a major site-wide takeover, the first exhibition dedicated to both artists in the UK, presents unseen and iconic works by the two emblematic figures of contemporary art

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

Wolski explores painted surfaces as membranes filtering perception, in the first of a series of exhibitions presenting for the first time in France, artists in collaboration with the galleries that represent them, this time with Neue Alte Brücke

this new “multi-sensory environment” project by Doig transforms the gallery into a listening space to explore the role of music, film, and sites of communal gathering, listening, and creative exchange in his practice

curated by Simon de Pury, an exhibition of Testino’s long-term photographic project celebrating global communities, tradition and cultural continuity

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

the leading organisation supporting early career and emerging artists in the UK presents its annual group exhibition. showcasing 26 artists selected through an open call by Pio Abad, Louise Giovanelli, and Grace Ndiritu

new works exploring the folklore and historic uses of uncultivated poisonous plants - Wilson’s first exhibition with the gallery since the announcement of her representation presents the “para-pastoral”, an alternate version of the British countryside

titled after the Virginia Woolf novel, “the exhibition foregrounds the performative and narrative capacities of art, emphasising the pause within the creative process as a space for reflection”

an installation of new paintings of abstracted landscapes on paper and panel alongside mixed media works and objects - “in Helene Billgren’s artistry, even the most insignificant and fragile can become important and meaningful”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

the inaugural exhibition at the gallery’s new space in Hanover Square presents new works completed in London over the past six months alongside the first full UK presentation of “The Moon Room” - fifteen iPad paintings of the night sky

new paintings by the Irish artist “draw from a vast archive of found images in which hierarchies have been collapsed, and motifs with different referents are spliced together, dissolving distinct subject matter into complex compositions”

a solo exhibition dedicated to the central figure of Arte Povera, centred on one of his most intense and complex “igloos—an in-between work, poised at the threshold of architecture, living organism, and thought”

“his surfaces are rich in texture, distortion and expressive gestures”

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

on its fortieth anniversary - and for the first time in the UK - an exhibition of all 126 photographs from Goldin’s genre-defining photobook

works from across the renowned counter-culture illustrator’s sixty-year career

new paintings by “one of the great painters of his generation” (John Yau) - “a vibrant evolution in the artist’s long-standing exploration of abstraction, materiality and the painted edge”

the gallery highlights the vision of one of the foremost creative thinkers of our time - paintings, sculptures, watercolors, films, and photographs explore his surreal visual language and material experimentation

a group exhibition with eleven gallery artists, presenting paintings, sculpture, and large-scale installations exploring geometry, seriality, and order

an exhibition of works by two of the most important and influential artists in South African photography - who have shaped how their realities have been seen and discussed worldwide

in a church in the centre of the town, large mirror works and a small silkscreen print on steel in the first solo exhibition in St. Moritz by the Nobel Peace Prize-nominated artist - presented in collaboration with Galleria Continua

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

showcasing the work of talented young photographers, gifted amateurs and established professionals in the very best of contemporary photography

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

acclaimed British designer Terence Woodgate and pioneering engineer John Barnard present a body of work which meditates on the intersections of space, movement, and minimalism

curated by Michèle Lamy a new exhibition of Rick Owens Furniture inspired by London’s brutalist architecture

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

a substantial group exhibition, curated by Nana Bahlmann and featuring over a hundred conceptual photographs, print media, and films - ranging from the 1960s to the present these works “expose the absurdities of our world and its representations”

including the rare complete series of “The Twelve Tribes of Israel”, a wide range of works by the Spanish surrealist

in this exhibition curated by Donna De Salvo, De Maria’s final sculpture is shown for the first time outside the US alongside other rarely seen sculptures, drawings, films, and archival materials

paintings, drawings, and etchings by the British-Caribbean artist “engage critically with questions of memory, belonging, and identity, while simultaneously foregrounding the enduring significance of community and cultural resilience” - Cameron Amiri

paintings based on the myth of Persephone which explore “ideas of descent and return, echoing the rhythms of the seasons and the emotional cycles we move through as human beings”

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

the gallery’s first solo exhibition with the London-based Italian artist - “his works shift between liturgy and superstition, between waiting, expectation, and disillusion, between faith, trust, and algorithmic randomness - Ilaria Monti

an immersive environment of twenty-five monumental graphite drawings on suspended cotton fabric in Bagheri’s first solo exhibition with the gallery

the leading organisation supporting early career and emerging artists in the UK presents its annual group exhibition. showcasing 26 artists selected through an open call by Pio Abad, Louise Giovanelli, and Grace Ndiritu

this flagship exhibition explores mental health and the human condition, and the relationship between personal pressures and universal challenges

a series of five wall hangings that use the differing weights and textures of yarn to convey the changing quality of light accompanied by three sculptures: Alter Ego by Isaac Witkin, Diamond Maquette by Phillip King and Vertical Form No. 1 by Robert Adams

Young-Il Ahn, Gabriel de la Mora, and Shim Moon-Seup in a three-person exhibition which explores “abstractions of the sea and sky”

new sculptures, recent paintings, and drawings by the artist - “site-specific reconfigurations open up narrative portals, where the various media are combined with natural elements such as wind or gravity and the electromagnetic field”

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

“Mitsola’s female beings consist of curves and lines, opaque surfaces and expressive brushstrokes; they are fiction made image through and through” - Vanessa Joan Müller

“his paintings collapse time, revealing how the ordinary can be a vessel for the eternal … Dawson embodies both the zeal of an ecological activist and the faith of a mystic painter. His love for his subject is contagious” - Brad Philips

a solo exhibition “that brings the internal terrain of Kelly’s neurodivergent experience into sculptural and spatial form”

painting and moving image work by four artists from Azerbaijan and the region, who “navigate everyday scenes, often infusing them with the fantastical elements of folk tales and myths”, alongside virtual tours of the exhibition at the gallery’s Baku space

in artist’s debut solo exhibition, recent paintings alongside a group of works on paper - the artist’s first engagement with the medium

“Lineages explores the employment of line … the notion of line is not confined to the drawn mark, but emerges as a connective thread in concept and form”

curated by Elizabeth Jackson and Emily Stapleton Jefferis - “expect a tactile, multi-dimensional installation combining wall, floor, and plinth-based elements”

announcing representation of the London-based artist, the gallery presents her first solo exhibition - “streams of feeling and knowledge emerge on the surface of the canvas”

new small- and medium-format paintings of everyday objects, rendered lifesize by the Swiss artist “granting them a new presence and an unexpected dignity”

to mark his 88th birthday, an exhibition of new etchings and aquatints by Baselitz that “establishes a dialogue between two of his most famous motifs: the eagle and Elke [his wife]”

this exhibition of works by Anna Krammig, Rachel Lumsden, and Pascal Sidler “makes it clear that works subsumed under the umbrella term figurative painting can be very different in nature”

Arnold J Kemp, Betye Saar, Mira Schor, Nádia Taquary, and Nicole Wermers use “found objects or buried voices from the past … navigating the tension between legibility and materiality, mystery and revelation”

curated by the photographer’s granddaughter, Caroline Avedon, an exhibition of rare prints from the series “In the American West”, including works not shown since their 1985 debut

in Grosse’s first exhibition at the gallery in London, new watercolour and acrylic works on paper inspired by an extended stay in Marfa, Texas

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

an exhibition of three decades of Brancusi photographs - many shown in London for the first time

at Maureen Paley Studio M, the New York gallery presents Agosto Machado’s first exhibition in London with a selection of his shrines and altars alongside related ephemera and works by Sheyla Baykal, Peter Hujar, and Jack Smith

“through her signature use of neutral-toned textile art, [the Norwegian artist] probes the collective conditions of contemporary society – restriction, expectation, order, and isolation”

the second exhibition in the three-part series marking the gallery’s hundred-year history, presents post-war European artists whose radical experimentation and shared search for innovation helped define the language of modern abstraction

“new abstract paintings marking the British artist’s exploration into the evolving, intuitive processes that define his practice”

“the exhibition’s storytelling begins with the prospects of intimacy, and remarkably expands into a commentary on sex, love, romance, deception and loss” - Salomé Jacques

new oil paintings in a momentous presentation, the first solo exhibition in the gallery’s new space,“a radical reframing of the long-standing art historical lineage of bathers, stretching from Titian and Cézanne to Matisse”

new paintings on board, centered on the titular term coined by philosopher Glenn Albrecht to describe the emotional distress of environmental change close to home

four artists “for whom drawing becomes a process shaped by duration while recording effort, vulnerability, and attention … not only images or objects, but traces of lived actions marked by movement, resistance and environmental conditions”

“the dialogue between Pirim and Voigt demonstrates how two artists with contrasting points of departure converge in their approaches to navigating chaos, harmony, and the search for coherence”

an historical video installation looking at women who lost their lives in the French Revolution, shown alongside trompe l’oeil “flat letter” paintings by the American artist duo

titled after the Welsh for motherland, the Welsh-Ghanaian artist’s first solo exhibition with the gallery marks her return to the country with a presentation of fibre and textile-based works

an exhibition of works by UK-born Stephenson and the German artist Stewen

in these new works, Aky steps away from the formal structures usual in her practice and “allows each painting to unfold in its own rhythm … in which colour moves with an autonomous presence and a soft and intuitive visual language emerges”

this special exhibition brings together twenty-three international artists from East and West with painting, installation, and sculpture based on the theme of the horse

paintings and works on paper from the 1960s to the 2010s, covering five decades of McNeely’s fearless and provocative approach to the human body, in the late New Yorker’s first solo exhibition in London

“Halley, with humor and precision, continues to question the relationship between modernist utopia and digital reality” - Stefania Angelini

“in Birna’s work, time drips, circles, evaporates and returns. It moves like breath: tidally, patiently, repeating itself, yet never quite the same” - Helena Solveigar Aðalsteinsbur

new paintings exploring the relationship between memory, architecture, and perception by this major figure in the Albanian and European art scene

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

an exhibition of photographs by Ethridge - “a confluence of fashion shoots, portraits, still-life arrangements, and interior scenes, embodying disparate modes”

with Alejandro Campins, Carlos Garaicoa, Osvaldo González, Zhanna Kadyrova, Moataz Nasr, Michelangelo Pistoletto, and Hiroshi Sugimoto

titled in reference to James Baldwin’s civil-rights-era book, Kaphar’s first exhibition in Paris presents new paintings and hand-carved wood sculptures

“Slawn is moving his studio to Saatchi Yates, St. James’, London”

an exhibition of outstanding Italian and Spanish paintings including Old Master works rarely seen outside of museums

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

new works by the Hamburg-based Canadian artist, presented in dialogue with her 2023 series FAMILY WALLS

an exhibition of new works by the German-Brazilian artist. “In her paintings and works on paper, Tschäpe presents dreamlike abstract landscapes inspired by the natural world and memory“

“Maciá expands sculpture beyond the visual, using sound, smell, drawing and fresco to explore the invisible systems that sustain life”

jewellery pieces and functional artworks by the experimental Paris-based artist, characterised by what he calls “delicate brutalism” - presented for the first time by the gallery

new paintings which examine “legacies of colonialism, empire, and the masculinist ideals that underpin them” in the acclaimed Irish artist’s first exhibition with the gallery

“a magical-realist interview … on a rooftop in Berlin, Eva and Hanna - mother and daughter - speak of a house in Brandenburg called ‘India’ - Marija Grujić

a solo exhibition by one of the most emblematic figures of the contemporary Cuban art scene - “each piece represents a silenced cry, a lament drowned out by the white noise surrounding us, a constant drone that keeps us submerged in emotional lethargy”

“the year preceding the artist’s birth becomes a lens, a way of examining the world as pure potential … five wall pieces and three sculptures, each one emerging from a different technical universe” - Maria Valeria Biondo

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

“a group exhibition bringing together sculptures, paintings, works on paper, and installation taking the everyday object as a point of departure, revealing art’s enduring ability to transform the overlooked into sites of inquiry and visions of delight”

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

a new body of work by the Ugandan artist explores “how our senses – touch, sound, scent, and sight – can hold onto memories long after their season has passed”

a group exhibition exploring how artists and designers across generations transform concepts into material language. “From molten bronze to volcanic stone, from dandelion seed to carved marble, the exhibition traces how ideas evolve into tangible form“

new work by the artist - “numerous upright forms that resemble standing figures or columnar pillars, but which are abstracted and complicated through Cragg’s rigorous process of hand carving”

“a mini-retrospective honouring the late, great photographer whose timeless images captured the humour, irony, and soul of the human (and canine) condition”

a selection of the artist’s early works, on view together for the first time, the exhibition is a rare opportunity to explore this formative phase of Manzoni’s practice revealing the unexpected foundations on which his later artistic production was built

new paintings by the London-based painter - “driven by impulse and intuition, Wesołowska paints with the intention of summoning an image, most often a figure, to the canvas”

“sculptural lamps by twelve international artists who treat light as a living material … installed across three adjoining rooms, the works form a shifting rhythm of light that turns the gallery into a responsive environment, more organism than display”

an exhibition which brings together two artists whose practices are rooted in materiality, structure and transformation and examines the poetic tension between language, form and gesture

an exhibition of drawing and painting “as active processes of observation and transformation” exploring the Jungian unconscious and dream imagery

curated by Tobia Bezzola, an exhibition bringing together paintings, sculptures and drawings focusing on the people and landscapes closest to the artist - shown alongside photographs by his friend Ernst Scheidegger

“known for his atmospheric nocturnal scenes and psychologically charged portraits, Hido now turns toward the expanded visual form of collages and explores the shifting terrain between memory, place, and narrative”

new paintings by Uslé - “this subtle and sophisticated body of work reflects on the possibilities of painting itself”

Grange’s debut solo exhibition at the gallery draws on LGBTQIA+ histories, queer identities, and speculative storytelling to build worlds populated by characters and symbolic artefacts that question societal norms and power structures

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

curated by Paolo Bolpagni, an exhibition focussing the cycle of paintings created by the leading figure in Italian art between 1952 and 1956

works by Asad Faulwell, Habib Hajallie, Massoud Hayoun, Andrew Maughan, Tiyana Mitchell, Lavar Munroe, Marc Padeu, Fa Razavi, and Anders Sunna - nine artists who explore painting and drawing as an act of storytelling, with the figure a common motif

a new body of work by the Lebanese painter from her ongoing ‘Birds’ series, the exhibition approaches the bird ”as a figure of unbounded movement, free from borders, categories, and constraints”

ethereal, translucent panels and a three-screen video by Raven, a wall-based text work and a sculpture of found timber by Long, and a Latham installation in the gallery’s new season offering distinct takes on artists’ relationships with landscape

a solo exhibition by Hohenlohe “who redefines the boundaries between photography, object, and painting … a world where images are not made, but found”

works by Fidan Abilova, Jala Aziz, Leyla Guliyeva, Sabina Jafar, and Maryam Yusifaliyeva in an exhibition developed with Atesh Hub which “explores the entanglement between the female body and the natural world through an ecofeminist lens”

mostly working in oils, Ziegler creates totemic figures and biological forms which fuse raw pigment with sand, soil, pumice - “painting is my attempt at processing and synthesizing the stories and information I’ve become curious about”

having opened at the London space, the second international open call exhibition for painters exploring our relationship with the environment moves to Messums Wilthsire

conceived by Jasper Sharp and Anderson, this exhibition brings the acclaimed autodidact Joseph Cornell’s New York studio to the heart of Paris - a city he never visited but vividly idealised

an exhibition tracing Cubism’s evolution from its origins to later reinventions - from the pre-Cubism of Roger de La Fresnaye, through Cézanne, to the post-Cubism of artist like Georges Terzian

Abdessemed’s first solo exhibition in Rome “an intimate dialogue with the Eternal City … its light, its shadows, and its silences” begins the gallery’s new program of exhibitions, projects, and collaborations dedicated to contemporary artistic research

titled after Einstein’s term for quantum entanglement, new paintings on satin, sculptural works, video, and sound installation examine “how images form, how materials behave, and how perception is shaped by both physical and conceptual frameworks”

curated by Briony Fer, over forty-five paintings, drawings, gouaches, wooden reliefs, and an iconic Dada head, in the gallery’s first solo display of Taeuber-Arp, one of the most important artists of the 20th-century avant-garde

“spirals are everywhere in acclaimed Haitian American artist Kathia St. Hilaire’s mesmerizing new show”

covering nearly sixty years of her paintings on canvas, clayboard and paper, this is the first major monographic exhibition in Europe devoted to the visionary American abstract painter

the first solo exhibition with the gallery of the late major figure who “contributed decisively to the birth of a new kind of geometric art” - Domitille D’Orgeval

in his first solo exhibition at the gallery “Perilli’s visionary impulse becomes unmistakable: an imaginary space, free of hierarchies and traditional perspectives, in which form becomes process and perception oscillates between rationality and intuition”

a new exhibition that revisits Rasheed Araeen’s celebrated and groundbreaking 1989–90 exhibition with works by many of the original artists

including work exhibited in Berlin for the first time - and based on the eponymous Samuel Beckett piece, with Daria Blum, Hanne Darboven, Gina Folly, William Gaucher, Mike Kelley, Kippenberger, Monika Sosnowska, Ilaria Vinci, Xie Lei, and Urban Zellweger

shown for the first time at the gallery’s Paris location, new paintings, works on paper, and film in an exhibition marking two decades of collaboration with the multidisciplinary artist

“like the city itself, and the different gazes cast upon it, gradually revealing new layers of understanding, Matthias’s assemblages grow denser, accumulating multiple strata” - Romane Constant

shown for the first time, a series of gouaches exploring art, sex, life, and death, painted by the late British artist at the very end of his life

“Rinck’s sculptures seem to me to be talismans, whose effectiveness is no longer guaranteed but which we hope might transform our relationship with the world as well as with others simply through their very presence” - Camille Bréchignac

small sculptural compositions of found objects and repurposed materials by Bloom as the gallery hosts Mumbai’s Jhaveri Contemporary and Glasgow’s Kendall Koppe

in the first solo exhibition in London by the Brazilian artist, new and existing performative installations with sculpture, movement, live performers, and public participation

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

“a groundbreaking physical and digital art collection honouring some of Marvel’s most legendary comic book characters”

“within this space, fire is no longer bound by the logic of reality, but assumes visual forms that are open, fluid, and at times playfully unconstrained” - Odile Zhao

pieces by internationally renowned artists - drawn from a century of work - brought together in pairings to explore connections and offer new interpretations

“on encountering these new canvases, there is an electric charge, a sense of primal energy … this is poetry” - Benjamin Rhodes

“spanning abstraction, figuration and sculpture … a considered dialogue between distinct practices, allowing each work to assert its own visual and conceptual weight”

on the occasion of the gallery’s sixtieth anniversary, recent and monumental pieces in its first exhibition dedicated to the legendary French artist

in his first exhibition at the gallery, new paintings and sculpture - “fragmentary images, between memories and visions, traces and narratives” - by the French artist based on his residency in New Orleans

new paintings by Cognée exploring “architecture as a metaphor for the human condition”

“this exhibition is a dialogue between two artists whose practices use established Chinese materials, approaches, and ideas to navigate the intersections of nature, perception, and cultural tradition”

“the clarity of his compositions... create an atmosphere of strangeness and suspense, like a fleeting moment of everyday life floating in the collective memory”

works by Grilo from the 1970s and 1980s when she worked alternately in Paris and Spain

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

Saâdane Afif, Julius von Bismarck, Martin Boyce, Angela Bulloch, Etienne Chambaud, Thomas Demand, Ryan Gander, Dominique Gonzalez-Foerster, Pierre Huyghe, Ann Veronica Janssens, Lee Bae, Philippe Parreno, Sojourner Truth Parsons, Anri Sala, and Anicka Yi

titled after a late photobook by Frank, this exhibition “explores people and places across his long and multifaceted life through images and fragments of memory presented through the artist’s original maquette”

an exhibition of Baumgartner’s seminal piece “one second of video [transformed] into 25 individual woodcuts, translating an ephemeral fragment of time into a tangible form”

featuring an ensemble of bronze sculptures from his ongoing bodies of works, the exhibition intends to reveal a deeply humanitarian streak, dealing with the essence of life

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

titled after a 16th Century satirical engraving, Bernhardt’s installation “reveals a work of writing in flux, a process of hybridization between visual art and poetic writing that expresses the madness shaping our contemporary lives”

Macchi’s first solo exhibition at the gallery’s Marais space “presents a new constellation of works that unfolds as a subtle and unsettling investigation into perception, absence, and the fragile mechanisms through which meaning is constructed”

Pilar’s first solo exhibition in the gallery’s Marais space “weaves a mosaic of narratives in which the artist’s personal journey resonates with centuries of migration between Africa, the Americas, Europe, and Asia” - N’Goné Fall, curator

the gallery presents an exhibition of the late French abstract painter, in collaboration with a major French fashion house and presented in two stages

the British artist’s first solo exhibition presents new work “that positions painting as one conduit within a broader circuitry of images, sounds, and interfaces, redirecting attention from discrete objects to the configurational field”

the gallery’s first solo exhibition with Kawabara - “his talent flourishes not when form merely follows ornamentation, but when it arises from the principle of ornamentation itself” - Minoru Shimizu

a broad selection of the Korean artist’s defining series in her first solo exhibition in Brussels - “the act of leaving traces of the time I have lived” - Kim

a solo exhibition by the South African artist where “instinct becomes structure and where each canvas pulsates with movement, nostalgia and possibility”

Verdier’s acclaimed series of large-scale paintings interpreting Mozart arias in visual form, shown alongside drawings made during a two-year plein-air project in Provence

the gallery hosts Milan-based MATTA with assemblages by duo the back studio shown alongside Lijn’s “deeply personal and mythologically charged” work based on the ancient figure of Lilith “as self-portrait”

the French-Ivorian artist’s first solo exhibition - “her sculptural practice begins with personal archives and the textures of domestic life. Through processes of carving and assembling, she reanimates these remnants into new, enigmatic forms”

the third of a three-part cycle at the Jean Nouvel-designed venue in the heart of the city presents twelve artists who explore “space”

artists Ron Chen and Lucrezia Abatzoglu shown alongside the 17c “A Young Boy with a Candleholder and Candle in his Hand” by Jacob Schalcken, loaned by Rafael Valls Gallery

“a dialogue between two artists exploring themes of exile and migration from two different perspectives … both exhibitions take water as a vehicle to investigate the relationship between historical narratives and natural processes”

“at its core, Matière Noire can be understood as an attempt to exhaust the act of photography, while simultaneously preserving the legacy of modernity”

prints and related works by Turrell, linked to his major 2013 installation at the Guggenheim in New York, and his Roden Crater masterwork

new abstract paintings and works on paper in the American artist’s first UK solo exhibition

centred on emblematic works from the 1960s and 1970s, an exhibition which highlights the career and work of one of the great protagonists of the avant-garde

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

works by eight artists ”focussing on the raw mechanics of making — the calibration, structural clarity and material decisions that define each practice”

conceived by Hervé Loevenbruck, “bold juxtapositions [provide] an invitation to go beyond appearances and discover, in the confrontation of styles and periods, a new way of looking at art”

in celebration of the theoretical contemporary art magazine’s 35th anniversary, a selection of art editions from recent years

an exhibition of prints by three major figures of the 1950s and 1960s European avant-garde, who had “a shared rejection of fixed forms and a conception of art as a living experience, where gesture, text, chance and irony combine in the creative process”

“photorealistic paintings and abstract works on untreated aluminium, Koenig draws on the Latin phrase Domi Reversi, meaning "return to one's origin,” recontextualizing the artist's studio as more than a site of creative genesis” - Chris Erik Thomas

“the impetus to reach for an understanding of this living is helpful but also evolutionarily young; it may return us to an understanding of ourselves as a singular vehicle” - Melissa Steckbauer

in collaboration with New York’s Market Gallery, an exhibition bringing together artists connected to both programmes - painting, photography, sculpture, installation, and video, foreground methodological difference over stylistic cohesion

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

works on paper and sculpture by the artist, who is soon to exhibit in the Nordic Countries Pavilion at the Venice Biennale

a new exhibition exploring landscape as portraiture and reflecting on intimacy and belonging - working with oil sticks, Khoza creates large-scale paintings inspired by gardens, solitude, and the Margate coastline

covering more than four decades, this exhibition on the work of the figure central to Viennese Actionism “reflects the intensity and ritualistic structure that define the artist’s practice … marked by physicality, symbolism, and a relentless exploration o

a retrospective survey exhibition of glass sculpture, lighting, furniture design, and art installations by one of the most celebrated Nordic designers

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

immersive installations and sculptures in the first major UK survey exhibition of the artist who makes “multimedia artworks that negotiate the spaces between memories, individuals and the globalised societies that we live in today”

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

curated by SLG New Curators, new work responding to the gallery in the South Korean multimedia artist’s first solo exhibition in the UK