organized in collaboration with Mary Boone, important paintings, sculptures, photographs, and works on paper by over twenty artists including Basquiat, Clemente, Haring, Koons, Kruger, Mapplethorpe, Noland, Prince, Schnabel, Serrano, Sherman, and Warhol

largely drawn from private collections, an exhibition of sculptures and objects from 1975 to 1990 by the “unique and incomparable” Austrian artist

the US exhibition debut of Serra’s 1992 large-scale sculpture, exhibited only once before in Germany

the gallery’s first exhibition dedicated to the trailblazing American artist, author, educator and activist surveys her career with textiles, paintings, sculptures, and rarely seen works on paper

this new “multi-sensory environment” project by Doig transforms the gallery into a listening space to explore the role of music, film, and sites of communal gathering, listening, and creative exchange in his practice

over two hundred items in the first exhibition dedicated solely to the fashion illustrator, Oscar-winning costume designer, social caricaturist, and writer’s ground-breaking contributions to fashion and portrait photography

in partnership with Ben Brown Fine Arts, a major exhibition of over fifty paintings, works on paper, and sculpture bringing together the visionary worlds of Magritte and the two Lalannes

showcasing the work of talented young photographers, gifted amateurs and established professionals in the very best of contemporary photography

the London and Berlin-based British artist and game designer’s most ambitious project to date - a groundbreaking video game commission with a multiplayer immersive experience exploring polarisation, censorship and social connection

film, painting, and sculpture in the internationally renowned artist’s first solo exhibition at the gallery’s London space - “these works articulate Laurent Grasso’s singular artistic vocabulary”

the inaugural exhibition at the gallery’s new space in Hanover Square presents new works completed in London over the past six months alongside the first full UK presentation of “The Moon Room” - fifteen iPad paintings of the night sky

vibrant, large-scale images from key series by the duo over the last twenty-five years, exploring themes of hope, fear, sex, religion, corruption and death

a major site-wide takeover, the first exhibition dedicated to both artists in the UK, presents unseen and iconic works by the two emblematic figures of contemporary art

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

on the occasion of the gallery’s sixtieth anniversary, an exhibition bringing together works by the two highly important and influential artists

an exhibition of Soryun Ahn and Lulu Stephenson, two painters who present distinct approaches to the question of how images hold time

in Pade’s first solo exhibition in the UK, significant new paintings presented in the round - “she transforms style itself into a dynamic, networked force … in which certain art-historical precedents become newly animated” - Hendrik Folkerts

the first exhibition in the UK of the New-York based artist - “like a chord fading into air, Yao’s work inhabits that in-between space - a breath between worlds where emotion, recollection and paint itself dissolve into one another” - Jessica Wan

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

the first major solo exhibition of the late British artist, who was at the heart of the 80s style scene in the UK, foregrounds his film works alongside early large-scale abstract paintings

an installation of large-scale, visually layered artworks weaving together archaeology, mythology, and contemporary art - centred around the 2,000-year-old oak stakes discovered during excavations for Bloomberg’s European headquarters

“three new large-scale bronze works, each taking a unique porous, rock-like form with water trickling and flowing inside, their meteorite appearance symbolizing the collision of outer space and Earth”

Srouji’s first solo exhibition in London “confronts the profound dissonance between the sacred architecture and geography of Christianity and the ongoing erasure of Palestinian life under settler colonial violence”

“a magical-realist interview … on a rooftop in Berlin, Eva and Hanna - mother and daughter - speak of a house in Brandenburg called ‘India’ - Marija Grujić

presented with October Gallery, an exhibition of recent wooden panel works by Anatsui, widely regarded as one of the most influential contemporary artists working today

“the Japanese artist unfolds her renowned web-like installations, reinventing thread as a poetic and universal medium”

across both London gallery spaces, an exhibition of new paintings and sculptures by Schutz - “the dramas on the canvas run the gamut of emotive registers from humour and joy to anxiety and hopelessness, within which the terrible and beautiful collide”

the gallery’s first exhibition of the renowned painter presents intensely personal works drawing on her traumatic early childhood and escape from Berlin in 1939

fifteen new treescapes and portraits in pastel challenging conventions of representational painting, in the Swiss painter’s first solo exhibition at the gallery in London

marking the tenth anniversary of the gallery’s pioneering platform dedicated to art and technology, a major exhibition of nine international artists who work critically with artificial intelligence in the form of algorithms, datasets, and machine learning

over fifty works on paper, sculptures, and prints in the most expansive presentation of Wool’s work in London for many years

rarely seen works by Fini and new paintings by Waliszewska curated by Alison M. Gingeras - “dreamlike and transformative scenes—populated by, among other things, dancing skeletons, ephemeral nudes, ghostly wanderers, prone dreamers, and feline companions”

the debut exhibition at the gallery’s new space presents Michele Fletcher, Connie Harrison, Shuang Jiang, and Shara Mays, four artists whose work explores gestural, baroque-esque abstractions infused with floral undertones and inspired by landscape

oil paintings, graphite drawings, and scratchboard pieces made over the course of eighteen years - “these are not imagined landscapes, they are observations shifted out of alignment, closer to psychological truth than visual fact” - Anna Ehrsam

Luo Mingjun, Angela Lyn and Ursula Palla, three artists who use natural elements to visualize the passage of time - “intersecting with everyday objects … these motifs evolve on a continuum between the tangible and ephemeral, lingering and ever-changing”

new drawings and paintings informed by the history and cosmology of the Naxi people of Yunnan in southwestern China in Ding Yi’s first solo exhibition with the gallery

the first European exhibition devoted to the late artist whose “extremely influential, incandescent paintings remain relatively unknown beyond the US”

Dean presents new works on slate and glass, an edition of prints, and the debut presentation of a 16mm film featuring fellow artist Boris Mikhailov and his wife, collaborator and muse, Vita

new abstract paintings of “ambiguous characters who inhabit my studio keeping me company and often engaging in silent conversation” - Shalom

“there’s a quiet nostalgia in the work of Lucy Mahon - a reverberance and reverie that seems to buzz and hum and thrum to life within and between paintings... the work similarly undulates between ideas of childhood and adulthood” - Andrew Salgado

curated by Brandei Estes, the world-renowned photographer’s debut UK exhibition pairs quintessential 19th and 20th century paintings and sculptures with her intimate photographic art

the pioneering conceptual artist’s fourth solo exhibition with the gallery explores the role of protest in her work and its power to effect change

new sculpture, installation, and works on paper as the internationally acclaimed artist “unites cutting edge technological materials with ancient cosmologies, drawing inspiration from the enduring spiritual traditions of Japan”

a landmark exhibition which celebrates the transformative power of perception, with new Mirror Paintings by the pioneer of Arte Povera shown in dialogue with Cubist masterpieces by Picasso

recent sculptures and paintings - “the Porcelain series is in dialogue with art from ancient times through history to this moment; the belief in humanity and civilization through our possibility to transcend is embedded within” - Koons

works by fifty international ceramic artists transform the gallery into a series of domestic settings, reimagining how contemporary ceramics live within the home

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

Jackson’s eighth solo exhibition with the gallery - “his new series of paintings continues to infuse humor into the still life genre, blending nostalgia with comedy“

“a visual exploration of America through the visions of nine remarkable artists: Arman, Julien Bismuth, Alain Bublex, Richard Cottingham, Richard Estes, Ralph Goings, Martin Kersels, Duke Riley and William Wegman”

the multimedia Afro-Caribbean American portrait artist presents monumental fiber portraits that “celebrate the intimate connection between textiles and communities of color”

ten new landscape pieces by the digital artist depicting Central Park

curated by Michèle Lamy a new exhibition of Rick Owens Furniture inspired by London’s brutalist architecture

this new commission by Sasraku uses process-driven works on paper, found objects, and sculpture to explore the seductive and destructive power of oil

in their first collective entry onto the European stage, over sixty works by thirteen leading Taiwanese artists in an exhibition highlighting nearly three decades of groundbreaking creation

an exhibition titled after and celebrating André Bloc’s highly influential avant-garde journal promoting post-war contemporary art

spanning three decades of work, a solo exhibition of sculptures by the late pioneering Slovak artist, little known outside of the local Czechoslovak context

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

a solo show of new works by the German artist and her first in the UK bring together a series of paintings that “explore the notion of the edge — spatial, social, and psychological - and on what exists beyond the centre”

celebrating the breadth of Gibson’s output, new paintings and sculptures in his first solo exhibition with the gallery and in France

over 300 works in the show address our understanding of cultural transmission and the influence of images and text across time and space

new works by Meiré from his ongoing series transforming daily newspapers - symbols of the fleeting and disposable - into cast reliefs

new drawings, prints and an immersive installation, that bring us to the frontlines of climate change, connecting vanishing polar ice and surging sea-levels with the unprecedented erosion taking place on UK coastlines

new iterations of two existing works where Lee explores transitory “non-spaces”, and the political repression in Taiwan during the White Terror

Le Brun's first solo exhibition with the gallery - “these compositions reveal the light inherent in painting, which the painter must create, tirelessly, brushstroke after brushstroke, until it reaches the eyes of the viewers” - Guitemie Maldonado

new works in the first exhibition dedicated to Ruscha’s paintings on unprimed linen

new paintings by Oehlen, presented in Paris alongside Galerie Max Hetzler, exploring the theme of “the bather”

“a solo exhibition by the renowned painter featuring three interrelated bodies of work … each being formed from a concatenation of smaller, individual panels, seemingly employing different styles and diverse moments from his own back catalogue“

works by Alex Katz, Yayoi Kusama, Sunjoo Chung, Zukie, Frederic bruly Bouabre, Lucy Sparrow, Sophy Chang, and Kun Kyung Sok “contemplate this passage of time between the giver and the receiver, between the artist and the viewer”

over forty paintings and drawings exploring the fascination artists had in the 19th century with The Arabian Peninsula, The Levant, North Africa and Anatolia

never-before-seen recent works

eleven paintings from three major series in Derakshani’s first solo show in New York in over five years

a new exhibition centred around Taylor’s “Anguished Heads” created between 1963 and 1971, and exploring his exploration of the concept of anguish - an important theme depicted by artists and writers including as Rodin, Rosso, Dostoevsky and Nietzsche

ten selected artists in the second international open call exhibition for painters exploring our relationship with the environment, revealing how connections to the natural world can inspire both understanding and hope

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

Marín explores color, tone, and shifting perception with a unique approach to the notion of landscape

over two dozen artists working across a wide range of media, at scales both intimate and grand, offer a sustained reflection on the social and political climate of our time

taking its title from a gardener’s rule of thumb, this exhibition sees Barrada “reinterpret social relationships, uncover subaltern histories, and reveal the prevalence of fiction in institutionalized narratives”

over one hundred drawings - spanning the years 1959 to 1968 - show Lozano’s “unbridled energy and social consciousness”

in her first solo exhibition in Los Angeles, a series of canvases examining the excesses of consumerism and popular culture with lush, swirling brushstrokes

“this exhibition is the most significant to date of Kher’s subsequent paintings, shown alongside a group of sculptures to which they are fundamentally connected and resonate with on formal and conceptual levels” - Sarah Coulson

“Childress uses iridescent pigments and Colorstream to create scenes and portraits in motion that question the nature of the gaze … cinematic framing, off-screen effects and striking expressions evoke the world of the big screen”

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

a major figure in international contemporary art, the Belgian artist transforms the gallery with an ensemble of monumental sculptures alongside more intimate artworks exploring some of the major themes she has developed in recent years

in collaboration with Jean Fritts and Pierre Mollfulleda, an exhibition exploring the influence of non-Western art on major works from twentieth and twenty first-century movements

over seventy oils, watercolors, prints, and drawings in a landmark exhibition exploring the impact of the pioneering American modernist widely regarded as one of the most influential figures in twentieth-century art

across both London gallery spaces, an exhibition of new paintings and sculptures by Schutz - “the dramas on the canvas run the gamut of emotive registers from humour and joy to anxiety and hopelessness, within which the terrible and beautiful collide”

in the artist’s first solo presentation with the gallery since joining the roster, new sculpture, photography, painting, and installation “examin[ing] desire as a libidinal structure of ideological misrecognition”

new cinematic paintings in an exhibition exploring the poetic instability of memory, presence, and the everyday

curated by Lorenzo Madaro as a single itinerary through A arte Invernizzi and Artra galleries, recent works by Asdrubali in dialogue with cycles developed since the 1980s

a large-scale group exhibition conceptualised and curated by Pulitzer Prize-winning writer and curator Hilton Als as a “collective-portrait” celebration of the Dominican-born British writer

in an exhibition of new paintings and drawings Sunstrum “transforms the war painting into a meditation on intimacy, shifting its focus from heroism to the layered bonds of women in moments of both strength and vulnerability”

“de Azambuja’s practice is informed by his ongoing dialogue with the modernist legacy of Brazil, not simply as inheritance, but as something to be reworked, broken open, and reassembled, revealing the failed promises of modernity”

new works in the artist’s first exhibition in Berlin - “Swordy’s work reminds us that … a slow, diligent approach can open up a space of revery, where concentrated focus coexists with a dreamlike state” - Patrick Price

striking images by the celebrated photographer, focussing on his work with some of fashion’s most iconic figures

brought together for the first time, five paintings from a group made in 1991, “created during a period of intense dreaming” and reflecting her exploration of mythological and archetypal imagery - alongside two minimalist kinetic sculptures

in collaboration with Gomide&Co, São Paulo, Dias’ first exhibition at the gallery presents six historical works produced during one of the most defining periods of his career and marking a fundamental turn in his practice

seminal works by figures such as Enrico Baj, Giuseppe Capogrossi, Roberto Crippa, Lucio Fontana, Asger Jorn, Wifredo Lam, Piero Manzoni, and Emilio Scanavino celebrate the legacy of the Ligurian town, a crucible of artistic experimentation and innovation

to inaugurate the gallery’s new space - and celebrate its tenth anniversary - a presentation of Pierce’s new large-scale video animation alongside a series of prismatic light projections onto canvas

Guerrero’s first solo exhibition in the UK draws on his P'urhépecha roots and the daily life of his community in Mexico - “his paintings are often kaleidoscopic panoramas with an expansive, mystical sense of place and a pulsating, cosmic energy”

new paintings which examine “legacies of colonialism, empire, and the masculinist ideals that underpin them” in the acclaimed Irish artist’s first exhibition with the gallery

the debut solo exhibition by the Ukrainian Canadian artist “brings together new paintings, sculptures, ceramic hollyhocks, and moving image works ... drawing from ancestral memory, histories of possession and dispossession, and then acts of reparation”

the first UK exhibition of new work by Sundaram, whose “intuitive practice of ‘painterly sculpture’ or ‘textile painting’ defies material, spatial, and linguistic boundaries”

the two artists “invite us to dwell in moments of stillness amid the rush of water through an estuary, or the blur of city lights and advertisements”

presented with Goodman Gallery, an exhibition of recent wooden panel works by Anatsui, widely regarded as one of the most influential contemporary artists working today

an exhibition bringing together one British and one Korean artist, whose paths have criss-crossed between East and West and who now both produce traditionally Eastern work - abstract, tranquil and measured

“marking ten years of artistic evolution, Supernova revisits and reinterprets the pivotal series that chart Chris Rivers’ exploration of humanity’s dialogue with the universe”

including his last prints, a new exhibition of two series by one of the most influential artists of the 21st century

new and celebrated paintings, sculptures and installation works in Tayou’s first solo gallery exhibition in the UK, shown in collaboration with Galleria Continua

the recently released from storage suite of Paolozzi screenprints - including unseen monochrome examples and ones hand-coloured by the artist - shown alongside Bonomi’s homage to his chosen icons of our culture

including early works, unseen for more than a decade, the gallery presents von Bonin’s first exhibition in London

new paintings by Oehlen, presented in Paris alongside Gagosian Paris, which explore the theme of “the bather”

in her first exhibition with the gallery, the French-Canadian artist “invites us into a luminous horizon of time, light, and presence … weaving a language of subtle chromatic atmospheres“

works by over forty artists, including Primitive Arts, Fermin Aguayo, Josef Albers, Guillaume Barth, André Bauchant, Bissière, Miguel Branco, Michael Biberstein, Dado, Fred Deux, Jean Dubuffet, Max Ernst, Gérard Fromanger, Alberto Giacometti, ...

“a visual investigation into otherworldly energies and extra-terrestrial goop [by artists] fascinated by the symbolic, ritual and social nature of the ectoplasmic event”

announcing the gallery’s new London space, an exhibition of three London-based artists whose work interrogates borders to find a language of universal meaning, working across diverse materials and media

sculpture and works on paper in his first exhibition with the gallery and in London - “Ndife alters familiar domestic objects into layered, poetic sculptures … resulting in works that exist between the sculptural and the painterly”

Simmons’s first exhibition with the gallery presents photographs, paintings, video, wall reliefs, and sculpture, inspired by Gordon Matta-Clark works of the 70s

painting, photography, ceramics, and mixed-media installations in an exhibition that examines the relationship between art and nightlife

an exhibition of watercolors by the environmentalist and outdoors woman - “I don’t plan each piece beforehand, and I don’t really know what will be the end result, but the journey is exciting”

new monumental works “defined by psychological depth, painterly instinct, and an unflinching sensitivity to the body” in the emerging British painter’s debut solo exhibition

a solo exhibition of new paintings by the British artist, focussing on his large-scale works

sixteen oil paintings on canvas and wood in Jabłońska’s first solo exhibition at the Paris space

a capsule collection of furniture and accessories, designed by Sultana and painted by Ruspoli

in these new paintings Ruscha shifts from the representation of public-facing façades to the quiet drama of private interiors

collaged reliefs made from photographs layered up to four inches deep and “Layer Maps” in this exhibition which “reveals photography not as reflection but as structure, the vessel through which America pictures and forms itself”

in this exhibition curated by Donna De Salvo, De Maria’s final sculpture is shown for the first time outside the US alongside other rarely seen sculptures, drawings, films, and archival materials

“through a century of artistic transformations, brought together in a selection of around thirty works from Auguste Renoir to Fernand Léger ... still life emerges here as more vibrant than ever”

“an immersive art installation that explores the interplay between materiality, light, and nature inspired by Claude Monet’s late water lily landscapes, in which vision dissolves into abstraction”

forty-five photographs made in private places across New York, New Jersey, California, and London between 1961 and 1971 by Arbus, widely regarded as one of the most original and significant artists of the twentieth century

new work by the artist - “numerous upright forms that resemble standing figures or columnar pillars, but which are abstracted and complicated through Cragg’s rigorous process of hand carving”

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

a group exhibition spanning painting, installation, and photography that explores “how architectural spaces become repositories of the psyche—shaping experience, imagination, and memory”

these new imposing oil portraits of seated figures by Sweeney “convey intense energy and feeling through Sweeney’s use of rich color and bold paint handling”

“a meditation on memory, inheritance, and the poetics of return, tracing the invisible threads that connect the living to their histories, weaving together gestures, stories, and emotions that persist beyond the boundaries of time” - Letizia Agostini

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

to mark sixty-five years since the gallery’s founding, a changing group exhibition of works by major artists in a dialogue between the past and the present

the late seminal painter’s first solo exhibition in Hong Kong provides an insight into her approach and her work over more than seventy years

Nolan’s work is “characterised by its shifting movement between mediums, where sculpture, textiles and works on paper are held in lively dialogue, celebrating and communing with historical figures and works of art that speak to us across centuries”

Weaver’s first solo exhibition at the gallery in Berlin presents her archetypal motifs including mother and child and the female nude on monumental square canvases

focussing on paintings he made shortly before, during, and just after his early 1960s first stay in Cairo, this is Colescott’s first exhibition at the gallery

rich in detail, color and texture, new works that explore the connections between art, mysticism, female agency and philosophy

“the works invite sustained contemplation, offering viewers a quiet resonance with the cyclical and material rhythms that shape both the world and the self“

recent reliefs and sculptures by Karlsson - “almost exact reproductions of nature … compositions taken directly from reality, but placed in a different context”

engaging with Federico García Lorca, BanBan’s most ambitious project to date presents new large-scale paintings and works on paper - “these paintings do not illustrate Lorca’s texts but absorb and reimagine his atmospheres”

stained-glass, painting, drawing, and painted stoneware in this major exhibition of the self-taught artist - “even as he uses some of the same imagery as in past works, the increasing freedom is palpable” - Brian Boucher

celebrating the summer season, “over thirty functional sculptural works of art and design … that embrace the elemental qualities of light, space, and transformation”

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

Archetype focuses on the British artist’s mature period (1963–1977) and forms the second chapter of Hypercycle — a three-part project spanning three continents and three years, presenting more than 120 of Chadwick’s sculptures

a group exhibition curated by Nick Doyle which, through sculpture, video installation, painting and photography, explores the slippery terrain between fact and memory

an exhibition exploring Bauermeister’s use of rocks - including in progressions, spirals, and lens boxes - and examining the themes central to her practice

sculptural works by the Norwegian ceramicist - “exquisitely produced, her intricate sculptures turn the body of the vessel inside out, inviting viewers to contemplate both sides simultaneously … the structure and the open network of space within it”

in his first solo show with the gallery “Lutz-Kinoy treats exhibitions like immersive architectures, positioning painting as backdrop and sculpture as spatial intervention”

an exhibition which centers on the dialogue between the movement and dynamic, interactive brushstrokes in Amaranth Ehrenhalt’s paintings and the abstracted natural and organic forms in David Hayes's sculptures

“color, in Day’s paintings, is an index of time. The atmospheric changes – especially around sunrise and sunset – or the seasonal blooms of flora along the Oregon coast, both nourish her palette in this new body of work“

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

at the gallery’s two spaces on Rue Jacques-Callot the duo present seemingly very different experiences - “Dewar and Gicquel have always explored the same themes and the same subjects, tirelessly reworking their art or, more exactly, their artworks”

at the gallery’s two spaces on Rue Jacques-Callot the duo present seemingly very different experiences - “Dewar and Gicquel have always explored the same themes and the same subjects, tirelessly reworking their art or, more exactly, their artworks”

iconic works by Mucha from throughout his career, including emblematic vitrine works presented in a site-specific installation devised by the artist

in a new collaboration with the SLG, sculpture, painting, performance and installation by thirteen international artists from the collection of Museo Jumex in Mexico City

in Olschbaur’s first exhibition with the gallery in NYC, new paintings exploring “systems of chaos and order, creation and destruction, and the relationship between obsession, devotion, and the collective and individual unconscious” - Allyson Unzicker

an exhibition of new works by the German-Brazilian artist. “In her paintings and works on paper, Tschäpe presents dreamlike abstract landscapes inspired by the natural world and memory“

curated by Christine Eyene, painting, sculpture, video, text, and sound exploring Black life and Afro-diasporic existence, in the UK debut exhibition of the London-born, Paris-based poet, rapper, and multidisciplinary artist

important works by artists including Hans Bellmer, Erwin Blumenfeld, Victor Brauner, Alexander Calder, Jorge Camacho, Paul Delvaux, Marcel Duchamp, Arshile Gorky, Wifredo Lam, Man Ray, Roberto Matta, Wolfgang Paalen, Francis Picabia, Alice Rahon, …

the second in the gallery’s series of exhibitions in its 3e étage showroom

“a cross-temporal dialogue between artists whose practices are separated by decades but aligned by notions of time, scale, and geographic resonance”

presented at the gallery’s London space, and Frieze Masters, the first retrospective exhibition of Ray to be held outside the US

a multi-part, immersive celebration of “alpine allure and après-ski spirit” which transforms the space into “a snow-covered escape in the heart of Mayfair”

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

“for José Lerma, everything begins with the gesture … each canvas is a new lesson, a way of pushing further his exploration of gesture and matter” - Margaux Knight

an installation of jars containing holiday photographs and pickled vegetables, which “reflects on the desire for preservation in terms of both sustenance and sentiment”

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

works by Zambian Kate McCrickard and Russian Dasha Shishkin brought together for the first time from their respective studios in Paris and New York

new and recent paintings by Whitney

“Safa paints horizons, hills, and houses whose rooftops evoke the outline of a familiar mountain … her painting resonates with truth because it remains faithful to the emotion that sustains it”

presented for the first time, a group of “one-day” paintings executed in a single movement

“photographs from Adams’s Still Lives at Manzanita series (2004), a deeply personal body of work that reflects on memory, place, and the quiet persistence of beauty”

“Othoniel’s glass brick structures unfocus the eye and consequently the mind through prolonged gazing. This state of visual suspension awakens in the viewer an awareness of the generative power of human sensory perception itself” - Zhou Yi

on view at both the gallery’s Turenne and Matignon spaces, an ambitious group exhibition presenting the work of over forty artists

a new cycle of works - painting, sculpture, and works on paper - centered on the theme of transformation in myth, nature, and memory

a new single-channel video work by the Icelandic artist inspired by a mid-twentieth century postcard that he has on his fridge of people wearing matching folk costumes in a nameless location

“Sietsema’s work navigates the complex status of representation, exploring how meaning is constructed at the intersection of image and material ... a dialectic approach that negates, disables, or redirects the natural flow of communication”

reimagining the gallery space as a cavernous, creaturely interior, Chong’s new body of works includes sculpture, installation, video and prints

rooted in her ongoing exploration of the body as machine and the interplay of mechanical and sonic repetition, Crash captures a choreography of destruction in which mechanical utterances emerge as raw, rhythmic language

“a conceptual journey through Atelier Van Lieshout’s radical thought experiments, realised through the studio’s art and design that go beyond aesthetic objects”

“is it a bad idea to show my own work at the gallery? … when the artist and dealer merge into a single entity, the gesture becomes meta-institutional - a rehearsal of power, vulnerability, and exposure”

new paintings by two artists “whose practices approach the complexities of interior life from divergent yet complementary directions”

“across this exhibition, melancholy intermingles with the warmth and delicacy of private, contemplative settings”

hand-formed ceramics displayed on shelves built from found materials, alongside a working coffee and mezcal bar, in this exhibition and interactive installation exploring ritual and process

“in the Paris of the 1950s and 1970s ... artists from elsewhere, who, without forming a homogeneous group, share the same desire: to reinvent themselves”

a new group exhibition of fine jewellery curated by Carol Woolton “supremely crafted (these modern jewels) are symbolic of joy - embodying a sense of permanence to shine long into the future”

a new series of tar paintings, sculpture, and installation tell an allegory of the city in decay and the potential contained within its ruins - “a profound reflection on Gate’s life as a craftsman, urban planner, and pedagogue”

the Belgian-Congolese artist “invites reflection on how meaning is constructed, resisted and refracted through the act of looking. His practice challenges the impulse to explain or master what is seen”

the first gallery display of Marden’s prints in London is curated by his estate and presents editioned prints, unpublished proofs, and related drawings produced between 2007 and 2012

“these works depict the most fundamental and instinctual forms of behaviour, including the impulse to survive and the economical employment of energy … simultaneously manipulated by the artist by way of additional interpositions”

inspired by Lucretius’s first century BCE philosophical treatise, Rico’s work explores the intrinsic relationship between humans and the natural world

the gallery presents works in oil, ink, and acrylic on linen by the young German painter known for her colourful compositions, with thick and thin paint poured and splashed directly onto a horizontal canvas

the artist’s tenth exhibition with the gallery presents paintings on tarp, copper, local cotton, linen and canvas, and drawings on paper, handmade from hemp, or tea-dyed cotton rag - each group accompanied by a poem written by the artist

curated by Carlo Falciani, with works by Christian Bérard, Jean Cocteau, Juan Araujo, Jonathas de Andrade, JR, and Eva Jospin

“in Brent Wadden’s hands, weaving is not only a method but a process, an artistic language. It binds past to present, solitude to community, work to trance, matter to memory” - Boris Bergmann

in Hsu’s first solo exhibition at the gallery, wall-based pieces, sculptural LED screens, and large-scale visual environments “which reflect a heightened engagement with both computational and medical infrastructures”

twelve paintings and a selection of drawings, that resist explanation “I’m an iconophile at heart. I believe in the power of the image to speak directly to the soul, bypassing the verbal mind” - Ryden

an exhibition of intimate dialogues “offering a view of ‘companionship’ as an essential creative force in its own right”

dishes by Hermann Grüneberg and candlesticks by Leopold Anzengruber, Helen Frik, Marius Giuge, Wietske van Leeuwen, Nienke Sikkema, and Willem Speekenbrink

the first US solo exhibition of one of the most compelling voices emerging from the new generation of Latin American painters

a large-scale installation by the French artist spanning the gallery alongside twenty works created over the past decade, including ballerinas dancing on rooftops, in shipyards, and across the Paris skyline

“a custom-made installation, the artist’s new body of paintings, bronze sculptures, FRP and ceramics live in a universe of their own”

“we will have the privilege of continuing to follow this dedicated artist and repeatedly feeling, savoring, and cherishing life’s constant miracles emerging from the mundane” - Sun Man, curator

an exhibition of Edwards’ bronze sculptures “seen as vessels to encourage consideration of our own humanity and what it means to exist in partnership with the world we inhabit”

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

new “shadow-self” paintings which “intentionally resist prescriptive interpretation, instead encouraging personal engagement and reflection on the viewer’s part”

in his second solo exhibition with the gallery, with his large-scale colour photographs, Xu examines the personal lives and domestic spaces of immigrants navigating the political demands of a changing world

“in his expansive photographs of Latino day laborers set against the backdrop of a suburban California landscape, Sultan (who died in 2009) explores the liminal spaces between actions, the moments that exist as time passes”

curated by the acclaimed painter, a diverse group of international artists working across painting, sculpture, photography, film, and drawing from the 19th century to the present day

in an exhibition titled after Joe Brainard’s iconic memoir - “Joffe’s paintings attempt to capture the fleeting yet enduring nature of memory and how it shapes our sense of self”

works by the gallery’s historical and contemporary artists - presented in pairs to merge two parts of the gallery’s program

new paintings and works on paper -“images of lush, abundant vegetation” - in the eminent British painter’s first in New York in nearly a decade

curated by Dr. Tobia Bezzola, eight monumental works spanning Gertsch’s career, and “elucidating the ways in which he transformed photographic imagery into hyperrealist paintings and woodcuts”

a survey exhibition of the renowned Colombian artist, tracing key developments in her influential, six-decade career working between weaving, painting, and sculpture

a series of installations and video works that explore “the potential for an art space to function as a venue for spiritual reflection and exchange” including three acrylic panels inspired by stained glass

“I have thrown myself into the very elements that produced me, using the earth as my canvas and my soul as my tools“ - Mendieta, Proposal for the New York State Council on the Arts, 17 March 1982

curated by Luis Pérez-Oramas, an exhibition which brings together Alberto Pitta’s symbolic-religious Afro-Brazilian ornamental patterns on painted fabrics, and painted scenes by Elian Almeida based on Afro-Brazilian identities and anecdotes

“a series that navigates between types of still life, creates a playful and immersive atmosphere. On canvases that accumulate like sculptures, Gratrix presents paintings that both reference and critically interrogate artistic tradition”

“exploring the artist’s enduring fascination with systems, collaboration, and variation, the exhibition traces his investigation into how order and repetition give rise to difference, and how meaning emerges through collective labour, time, and chance”

new works by the Ontario-based artist whose paintings and works-on-paper offer “an opportunity to examine interiority through an encounter with exteriority as figured in the language of painting”

the gallery’s first exhibition dedicated to prints by the noted British artist - “marking both her first major exploration of printmaking and an expansion of her aesthetic vocabulary”

new screen-printed and painted textiles exploring the spiritually significant oil palm frond in the first UK solo exhibition by the Brazilian artist

new sculptural and relief works by the two artists

an exhibition by the Latvian artist, exploring the intersection of painting, architecture, and material thought “a curatorial organism in which wall, air, and ground translate colour into a system of perception and space into a method of consciousness”

new paintings by the Argentine-born Madrid-based artist, drawing thematically on Shelley’s poem - “eerie, evocative landscapes embedded with fragments from the present industrial age”

the American artist explores “the slippery overlap between the ordinary and the staged, the intimate and the commercial”

the second exhibition in a collaborative series with extends the ongoing project of examining African and European objects side by side, situating them within a shared art-historical and material conversation

in the third of Rashid’s twelve-part series, an examination of the early stages of the Napoleonic Wars, “refracted through his signature blend of historical fiction, hip-hop lyricism, and pop-cultural commentary”