curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

shown across the London space and the Roman project space - nine international contemporary artists shown alongside modern masters Fernando Botero, Georges Braques, Giorgio De Chirico, and Giorgio Morandi

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

“in her figurative paintings, drawings and sculptures, Claire Tabouret scrutinizes identity and takes a closer look at childhood and its enigmas, the individual isolated or within a group”

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

“one cannot move through the exhibition - which Calleja conceived with the cabinet of curiosities in mind - without savoring the charged pleasure of works whose messages seem to answer one another” - Éric Troncy

six artists who explore intimacy, dreams, and private moments through paintings that reveal interior worlds and shared humanity

focussed on the First World War, the interwar period, and the Second World War, a chronological and thematic exploration of the relationship between conflict and artistic transformation

in his first solo exhibition with the gallery the Thai-British artist “transforms autobiographical fragments into psychologically charged environments where memory becomes both subject and material”

new sculptures made from simple, everyday materials - “folding, cutting, pressing and stacking, Foxcroft’s sculptures unfurl from the wall or corner of the room, arranging material on the floor and up walls”

“for this project - another in my Imaginary Architecture series - I chose to explore iridescent clouds, sometimes known as ‘rainbow clouds’, a meteorological phenomenon characterised by vibrant, colourful bands appearing on thin, semi-transparent clouds

works by Caroline Achaintre, Julien Audebert, Pierre Bellot, Michel Blazy, Nina Childress, Jeremy Deller, Michel François, Corentin Grossmann, Miryam Haddad, Kate Newby, Tania Pérez Córdova, and Roman Signer

the gallery’s first group exhibition at their Fleet Street space “uses the fairytale as a lens … six artists have been invited to respond to this broad line of inquiry however they wish”

a site-specific installation which coats the gallery’s spare wc in 200 kilograms of Murdoch’s signature jelly-like biomaterial - “a meditation on fantasy and permanence, desire and disgust”

“across photography, water becomes a way of seeing” - iconic 20th century photography and contemporary perspectives from nearly twenty artists reveal the visual and symbolic power of water across generations and styles

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

recent and previously unseen works that move between sculpture, drawing, and painting - “a meditation on time’s slow work upon the body and the landscape, and the place where the two meet”

part of the inaugural Mallorca PhotoFest, an exhibition focused on Olaf’s still lifes - “a meditation on time and its resistance”

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

the artist’s debut solo exhibition in Paris and with the gallery brings together new site-responsive works spanning sculpture, textiles, installation, and architecture

new work by one of the most distinctive voices in contemporary geometric abstraction, demonstrating his ability to combine conceptual precision with visual spontaneity to create works that are at once rigorously constructed and unexpectedly lyrical

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

new paintings of abstracted florals by Salgado in this exhibition of his first non-figurative works

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

titled after the physical trace a memory leaves in the brain, an exhibition of new paintings and works on paper by the Brooklyn-based artist

with book-sized panels by Michael Crowther , Tricia Gillman’s return to the use of paint, key works by Sharon Hall, and a recent group of paintings by Vik Winter

gallery artists and guests in a special exhibition to celebrate the gallery’s tenth anniversary - “I know from experience that BERG’s artists will continue to venture forward … and I’m excited to accompany them into the future” - Ingibjörg Jónsdótti

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

“Siber chooses to return to the most fundamental dialogue with materiality: making steel weightless, letting wood breathe, transforming colour into time, allowing nature to blossom in Baroque splendour”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

“the culmination of a year-long programme led by the artist team of Immanuel Adelowo, Henny Shaw and Eva Jonas … this exhibition explores environmental processes of growth and decay”

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

Sobczak’s paintings “blend historical allegories, queer identities, and contemporary social critique into a dense, multilayered visual language”

centred on an area deeply embedded in New York’s queer history and made when the AIDS crisis had already indelibly affected the city’s LGBTQ+ community, a reminder of how closely questions of visibility, public space, and social belonging are intertwined

the Mumbai-based designer and artist’s first solo exhibition in the UK presents new sculptures woven, held, or structured in copper

encounters between artists whose practices expand the boundaries between functional art and collectible design

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

a new exhibition by the French artists and designers, reflecting on how perspectives and observations are shaped by journeys and movements through shifting landscapes

exceptional and previously unseen works in a new exhibition marking the centenary of the birth of one of the most significant and celebrated Japanese ceramic artists of the twentieth century

an exhibition which examines wine as a primary motif in the Western iconographic tradition, juxtaposing archaeological material with Old Master paintings and sculptures to trace a fundamental shift in European attitudes toward wine and its representation

an exhibition exploring the transformation in Nordic painting from the mid-nineteenth century to the early decades of the twentieth, a moment of profound artistic and cultural reorientation when many artists travelled to, and studied in, Paris

the gallery launches new pieces for the indoor/outdoor furniture collection

focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them”

De Falco’s first solo exhibition at the gallery - “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities”

curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach”

“Curious Yellow / I hadn’t forgotten her, I just couldn’t remember her name. / Only when I looked back did I remember.”

in “a dialogue centred on material engagement and sustained making”, new work by Lidia Lisbôa and Thiago Barbalho - two artists grounded in handmade processes

an exhibition of works by artists including Carel de Nerée tot Babberich, Cas Campbell, Parmagianino, Fritz Behn, Durer, Margaret Bruton, Thomas Kerrich, Edward Coley Burne-Jones, Richard Dadd, Walter Sickert, Ludwig Meidner, Walter Gramatté …

in an exhibition titled after the 1941 Jorge Luis Borges’ short story, four artists from Taiwan and four from Italy explore the multiple ways in which images, histories, and identities are constructed and perceived.

showing at the gallery in Paris and Galerie Natalie Seroussi, an exhibition of artists whose work engages with histories of migration, memory, language and belonging, contemplating the diasporic experience as lived reality and as imagined space

an exhibition by the distinguished artist, filmmaker, and poet bringing together recent works on brown paper, drawn-on objects, and bunting fragments in a layered act of visual storytelling

an exhibition bringing together twelve artists who embrace the landscape tradition, but construct images both real and reimagined within their unique visual languages

drawing, sculpture, photography, and found objects in an exhibition of works by eight gallery artists linked through their use of repetition, series and classification

a special display of eight works to mark the centenary of Spero’s birth - pieces that exemplify the range, themes and ambition of her practice

works by Andreas Breunig, Günther Förg, Secundino Hernández, Jana Schröder, and Alicia Viebrock

the second part of Agematsu’s first solo exhibition with the gallery, and in Germany, is an installation of 35mm slide projections of photographs made in Marseille, France in 1994 - “photography needs time, I think, in order for us to see it” - Agematsu

“two artists, two ways of breaking free from photography in order to question it more effectively”

“Kilimnik operates with an iconographic archive that spans several centuries: from 17th- and 18th-century court painting to romantic landscapes and history painting to references to popular culture, fashion, television, and movies” - Dr. Raphael Gygax

paintings, ink drawings, and screen prints created during his travels to New York and Zurich - “Christoph condenses fleeting impressions into atmospheric scenes, distilling the essence of each place”

“instead of a theme that connects these seven artists, this exhibition tries to create possibilities for associations tied to the artworks and objects in the space” - Hector Hollein, curator

early and recent handblown glass sculptures in an exhibition dedicated to the Danish artist and her new eponymous monograph

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

works by Yves Klein, Lita Albuquerque, and Jack Goldstein in an exhibition which explores the connections between the cosmos, perception, and immateriality

new animations, original drawings, small-scale paintings, and an installation in the first exhibition at the gallery dedicated specifically to Alÿs’ animations

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

paintings, works on paper, and mural drawings form a spatial and narrative constellation with a soundtrack by Sin Maldita (Tim Roth) and Philipp Hülsenbeck

an exhibition exploring the varied work of the German painter, graphic designer, sculptor, and photographer

eight prominent gallery painters - each contributing one new work - “provide an opportunity both to delve deeper into the individual works and to create a tangible field of tension within the exhibition space”

an exhibition examining one among the most unconventional artists of the post-war period and his “disquieting and prophetic pictorial vision … grasping the tensions between humanity and technology long before their full contemporary manifestation”

“working across batik, tapestry, Jacquard weaving, carpet inlay, embroidery, digital image-making and AI, the exhibition explores textiles not simply as a medium, but as a way of thinking: one built through connection, accumulation and transformation”

more than fifty paintings and works on paper - including many never before publicly exhibited - in this major solo exhibition of works by one of Azerbaijan’s most influential twentieth-century artists

works by Anna Pakosz, Sabine Pigalle, Jan Urant, Phil Goss, John Bartlett, and Seohyun Oh

new and historical work by Ghada Amer, William Kentridge, David Koloane, Laura Lima, Misheck Masamvu, Cassi Namoda, Georgina Maxim, Pamela Phatsimo Sunstrum, and Yinka Shonibare

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

with several important paintings from private British collections, this exhibition focusses on a pivotal period in the career of one of the foremost Pakistani painters of his generation

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

the gallery celebrates the centenary of the Franco-Polish artist’s birth with an autobiographical exhibition, coordinated with the exhibition at Galerie Loevenbruck in Paris

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

new paintings and a site-specific architectural intervention “transforming the upstairs Zurich gallery into a space reminiscent of a casino - a charged environment shaped by surveillance”

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

this exhibition brings together - for the first time - Cathy Josefowitz, Maria Lassnig, and Carol Rama, three trailblazing 20th-century artists who challenged traditional portraiture by depicting the female body as a site of lived, individual experience

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

Singh’s first UK solo exhibition presents an installation of film and paintings to offer a poetic meditation on the urgent link between climate change and agricultural crises

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

emblematic works from a decade whose legacy remains profoundly relevant today, revealing the richness and diversity of a constantly evolving creative landscape

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

referencing a short-lived 19th century volcanic island in the Mediterranean, a new video and mixed-media installation by the interdisciplinary artist

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

Smith’s first solo exhibition in the UK - “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” - Smith

Dorothy Cross, Samuel Laurence Cunnane, Willie Doherty, Nathalie Du Pasquier, Justin Fitzpatrick, Mark Francis, Guggi, Callum Innes, Jaki Irvine, Zhou Li, Stephen McKenna, Ailbhe Ní Bhriain, Isabel Nolan, Hazel O’Sullivan, Sean Scully, Liliane Tomasko

the latest in the gallery series presents significant works by Volpi alongside paintings by artists from subsequent generations who reflect on - and depart from - his example

“Padeu works with the tradition of narrative painting, employing the language and stories of the Old Masters and Christianity to depict contemporary Cameroon and the continuing legacy of colonialism”

an exhibition of sixteen 2026 fine art graduates from the Slade School of Fine Art and the Royal College of Art

curated as a cabinet of curiosities, new sculptures by Houseago alongside objects ranging from ancient artefacts to works by artists including Joseph Beuys, Louise Bourgeois, Jacob Epstein, Lucio Fontana, Henri Gaudier-Brzeska, Julia Isídrez, …

presented with Matthew Marks Gallery, sculpture and drawing - including works on view in London for the first time - in an exhibition of the influential and relentlessly inventive LA-based artist

curated by Fraser Muggeridge, an exploration of Buren’s use of stripes over almost six decades, from the street to the gallery walls and from the canvas to the printed page

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

curated by Claudia Santeroni and Luisa Catucci, “an intimate reflection on the spaces that exist between movement and stillness, silence and expression, fragility and resilience”

works by Anne-Lise Coste, Slawomir Elsner, Franziska Furter, Eleni Gkinosati, Bob Gramsma, Rachel Lumsden, Koka Ramishvili and Dieter Roth

organised in collaboration with Sam Fogg, an exhibition exploring the influence and relevance of stained-glass window making on modern art practices through the lens of three artists - Piet Mondrian, Paul Klee, and Brice Marden

an exhibition curated by Huiyun Chen and James Hu

“what unfolds over 50 years of Irma Blank’s practice is a kind of universal writing, that belongs to no single language and therefore, in a sense, to all of them”

new paintings by the Cuban-born, Madrid-based painter who “works with objects - not as fixed forms, but as mutable structures that he observes, studies, and re-imagines”

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

Isa’s first solo exhibition at the gallery is inspired by a dream and presents painting and sculpture engaging with spirituality, faith, womanhood, and the complexity of locating the self

“beyond the gay images from the 1970s, I look further back to Whistler, Sargent, Montesquiou, and Proust to locate the atmosphere in which to portray this physicality” - P.

an immersive exhibition transforming the gallery’s tithe barn into a living forest of light and sound, with a kinetic sculpture of branching limbs and mirrored leaves gently moving with air currents

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

“across half a century and a range of disciplines, [eight] artists who have aimed, and still do, to ground the audience in meditation … that attentiveness to form, to material, to time itself”

Arakawa-Nash’s installations reference identity and performance - “constantly exploring the productive and interpretative possibilities of traditional artistic practices [to] raise questions about process, institutional context and performativity”

Zobernig’s appropriation and reinterpretation of Robert Indiana’s iconic 1966 LOVE painting introduces word combinations and complex colour schemes to explore “process, institutional context and performativity”

focussing on a little-known aspect of the painter, writer, and photographer, over 150 early stereoscopic images, vintage prints, unique works on paper, lightboxes, and projections in the first UK public exhibition of his work for over 10 years

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

the annual award celebrates the very best in contemporary portrait painting

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

a ground breaking exhibition exploring Stephenson’s large works from the late 1960s and early 70s - “great paintings of flux still the mind in contemplation of their wholeness, harmony, and radiance”

the London-based artist works with installation, painting, video, and photography to examine the systems through which objects, images and knowledge are classified, circulated, and assigned value

Grant explores form as a structure of thought, and image as process and relation, referencing the optical mirage where images appear unstable and shifting

new works by Zimbabwean ceramicist Somers and Moroccan painter Hamdouch

new paintings and charcoal drawings by the artist known for the range of sources that he draws on, from personal and cultural histories, fables and Afro-Latin religions, to Renaissance painting and fashion photography

in an exhibition exploring perception, memory, materiality, and representation, a selection of works by artists whose practices span generations, geographies, and visual languages

“bringing together some of the most influential artistic voices of 1980s New York, the exhibition celebrates a generation whose work continues to shape our understanding of image-making, celebrity, identity, and cultural expression” - Federica Beretta

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

rare limited-edition posters and bookplates by masters including Picasso, Matisse, Dufy, Léger, Chagall, and Miró - all produced by the celebrated Parisian print studio

the artist, architect, and theorist’s first solo exhibition in the UK brings together sculptures, large-scale paintings, and a selection from his small scale, artist-framed Zero Thumbnail series

“the show stages a dialogue between materiality and external observation [and] continues Guérard\'s reflection on painting in space, apprehending the medium outside its borders and pushing the scale”

an installation and visual loop from a live game environment … holding the audience in a state of sensory attunement while exploring multiple, entangled experiences of time, including deep geological time, atomic time, ecological time

in this exhibition, titled after an atmospheric phenomenon visible shortly before sunrise or after sunset, an “ethereal pinkish band” directly inspires six new, monumental paintings by Crews-Chubb

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

new and historical works by Arsham, spanning sculpture, painting, and works on paper drawn from nearly two decades of his practice - tracing the sustained engagement with geology, archaeology, and the cultural residue of the recent past

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

this major figure in Japanese ceramics works with painting and sculpture to create “elemental forms that explore the mysterious world of childhood, evoking a sense of the uncanny”

to mark the gallery’s new London space, an exhibition of key works from the series - “Uysal approaches architectural space as a living surface - a skin - that can be stretched, compressed, pierced, or displaced”

new paintings which examine “the effects of systems that separate people from land, ancestry, ecology and embodied forms of knowledge”, drawing on Kahraman’s personal history as a Kurdish-Iraqi refugee and the loss of her home in the LA wildfires

focussing on moments of yielding, this first instalment in a two-part thematic exhibition includes works by Sophie von Hellermann, Pierre Knop, Manuel Mathieu, Mary Ramsden, Rachel Rose, Tschabalala Self, and Lina Iris Viktor

presented with Castlefield Gallery, an exhibition bringing together O’Rourke’s DVD-case paintings, larger mixed-media works, wall-based and freestanding paintings - drawing viewers through a landscape of repeated motifs, images, text, and materials

titled after Emily Dickinson poem and curated with London-based painter Shaqúelle Whyte, this exhibition presents eleven artists who “explore the in-between, searching out moments that hover at the threshold of articulation, suspended in time and space”