an installation which “explores myths, legends, gods, rituals, and their influence on our lives . . . the supersized form will complete a monumental Mother Goddess sculpture, contrasting with the male-centric Mithras religion of the temple”

works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

across both gallery spaces, an exhibition of works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

across both Paris spaces works by, for, and inspired by Giorno - with Julie Béna, William S. Burroughs, David Douard, Verne Dawson, Judith Eisler, Tarek Lakhrissi, Mélanie Matranga, Clément Rodzielski, Ugo Rondinone, Billy Sullivan, and Rirkrit Tiravanija

twelve new works by the Korean artist at the gallery’s new Milan space, including her signature methodical works of burnt, cut and layered Hanji paper as well as pieces characterised by gestural forms

across both Paris spaces works by, for, and inspired by Giorno - with Julie Béna, William S. Burroughs, David Douard, Verne Dawson, Judith Eisler, Tarek Lakhrissi, Mélanie Matranga, Clément Rodzielski, Ugo Rondinone, Billy Sullivan, and Rirkrit Tiravanija

monumental sculpture, installations, and video - including new work shown for the first time - by one of the most powerful voices in contemporary Ukrainian art - “Kadyrova creates a space for reflection on the essential role of art in times of conflict”

“combining rigorous observation and fantastic imagination Bertalan's extraordinary drawings create mysterious microcosms. Imbued with the artist's philosophical and spiritual convictions”

the debut of a new project, specially designed for the gallery space, from the artist who’s work “defies classification and explores a variety of mediums, aesthetic categories and sources of inspiration”

installed on a giant frieze, Cognée’s landscapes use a unique painting technique and display “his unconditional love for the medium of painting and his caustic view of our disenchanted era”

in conjunction with his estate, an exhibition to celebrate the life and work of the influential artist, humanist, and philanthropist

other new paintings by Kimeze and works on paper, shown alongside a newly commissioned tapestry made by Edinburgh’s Dovecot Studios

sculptures, assemblages, installations, and works on paper from 1962 to 1980 in Caniaris’ first major retrospective in France

inspired by a Maya Angelou poem, “a journey deep into the complex and fascinating universe of Oda Jaune” with twenty oils on canvas which explore unconditional love

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

drawn and monotype-printed works on paper by artists including Joe Bradley, Carroll Dunham, Shara Hughes, Tobias Pils, Ugo Rondinone, Tschabalala Self, Steven Shearer, Josh Smith, and Alex Hank

with works by Marc Bauer, Valérie Favre, Zilla Leutenegger, Teresa Margolles, Valentin Rilliet, Grace Schwindt, Shirana Shahbazi, Melanie Smith, and Francis Alÿs

all new paintings and works on paper reflecting her reverence for the natural world, in Uman’s first solo exhibition in Switzerland - presented in partnership with Nicola Vassell Gallery, NY

“on this French Riviera that he loved as much as I did, Karl was about to surround himself, for the first time, with a geometric, childlike and colourful decor. Fine, but why specifically Memphis?” - Paloma Picasso

in memory of one of the most radical Swiss artists of our time, pieces from three pivotal groups of work in an exhibition to mark twenty years since his passing

major works by Poliakoff alongside pieces by the artists who contributed to the perseverance of his chromatic explorations and created equally avant-garde works themselves

Khedoori uses cast aluminum, bronze, 3-D printing, resin, encaustic paint and paper to produce an ensemble of sculptural works that oscillate between constructed and deconstructed states

“Perry’s practice - spanning collage, printmaking, and installation - explores personal memory in today’s hyper-technological world”

Kang explores the sculptural potential of woven materials, working with both textile and concrete to create sculptures that blur the boundaries between the organic and the industrial

the gallery’s first solo exhibition of the London-based Dutch artist presents recent sculptural and photography that explores ecology and systems of production, examining the invisible infrastructures that shape our consumption

“in UP, perception becomes an act of creation. The works are ... activated by light, altered by movement, and ultimately completed by the gaze of the viewer. What emerges is not merely a visual encounter, but an immersive, destabilising experience”

works by Walead Beshty, Angela Bulloch, Sylvie Fleury, Liam Gillick, Douglas Gordon, John Giorno, Adam Pendleton, Gerwald Rockenschaub, Ugo Rondinone, and Steven Shearer

an exhibition which examines the fundamental relationship between raw materials and ceramic creation, exploring the processes that shape contemporary sustainable ceramic practices

De Jong’s inaugural solo exhibition draws from the visual language of American iconography, religious symbolism, and pop culture, using abstraction as a tool to reconfigure meaning

Noh celebrates traditional Korean bathing rituals to explore “the tensions between belonging and alienation, grappling with the complexities of collective identity as a South Korean woman living abroad in the United Kingdom”

a monographic exhibition dedicated to the Polish-born painter “renowned for his mastery of color and his central role in the renewal of the nude in 20th-century”

“a monograph dedicated to ... the greatest genius of the 20th century”

new intimate portraits by the London-based artist, capturing a year in the life of a family and offering a glimpse into the shifting dynamics of familial relationships

co-organised by three London-based artists - “many of the works ... operate in relation to a kind of realism - with things shown as they are, or how they appear to be. There are found, reconstituted and reiterated forms and images”

recent works on paper, including drawings in graphite, watercolour, and pigment marker, as well as his unique “thread” drawings - “drawing is my way of working through the psychology of my practice” - Suh

in Varejão’s first exhibition in Greece, new sculptural paintings and painterly sculptures inspired by Brazilian, Greek, Turkish, and Chinese ceramic traditions

serene and introspective oils in the South Korean artist’s first London solo exhibition - “an invitation to pause, reflect, and reconnect with the subtle beauty of our shared humanity”