this new “multi-sensory environment” project by Doig transforms the gallery into a listening space to explore the role of music, film, and sites of communal gathering, listening, and creative exchange in his practice

over two hundred items in the first exhibition dedicated solely to the fashion illustrator, Oscar-winning costume designer, social caricaturist, and writer’s ground-breaking contributions to fashion and portrait photography

largely drawn from private collections, an exhibition of sculptures and objects from 1975 to 1990 by the “unique and incomparable” Austrian artist

a transfomation of two iconic performance videos by the renowned conceptual artist - presenting them as an installation of over a thousand individual photographic stills

the London and Berlin-based British artist and game designer’s most ambitious project to date - a groundbreaking video game commission with a multiplayer immersive experience exploring polarisation, censorship and social connection

film, painting, and sculpture in the internationally renowned artist’s first solo exhibition at the gallery’s London space - “these works articulate Laurent Grasso’s singular artistic vocabulary”

vibrant, large-scale images from key series by the duo over the last twenty-five years, exploring themes of hope, fear, sex, religion, corruption and death

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

the first major solo exhibition of the late British artist, who was at the heart of the 80s style scene in the UK, foregrounds his film works alongside early large-scale abstract paintings

in Pade’s first solo exhibition in the UK, significant new paintings presented in the round - “she transforms style itself into a dynamic, networked force … in which certain art-historical precedents become newly animated” - Hendrik Folkerts

“three new large-scale bronze works, each taking a unique porous, rock-like form with water trickling and flowing inside, their meteorite appearance symbolizing the collision of outer space and Earth”

over forty paintings and drawings exploring the fascination artists had in the 19th century with The Arabian Peninsula, The Levant, North Africa and Anatolia

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

presented with October Gallery, an exhibition of recent wooden panel works by Anatsui, widely regarded as one of the most influential contemporary artists working today

across both London gallery spaces, an exhibition of new paintings and sculptures by Schutz - “the dramas on the canvas run the gamut of emotive registers from humour and joy to anxiety and hopelessness, within which the terrible and beautiful collide”

Srouji’s first solo exhibition in London “confronts the profound dissonance between the sacred architecture and geography of Christianity and the ongoing erasure of Palestinian life under settler colonial violence”

a trio exhibition by Clara Frain-Atallah, Lily Hargreaves, and Jonathan Tignor, curated by Sam Hanson

“a comprehensive view of Kneffel’s multifaceted practice, showcasing her technical virtuosity, intellectual depth and curiosity, and her unwavering commitment to expand the possibilities of painting”

Rockenschaub’s new series explores subtle deviations, irritations, memories and reappropriation

a major site-wide takeover, the first exhibition dedicated to both artists in the UK, presents unseen and iconic works by the two emblematic figures of contemporary art

titled in homage to Wynton Marsalis’ interpretation of the jazz standard, I’ll Remember April, this exhibition honours several of Whyte’s musical heroes, from Boris Gardiner and Gil Scott-Heron to The Beatles

curated in collaboration with Nicholas Foulkes, more than twenty rarely seen paintings in the largest solo exhibition in London dedicated to the renowned French figurative painter in over fifty years

fifteen new treescapes and portraits in pastel challenging conventions of representational painting, in the Swiss painter’s first solo exhibition at the gallery in London

curated by Brandei Estes, the world-renowned photographer’s debut UK exhibition pairs quintessential 19th and 20th century paintings and sculptures with her intimate photographic art

over fifty works on paper, sculptures, and prints in the most expansive presentation of Wool’s work in London for many years

rarely seen works by Fini and new paintings by Waliszewska curated by Alison M. Gingeras - “dreamlike and transformative scenes—populated by, among other things, dancing skeletons, ephemeral nudes, ghostly wanderers, prone dreamers, and feline companions”

the debut exhibition at the gallery’s new space presents Michele Fletcher, Connie Harrison, Shuang Jiang, and Shara Mays, four artists whose work explores gestural, baroque-esque abstractions infused with floral undertones and inspired by landscape

landscape photographs by the Japanese English artist - “I try to imprint in my images some trace of my own journey to discover the beauty I see, perhaps slightly removed from the literal before me”

the British artist's debut exhibition at the gallery looks for meaning through moments of intimacy - “imagined snapshots of queer life and love depict different ways in which we pursue meaning and purpose in our lives”

an exhibition of Brandt’s most celebrated and sought-after body of work - in the first of a series of exhibitions to mark the gallery’s joint acquisition of the complete photographic archive of Marlborough Gallery

“Roland Barthes reminds us that a drawing of a tree is really a ‘tree-being-looked-at’. Fretwell’s paintings press the point. What you see is never simply what is seen” - J. Cabelle Ahn

an exhibition of sculptures and drawings reflecting Smith’s ongoing engagement with the natural world and its connection to mythology, spirituality, and the human condition

marking the tenth anniversary of the gallery’s pioneering platform dedicated to art and technology, a major exhibition of nine international artists who work critically with artificial intelligence in the form of algorithms, datasets, and machine learning

new large-scale paintings and more than twenty works on paper bringing together two strands of Moritz’ work - abstraction and figuration - that she had previously kept apart

new drawings, prints and an immersive installation, that bring us to the frontlines of climate change, connecting vanishing polar ice and surging sea-levels with the unprecedented erosion taking place on UK coastlines

a landmark exhibition which celebrates the transformative power of perception, with new Mirror Paintings by the pioneer of Arte Povera shown in dialogue with Cubist masterpieces by Picasso

an installation of large-scale, visually layered artworks weaving together archaeology, mythology, and contemporary art - centred around the 2,000-year-old oak stakes discovered during excavations for Bloomberg’s European headquarters

“the Texan-born artist expands upon his ongoing investigation of congregation, passage and assimilation … Hayden turns familiar forms into metaphors for entropy, exclusion, and renewal”

“Fell’s work manages to feel so true to life: we do not see thoughts or feelings, only how they might register on the surface, just like we cannot see anguish but can register its presence on a friend’s brow during a moment of personal crisis”

a solo exhibition by the acclaimed British artist sho has dedicated himself to a sustained examination of London’s tower blocks, Brutalist architecture, and urban housing estates

new drawings and paintings informed by the history and cosmology of the Naxi people of Yunnan in southwestern China in Ding Yi’s first solo exhibition with the gallery

the first European exhibition devoted to the late artist whose “extremely influential, incandescent paintings remain relatively unknown beyond the US”

new paintings and works on paper - “interior scenes which capture moments of human introspection and intimacy” - in Mckinney’s debut UK exhibition

in his first solo show with the gallery “Lutz-Kinoy treats exhibitions like immersive architectures, positioning painting as backdrop and sculpture as spatial intervention”

“my paintings are portraits of private inner worlds … my work explores the architecture of the mind. These are scattered, fragmented, and riotous projections of self” - Kristof

curated by Michèle Lamy a new exhibition of Rick Owens Furniture inspired by London’s brutalist architecture

in their first collective entry onto the European stage, over sixty works by thirteen leading Taiwanese artists in an exhibition highlighting nearly three decades of groundbreaking creation

spanning three decades of work, a solo exhibition of sculptures by the late pioneering Slovak artist, little known outside of the local Czechoslovak context

paintings on canvas by Howard Hodgkin, Peter Bömmels, Nicholas Williams, Neil Gall, Stuart Pearson Wright, Anna Gregor alongside etchings by Ulrike Theusner

an exhibition placing the paintings of the contemporary artists Julian Lombardi and Shane Keisuke Berkery in dialogue with Frank Auerbach, James Brooks, R.B Kitaj, Markus Lüpertz, Henry Moore and Graham Sutherland

“an exhibition exploring the significance of conceptual mathematics for the artist’s pioneering practice through … a select group of his most groundbreaking works from the 1980s”

celebrating the breadth of Gibson’s output, new paintings and sculptures in his first solo exhibition with the gallery and in France

Le Brun's first solo exhibition with the gallery - “these compositions reveal the light inherent in painting, which the painter must create, tirelessly, brushstroke after brushstroke, until it reaches the eyes of the viewers” - Guitemie Maldonado

in these new paintings Ruscha shifts from the representation of public-facing façades to the quiet drama of private interiors

new works in the first exhibition dedicated to Ruscha’s paintings on unprimed linen

new paintings by Oehlen, presented in Paris alongside Galerie Max Hetzler, exploring the theme of “the bather”

an exhibition looking at how the late artist explored the connections between our selves and our domestic surroundings - both physically and psychologically, as well as across familial generations

alongside a new photographic series based on an eighteenth-century comic opera, the gallery presents the European premiere of a new multi-channel video installation which confronts Birth of a Nation, the highly controversial 1915 film by D.W. Griffith

Dean presents new works on slate and glass, an edition of prints, and the debut presentation of a 16mm film featuring fellow artist Boris Mikhailov and his wife, collaborator and muse, Vita

an exhibition in two chapters co-curated by Bella Kesoyan, bringing together sixteen emerging and established artists, embracing the intersections of art, music, literature, poetry, and performance

over 300 works in the show address our understanding of cultural transmission and the influence of images and text across time and space

announcing the gallery’s new London space, an exhibition of three London-based artists whose work interrogates borders to find a language of universal meaning, working across diverse materials and media

sixteen oil paintings on canvas and wood in Jabłońska’s first solo exhibition at the Paris space

in this exhibition curated by Donna De Salvo, De Maria’s final sculpture is shown for the first time outside the US alongside other rarely seen sculptures, drawings, films, and archival materials

this continuation of the artist’s 90th birthday celebrations presents a selection of his works, alongside the book of his major exhibition in Weil am Rhein earlier this year

“through a century of artistic transformations, brought together in a selection of around thirty works from Auguste Renoir to Fernand Léger ... still life emerges here as more vibrant than ever”

“this exhibition is the most significant to date of Kher’s subsequent paintings, shown alongside a group of sculptures to which they are fundamentally connected and resonate with on formal and conceptual levels” - Sarah Coulson

Miska’s first solo exhibition in the UK addresses the British tradition of hunting, to examine themes of control through equestrian motifs, visual tropes and associations

a major figure in international contemporary art, the Belgian artist transforms the gallery with an ensemble of monumental sculptures alongside more intimate artworks exploring some of the major themes she has developed in recent years

in collaboration with Jean Fritts and Pierre Mollfulleda, an exhibition exploring the influence of non-Western art on major works from twentieth and twenty first-century movements

new cinematic paintings in an exhibition exploring the poetic instability of memory, presence, and the everyday

new mixed-media works exploring history, metaphorical archaeology, and socio-political change - focussed on the relationship between movement and time - in the Franco-Senegalese artist’s debut exhibition with the gallery and in London

new paintings and sculptural works from the multidisciplinary artist, exploring inherited familial, political and spiritual legacies, and questioning their authority in a world where empathy seems to have vanished

new circular paintings of “imagined worlds of unruly, elaborate vegetation-like formations” that emphasise the cyclical, rhythmic, and ever-shifting qualities that are central to Harper’s practice

this new commission by Sasraku uses process-driven works on paper, found objects, and sculpture to explore the seductive and destructive power of oil

Guerrero’s first solo exhibition in the UK draws on his P'urhépecha roots and the daily life of his community in Mexico - “his paintings are often kaleidoscopic panoramas with an expansive, mystical sense of place and a pulsating, cosmic energy”

an exhibition titled after and celebrating André Bloc’s highly influential avant-garde journal promoting post-war contemporary art

presented with Goodman Gallery, an exhibition of recent wooden panel works by Anatsui, widely regarded as one of the most influential contemporary artists working today

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

Camille Bernard, Dimitra Liogka, Soo Hyun Lee, and Yujin Son, four artists who explore how the body becomes estranged from itself - “through care, myth, memory, and landscape”

“Unger paints visionary, apocalyptic landscapes that are sites of both spiritual revelation and sublime terror”

new and celebrated paintings, sculptures and installation works in Tayou’s first solo gallery exhibition in the UK, shown in collaboration with Galleria Continua

curated by Lydia Eliza Traill, an exhibition of works by Areena Ang, Giulia Ley, Jessie Evans, Sophie Jung, Lucia Farrow, and Lulu Syracuse

the recently released from storage suite of Paolozzi screenprints - including unseen monochrome examples and ones hand-coloured by the artist - shown alongside Bonomi’s homage to his chosen icons of our culture

including early works, unseen for more than a decade, the gallery presents von Bonin’s first exhibition in London

new paintings by Oehlen, presented in Paris alongside Gagosian Paris, which explore the theme of “the bather”

curated by Alessia Calarota, over a dozen works created by Campigli between 1930 and 1962 following his increasing concentration on painting

a focused survey of recent works on paper by the New-York artist who has transformed a single hue into a rich, expressive language for over nearly five decades

bringing together drawings from 1999 to 2019 focussing on her notion of ‘endless drawing’, originally inspired by John Layard\'s 1937 account of the \'sand drawings\', and two recent video-works made with the Japanese artist Eiko Otake

works by over forty artists, including Primitive Arts, Fermin Aguayo, Josef Albers, Guillaume Barth, André Bauchant, Bissière, Miguel Branco, Michael Biberstein, Dado, Fred Deux, Jean Dubuffet, Max Ernst, Gérard Fromanger, Alberto Giacometti, ...

“a visual investigation into otherworldly energies and extra-terrestrial goop [by artists] fascinated by the symbolic, ritual and social nature of the ectoplasmic event”

new iterations of two existing works where Lee explores transitory “non-spaces”, and the political repression in Taiwan during the White Terror

Simmons’s first exhibition with the gallery presents photographs, paintings, video, wall reliefs, and sculpture, inspired by Gordon Matta-Clark works of the 70s

painting, photography, ceramics, and mixed-media installations in an exhibition that examines the relationship between art and nightlife

“the South African painter translates onto canvas a vision deeply shaped by the language of cinema: intimate framings, staged pauses, an acute attention to texture, and the thresholds of visibility”

an exhibition of Edwards’ bronze sculptures “seen as vessels to encourage consideration of our own humanity and what it means to exist in partnership with the world we inhabit”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

in her first exhibition with the gallery and in France - “Appel paints, as faithfully as possible ... all manner of subjects - big and small, beautiful and ugly, organic and inorganic. She imparts a real presence to the life-sized subjects she paints”

taking its title from a gardener’s rule of thumb, this exhibition sees Barrada “reinterpret social relationships, uncover subaltern histories, and reveal the prevalence of fiction in institutionalized narratives”

“Childress uses iridescent pigments and Colorstream to create scenes and portraits in motion that question the nature of the gaze … cinematic framing, off-screen effects and striking expressions evoke the world of the big screen”

across both London gallery spaces, an exhibition of new paintings and sculptures by Schutz - “the dramas on the canvas run the gamut of emotive registers from humour and joy to anxiety and hopelessness, within which the terrible and beautiful collide”

curated by Lorenzo Madaro as a single itinerary through A arte Invernizzi and Artra galleries, recent works by Asdrubali in dialogue with cycles developed since the 1980s

new paintings, including works from the acclaimed Atom series, explore metaphysics, spirituality, and contemporary Black and Queer identities

a large-scale group exhibition conceptualised and curated by Pulitzer Prize-winning writer and curator Hilton Als as a “collective-portrait” celebration of the Dominican-born British writer

new lightboxes from the Korean sculptor - “crisply delineated window openings into domestic architectural spaces that speak of order and calm contemplation”

“de Azambuja’s practice is informed by his ongoing dialogue with the modernist legacy of Brazil, not simply as inheritance, but as something to be reworked, broken open, and reassembled, revealing the failed promises of modernity”

in a collaboration with Tension Fine Art, a joint exhibition across both spaces - “O’Brien’s works invite careful attention, rendering familiar objects both silent, strange and simultaneously playful and profound”

with pieces from across his career, an exhibition dedicated to the work of the distinguished painter and poet, highlighting the breadth of his artistic achievement

brought together for the first time, five paintings from a group made in 1991, “created during a period of intense dreaming” and reflecting her exploration of mythological and archetypal imagery - alongside two minimalist kinetic sculptures

curated by Paulo Miyada, with new works including Gomes’ signature pendants and torsions alongside paintings and new sculptural explorations in bronze

in collaboration with Gomide&Co, São Paulo, Dias’ first exhibition at the gallery presents six historical works produced during one of the most defining periods of his career and marking a fundamental turn in his practice

“imagine an evening of hedonism and debauchery at The Savoy: champagne flows, pillows fly, baths are drawn. A trail of shoes and clothes strewn across the floor” - Maximiliane Leuschner

seminal works by figures such as Enrico Baj, Giuseppe Capogrossi, Roberto Crippa, Lucio Fontana, Asger Jorn, Wifredo Lam, Piero Manzoni, and Emilio Scanavino celebrate the legacy of the Ligurian town, a crucible of artistic experimentation and innovation

to inaugurate the gallery’s new space - and celebrate its tenth anniversary - a presentation of Pierce’s new large-scale video animation alongside a series of prismatic light projections onto canvas

polished steel wall sculptures and monolithic forms explore how “contemporary selfhood is shaped and mirrored through material presence and visual experience”

exhibiting in the UK for the first time, Mexico City and New York-based AGO Projects presents the “fantastical and functional” work of Mexican designer Daniel Valero’s Mestiz studio

the first UK exhibition of new work by Sundaram, whose “intuitive practice of ‘painterly sculpture’ or ‘textile painting’ defies material, spatial, and linguistic boundaries”

on view at both the gallery’s Turenne and Matignon spaces, an ambitious group exhibition presenting the work of over forty artists

in O’Mara’s first solo exhibition in the Netherlands, “paintings [which] present multiple temporal and perceptual planes at once, allowing viewers to move freely between states of understanding and ambiguity”

sculpture and works on paper in his first exhibition with the gallery and in London - “Ndife alters familiar domestic objects into layered, poetic sculptures … resulting in works that exist between the sculptural and the painterly”

monumental canvases by the internationally acclaimed artist - “both a celebration of RETNA’s enduring influence and a declaration that art can resist, endure, and reveal in an age of relentless motion”

“in the Paris of the 1950s and 1970s ... artists from elsewhere, who, without forming a homogeneous group, share the same desire: to reinvent themselves”

inspired by Lucretius’s first century BCE philosophical treatise, Rico’s work explores the intrinsic relationship between humans and the natural world

curated by Carlo Falciani, with works by Christian Bérard, Jean Cocteau, Juan Araujo, Jonathas de Andrade, JR, and Eva Jospin

“he is interested in what lies beneath the visible surface – the quiet, often overlooked stories that each image carries … Dammann undertakes a very personal attempt to trace the psychology of artistic inspiration and his own creative convictions”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

Nolan’s work is “characterised by its shifting movement between mediums, where sculpture, textiles and works on paper are held in lively dialogue, celebrating and communing with historical figures and works of art that speak to us across centuries”

recent reliefs and sculptures by Karlsson - “almost exact reproductions of nature … compositions taken directly from reality, but placed in a different context”

an exhibition of watercolors by the internationally renowned artist

engaging with Federico García Lorca, BanBan’s most ambitious project to date presents new large-scale paintings and works on paper - “these paintings do not illustrate Lorca’s texts but absorb and reimagine his atmospheres”

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

at the gallery’s two spaces on Rue Jacques-Callot the duo present seemingly very different experiences - “Dewar and Gicquel have always explored the same themes and the same subjects, tirelessly reworking their art or, more exactly, their artworks”

acclaimed British designer Terence Woodgate and pioneering engineer John Barnard present a body of work which meditates on the intersections of space, movement, and minimalism

curated by Christine Eyene, painting, sculpture, video, text, and sound exploring Black life and Afro-diasporic existence, in the UK debut exhibition of the London-born, Paris-based poet, rapper, and multidisciplinary artist

“a cross-temporal dialogue between artists whose practices are separated by decades but aligned by notions of time, scale, and geographic resonance”

presented at the gallery’s London space, and Frieze Masters, the first retrospective exhibition of Ray to be held outside the US

in an exhibition curated by Lisa Anderson, seven artists of Black and African diasporic heritage explore “the creative process … as a potent force for both personal and collective transformation”

Hosten’s debut exhibition presents her intricately detailed drawings, scaled between panoramic and intimate - scenarios of ritual, worship, acceptance and transformation

a mixed-media installation by the multidisciplinary artist depicting, through moving-image, painting, drawing, and printmaking, her interior fantasy world and the domain of her alter-ego

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

“Othoniel’s glass brick structures unfocus the eye and consequently the mind through prolonged gazing. This state of visual suspension awakens in the viewer an awareness of the generative power of human sensory perception itself” - Zhou Yi

“Sietsema’s work navigates the complex status of representation, exploring how meaning is constructed at the intersection of image and material ... a dialectic approach that negates, disables, or redirects the natural flow of communication”

reimagining the gallery space as a cavernous, creaturely interior, Chong’s new body of works includes sculpture, installation, video and prints

rooted in her ongoing exploration of the body as machine and the interplay of mechanical and sonic repetition, Crash captures a choreography of destruction in which mechanical utterances emerge as raw, rhythmic language

“two monumental umbrella sculptures in tulip wood, carved and stained entirely by the artist’s hand without a trace of industrial intervention. Bearing witness to both the passage of time and of the body” - curator Harman Liu Hongdao

“a conceptual journey through Atelier Van Lieshout’s radical thought experiments, realised through the studio’s art and design that go beyond aesthetic objects”

the gallery presents the leading Thai contemporary artist’s first solo exhibition in the UK and her work “based on meditative and recursive explorations of the human body”

“across this exhibition, melancholy intermingles with the warmth and delicacy of private, contemplative settings”

hand-formed ceramics displayed on shelves built from found materials, alongside a working coffee and mezcal bar, in this exhibition and interactive installation exploring ritual and process

the Belgian-Congolese artist “invites reflection on how meaning is constructed, resisted and refracted through the act of looking. His practice challenges the impulse to explain or master what is seen”

“these works depict the most fundamental and instinctual forms of behaviour, including the impulse to survive and the economical employment of energy … simultaneously manipulated by the artist by way of additional interpositions”

“in Brent Wadden’s hands, weaving is not only a method but a process, an artistic language. It binds past to present, solitude to community, work to trance, matter to memory” - Boris Bergmann

new “shadow-self” paintings which “intentionally resist prescriptive interpretation, instead encouraging personal engagement and reflection on the viewer’s part”

curated by the acclaimed painter, a diverse group of international artists working across painting, sculpture, photography, film, and drawing from the 19th century to the present day

Christiane Baumgartner, Miriam de Búrca, Richard Long, David Nash, Yinka Shonibare, Emma Stibbon, and Joe Tilson in an exhibition exploring the “sublimity of nature and the forces of climate change”

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

works from a series in which she painted directly in acrylic onto raw linen, jute, and cotton - “working vertically, engaging with gravity … I was trying to materialise the fragile, fleeting and unpredictable moment just before falling” - de Bailliencourt

to mark sixty-five years since the gallery’s founding, a changing group exhibition of works by major artists in a dialogue between the past and the present

works by artists including Ai Weiwei, Juan Araujo, Alejandro Campins, Yoan Capote, Loris Cecchini, Chen Zhen, Nikhil Chopra, Jonathas de Andrade, Leandro Erlich, Subodh Gupta, Eva Jospin, Julio Le Parc, Jorge Macchi, Sabrina Mezzaqui, Hans Op de Beeck, …

curated by Adrian Dannatt and Julia Muggenburg, a group show with 19 artists, a vernissage from 1 to 9 - and a number 19 Routemaster bus ride to encounter an off-site revelation with and by Markus Hansen

Weaver’s first solo exhibition at the gallery in Berlin presents her archetypal motifs including mother and child and the female nude on monumental square canvases

new paintings see the renowned artist working with an uncharacteristically limited range of colours - “Grosse seemingly drives a wedge between what appears on the surface of her paintings and the physical support beneath them” - Colin Lang

focussing on paintings he made shortly before, during, and just after his early 1960s first stay in Cairo, this is Colescott’s first exhibition at the gallery

wall paintings, drawings on sari fabric, glass sculptures, and porcelain objects in Chakraborty’s first solo exhibition – reflecting on her personal connection to landscapes, migration, and memory

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

“Falls’ work is a monument to nature’s evolution over time and a different understanding of humanity” - Heinz-Norbert Jocks

curated by Robert Zeller, an exhibition of works by sixteen contemporary artists - some showing for the first time in Italy - which examines the influence of Surrealism on artists working today

the gallery’s second solo exhibition with one of Spain’s leading contemporary artists – “his interventions are subtle, offering a realm for resonance, where there is no imposition of narrative, only an invitation to look, to feel, and to remember”

Petra Feriancová and Amanda Kyritsopoulou, in dialogue, explore how meaning emerges through repetition and disruption

at the gallery’s two spaces on Rue Jacques-Callot the duo present seemingly very different experiences - “Dewar and Gicquel have always explored the same themes and the same subjects, tirelessly reworking their art or, more exactly, their artworks”

in a new collaboration with the SLG, sculpture, painting, performance and installation by thirteen international artists from the collection of Museo Jumex in Mexico City

Ceppi’s first solo exhibition at the gallery presents her transformations of everyday objects and organic material into oversized, surreal sculptures that resemble modern chimeras

“everything in Wechsler’s practice happens on a threshold: between legible and illegible, between what is said and what is unsayable, between the support and the light. The works evoke palimpsests: erased layers that never quite vanish”

nine paintings and two drawings created specifically for the UK-based artist’s first solo exhibition at the gallery - “Elsa Rouy paints cryptic bodily entanglements. Desire and disgust push and pull”

five leading ceramic artists, each paired with a creative practitioner from a different discipline, in an exhibition for London Design Festival that explores the creative potential of connection through clay

the second in the gallery’s series of exhibitions in its 3e étage showroom

new paintings, a sculpture, and a video installation - “Fischer explores themes of perception and representation”

the London-based, Brazilian artist’s first solo exhibition at the gallery is part of the UK/Brazil Cultural Season, and continues his cycle “Sleight of Hands” which began with the substitution of a historical coin from the British Museum collection

titled after the subjective, qualitative characteristics of sensations the way things seem to us, an exhibition of Beard’s landscapes

jewellery pieces and functional artworks by the experimental Paris-based artist, characterised by what he calls “delicate brutalism” - presented for the first time by the gallery

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

“for José Lerma, everything begins with the gesture … each canvas is a new lesson, a way of pushing further his exploration of gesture and matter” - Margaux Knight

a new body of work presenting the Korean artist’s search for “painting beyond representation”

new and recent paintings by Whitney

“the subject of representation is repositioned: expressive painting gestures are exaggerated ... the artist transforms the glossy materials and unstable contents of our phones into works that one might almost bite into” - Marie Canet

Yirui’s first exhibition in London draws on the symbolic meanings of Greek mythology, the structural rhythms of Chinese calligraphy, and the layered depth of contemporary abstract painting

new large-scale paintings by the British artist completed between 2021 and 2025

the first gallery display of Marden’s prints in London is curated by his estate and presents editioned prints, unpublished proofs, and related drawings produced between 2007 and 2012

“in this spatial installation, Ulusoy extends her artistic language into the physical environment, transforming the space to enrich the experience of her paintings [inviting] viewers to engage directly with the sensory and conceptual essence of her work”

“Peura’s process often begins with a faint, unformed idea that may shift and transform many times as the work evolves. For her, painting is a journey of discovery”

“while painting, Kirsi Mikkola strives to enter a completely intuitive state, transcending conscious thought and allowing the brush to become her musical instrument … each painting is an explorative journey”

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

painterly interpretations drawing from the Martin Scorsese film “After Hours”, “quietly reflecting the film’s central question of how we move forward when control falters”

an exhibition exploring twenty years of the renowned French Symbolist artist’s work and specifically his conceptual use of light - “‘Carrière uses light as a metaphor for the inner light of the subject, for its aura” - Helen Hirsch

an exhibition of more than thirty rarely and never before seen drawings by Heilmann from between 1975 and 2005, examining how drawing functions as a form of daydreaming

created by Hawker at an artist residency programme on Wiradjuri Country, New South Wales, Australia, “the works on show reinterpret the corporeal world, treating physical states almost as alternate languages, and finding great beauty in the differences”

in partnership with the Jean Nouvel-designed venue in the heart of the city, nineteen photographs, paintings, sculptures and installations by fifteen gallery artists, each interpreting light as their central theme

a solo exhibition by one of the most emblematic figures of the contemporary Cuban art scene - “each piece represents a silenced cry, a lament drowned out by the white noise surrounding us, a constant drone that keeps us submerged in emotional lethargy”

celebrating the thirty-fifth anniversary of the opening of their first exhibition space in the medieval town, an exhibition dedicated to the late artist who was instrumental in the gallery’s expansion

works spanning different periods of Kwade’s career, including recent bronze pieces, in an exhibition by one of today’s most influential contemporary sculptors

\"In this new group of works, the artist explores the relationship between the real and the virtual dimension, between two-dimensionality and three-dimensionality, and the ever-central role of the viewer.\" I

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

new works in media including paintings and sculptures - “Haukur reflects on the ideological relationships between nature, culture and the human experience”

new paintings inspired by a 2024 visit to Istanbul in Eddy’s first solo exhibition with the gallery - “a colour-driven, open-ended narrative approach that captures the poetry of everyday life through the interplay of figurative and abstract forms”

the Vienna-based French painter “creates hybrid compositions that capture suspended moments between collapse and rebirth”

an exhibition bringing together recent pieces that meditate on the nature of light and gravity with a dense network of literary and personal references under-pinning each individual piece

curated by Uras Kızıl, an exhibition bringing together research-based processual landscape works by Selim Birsel, Sinem Dişli, Sibel Horada, Emre Hüner, Ege Kanar, Çağla Köseoğulları, Ali Miharbi, and Yağız Özgen

“reclaiming elements of early Italian painting, Ikhide draws authority from the historical tradition … infusing it with his own unique mythology, he recodes its values and makes it his own” - Minna Moore Ede