“an exciting milestone in Pichillá’s ongoing exploration of Maya heritage, cultural resistance, and the intricate relationships between Indigenous traditions and contemporary art practices”

drawings, paintings, and video works as “Murillo meditates on the potential and fragility of communicative mark making”

largely drawn from private collections, an exhibition of sculptures and objects from 1975 to 1990 by the “unique and incomparable” Austrian artist

“Ruff once again makes it clear that he is convinced of the importance of scientific photography”

selected by Marden’s daughters Mirabelle and Melia, previously unseen work from the artist’s final two decades - “[Marden’s] drawings have a personal feeling, which is the result of hand merging with mind: both need to become one” - Eileen Costello

across two of the Berlin spaces, new paintings and a larger-than-life sculpture in KAWS’ inaugural exhibition with the gallery

curated by Tanya Barson with the artist’s estate, key works spanning seven decades in the first solo exhibition in Switzerland dedicated to the pioneering American abstractionist

“Brosinski brings together painting and sculpture to form a cosmos in which materials and colors - surrounded by empty space - reveal their pure presence” - Larissa Kikol

important works by the two American greats of 20th-century painting as the gallery brings them together for the first time in a two-person exhibition

the first exhibition of Muniz’s bold and experimental series at the London gallery - “paintings without paint, gesture without touch – a compelling testament to the complexity of vision and a vivid meditation on how we see, remember, and reconstruct”

“treating light as a medium in its own right, Ulla von Brandenburg organizes the exhibition space using lightweight, modular structures that produce a gradual progression from brightness to darkness” - Ida Simon-Raynaud

an exhibition of artists whose works challenge the intrinsic hierarchies and biases of language

the Italian artist’s first London solo exhibition in almost a decade “invites visitors into a space of quiet introspection and renewal - where cracks, fractures and breaks are portals to transformation”

four works by the renowned German photographer - two new, one recent, and one from the beginning of his career

fifty drawings and paintings from important public and private collections around the world in the UK’s first major museum exhibition dedicated to one of the world’s foremost contemporary artists

Benedikte Bjerre, Anne-Lise Coste, Clare Goodwin, Pierre Haubensak, Jamie Isenstein, Koka Ramishvili - six gallery artists who explore the interplay between life and art

Cao Jigang. Angela Glajcar, and Bay Tang Jiaxin - three internationally acclaimed artists who explore the dual natures of paper - lightness and weight, fragility and resilience, simplicity and complexity

a monumental summer exhibition celebrating London, its artists and institutions, with works by Francis Bacon, Leon Kossoff, Frank Auerbach, Bridget Riley, David Hockney, Paula Rego, Lucian Freud, Gilbert & George, Neil Stokoe, Tracey Emin, …

across both the Paris spaces, this new exhibition of Saint Phalle brings together works from the 1960s to 2000

recent oil paintings and works on paper by the leading Finnish painter - drawing on the writings of W.G. Sebald, Anne Carson, and Ovid

an exhibition of new paintings and sculptures by the Latvian artist which “invites viewers to immerse themselves in Avotiņš' quiet, profound world of images and figures”

with this unique and unprecedented site-responsive installation, Kawamata marks the last exhibition at the gallery’s Dering Street space before its move to new premises in Hanover Square

new seemingly abstract paintings by Parker, inspired by historic newspaper and magazine covers and the colour analysis charts of the late American artist Emily Noyes Vanderpoel

curated by Jenni Lomax, an exhibition with works by Hurvin Anderson, Prunella Clough, René Daniëls, Matthew Krishanu, Bice Lazzari, Francis Offman, Pinot Gallizio, Amy Sillman, and Caragh Thuring

new works by the renowned photographer and film director taken in the vast horizons and landscapes of China, and the towering forest - “everything stands still in this dedicated study of moods”

an exhibition of sculptures that assert their spatial presence by means of concealment or invisibility, focussing on radical experiments in material and conceptual reduction from across the last century

“oscillating between chance and control, Barbara Nicholls investigates the possibilities and limitations of pigment, water and paper, translating her experience of the landscape into abstract watercolours”

new works by Candeloro - “a continuous play of concealment and revelation that fully exploits the potential of chromatic evanescence made to vibrate by light”

Tucker’s first solo exhibition with the gallery and in mainland Europe presents an immersive space with elaborate ceramic sculptures of part fictional, part re-invented extinct creatures

new large format works based on film stills photographed on a screen, digitally reworked. and then translated into paintings in oil on canvas

a major site-wide takeover, the first exhibition dedicated to both artists in the UK, presents unseen and iconic works by the two emblematic figures of contemporary art

more than 150 drawings, paintings, sculptures, installation and ceramics in the largest European retrospective of one of Japan’s most celebrated artists

the gallery’s first solo exhibition dedicated to the artist examines the full scale of his sculpture, created in 2015 on the salt desert of Bolivia - “Barth’s work brings us back to the hidden meaning of things”

early paintings, drawings, and prints from public and private collections, many not seen together since the 1960s, in the first in-depth exploration of this pivotal period in Hockney’s career

the multimedia artist’s first UK solo exhibition - “Vinci transforms models and prototypes into works that merge architecture with anatomy, and design with psychology”

responding directly to the architecture of the building, a monumental new site-specific work, alongside works in glass, on paper, and three-dimensional objects, in the Turner Prize-winning artist’s first solo exhibition at a London institution

Rockenschaub’s new series explores subtle deviations, irritations, memories and reappropriation

an explosive new immersive sculptural installation covers the gallery in the American artist’s first solo exhibition in a London institution

in Ryan’s solo debut at the gallery, two new sculptures explore ideas of utility and excess and luxury and repulsion while maintaining “an appealing sense of the absurd”

“the soul of these works lies in the relationship between things - figures, objects, the space between them … Serolod’s works are both depictions of a single moment and reflections on the universe itself” - Louisa Mahoney

three decades of photographs in the first comprehensive retrospective of Perrier’s work

a two-person exhibition of Molly Burrows and Woo Jin Joo, who both explore storytelling via embroidery, ceramics, painting, collage, and sculpture - accompanied by two soundscapes responding to the works’ quiet theatricality

the inaugural presentation of new paintings by Stingel - “in these works I’m leaving rigorous conceptual process behind and allowing myself to paint”

a two-part presentation of Jarman’s work tracing the development of his most significant series of paintings

the LA-based painter merges figuration with mythology to create surreal worlds that blur time, history, and identity

lithography, silkscreen, inkless intaglio, and embossing in the first exhibition dedicated solely to the complete print portfolios of Albers

the Toronto-based artist’s “tension between photography and the artist’s hand through selection, competition and paint is made apparent through her use of photo-realist techniques”

new large-scale, abstract paintings in Mollett’s first solo exhibition with the gallery - “Mollett’s works hold within them a density of moments in time”

new paintings by the Osaka-born, Berlin-based artist who“challenges and expands our understanding of what abstract art can be in the 21st century”

new paintings including an 11m-long panelled landscape painting, alongside richly adorned ceramic sculptures, benches, and a new sound piece in collaboration with composer Alex Gruz, in Yearwood-Dan’s first exhibition with the gallery

extending beyond the gallery to include outdoor sculptures, this is the most comprehensive institutional exhibition of the leading figure in the Arte Povera movement to be presented in the UK

a major exhibition of the multi-award-winning Korean artist’s celebrated photographic works, which collapse the traditions of portraiture and landscape painting and photography to examine the nature and effect of representation

curated by Simon Grant and spanning over forty years of work, highly charged and surreal paintings and mixed media assemblages alongside colour pencil and gouache works on paper in the first solo show of de Mandiargues in the UK

this year’s Serpentine Pavilion is by Marina Tabassum, celebrated for her work in establishing an architectural language that is both contemporary and deeply connected to a specific place, climate, context, culture, and history

including pieces never exhibited before, this is the first UK solo exhibition of works by the renowned Australian artist - in collaboration with D’Lan Contemporary

covering nearly twenty years, and with many works never before seen in London, these paintings and drawings by the late Scottish artist show the richness, specificity and psychological depth of her practice

including new paintings, sculptures and installations, a special and expansive exhibition which celebrates the artists who have shaped the gallery since its founding in 1985

“taking its inspiration from an imaginary Abyssinian poem” over a dozen artists in “an impromptu investigation into ceramic practices from the 18th to 21st centuries”

curated by Kenny Schachter and Jonathan Anderson, paintings, works on paper and a previously unseen notebook of sketches and writings spanning three decades of the American artist’s career

new paintings by the American artist - “I have never really felt comfortable calling myself an abstract painter ... there have always been flashes of figuration in my work” - Bradley

“the research-led practices of three transnational artists – Riya Bhagat, Victor Guerin and Elina Yumasheva, whose artworks – film, sculpture and painting - engage ecological interdependence, technological mediation, and material intelligence”

“the German-born, Maastricht-based designer strives for perfect harmony in his work. Inspired by the sinuous beauty of Japanese minimalism and nature, he seamlessly blends the fleeting with the permanent and the elegant with the sensuous”

an exhibition which examines the fundamental relationship between raw materials and ceramic creation, exploring the processes that shape contemporary sustainable ceramic practices

works by Eve Arnold, Brothtarn, and Laura Chen explore the hidden, the subconscious, and the forgotten, tracing their imprints through contemporary photography

McQueen's first solo exhibition in Paris for nearly a decade is also the European debut of this installation of photographs - vivid, beautiful flowers native to Grenada in the Caribbean, which are also silent witnesses to its turbulent history

new portraits of herself and her young son where Minnicucci explores how vulnerability and discomfort in front of the camera can become self-discovery and collaboration

significant paintings by Williams from the decades between the 1960s and 1980s - “striking works deploy an entirely original use of colour”

titled after the historical practice of harvesting medicinal plants, an exhibition of sculptural works and immersive installation where Lemon “invites viewers to reimagine the interdependence of body, plant, and place”

a group exhibition of twelve contemporary artists whose practices in various media engage with a broad range of systemic frameworks to examine the web of systems that structure daily life, logic, and cultural and political realities

new paintings by the Los Angeles-based Pecis - “kaleidoscopic compositions drawn from the artist's daily excursions”

co-curated by Sim Smith and Emily Hunt, an exhibition which brings together an intergenerational group of female artists to explore the importance of women in Surrealism

new image-based works, sculpture, video and found objects in a multi-layered exhibition exploring language and the vocabulary of corporate finance, debt and development

more than twenty photographs shot on the streets of Rome, Sicily, and Venice - including the first exhibition of the complete Italy series - alongside iconic portraits of notable cultural figures

“Interested in theatre and illusion, Clancy’s domestic spaces are heavy with suggestion. Though no figures are visible, the spaces she paints are dense with atmosphere and subtle cues that hint at narratives just out of reach”

new paintings combining technical mastery with dreamlike imaginings disconnected from time or place - “my disposition towards painting, sculpture and drawing is amorous. I feel it deeply and have devoted my life to finding out what it’s about”

co-organised by three London-based artists - “many of the works ... operate in relation to a kind of realism - with things shown as they are, or how they appear to be. There are found, reconstituted and reiterated forms and images”

photography, video, painting, installation, and sculptural works by emerging and established artists exploring the dynamic interplay of figure-ground relationships in architecture, psychology, media, and literature

Parreno’s first solo exhibition at the gallery’s Conduit Street space blends real landscape with cinematic creation, streaming a part of Spain directly into the main gallery continuously day and night in real-time

the first significant exhibition in London of the pioneering American artist for over forty years - “reveal[s] the depth and innovation of Bartlett’s research-oriented practice, which found enduring meaning in four walls for almost five decades”

an exhibition of the renowned photographer’s monumental portraits documenting nomadic and Indigenous tribes with dignity and deep human empathy

curated with Marco Livingstone, the first posthumous solo exhibition dedicated to the early British Pop Artist exploring his pivotal transition from Pop figuration to bold geometric abstraction

fourteen landmark paintings from the early, “Informalist” period when Canogar, one of the leading Spanish artists of the post-war era, first made his name

seven female abstract painters who approach painting in personal confrontation with the canvas - Isabella Amram, Kim Booker, Kristy M Chan, Laura Lancaster, Xi Liu, H.E. Morris, Sophie Smorczewski and Ming Ying

three architectural exhibitions, by the collectives Citizen Architects, Black Females in Architecture, and Somali Architecture - with participatory installations, film, photography, and live events

“it is the very direct nature of Still Life which excites me, through repetition of subject matter I am able to focus on the aspect which most engages me: the relationship between the form and its surrounding space” - de Sybel

Chihota blends screen-printing with drawing and painterly gestures, producing works which explore themes of intimacy, kinship, bereavement, faith, and transformation

new works which explore the intersection between photography and sculpture in Robert’s first solo exhibition at the gallery in London

“Porras-Kim’s drawings, paper marbling works and sculpture explore the transformation - and possibly emancipation - of objects throughout time”

sculptures, paintings, and a mixed-media installation in Manders’ first solo exhibition as an artist of the gallery - continuing a project he began in 1986

“though the works are seemingly hard-edged - minimalist, graphic, glittering, synthetic - a feeling of warmth and emotion somehow comes through, like the warmth of the sound from a vinyl record” - Young Kim

“for Franz, painting is a necessarily slow and thoughtful process. Inspired variously by literature and cinema, the artist uses paint and canvas as tool to visualise an interior notion, question and make sense of the world”

hosted by the gallery, Errant Echoes presents a selection of work from the seventeen artists of the 2027 cohort at the RA Schools

spanning inside and out of both London spaces, over twenty diverse artists in an ambitious group exhibition curated by Dr. Omar Kholeif - “the show is my love-letter to London, a city that I have continually returned to over the last four decades”

titled in reference to her process-driven approach, new large-scale, multi-panel paintings by the London-based artist

Singh’s first institutional solo exhibition in London explores the full breadth of her practice, from large-scale oil paintings to intimate watercolours and ink drawings, to showcase her prolific career of over six decades

for their presentation at the debut edition of Africa Basel, painting, sculpture, photography and ceramic works by James Barnor, Eddy Kamuanga Ilunga, Alexis Peskine, Zana Masombuka, LR Vandy, Owusu-Ankomah, and Xanthe Somers

works by Fleur Dempsey, Rebecca Halliwell Sutton, and Eliza Owen in an exhibition curated by Freddie Foulkes

new paintings in Hayoun’s ongoing exploration of systems of control and the redeeming power of culture and community

taking the colour grey as their starting point, works by Darren Almond, Glenn Brown, André Butzer, Günther Förg, Hans Josephsohn, KAWS, Albert Oehlen, Edmund de Waal, Rebecca Warren, Grace Weaver, and Toby Ziegler

“a new body of work that looks back to the Midwestern winters of Clarke’s childhood” in the first UK solo exhibition of the Brooklyn-based painter

curated by Grammy Award-winning artist Eve, key works by Picasso, Miró, Kandinsky, Gris, Dufy, Dubuffet, Calder, and Braque brought together to explore the relationship between the visual and the auditory

“a series of paintings that blur the boundary between the intimate and the archetypal, the legible and the encrypted”

“the careful balance of technique and spontaneity speaks to Bley’s dedication to both the technical and emotional dimensions of her work, reinforcing her ability to navigate the forces she seeks to embody and explore”

an exhibition dedicated to the pivotal figure in contemporary art and his exploration of the interplay between language, meaning, and abstraction

new work by the acclaimed Italian painter, inspired by the visionary world of the great Modern British artist - “poetic echoes - works that extend Spencer’s legacy into the contemporary moment”

the first UK solo exhibition of the groundbreaking visual artist, prominent curator, and Indigenous activist presents a broad survey and celebration of her work and influence

coinciding with his Art Basel Unlimited presentation, new works on paper by Lowe - “ densely worked, layered compositions ... that link painterly forms with geometric motifs”

one of the most complete exhibitions of Oldenburg’s famous sculptural works of everyday objects

new paintings and large works on paper in Ackermann’s first exhibition at the gallery in Paris - “everything about these Doubles not only turns the tables on their beholders, but also subverts established ways of interpreting works of art” - Pamela Kort

new abstract drawings on paper and a sound installation from the birdsong recording series, explore consumerism, nostalgia, beauty and desire

“the selection of works that you are lucky enough to see has the ambition of retracing the evolution of Luigi Zuccheri’s works from the onset of the Second World War to his death in Venice in 1974” - MMXX

abstract, stripe, foil and scrap metal paintings alongside ceramics and neon installations in Reyle’s first major solo exhibition in London

the ten paintings in the French-Iranian artist’s debut solo exhibition in London explore “identity transformation and the paradoxes of contemporary existence in our hyper-connected age”

part of the gallery’s annual curatorial invitation, photographs by the American artist - “a contemplative look into the personal library of ... the twentieth-century Italian painter renowned for his quiet and precise still life compositions”

“a collection of universal images that speak of a slow and inexorably welcoming landscape; one rooted in the time of the Mediterranean” - Leotta

shown for the first time in the UK, twelve new generative artworks by the celebrated French conceptual artist - in his first use of artificial intelligence in art making

curated by Jamie Hope, an exhibition which “explores the secret life and spirit of objects which have been long left abandoned”

“a unique installation, a representation of her bedroom, the ultimate symbol of sanctuary. Bathed in deep maroon-colored, the room evokes the primal safety of a womb or the rawness of an open wound” - Lisa Boudet

works by Abbas Zahedi, Alfredo Aceto, Chloe Quenum, Diane Cescutti, Haroun Hayward, Onyeka Igwe, and Theresa Weber

new works by one of the great innovators of contemporary painting, in her first solo exhibition with the gallery in Europe

“it’s a new body of work … about the loss of our true knowledge, through algorithms and the generation of texts and the manipulation of news, our facts become more blurred than ever before” - Clement

new paintings and sculpture in Bisky’s first solo exhibition with the gallery - “Bisky has established a formal vocabulary in which bodies become representations of existential states”

an immersive installation of new sculptures and photographic works in Boyce’s first solo exhibition at the gallery’s Paris space “introducing a sense of eeriness and uncertainty into our perception of familiar spaces”

“Rex’s works offer a dialogue between escapism and the often-overlooked reality of maintaining that escape”- Catherine Loewe, curator

spanning inside and out of both London spaces, over twenty diverse artists in an ambitious group exhibition curated by Dr. Omar Kholeif - “the show is my love-letter to London, a city that I have continually returned to over the last four decades”

the artist’s debut solo exhibition with the gallery, curated by Philippa zu Knyphausen

video installations and “Lampshares” carved from bittersweet vines and reclaimed plastic, alongside a programme of events, performances, and activities in Rottenberg’s first solo exhibition in Spain

"through painting, sculpture, installation, and photographic work … my work explores the evolving shape of language, memory, and identity in the context of migration, diaspora, and personal mythology”

Le Bas’s painted maps and globes are visual metaphors for his ideals - “Gypsy Europa is my dream… my maps are subversive imaginary conquest, a Roma resistance against racism and right wing propaganda”

installation, sculpture, video, and photography by sixteen artists from around the world in a new collaboration between the SLG and Museo Jumex in Mexico City

Barbalho’s latest body of work delves into the complexities of language, symbolism, and the intersection of identities ... an immersive encounter with his evolving visual language

the French textile artist’s new exhibition fills the gallery space with her characteristic “presences”, large sculptures in crocheted or smoothed black thread - “an ode to transformation in all its facets”

new wall sculptures and works on paper by Drew - “the work alludes to entropy - not as a direct depiction of order and chaos, but as an undercurrent accentuating the fragility of form and the possibility of transformation”

through photography, video, and installation, Simon continues her exploration of “the backstage of power, uncovering the invisible structures that shape our perception” - Maud de la Forterie

new paintings by Boyer in his first solo exhibition in Switzerland - “Boyer’s works explore how surfaces accrue meaning, inviting reflection on ornament, cultural memory, and queer embodiment”

archetypal abstract works by Gillick alongside a revisiting of his work relating to the French film collective Groupe Medvedkine

new pieces by the multidisciplinary artist and designer known for using flowers and other organic matter to explore decomposition, preservation and the passage of time

the second instalment in the gallery’s curatorial series Figurative Impressions is “an exploration of figurative painting as a medium for expressing the complexities of the lived experience”

the Berlin-based artist’s first solo exhibition of new paintings, sculptures, and drawings - “for Spichtig, painting, like music, begins not with thinking, but with a pulse - something sensed or intuited before it becomes visible” - Samuel Staples

"I love Venard because he’s created a universe where Godot has arrived, where anguish has disappeared from the universe” - Jacques Prévert

to coincide with the Fondation Louis Vuitton exhibition, etchings, lithographs, digital prints, photographs, photo-collage, and photocopies by Hockney at the gallery that has represented him for many years

“a striking collection of emotionally charged works that will resonate deeply with many” as Fiszer blends digital tools with generative techniques to produce these still and contemplative images

“in this new body of work, looking and seeing is as important for Hirst as making”

paintings, drawings, and unique polaroids, including some shown publicly for the first time, in this exhibition curated by James Hedges juxtaposing the two artists

painting and sculpture from newly-joined members of one of the most ancient and prestigious of the city’s livery companies

the London-based graffiti artist brings his work inside a gallery for the first time - “part social commentary, part stream of consciousness … it’s about the act of defiance that is simply existing as a Black, Brown or Non-English man” - TJ Sidhu

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

monumental installations, sculptures and wall reliefs that continue Ronay’s exploration of the subconscious through the transformation of the intangible into tactile experience

in an exhibition across both gallery spaces “a dialogue between natural beauty and that shaped by human hands” presents pieces and works honoring nature, from the ancient to the contemporary

the Colombian and British painters use surreal approaches to reimagine the tradition of landscape painting in the second annual exhibition bringing together two artists whose practices offer distinct and complementary perspectives

new work by Robertson, drawing on a working-class history of bodily engagement with the materials of heavy industry through performance, drawing, riveted steel collage, and welded steel sculpture

bronze sculptures alongside preparatory sketches and studies in this exhibition focussed on the intimate scale of the renowned British sculptor’s work

presented for the first time, new sculptural works that transform found materials into forms and installations which resonate with memory and history

a major retrospective devoted to emblematic works by the internationally renowned leading figure in contemporary art

curated by Armand Camphuis with works by historic and contemporary artists, an exhibition which “highlights the enduring importance of artists’ studios for the Parisian avant-gardes – past and present”

works by artists including Ai Weiwei, Juan Araujo, Alejandro Campins, Yoan Capote, Loris Cecchini, Chen Zhen, Nikhil Chopra, Jonathas de Andrade, Leandro Erlich, Subodh Gupta, Eva Jospin, Julio Le Parc, Jorge Macchi, Sabrina Mezzaqui, Hans Op de Beeck, …

“a meditation on migration and endurance, set against the backdrop of Buhari’s reflections on his personal history, the future of his family, and a national zeitgeist of movement in post-colonial Nigeria”

Bini’s first solo show is “a call to attunement, a return to the essential, to a way of seeing shaped by slowness, sensitivity, and presence”

“an unprecedented dialogue between ... two major figures born on opposite sides of the Atlantic, whose deep intellectual and artistic friendship has long remained largely unknown”

with works by John Baeder, Robert Bechtel, Charles Bell, Robert Cottingham, John DeAndrea, Don Eddy, Ralph Goings, Duane Hanson, and John Salt

on the 25th anniversary of the Belmacz name, a transforming, three-month exhibition which creates “transitioning scenes, tableaus and clashes, amplifying the voices of our co-collaborators, constructing reverberations”

“with one exception [...] the human figure is absent from his work. Exiled without return, in an off-screen made improbable, almost unthinkable [...] ”the things I choose to paint say much more about man than painting a man” - Alain Cueff

in an exhibition across both gallery spaces “a dialogue between natural beauty and that shaped by human hands” presents pieces and works honoring nature, from the ancient to the contemporary

an installation of charcoal drawings influenced by the evidential and documentary values of photography to examine the history of settler-colonial Rhodesia and contemporary challenges in Zimbabwe

sculptures, paintings and prints in the first solo exhibition in Europe by the American artist - presenting a poetic and critical exploration of the history of sugar cane in America, Africa and Europe

an exhibition with over a dozen artists who “do not only look ahead; they move sideways through history, delve into the body, and project outward toward the unknown”

new paintings and works on paper in Hall’s first exhibition in Vienna - “the pictures that Hall paints are questions as much as proposals: questions about the past and present, and proposals for the future” - Jasper Sharp

an exhibition which “reimagines and reclaims the classical gaze through a series of mythological paintings that interrogate and subvert heteronormative narratives embedded in Western art history”

new pieces by the Dutch designer continuing his series of video “clocks” - “Baas invites viewers to experience the movement of time as art, reinterpreting how they perceive and reconstruct the moments that pass”

“deliberately composed, [Roby’s] idyllic landscapes suggest a utopia where nostalgia and folk rituals co-exist on a flat plane, forcing us to question our notions of science and progress”

a series of works by the internationally acclaimed British designer known for pushing the boundaries of materials and technology, producing “innovative design infused with a sense of joy and wonder”

Cardia’s first solo exhibition presents “her practice in a painting language that is both austere and luminous, where time and gesture are not mere components but structuring forces”

including work shown in London for the first time, ceramic vessels and jewellery from the Paris-based designer that draw inspiration from both flora and fauna

across two of the Berlin spaces, new paintings and a larger-than-life sculpture in KAWS’ inaugural exhibition with the gallery

in the gallery's micro-project space, the Nigerian-American artist’s sculptural presentation references the Benin bronzes to examine cultural legacy and the return of stolen artworks

single-screen film and video works by nineteen leading gallery artists working from the late 1960s to today, brought together in the uniquely installed North Gallery

a single monumental painting - Thomas' largest to date - covers the entirety of the exhibition space as he examines colonial art history and ethnic violence in Sri Lanka

paintings by Joe Bradley, Austin Eddy, Karen Kilimnik, Ugo Rondinone, and Josh Smith, shown alongside unique furniture pieces by Franz West

“Vitali delves into the underlying social dynamics of leisure, from its commodification to the pressures of conformity, offering a commentary on modern society set against the backdrop of the Mediterranean”

across both the Paris spaces, this new exhibition of Saint Phalle brings together works from the 1960s to 2000

“a luminous odyssey between myth, cosmos and power ... electric sculptures, which transform the space through hypnotic optical effects” in the Chilean artist’s first exhibition at the gallery in Rue du Grenier-Saint-Lazare

sculptures and a new series of images based on a typographical adaptation of the Latin alphabet purpose-created by the artist

to mark sixty-five years since the gallery’s founding, a changing group exhibition of works by major artists in a dialogue between the past and present

an exhibition celebrating the German-born Swiss artist’s multifaceted practice - “I simply always did what I felt like doing, anything else wouldn’t agree with the way I work, committing to a particular style would’ve bored me to death” - Oppenheim

an installation which “explores myths, legends, gods, rituals, and their influence on our lives . . . the supersized form will complete a monumental Mother Goddess sculpture, contrasting with the male-centric Mithras religion of the temple”

sculptures and photographic works all loosely based on the color blue and its association with melancholy - “Ondak is not a gloomy artist, his works, blue or not, are full of reflection but also have much affection for life and his spectators”

an exhibition of contemporary takes on landscape painting “whether they pay homage to the history of the genre or they inaugurate a new relationship with the land ... the works presented here embody the challenges of their epoch” - Armand Camphuis

new “magic realist” paintings on canvas and works on paper in the Swiss painter’s first exhibition in Paris - “mysterious or ambiguous scenes that obscure the line between memory and imagination”

works by Walead Beshty, Angela Bulloch, Sylvie Fleury, Liam Gillick, Douglas Gordon, John Giorno, Adam Pendleton, Gerwald Rockenschaub, Ugo Rondinone, and Steven Shearer

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

across two gallery spaces, Babirye’s first exhibition with Galerie Max Hetzler presents new sculptures and works on paper using appropriation and reassignment of terms and categorisations to produce real or imagined portraits of the Queer community

twelve new works by the Korean artist at the gallery’s new Milan space, including her signature methodical works of burnt, cut and layered Hanji paper as well as pieces characterised by gestural forms

titled with reference to John Locke’s philosophical theory that humans begin as a blank slate, an installation of words spilling out of open, empty books and moving towards each other in an ideological battle to fill the empty pages

a comprehensive exhibition of the German artist’s iconic series of photographs - “I ... felt drawn to the everyday. I wanted to show the kiosk around the corner in all its amiableness”

the artist's first solo show with the gallery - “there is a humorous and playful aspect in this work, but there is … a darker side, an underlying seriousness, a disorder within the idea of a unified image or narration” - Werner

an exhibition of works by Dieter Roth, Haraldur Jónsson, Hákon Bragason, Katrín Elvarsdóttir, Marta Skoczeń, Páll Haukur, Rósa Gísladóttir, and Steina & Woody Vasulka

the first major retrospective devoted to the prominent photojournalist, who covered numerous conflicts while concentrating on the dignity of individuals and the off-field of war

to start the new partnership between Le Studio and the Centre national des arts plastiques, an exhibition of “endless landscapes” photographed on the outskirts of Italy’s still-active Mount Etna volcano

works by gallery artists including Mamma Andersson, Roger Andersson, Idun Baltzersen, Duda Bebek, Amy Bennett, Helene Billgren, Anna Bjerger, Mette Björnberg, Thomas Broomé, Marcel Dzama, Niklas Eneblom, Sara-Vide Ericson, Jens Fänge, Carl Hammoud, …

in Gallace’s first exhibition across both of the gallery’s London locations, new paintings drawing on the American landscape and still life traditions of her home

in Gallace’s first exhibition across both of the gallery’s London locations, new paintings drawing on the American landscape and still life traditions of her home

recent works on paper, including drawings in graphite, watercolour, and pigment marker, as well as his unique “thread” drawings - “drawing is my way of working through the psychology of my practice” - Suh

one hundred drawings and nearly one hundred etchings in an examination of the Colombian artist’s evolving practice of discipline, ritual, and introspection

sculpture and installation works by one of the most significant international artists of her generation, rooted in the examination of mobility, control, and acts of resilience

spread across three floors, Bayraktar’s solo exhibition is the inaugural show at the gallery’s new venue in Karaköy

a major group exhibition and event programme curated by Lubaina Himid in celebration of forty years since the groundbreaking ICA show of young Black and Asian women artists