in Neukamp’s first exhibition at the gallery, new pictograms of various mirrors, over backgrounds made with tempera and oil - “non-reflective mirrors for painting that decidedly demand that we reflect” - Marjolaine Lévy

a major site-wide takeover, the first exhibition dedicated to both artists in the UK, presents unseen and iconic works by the two emblematic figures of contemporary art

new seemingly abstract paintings by Parker, inspired by historic newspaper and magazine covers and the colour analysis charts of the late American artist Emily Noyes Vanderpoel

in Varejão’s first exhibition in Greece, new sculptural paintings and painterly sculptures inspired by Brazilian, Greek, Turkish, and Chinese ceramic traditions

an exhibition of new paintings and sculptures by the Latvian artist which “invites viewers to immerse themselves in Avotiņš' quiet, profound world of images and figures”

“oscillating between chance and control, Barbara Nicholls investigates the possibilities and limitations of pigment, water and paper, translating her experience of the landscape into abstract watercolours”

curated by Sam Hanson, an exhibition reimagining the Greek Goddess of magic, boundaries, and the night in a contemporary context - “the artists ... are not writing over a tradition created by the Greeks - they are continuing it” - Honor Cargill-Marti

new works by the renowned photographer and film director taken in the vast horizons and landscapes of China, and the towering forest - “everything stands still in this dedicated study of moods”

an exhibition of paintings by Andersson - “like frozen tableaux vivants: time stands still as the characters move about like chameleons in elegant interiors”

Rondinone’s first solo exhibition at the gallery inaugurates their new location in Piazza dei Martiri with this homage to Vesuvius

Mivekannin “revisits the history of Orientalism with a bold intervention in the original paintings that he uses for inspiration ... his paintings do not merely reference the Orientalist tradition; they irritate it” - Susana Turbay Botero

new large format works based on film stills photographed on a screen, digitally reworked. and then translated into paintings in oil on canvas

the inaugural exhibition at the gallery’s new space in central London - its first European base - presents four major projects by the Filipino husband-and-wife duo, including a site-specific installation and new large-scale sculptures

“Stern’s girls see how they’re seen and they’re ready to go to battle with the full arsenal of seduction, smoothness, and adversarial appeal . . .the enemies-to-lovers pipeline has never been so scorching” - Alex Quicho

“grappling with the heavy truths of metallurgy - transformed from the start into images of delicate thinness, almost threadlike - Consagra, in this phase, chose to make color the very substance of the sculpture’s body” - Prof. Gabriella Di Milia

paintings and drawings from 1990 through 2025 in a survey exhibition of Lasker’s exploration into line, figure, ground, and pictorial space

the gallery’s first solo exhibition dedicated to the artist examines the full scale of his sculpture, created in 2015 on the salt desert of Bolivia - “Barth’s work brings us back to the hidden meaning of thing”

new paintings drawing on art history, mass-produced objects and toys, amusement parks, childhood memories, and urban life - “the beauty and accentuated charm ... are deliberate strategies to pull us into hyperreal world of pleasurable artifice”

“Janská’s practice is a meditation on form and perception, a delicate unravelling of selfhood tracing contours of femininity with an ethereal hand” - Luana Hildebrandt

important paintings on paper by the late artist which “move between what is clearly spelled out and what is purposely kept behind a thin film of opaque white” - Anders Kreuger

across all three levels of the gallery, Bonvicini’s first solo exhibition with Capitain Petzel explores space, identity, and their construction with new sculptures, works on paper and a new site-specific video installation

“Ferré establishes space, meaning that she opens it. She is armed only with her approach to the canvas, this way of painting that resembles a dancer’s movement ... Her art is about fluidity” - Pierre Wat

“McGee’s exhibitions are characterized by their abundance and generosity. Every corner is filled with art, and the artist’s creativity is splashed onto all kinds of media: glass bottles, surfboards, discarded objects, canvases, drawings” - Richard Leydier

sculptures, new drawings, and clay “sketches” by Spragg, examining landscapes and ecosystems - in dialogue with works by Johanna Tagada Hoffbeck, Rosanna Martin, Inês Neto dos Santos, Sop, and Bethan Lloyd Worthington

responding directly to the architecture of the building, a monumental new site-specific work, alongside works in glass, on paper, and three-dimensional objects, in the Turner Prize-winning artist’s first solo exhibition at a London institution

new paintings by the Osaka-born, Berlin-based artist who“challenges and expands our understanding of what abstract art can be in the 21st century”

“with an almost childlike joy, Paquet playfully deconstructs photographic techniques, returns to its essential elements, in order to celebrate a single component: The most important element is light” - Lillian Davies

new hanging light sculptures and a minimalistic lounge chair by the collaborative art and design practice, exploring themes of place and memory with works that echo the designers’ belief in the future and longing for what is left behind

new artworks by the artist and designer “who injects whimsy and nostalgia into a design world that she considers often too serious and self-aggrandising”

new paintings including an 11m-long panelled landscape painting, alongside richly adorned ceramic sculptures, benches, and a new sound piece in collaboration with composer Alex Gruz, in Yearwood-Dan’s first exhibition with the gallery

exhibited for the first time, a powerful series of rough and complex collages by Franco, based on LA and made from layers of images and signs, symbols and text

three decades of photographs in the first comprehensive retrospective of Perrier’s work

curated by Almine Rech and Simon de Pury, recent paintings of “staggering beauty” by one of the great masters of abstraction

“a poetic exploration of time, memory, and inheritance, constructing a cartography of the artist’s most intimate universe ... in his practice, plexiglass becomes the evolution of the canvas, and tape, the evolution of paint”

titled after Homer’s epic, an exhibition by one of Spain’s most renowned contemporary artists who explores “navigation between the sky and the deep sea” with propellers, submarines, and airplanes constructing a poetic narrative of time, space, and life

over forty paintings and sculptures by Saint Phalle and Kusama in an exhibition which explores the Jungian concept of the “inner child” in their work

an exhibition of the renowned photographer’s monumental portraits documenting nomadic and Indigenous tribes with dignity and deep human empathy

Barbalho’s latest body of work delves into the complexities of language, symbolism, and the intersection of identities ... an immersive encounter with his evolving visual language

large luminous sculptures handcrafted in blown glass in the Finnish artist’s first solo exhibition

works by Huma Bhabha set in dialogue with Giacometti sculptures in the first exhibition of a three-part, year-long series organised with the Fondation Giacometti

more than fifty aphorisms, remarks, slogans, and “other precepts of questionable significance” by Labelle-Rojoux, all written on colored paper

in the first solo exhibition in London by the emerging international artist, new dreamlike compositions that explore human emotion, psychological resilience, and the surreal absurdities of contemporary life

“the careful balance of technique and spontaneity speaks to Bley’s dedication to both the technical and emotional dimensions of her work, reinforcing her ability to navigate the forces she seeks to embody and explore”

“in this exhibition, we viewers are psychic hitchhikers, dropped off on expertly realized yet dreamlike roadways, left to find a way to cope with gorgeous isolation. There’s an obvious direction in front of us but no beginning or end” - Marc Grigorov

works by Eve Arnold, Brothtarn, and Laura Chen explore the hidden, the subconscious, and the forgotten, tracing their imprints through contemporary photography

“Vitali delves into the underlying social dynamics of leisure, from its commodification to the pressures of conformity, offering a commentary on modern society set against the backdrop of the Mediterranean”

extending beyond the gallery to include outdoor sculptures, this is the most comprehensive institutional exhibition of the leading figure in the Arte Povera movement to be presented in the UK

a floricultural tribute to Jane Austen, one of England’s best-loved authors, in celebration of what would be her 250th birthday

in the first retrospective in France of the British artist, photographs of Morris’s youth in London, his portraits of Bob Marley and the Sex Pistols, and his work with artists including Oasis, Lee ‘Scratch’ Perry, and Marianne Faithfull

new gunshot-pierced gold-plated panels and a single marble sculpture “explore a raft of opposing forces: domesticity and wildness, force and resistance, creation and destruction, perseverance and loss”

serene and introspective oils in the South Korean artist’s first London solo exhibition - “an invitation to pause, reflect, and reconnect with the subtle beauty of our shared humanity”

an exhibition which examines the fundamental relationship between raw materials and ceramic creation, exploring the processes that shape contemporary sustainable ceramic practices

the first exhibition in the UK to focus specifically on portraits by an artist widely regarded as one of the greatest exponents of the genre

curated by Simon Grant and spanning over forty years of work, highly charged and surreal paintings and mixed media assemblages alongside colour pencil and gouache works on paper in the first solo show of de Mandiargues in the UK

the French textile artist’s new exhibition fills the gallery space with her characteristic “presences”, large sculptures in crocheted or smoothed black thread - “an ode to transformation in all its facets”

new wall sculptures and works on paper by Drew - “the work alludes to entropy - not as a direct depiction of order and chaos, but as an undercurrent accentuating the fragility of form and the possibility of transformation”

sculptural paintings and painterly sculptures by Josef Albers, David Annesley, Paul Feeley, Sheila Hicks, Vanessa Jackson, Sean Shanahan, William Turnbull and Fabienne Verdier in an exhibition that explores the interplay between colour and form

new portraits of herself and her young son where Minnicucci explores how vulnerability and discomfort in front of the camera can become self-discovery and collaboration

co-organised by three London-based artists - “many of the works ... operate in relation to a kind of realism - with things shown as they are, or how they appear to be. There are found, reconstituted and reiterated forms and images”

a comprehensive exhibition of the German artist’s iconic series of photographs - “I ... felt drawn to the everyday. I wanted to show the kiosk around the corner in all its amiableness”

an exhibition of the British artist known for abstractions that explore form, colour and surface, who “unites a profound affinity with the natural world with a commitment to abstraction and painting as object”

new large-scale paintings inspired by the woods and landscape around the artist’s home and studio in Sweden - “the paintings act as windows, rather than a picture of a landscape” - Eriksson

this solo exhibition of the legendary artist’s six-decade career explores his satirical view of the art world and its politics, mechanics, and history

a retrospective of early works by the late British pioneer of Optical Art and foundational figure in British abstraction

the Toronto-based artist’s “tension between photography and the artist’s hand through selection, competition and paint is made apparent through her use of photo-realist techniques”

a powerful exhibition of the era-defining and thought-provoking works by one of the most prominent Magnum photographers of the postwar era, and the first to focus almost exclusively on peacetime

more than twenty photographs shot on the streets of Rome, Sicily, and Venice - including the first exhibition of the complete Italy series - alongside iconic portraits of notable cultural figures

new and recent canvases and multi-panel paintings by the British artist - “bold, uniquely recognizable compositions, which reveal witty observations and subtly sophisticated meditations on the nature of visual representation itself”

one of the most complete exhibitions of Oldenburg’s famous sculptural works of everyday objects

in Boafo’s debut at Gagosian London, and his first solo exhibition in the UK, new portraits celebrating the Black figure and placed in a “transformative and involving design conceived by the artist in collaboration with architect Glenn DeRoche”

curated with Marco Livingstone, the first posthumous solo exhibition dedicated to the early British Pop Artist exploring his pivotal transition from Pop figuration to bold geometric abstraction

intricate new drawings by Harnett depicting tender, decadent and dream-like scenes inspired by contemporary film, Greek mythology and Old Master paintings

“united by their mastery of the craft and influence on the medium, the artists represented in the exhibition provide a thoughtfully curated overview of the modern masters of photography”

new paintings and works on paper by the American artist in his first exhibition in the London space - “through meticulously rendered depictions of nature and manmade structures, Longstreth captures the essence and specificity of a time and place”

transforming the gallery into a theatrical and unsettling “Circus of The Art Market”, the first solo exhibition in the upstairs space by the Spanish artist takes its title from the ancient Greek term for the act of speaking truthfully, openly, and without

to coincide with the Fondation Louis Vuitton exhibition, etchings, lithographs, digital prints, photographs, photo-collage, and photocopies by Hockney at the gallery that has represented him for many years

an extensive exhibition on the printed works of one of the leading portraitists of the Parisian avant-garde

an exhibition of stone, wood and neon sculptures, as well as wall painting, tapestry and print by one of Scotland’s greatest artists, part of a series of exhibitions to mark the centenary of the birth of the artist, poet and landscape designer

new paintings of semi-closed metal shutters as “a threshold into an unknowable, impassable void” in Harrison’s first solo exhibition in the gallery’s London location

Singh’s first institutional solo exhibition in London explores the full breadth of her practice, from large-scale oil paintings to intimate watercolours and ink drawings, to showcase her prolific career of over six decades

in the American’s first solo exhibition at the gallery, and in the UK, “sculptures reveal how items can confer social status upon their owner [and] embrace the fragility and impractical beauty of their objects”

curated by Sabina Jaskot-Gill, over 200 photographs in an exhibition of iconic images and portraits from the trail-blazing youth culture magazine

titled after Eliot’s The Waste Land, an exhibition of emerging artists who either physically use, or metaphorically respond to, sand in their practice

Marcantonio’s debut solo exhibition reimagines Murano and its glass through the bold and imaginative design of new light sculptures and a chandelier

intimate portraits by the Ukrainian painter in his first solo exhibition with the gallery

“a luminous odyssey between myth, cosmos and power ... electric sculptures, which transform the space through hypnotic optical effects” in the Chilean artist’s first exhibition at the gallery in Rue du Grenier-Saint-Lazare

intricate ceramics alongside new large-scale paintings “as Hunt focuses on female artists who practiced magick while remaining devoted to their artistic pursuits”

Knebl is known for her interdisciplinary/transmedia practice, which combines sculpture, installation, design and performative elements

an exhibition bringing together recent works by Bick and Eiben, both renowned for their distinctive approaches to geometric abstraction, examining and exploring traditions rooted in European modernism, Concrete Art, and Constructivism

new intimate portraits by the London-based artist, capturing a year in the life of a family and offering a glimpse into the shifting dynamics of familial relationships

a major retrospective devoted to emblematic works by the internationally renowned leading figure in contemporary art

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

as spring turns into summer, the gallery presents thirteen international artists and over thirty works dealing with perception, time, change and transience - inspired by the Japanese concepts of wabi-sabi and mono no aware

an exhibition which “celebrates a diverse grouping of artists connected through their visual reinventions of the human figure and incisive portrayals of women”

the Flemish artist’s first exhibition in France presents his oils and collage which “stand out due to their vivid colors, intricate details and singular narrative qualities”

a new online exhibition - “this exhibition highlights the transition of these vintage prints from serving as simple documents, to independent artworks in themselves”

rare maguey fibre tapestries made by Central American craftspeople in association with Alexander Calder - who had a long-term fascination for folk art and indigenous manufacture

Richardson’s debut solo exhibition - “these works mark a moment of transition and a broadening of the scope of my practice, presenting a domestic space that is guided by curiosity and an active re-imagining of the everyday”

“often working with drawings in pencil and pen and several layers of cutouts, of figures and props, Marschner has the sensibility of a puppeteer, albeit one who feels the pull of his own strings by an unseen hand” - Thomas McMullan

“through works on paper, the artist creates a memoir of her time inside the studio ... the paper itself becomes a ritual space”

Ava Grauls, Diane Chappalley, Epona Smith, Evie Mae Jacobs, Guan Guan, and Hannah Lim - six extraordinary international female artists who explore ephemeral moments that encapsulate the essence of the feminine experience

“I took over Picasso museum ... but some visitors never made it to the fourth floor. That’s why I wanted to organize a catch-up session at Perrotin Paris” - Calle

a landmark exhibition which presents the sculptor and poet’s tribute to the legendary Josephine Baker

curated by Claudia Cheng with works by Anna Ortiz, Sara Bonache, Georgia Beaumont, Seline Burn, Gill Button, Annalee Davis, Cecilia Granara, Monika Marchewka, Beatrice Hasell-Mccosh, and Ṣọlá Olúlòde

De Jong’s inaugural solo exhibition draws from the visual language of American iconography, religious symbolism, and pop culture, using abstraction as a tool to reconfigure meaning

to coincide with her exhibition at Pitzhanger Manor & Gallery, an exhibition of new still lifes by Watt

referencing the painting genre of a group portrait in an informal setting, an exhibition “creating conversations between the works, creating formal, technical, thematic or more dreamlike and light-hearted connections”

Ebinama explores contemporary femininity and how it has been shaped through narratives spanning myth and manga, and “love being a potent site of transcendence after destruction and loss” - Ebinama

“extra-sensory portraits ... paintings of friends and collaborators - a reconstruction, of sorts, of people he likes to spend time with”

the Colombian and British painters use surreal approaches to reimagine the tradition of landscape painting in the second annual exhibition bringing together two artists whose practices offer distinct and complementary perspectives

sculptures, paintings and prints in the first solo exhibition in Europe by the American artist - presenting a poetic and critical exploration of the history of sugar cane in America, Africa and Europe

on the 25th anniversary of the Belmacz name, a transforming, three-month exhibition which creates “transitioning scenes, tableaus and clashes, amplifying the voices of our co-collaborators, constructing reverberations”

Bowling’s first solo exhibition in France sees him continue to explore collage as a conceptual tool and technique, and features new works including four monumental paintings

the second iteration of the gallery’s new program organized with Olivier Renaud-Clement hosts Lo Brutto Stahl

new work by Robertson, drawing on a working-class history of bodily engagement with the materials of heavy industry through performance, drawing, riveted steel collage, and welded steel sculpture

“the works featured in the exhibition originate from Totsikas’ universe - and it is there they shall return. There, under their own laws, the works exist all together in a permanent state of semi-exhibition’ - George Bekirakis

Berhanu’s first exhibition with the gallery presents new paintings showing her distinct formal vocabulary combining abstract and representational elements

“a striking collection of emotionally charged works that will resonate deeply with many” as Fiszer blends digital tools with generative techniques to produce these still and contemplative images

video installations and “Lampshares” carved from bittersweet vines and reclaimed plastic, alongside a programme of events, performances, and activities in Rottenberg’s first solo exhibition in Spain

these new paintings by the London-based artist examine identity, memory, and perception to explore the elusive, poetic spaces between seeing, remembering, and feeling

“a monograph dedicated to ... the greatest genius of the 20th century”

a monographic exhibition dedicated to the Polish-born painter “renowned for his mastery of color and his central role in the renewal of the nude in 20th-century”

alongside new watercolors and a new panel work in the upstairs gallery, Cattelan takes over the main Shop with a presentation of editions, publications, and new merchandise

including rarely-seen works, this survey exhibition provides a new and surprising insight into Struth’s work over four decades

prints, video works, and an installation by Rovner, named after and exploring the poppy - “drawing viewers into its layered meanings and evolving presence in her work”

an exhibition of unique record sleeve designs by renowned artists and emerging talents - and Yinka Ilori etched-vinyl - in the ninth edition of the charity initiative combining music and art

a solo retrospective on the Warrington-based painter whose urban scenes captured the essence of his local community

photography, video, painting, installation, and sculptural works by emerging and established artists exploring the dynamic interplay of figure-ground relationships in architecture, psychology, media, and literature

curated by Thom Oosterhof and inspired by Philip Guston’s quote “everyone who creates anything knows, there is a moment, when a third hand is doing it” - works by Ina Gerken, Paul Verdell, Julia Bennett, Ji Won Cha, Andre Hemer, and Samuel Bassett

new paintings by Padeu “capture moments of respite, repose and celebration, paying homage to the ceremonies that underpin everyday lives in an African context”

Portillo explores the emotional terrain of her native El Salvador through paintings which blur distinctions to create “an intentional ambiguity that captures the essence of memory itself”

works by Abraham Kritzman and Philippe Van Snick - shown for the first time in dialogue with each other

examining the challenging of convention and use of repetition, defining works by key postwar figures including De Maria, Fontana, Judd, Manzoni, Merz, Picasso, Rauschenberg, Serra, and Warhol

the New York-based artist works at the edge of painting and technology

across two gallery spaces, Babirye’s first exhibition with Galerie Max Hetzler presents new sculptures and works on paper using appropriation and reassignment of terms and categorisations to produce real or imagined portraits of the Queer community

new acrylic and oil paintings in Curtiss’s first solo exhibition with Gagosian, and in Paris - drawing on 18th- and 19th-century European painting and integrating influences from the Chicago Imagists, ukiyo-e, comics, and popular illustration

“Park’s paintings invite us to reconsider the operations of the gaze and the construction of meaning, emphasizing the limits of either/ or thinking and insisting instead on a more nuanced relation to contradiction and multiplicity” - Amanda Holmes

“an unprecedented dialogue between ... two major figures born on opposite sides of the Atlantic, whose deep intellectual and artistic friendship has long remained largely unknown”

“Rowley opens up a space for us to breathe - dolce far niente - to feel the sweetness of doing nothing” - Harman Liu

a video installation which uses social media as a performative space to explore the impact of it on the commodification of - particularly women’s - bodies

new embroideries, bronze sculptures and canvases in the first exhibition with the gallery, and in Paris, by an artist renowned for her investigations into colour, materiality and form

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

in the South Korean artist’s first solo exhibition, paintings ranging from the intimate to over two metres square explore the tensions between utopian beauty and unsettling realities

experiential landscapes by Karila - “wild, sensual, memory-saturated spaces inhabited solely by nature, basking in sunlight and dancing in the breeze”

recent works on paper, including drawings in graphite, watercolour, and pigment marker, as well as his unique “thread” drawings - “drawing is my way of working through the psychology of my practice” - Suh

an installation which “explores myths, legends, gods, rituals, and their influence on our lives . . . the supersized form will complete a monumental Mother Goddess sculpture, contrasting with the male-centric Mithras religion of the temple”

works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

monumental sculpture, installations, and video - including new work shown for the first time - by one of the most powerful voices in contemporary Ukrainian art - “Kadyrova creates a space for reflection on the essential role of art in times of conflict”

simple geometric forms encased in Plexiglas, which give the illusion of movement, in this exhibition of one of the leading exponents of constructive and concrete art in Germany

new works in lacquered wood and concrete benches by the French designer which “embody the artist’s interest in the architecture of artificial contemporary landscapes”

the Iranian painter’s first exhibition in Belgium presents the central theme of her work: painting as a means of expressing pleasure and emancipation

twelve new works by the Korean artist at the gallery’s new Milan space, including her signature methodical works of burnt, cut and layered Hanji paper as well as pieces characterised by gestural forms

Rockenschaub’s new series explores subtle deviations, irritations, memories and reappropriation

across two gallery spaces, Babirye’s first exhibition with Galerie Max Hetzler presents new sculptures and works on paper using appropriation and reassignment of terms and categorisations to produce real or imagined portraits of the Queer community

the first solo exhibition by the French artist in the UK marks the launch of the gallery’s new programme of solo exhibiitons and experimental projects

across both Paris spaces works by, for, and inspired by Giorno - with Julie Béna, William S. Burroughs, David Douard, Verne Dawson, Judith Eisler, Tarek Lakhrissi, Mélanie Matranga, Clément Rodzielski, Ugo Rondinone, Billy Sullivan, and Rirkrit Tiravanija

in memory of one of the most radical Swiss artists of our time, pieces from three pivotal groups of work in an exhibition to mark twenty years since his passing

the gallery’s first solo exhibition of the London-based Dutch artist presents recent sculptural and photography that explores ecology and systems of production, examining the invisible infrastructures that shape our consumption

“in UP, perception becomes an act of creation. The works are ... activated by light, altered by movement, and ultimately completed by the gaze of the viewer. What emerges is not merely a visual encounter, but an immersive, destabilising experience”

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

“Wickström bases his paintings on photographs, collected images and digital experimentation with various combinations before he begins to paint. He draws inspiration from everyday life and personal experiences, from everything he sees, records and feels”

across both Paris spaces works by, for, and inspired by Giorno - with Julie Béna, William S. Burroughs, David Douard, Verne Dawson, Judith Eisler, Tarek Lakhrissi, Mélanie Matranga, Clément Rodzielski, Ugo Rondinone, Billy Sullivan, and Rirkrit Tiravanija

across both gallery spaces, an exhibition of works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

Khedoori uses cast aluminum, bronze, 3-D printing, resin, encaustic paint and paper to produce an ensemble of sculptural works that oscillate between constructed and deconstructed states

all new paintings and works on paper reflecting her reverence for the natural world, in Uman’s first solo exhibition in Switzerland - presented in partnership with Nicola Vassell Gallery, NY

“on this French Riviera that he loved as much as I did, Karl was about to surround himself, for the first time, with a geometric, childlike and colourful decor. Fine, but why specifically Memphis?” - Paloma Picasso

with works by Marc Bauer, Valérie Favre, Zilla Leutenegger, Teresa Margolles, Valentin Rilliet, Grace Schwindt, Shirana Shahbazi, Melanie Smith, and Francis Alÿs

new pieces by the Dutch designer continuing his series of video “clocks” - “Baas invites viewers to experience the movement of time as art, reinterpreting how they perceive and reconstruct the moments that pass”

early paintings, drawings, and prints from public and private collections, many not seen together since the 1960s, in the first in-depth exploration of this pivotal period in Hockney’s career

new works by Candeloro - “a continuous play of concealment and revelation that fully exploits the potential of chromatic evanescence made to vibrate by light”

a group exhibition of twelve contemporary artists whose practices in various media engage with a broad range of systemic frameworks to examine the web of systems that structure daily life, logic, and cultural and political realities

a series of works by the internationally acclaimed British designer known for pushing the boundaries of materials and technology, producing “innovative design infused with a sense of joy and wonder”

including work shown in London for the first time, ceramic vessels and jewellery from the Paris-based designer that draw inspiration from both flora and fauna

a major exhibition of the multi-award-winning Korean artist’s celebrated photographic works, which collapse the traditions of portraiture and landscape painting and photography to examine the nature and effect of representation

new paintings combining technical mastery with dreamlike imaginings disconnected from time or place - “my disposition towards painting, sculpture and drawing is amorous. I feel it deeply and have devoted my life to finding out what it’s about”

a two-person exhibition of Molly Burrows and Woo Jin Joo, who both explore storytelling via embroidery, ceramics, painting, collage, and sculpture - accompanied by two soundscapes responding to the works’ quiet theatricality

Parreno’s first solo exhibition at the gallery’s Conduit Street space blends real landscape with cinematic creation, streaming a part of Spain directly into the main gallery continuously day and night in real-time

new paintings and works on paper in Hall’s first exhibition in Vienna - “the pictures that Hall paints are questions as much as proposals: questions about the past and present, and proposals for the future” - Jasper Sharp

significant paintings by Williams from the decades between the 1960s and 1980s - “striking works deploy an entirely original use of colour”

to mark sixty-five years since the gallery’s founding, a changing group exhibition of works by major artists in a dialogue between the past and present

McQueen's first solo exhibition in Paris for nearly a decade is also the European debut of this installation of photographs - vivid, beautiful flowers native to Grenada in the Caribbean, which are also silent witnesses to its turbulent history

Ozwyn’s debut solo exhibition transforms the gallery with an immersive installation to examine concepts of belonging and “otherness”

Tucker’s first solo exhibition with the gallery and in mainland Europe presents an immersive space with elaborate ceramic sculptures of part fictional, part re-invented extinct creatures

new pieces by the multidisciplinary artist and designer known for using flowers and other organic matter to explore decomposition, preservation and the passage of time

new “magic realist” paintings on canvas and works on paper in the Swiss painter’s first exhibition in Paris - “mysterious or ambiguous scenes that obscure the line between memory and imagination”