across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

coinciding with the fortieth anniversary of its restitution, recent works in the first international exhibition by this senior Traditional Owner of Uluru in the Northern Territory of Australia

curated in collaboration with Nicholas Foulkes, more than twenty rarely seen paintings in the largest solo exhibition in London dedicated to the renowned French figurative painter in over fifty years

marking the tenth anniversary of the gallery’s pioneering platform dedicated to art and technology, a major exhibition of nine international artists who work critically with artificial intelligence in the form of algorithms, datasets, and machine learning

a transfomation of two iconic performance videos by the renowned conceptual artist - presenting them as an installation of over a thousand individual photographic stills

organized in collaboration with Mary Boone, important paintings, sculptures, photographs, and works on paper by over twenty artists including Basquiat, Clemente, Haring, Koons, Kruger, Mapplethorpe, Noland, Prince, Schnabel, Serrano, Sherman, and Warhol

the London and Berlin-based British artist and game designer’s most ambitious project to date - a groundbreaking video game commission with a multiplayer immersive experience exploring polarisation, censorship and social connection

in O’Mara’s first solo exhibition in the Netherlands, “paintings [which] present multiple temporal and perceptual planes at once, allowing viewers to move freely between states of understanding and ambiguity”

“cardboard, wood, resin, rubber, and steel key boxes sit beside and inside paintings, unsettling any easy hierarchy of support and subject ... Ginsburg tests what kinds of attention art can ask for and receive”

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

“Faulkner’s contemplative and introspective oil paintings seemingly reduce the painted lone subject’s field of vision to the divine, serene, and inviolable allure of nature”

curated by Alessia Calarota, over a dozen works created by Campigli between 1930 and 1962 following his increasing concentration on painting

largely drawn from private collections, an exhibition of sculptures and objects from 1975 to 1990 by the “unique and incomparable” Austrian artist

the US exhibition debut of Serra’s 1992 large-scale sculpture, exhibited only once before in Germany

books, prints, drawings, pastels, and watercolours by Narcisse Virgilio Díaz de la Peña, Jean-François Millet, Adolph von Menzel, Léon Augustin Lhermitte, Max Liebermann, Lovis Corinth, and Max Slevogt, alongside etchings by Ulrike Theusner

“using found materials … Willburn constructs surfaces that echo weathered rock strata, furrowed fields, and the shifting light of wide skies”

the British artist's debut exhibition at the gallery looks for meaning through moments of intimacy - “imagined snapshots of queer life and love depict different ways in which we pursue meaning and purpose in our lives”

an exhibition in two chapters co-curated by Bella Kesoyan, bringing together sixteen emerging and established artists, embracing the intersections of art, music, literature, poetry, and performance

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

to inaugurate the gallery’s new space - and celebrate its tenth anniversary - a presentation of Pierce’s new large-scale video animation alongside a series of prismatic light projections onto canvas

“Between Presence and Pause is about listening to the silence between beats … it’s a study of what lingers, what fades, and what holds” - Cabral

three groundbreaking contemporary artists - Rana Begum, Lubna Chowdhary, Eva Rothschild - presented alongside Anni Albers, one of the most influential and innovative of the twentieth century

curated by Beth Greenacre and Sigrid Kirk - “we set out to create a defining cultural moment that reflects on the evolving legacies of the 1990s and 2000s … staged like a multi‐gig event, it rips up the rulebook on what an exhibition can be”

new drawings and paintings informed by the history and cosmology of the Naxi people of Yunnan in southwestern China in Ding Yi’s first solo exhibition with the gallery

Hosten’s debut exhibition presents her intricately detailed drawings, scaled between panoramic and intimate - scenarios of ritual, worship, acceptance and transformation

new paintings of everyday life in the acclaimed New York-based figurative painter’s first exhibition with the gallery

“the Texan-born artist expands upon his ongoing investigation of congregation, passage and assimilation … Hayden turns familiar forms into metaphors for entropy, exclusion, and renewal”

a mixed-media installation by the multidisciplinary artist depicting, through moving-image, painting, drawing, and printmaking, her interior fantasy world and the domain of her alter-ego

work from the 1940s through the 1960s by leading American artists including Benny Andrews, Robert Arneson, Mary Bauermeister, Eugene Berman, Virginia Berresford, Lee Bontecou, Federico Castellon, Joseph Cornell, Eldzier Cortor, Harold Cousins, …

an exhibition of sculptures and drawings reflecting Smith’s ongoing engagement with the natural world and its connection to mythology, spirituality, and the human condition

selected by Marden’s daughters Mirabelle and Melia, previously unseen work from the artist’s final two decades - “[Marden’s] drawings have a personal feeling, which is the result of hand merging with mind: both need to become one” - Eileen Costello

on the occasion of the gallery’s sixtieth anniversary, an exhibition bringing together works by the two highly important and influential artists

for the first time in twenty years, a wide range of Turner’s work, exhibited in the very place that inspired him - “the exhibition will add to people’s understanding of Petworth and show how it played a significant role in his life” - Dr Emily Knight

in the acclaimed artist’s debut solo exhibition with the gallery, new narrative-filled compositions - including a monumental, four-meter-wide painting of a childrens choir - that reclaim Black childhoods as spaces of joy, memory, and cultural continuity

alongside a new photographic series based on an eighteenth-century comic opera, the gallery presents the European premiere of a new multi-channel video installation which confronts Birth of a Nation, the highly controversial 1915 film by D.W. Griffith

“in this presentation, fabric works, mother-of-pearl moon jars, and painterly canvases intersect and converse, creating a polyphonic space that explores the origins of human existence, the spiritual realm, and the sustaining force of maternal love”

a major site-wide takeover, the first exhibition dedicated to both artists in the UK, presents unseen and iconic works by the two emblematic figures of contemporary art

“for José Lerma, everything begins with the gesture … each canvas is a new lesson, a way of pushing further his exploration of gesture and matter” - Margaux Knight

new monumental stone works and, for the first time, wall-based mosaics, transform the gallery into a sculptural forest - “a landscape of myth, material, and movement”

new and recent paintings by Whitney

new paintings and works on paper - “interior scenes which capture moments of human introspection and intimacy” - in Mckinney’s debut UK exhibition

the gallery celebrates twenty years in Beijing with an exhibition curated by Yu Ke and featuring works by artists including Daniel Buren, Loris Cecchini, Chen Zhen, Antony Gormley, Gu Dexin, Kan Xuan, Anish Kapoor, Hans Op De Beeck, ...

the gallery presents a solo exhibition by the Romanian artist

Rockenschaub’s new series explores subtle deviations, irritations, memories and reappropriation

an exhibition of Dzubas’ late-career works, from 1980 to 1989 - vibrant canvases which marked his return to a more instinctive, expressive approach to painting centered on gesture, movement, improvisation, and color

the French writer, photographer, installation artist, and conceptual artist presents “an exhibition that disrupts conventional ideas of perception”

landscape photographs by the Japanese English artist - “I try to imprint in my images some trace of my own journey to discover the beauty I see, perhaps slightly removed from the literal before me”

a group exhibition of notable works by Bo Bartlett, John Evans, Walter Hatke, Robert C. Jackson, David Kassan, and Will Wilson

inspired by Peggy Guggenheim’s 1943 exhibition of women artists, this show brings together works by nine women - many overlooked today - who made distinct contributions to the major artistic movements of the past century

Dean presents new works on slate and glass, an edition of prints, and the debut presentation of a 16mm film featuring fellow artist Boris Mikhailov and his wife, collaborator and muse, Vita

“Man’s paintings elude categorization, revealing varied, nonlinear references to literature, art, and poetry that transform essential elements of the human experience into visionary manifestations of color and form”

new mixed-media works exploring history, metaphorical archaeology, and socio-political change - focussed on the relationship between movement and time - in the Franco-Senegalese artist’s debut exhibition with the gallery and in London

an exhibition highlighting Ferrando’s romantic and sensual approach to landscape and portraiture - “his is an eclectic art of softened realism, poetic abstraction, with romantic erudition” - Ann Wilson

an exhibition of Brandt’s most celebrated and sought-after body of work - in the first of a series of exhibitions to mark the gallery’s joint acquisition of the complete photographic archive of Marlborough Gallery

an exhibition looking at how the late artist explored the connections between our selves and our domestic surroundings - both physically and psychologically, as well as across familial generations

taking its title from a gardener’s rule of thumb, this exhibition sees Barrada “reinterpret social relationships, uncover subaltern histories, and reveal the prevalence of fiction in institutionalized narratives”

an exhibition titled after and celebrating André Bloc’s highly influential avant-garde journal promoting post-war contemporary art

more than a dozen paintings in the gallery’s first exhibition dedicated to the celebrated painter, exploring the progression of her psychologically charged paintings

an installation of large-scale, visually layered artworks weaving together archaeology, mythology, and contemporary art - centred around the 2,000-year-old oak stakes discovered during excavations for Bloomberg’s European headquarters

new complex paintings by Quinn inspired by Alice Walker’s 1970 debut novel “The Third Life of Grange Copeland”, exploring themes of familial dysfunction, hope, aspiration, and redemption

in Mohamoud’s first solo exhibition with the gallery “figurative sculptures poetically evoke legacies of generational trauma while also allowing for moments of beauty and introspection”

new large-scale works - “combining watercolor and Japanese paper collage, María Berrío creates vivid tableaux that merge impressions drawn from myths and folktales with contemporary experiences of adversity, determination and triumph”

new circular paintings of “imagined worlds of unruly, elaborate vegetation-like formations” that emphasise the cyclical, rhythmic, and ever-shifting qualities that are central to Harper’s practice

Harker’s found imagery reconstituted through painting carries “a quiet uncanniness, where traces of fairytale slip into reality, not to offer escape but to expose the fragile structures through which perception and identity are constructed”

striking portraits in a variety of media, both new and previously unseen, explore the tensions and affinities between local rootedness and transatlantic resonance of diasporas

Lygia Clark, Sarah Crowner, Mark Handforth, Elizabeth Murray, Richard Rezac, and Philip Taaffe - artists who share an interest in “disrupting familiar forms … folding, pinching, slicing … to reshape and reimagine recognizable and quotidian motifs”

Milroy’s first exhibition in Shoreditch presents “classic examples of his plundering of our culture’s printed and ephemeral material along with hauntingly intricate and delicate evocations of beauty and fragility”

new sculptures in Bove’s first full exhibition at the Beverly Hills gallery “explore previously overlooked openings in the narrative of art history”

to coincide with his 90th birthday, the gallery’s first NYC exhibition dedicated to one of the most influential photojournalists of our time

exploring displacement, and in response to the general and personal impacts of the recent wildfires in Los Angeles, an exhibition of new work by Kahraman

new paintings, including works from the acclaimed Atom series, explore metaphysics, spirituality, and contemporary Black and Queer identities

“Wise’s paintings are vignettes in a keyhole. Sometimes her bon vivants appear ignorant to what lurks outside - outside their frames, that is - and the burden of their naiveté falls on the viewer” - Gideon Jacobs

new work in ceramic and paper, along with a short film, in the artist’s first solo exhibition with the gallery, as she examines her “journey through loss, family history and reconnecting with the land they once inhabited”

this year’s Serpentine Pavilion is by Marina Tabassum, celebrated for her work in establishing an architectural language that is both contemporary and deeply connected to a specific place, climate, context, culture, and history

an exhibition of the leading figure in postwar Korean geometric abstraction - “I began this [painting] after the launch of the Apollo spacecraft opened my eyes to the spatiality of the universe … I’ve kept working on it ever since”

“an exhibition of one of France’s most celebrated painters, renowned for his luminous depictions of Normandy and Venice, where sea, sky, and humanity converge in poetic harmony”

“sixteen artists step into the liminal space between order and mischief, crafting works that treat disruption not as an interruption but as a beginning”

the gallery presents an exhibition built around the eponymous concept album by Andy Holden and his band The Grubby Mitts

two new films in Boyce’s first exhibition with the gallery - one immersively exploring the phenomenon of the silent disco, the other examining the career of the trailblazing Guyanese British actress Carmen Munroe

to mark the gallery’s sixtieth anniversary, the Belgian artist takes over both Paris locations with a unique and immersive “Wunderkammer”-like exhibition of recent and new sculptures, watercolors, together with an animated film

Omeh’s first exhibition with the gallery explores memory and metamorphosis with paintings reflecting on his journey through childhood, education, and identity

new bold, large-scale compositions and shaped canvases by the Paris-based emerging artist

new paintings and sculptural works from the multidisciplinary artist, exploring inherited familial, political and spiritual legacies, and questioning their authority in a world where empathy seems to have vanished

a solo exhibition by the Oslo-based ceramicist known for large-scale still life installations and sculptural assemblages which investigate the corporeality and historic resonance of porcelain

curated by Lorenzo Madaro as a single itinerary through A arte Invernizzi and Artra galleries, recent works by Asdrubali in dialogue with cycles developed since the 1980s

over 300 works in the show address our understanding of cultural transmission and the influence of images and text across time and space

a large-scale group exhibition conceptualised and curated by Pulitzer Prize-winning writer and curator Hilton Als as a “collective-portrait” celebration of the Dominican-born British writer

new pieces by the multidisciplinary design studio known for “serene, dreamy, creations that evoke poignant and harmonious confluences with the natural world”

in Garwood’s first solo exhibition with the gallery, paintings which explore the progressive nature of matrilateral storytelling, whilst mining the psychological dramas that unfold behind both speech and action

Kathryn Armitage, Kate Burling, Jenna Gribbon, Hannah Murgatroyd, Aimee Parrott, Sarah Pickstone, Sarah Slappey, Zoe Spowage, Lucy R. Whitehead, and Eleni Zervou in an exhibition “examining the female body as a site of tension”

an exhibition of new work by Sunna, continuing his presentation of the history and continuing persecution of the Sámi people

in collaboration with Adelson Galleries, and including works seen in public for the first time, an important exhibition of Wyeth’s portraits, celebrating his collaboration and lasting obsessions with Pop Art icon and acclaimed Russian dancer

“Jelin’s figuration is attended by abstract pours and cascades of thinned, aqueous paint—bringing together indeterminacy and chance, and gravity and time, with her representations of place”

seminal compositions - including vibrant gouaches and dynamic suspended sculptures - alongside a rare oil painting in the late artist’s first major solo presentation in Los Angeles

acclaimed British designer Terence Woodgate and pioneering engineer John Barnard present a body of work which meditates on the intersections of space, movement, and minimalism

“the prestigious painting competition celebrates the very best in contemporary portraiture … from around the world, by both self-taught and more established painters”

with pieces from across his career, an exhibition dedicated to the work of the distinguished painter and poet, highlighting the breadth of his artistic achievement

large-scale photographs alongside textile pieces in an exhibition juxtaposing the two artists’ collaborative approach and their exploration of specific local conditions

“imagine an evening of hedonism and debauchery at The Savoy: champagne flows, pillows fly, baths are drawn. A trail of shoes and clothes strewn across the floor” - Maximiliane Leuschner

new abstract paintings by the artist, built on the graphic power of stripes - "I’m interested in how history presses against the present and complicates how we understand both the present and the past” - Zlotsky

in Topolewski's first solo exhibition in New York, new large-scale canvases alongside smaller-scaled works and pencil-inflected drawings exploring the state between waking and sleep

a dense display of both monumental and intimate canvases - “almost like a space for meditation, allowing the viewer to immerse themselves in luminous fields and reflective surfaces”

an immersive projected 24-foot installation exploring “migration and separation, suspended between the untenability of here and the impossibility of there” in the gallery’s first solo exhibition with the Cuban choreographer and multidisciplinary artist

Westerberg’s new exhibition explores seeing and disappearing, with paintings which seek to examine the physical act of perception itself

“a visual exploration of America through the visions of nine remarkable artists: Arman, Julien Bismuth, Alain Bublex, Richard Cottingham, Richard Estes, Ralph Goings, Martin Kersels, Duke Riley and William Wegman”

across all the gallery’s spaces in Paris, an exhibition of sculptures in alabaster, iron, and bronze alongside works on paper – “where the material, the human figure, and silence, form a deeply contemporary sculptural vocabulary”

new paintings and a sound installation by Seal - “a warped chamber of curiosities, where boundaries between nature and artifice dissolve into hallucinatory collapse”

works spanning Matter’s career in a landmark retrospective of paintings and works by the painter, educator, and key figure in Abstract Expressionism

the Japanese artist’s first solo exhibition with the gallery “unfolds as a meditation on memory and the quiet transition between life and the afterlife”

Balet explores “the intimate and essential relationship between water and light - elements that are both physical and symbolic”

curated by Luis Pérez-Oramas, an exhibition in three parts of Bunga’s poetic and radical work - including the sensory experience of a monumental, site-specific floor painting

exhibiting in the UK for the first time, Mexico City and New York-based AGO Projects presents the “fantastical and functional” work of Mexican designer Daniel Valero’s Mestiz studio

new paintings at a pivotal moment for the artist - “the apotheosis of Akinbola’s evolving relationship with durags and their cultural associations”

over two dozen artists working across a wide range of media, at scales both intimate and grand, offer a sustained reflection on the social and political climate of our time

new works in the first major solo exhibition dedicated to Khan’s editions, and his first with the gallery - “this exhibition feels like a moment of distillation - for me, it’s about drawing together years of thinking” - Khan

bronze works by one of Britain’s most distinctive and imaginative sculptors in an exhibition which specifically explores the dialogue between paired animal forms

an installation focussing on the concept of dandyism through the lens of the African diaspora, in the first public display of works from the essay developed for the Costume Institute exhibition at the Metropolitan Museum of Art, New York

an exhibition which brings together leading figures of modern and contemporary Italian design to explore how beauty and function intersect in a world shaped by industry, urbanisation and cultural tradition

consisting largely of paintings, this major installation is the first exhibition to put Taylor’s work in dialogue with that of his teacher Jarvaise

photography, sculpture, installation, and painting in a group exhibition of work by Emii Alrai, Simeon Barclay, Wang Pei, Ibrahim El-Salahi, and Ingrid Pollard exploring the relationship between the body and the landscape

an exhibition of works by Morten Lobner Espersen, Guido Geelen, and Heidi Kippenberg - three ceramicists who build vases using this timeless material

working with submitted selfies, Cofield explores how digital images - especially nude or vulnerable ones - are shaped by technologies of looking, desire, and control

new paintings and large works on paper in Ackermann’s first exhibition at the gallery in Paris - “everything about these Doubles not only turns the tables on their beholders, but also subverts established ways of interpreting works of art” - Pamela Kort

three bodies of work - both familiar and unseen - by the renowned London-based photographer, artist, and director

an exhibition of rarely seen works by one of the most enigmatic figures of post-war conceptualism - an iconic figure in the history of the neo-avant-garde and post-avant-garde whose work was a documentation and critique of both sides of the Iron Curtain

a singular new painting by O’Brien, who “delves into the psychological, historical, and social undercurrents of place” - presented in dialogue with the gallery’s Miguel Ferrando exhibition

as part of the “Cork Street Galleries: 100 Years” collective exhibition, the gallery explores the notions of fear and courage with key works from its collection, presented in “a narrative that unfolds in reverse”

a new exhibition of cinematic installations by Ahtila, including the French premiere of two new large-scale video works

a new body of work presenting the Korean artist’s search for “painting beyond representation”

a monographic exhibition dedicated to the much respected major figure of 20th-century French painting

sculptures, paintings, and a monumental site-specific work covering the walls and floor of the space in Lee Bae’s first solo exhibition with the gallery

Roubaud’s first solo exhibition outside France is curated by Hélène Giannecchini and explores her work at the intersection of writing and photography

new layered, wall-mounted works that combine photographs, collage and sculpture as Alekhuogie examines the relationship between modernity and colonialism

new and recent work - including large-scale sculptures, retroreflective, lenticular and textile works along with a group of mixed-media assemblages - in Thomas’s first exhibition at the gallery’s newly opened Tribeca flagship location

works by Blaise Drummond and Robert Sherratt present an artistic dialogue that explores the tensions between order and fragmentation, stability and chaos, memory and reconstruction

new and recent work in the multidisciplinary artist’s first exhibition in London since joining the gallery program

photographs by McCartney showing the Beatles from within as their reputation spread between December 1963 and early February 1964

“from up close, the black canvases are not hermetic monoliths at all … gradually, color shimmers through the supposedly monochrome coating. Afterimages of blue, green, a light red, dark yellow or mahogany” - Katharina Cichosch

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

a new series of paintings exploring the translation of musical sketches into Orozco’s distinctive geometric language to make works that resonate with shifting rhythms and tempos

the late seminal painter’s first solo exhibition in Hong Kong provides an insight into her approach and her work over more than seventy years

an exhibition of new work by Noland - and a concurrent presentation of Steven Parrino putting his paintings and works on paper in conversation with Noland’s sculptures

the British artist and activist explores memory, perception, and fragility with new monoprints which push the limits of traditional printmaking

Angelini, Pullman, Bjurström, and Holguín evoke memory and time as something that is never quite resolved - ephemeral and intangible … a group of artists whose vivid, yet subtle works explore the tales dancing just beyond our grasp” - curator Sam Hanson

new paintings and drawings in the Brooklyn-based, Brazilian artist’s first solo exhibition in New York - “a constellation of works that speak to difference, resilience, and the radical act of imagining otherwise”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

the New York-based artist’s first solo exhibition with the gallery - “Horns’ paintings are an examination of the landscape as a floating signifier that is both eternal and ever-changing”

in Auerbach’s first exhibition with the gallery, new finely detailed paintings “that capture fleeting moments in coordinated fluid flow”

Scherer takes inspiration from Swiss folklore, landscape and national identity, blurring lines between reality and perception and the public and the personal

curated by Adrian Dannatt and Julia Muggenburg, a group show with 19 artists, a vernissage from 1 to 9 - and a number 19 Routemaster bus ride to encounter an off-site revelation with and by Markus Hansen

the American artists present “a compelling exchange; a space 'half-way or in-between,’ surface and image; memory and thing, painting and sculpture, and ruin and object” - Melissa Bianca

across all the gallery’s spaces in Paris, an exhibition of sculptures in alabaster, iron, and bronze alongside works on paper – “where the material, the human figure, and silence, form a deeply contemporary sculptural vocabulary”

shown alongside new work by Cady Noland - a concurrent presentation of Parrino putting his paintings and works on paper in conversation with Noland’s sculptures

celebrating the summer season, “over thirty functional sculptural works of art and design … that embrace the elemental qualities of light, space, and transformation”

new paintings continuing Jabbour’s exploration of human connection, vulnerability, and the landscapes - real and imagined - that shape our sense of belonging

a new body of work exploring spirituality, nostalgia, mortality, and the experience of modernity, in this double exhibition of painter Alfie Rouy and sculptor Jesse Pollock

an exhibition of new works by one of Finland’s most eminent painters - “like cultural melting pots, where movement and insight are distilled as images”

an exhibition which centers on the dialogue between the movement and dynamic, interactive brushstrokes in Amaranth Ehrenhalt’s paintings and the abstracted natural and organic forms in David Hayes's sculptures

wall paintings, drawings on sari fabric, glass sculptures, and porcelain objects in Chakraborty’s first solo exhibition – reflecting on her personal connection to landscapes, migration, and memory

using oil, acrylic inks, airbrush, and digital manipulation, Rusu’s new paintings “take us on a journey to sun-soaked Los Angeles as global fantasy and personal fiction … these works do not depict Los Angeles so much as perform it”

across both Paris spaces, this exhibition brings together major figures of Minimal and Post-Minimal art and their precursors, to give - “a collective view of an aesthetic that privileges form, material and space, without recourse to ornament or narrative”

“Falls’ work is a monument to nature’s evolution over time and a different understanding of humanity” - Heinz-Norbert Jocks

sculptures “made from glass and from light” in Janssens’s first solo exhibition in Seoul

the first joint exhibition to examine the connections between the two artists presents Josephsohn’s sculptures alongside Förg’s grid paintings, as well as reliefs by both artists

the artist’s first solo exhibition in France - “digitally rendered images and physically confronting objects, speaks as much to contemporary concerns of self-mediated personas as they do to the compositions and narratives of the classics of art history”

in Los Angeles-based artist Edmonds’ first major solo exhibition in New York, new paintings inspired by the “ebe-amẹn” (river leaf) motif, drawn from her research of important events and traditions in Black American art and history

Petra Feriancová and Amanda Kyritsopoulou, in dialogue, explore how meaning emerges through repetition and disruption

following his passing in February, the gallery presents an exhibition of selected core works by the acclaimed artist

“an exhibition can be many things. it can be more than a collection of artworks. i like to make an exhibition as a game of relations, a flexible ensemble of autonomous elements” - Gomes

Weems’ photographs present “a critique to violence and censorship, as documentation, and as appreciation of the beauty that can emerge from chaos” - Susana Turbay Botero

new paintings and works on paper by the German-born, New York-based painter - “to Krewer, man is more isolated and displaced than ever, and his paintings depict the injustices, as well as the joy and glimmers of hope, that he sees in the modern world”

“the acclaimed artist’s debut solo exhibition in Paris “speaks to what it feels like to live in a world where collapse is ongoing, not exceptional … the world continues, but something is deeply off. And no one flinches”

“the artist collects and disassembles objects and furnishings left behind after people vacate a space … and reconfigures them into variable structures and installations”

stained-glass, painting, drawing, and painted stoneware in this major exhibition of the self-taught artist - “even as he uses some of the same imagery as in past works, the increasing freedom is palpable” - Brian Boucher

an exhibition of watercolors by the internationally renowned artist

Rees extends his ongoing exploration of marbling, transforming the traditionally artisanal technique into a vehicle for subtly subverting aesthetic hierarchies

the gallery’s second solo exhibition with one of Spain’s leading contemporary artists – “his interventions are subtle, offering a realm for resonance, where there is no imposition of narrative, only an invitation to look, to feel, and to remember”

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

“Proux puts us, the viewers, in front of this undecidable world fragment, fascinating in its details of multiple crevices, creating for us, near the lovers, a lit-up path” - Jérôme Duwa

new “architectural constructions” in Coffman’s first solo presentation with the gallery - exploring narrative, history, and fantasy with digital modeling, 3D printing, and collage

in her first exhibition with the gallery, an installation of Strafella’s drawings created on a typewriter and inspired by the landscapes she experiences in Columbia County, NY

in collaboration with Devonshire Collective, Eastbourne, Incidental Music is a unique project to strengthen relationships in the ecosystem and provide exposure to artists and institutions working outside the capital

curated by Christine Eyene, painting, sculpture, video, text, and sound exploring Black life and Afro-diasporic existence, in the UK debut exhibition of the London-born, Paris-based poet, rapper, and multidisciplinary artist

new paintings and seminal works by Romero - “a significant moment, weighing the past with the future as he fervently continues his vivid storytelling. As ever, Frank is still dreaming—and invites us all along for the ride”

in the Colombian artist’s first solo exhibition with the gallery, seventeen works - from sculptural maquettes to large-scale installations - highlight his innovative approach at the intersection of art, architecture, and environmental activism

the second in the gallery’s series of exhibitions in its 3e étage showroom

in Judge’s first exhibition with the gallery, “new large plaster-and-pigment panels, works that exist at the intersection of painting, sculpture, and architecture … alongside shaped pieces that hover off the wall like fragments excavated from deep time”

led by a powerful new body of work - and showing simultaneously in London and New York - dual solo exhibitions marking a pivotal point in the internationally acclaimed American artist’s career

striking images by the celebrated photographer, focussing on his work with some of fashion’s most iconic figures

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

new paintings and sculptures by Murakami, exploring his use of floral motifs across a variety of media, techniques, and formats

in Adams’ debut presentation with the gallery in New York, new large-scale and midsize paintings in her vocabulary of vivid colour and organic form

video installations and “Lampshares” carved from bittersweet vines and reclaimed plastic, alongside a programme of events, performances, and activities in Rottenberg’s first solo exhibition in Spain

an immersive photographic installation on the ground floor, and a video installation upstairs in Al Qasimi’s first solo exhibition in Istanbul - curated by Ulya Soley

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

the first exhibition pairing of photographs by Casebere and new sculptures by Dávila presents their shared dialogue on the renowned Mexican modernist architect Luis Barragán

“Zeller journeys through realms of meaning to explore the construction of non-linear narratives using layers of painting, drawing and collage, opening space for the viewer to engage with profoundly personal themes, such as memory, love and loss”

new works by the Los Angeles-based artist, where “painting is itself a motif, one that offers utopia, expression and freedom, particularly when depicting nature”

new work by the Vienna-based artist, anonymous vintage photographs partially hidden behind precisely cut overmats in what art historian Michel Poivert calls “anti-collage”

In Wellmann’s debut exhibition at the gallery in New York “absorbing, otherworldly oil paintings created through a dynamic process of layering and redaction”

in the British artist’s first solo exhibition with the gallery, new vibrant and uniquely textured paintings of ethereal interiors, landscapes, and figures explore the complexity of interior spaces, whether domestic or psychological

to mark the eightieth birthday of one of the most influential artists of our time, new and historical works celebrating Kosuth’s lifetime of inquiry into the nature of art, language, and meaning

“through her paintings, Amanda Wall speaks to the question of portraiture for her generation, imagining compositions guided by the frame of a screen or the memory of subjects seen or documented through digital means” - Sam Ozer

in the first exhibition of her work at the gallery in Los Angeles, paintings and drawings - including previously un-shown pieces - from a pivotal moment in Hurtado’s artistic development

in collaboration with Public Art Fund, two new public artworks considering the music, performance and the Black history of New York

an exhibition of more than thirty rarely and never before seen drawings by Heilmann from between 1975 and 2005, examining how drawing functions as a form of daydreaming

Grantham’s debut New York solo exhibition presents her exploration of Bach’s Goldberg Variations with layered pastel on paper works

to celebrate a decade in their Faubourg Saint-Honoré space, “a (re)discovery of ten masterpieces, selected not only for their exceptional quality but also for their embodiment of the gallery’s mission”

working in mixed media, including earth, wood ash, and pigments, the Italian painter and sculptor’s art “emerges from a unique inner geography that transfigures the landscapes of southern Italy and Africa through memory, encounter, and embodiment”

to mark what would have been his 100th birthday, an exhibition of rare and early works from the decade that launched the 45-year career of the founding member of the Hard Edge painting movement

previously unseen paintings in the Belgian artist’s first solo exhibition at the Brussels gallery offer “a fleeting fragment of Ronsse’s intimate universe”

the first exhibition in Korea to show Robert’s iconic works alongside a new film and performance as he explores visibility, identity, and the politics of representation through intimate gestures and ephemeral materials

recent drawings in the first UK solo exhibition of works on paper by the Brazilian artist - highlighting her exploration of ideas with vivid intensity and chromatic richness, and engaging with myth, memory, and personal narrative

drawing on traditional Korean and Chinese ink painting while creating work that speaks to contemporary sensibilities, Park’s work is rooted East and West, ancient and modern, gestural abstraction, and observation

“both artists share an interest in finding ways to paint the things that contemporary art gatekeepers have deemed too cliché – or even too pretty – for representation … in unexpected and radical ways” - Anna Souter

conceived specially for the space, new paintings, a wall piece, and sculptural works in Radin’s first exhibition at the gallery in Paris

in partnership with the Jean Nouvel-designed venue in the heart of the city, nineteen photographs, paintings, sculptures and installations by fifteen gallery artists, each interpreting light as their central theme

“Rødland’s photographs testify to a careful, multidimensional construction of experience. Looking at his images is a reminder of what it might mean to actually believe in something and to let go of our conscious mind’s negative judgements” - Isabel Parkes

large-scale paintings which “exist in a borderland between figurative and abstract art” in Svensson’s first solo exhibition at the gallery

in an exhibition working with the literary form of the fable, recent works on paper by Mattai, created with her singular approach to collage, blending different traditions of craft and cultural references

Kempinger curates an exhibition of works by James Lee Byars, Gelatin, Mathieu Malouf, Franz West, and Heimo Zobernig

the first UK solo exhibition by the acclaimed French artist presents new work “that transforms industrial detritus into poetic, powerful, and light-responsive sculptures that bridge minimalism and contemporary archaeology”

“the canvases in Rippling Excieties try not only to honestly communicate the state of emotional intensity in which they were made, but transcribe it” - Jeppe Ugelvig

“Antunes’s work explores the legacy of an influential twentieth-century female pioneer whose innovations contributed significantly to modernist art, design, and architecture, but were overlooked because these fields have historically been male-dominated”

in the multimedia artist’s first exhibition with the gallery, new paintings exploring “the double bind of popular culture’s representation of women and how it can both resist and reinforce the very ideals it claims to challenge”

“Kato’s devotion to an animistic world can be interpreted as a new philosophical and aesthetic approach that opposes an ostensibly rational worldview centered on the West” - Kim Yisoon

painterly interpretations drawing from the Martin Scorsese film “After Hours”, “quietly reflecting the film’s central question of how we move forward when control falters”

“Charlotte’s practice questions the ways in which a painting can be viewed, activated and displayed today”

curated by Robert Zeller, an exhibition of works by sixteen contemporary artists - some showing for the first time in Italy - which examines the influence of Surrealism on artists working today

new paintings by Hull exploring antiquity, queer aesthetics, and the historical fragment as both metaphor and material

vibrant self-portraits in watercolor on paper and acrylic on canvas where Diaz explores the “familial bonds and cultural heritage to her alter egos, and with them, her fears, hopes, and dreams”

curated by Nicoletta Castellaneta and Roberto Borghi - “the dialogue between Mastrovito’s and Cecchini’s works generates a reflection on the body and nature, as well as the interaction between the organic and inorganic, the living and the artificial”

four groups of works in four different techniques from the conceptual artist equally at home in popular culture and the fine arts - “a subtle chamber play of references and allusions in crazy times”

works by the renowned American painter and visionary modernist - “Braguin’s abstractions are both precise and atmospheric; fields of pale pigment layered with softened edges, where geometric fragments seem to drift in and out of focus”