Open: Daily 10.30am-6pm (Fri-Sat until 9pm)

St Martin's Place, WC2H 0HE, London, United Kingdom
Open: Daily 10.30am-6pm (Fri-Sat until 9pm)


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Catherine Opie: To Be Seen

National Portrait Gallery, London

Thu 5 Mar 2026 to Sun 31 May 2026

St Martin's Place, WC2H 0HE Catherine Opie: To Be Seen

Daily 10.30am-6pm (Fri-Sat until 9pm)

Artist: Catherine Opie

Catherine Opie: To Be Seen showcases photographic portraits by the American artist Catherine Opie. The exhibition, curated in collaboration with the artist, is the first major museum exhibition of her work in the UK.

Artworks

Catherine Opie, Judie Bamber, 1993
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Self-portrait/Nursing, 2004
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Pig Pen, 1993
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Kate & Laura, 2012
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Oliver & Mrs. Nibbles, 2012
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Chloe, 1993
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Angela (boots), 1992
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Daniela, 2009
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Bo, 1994
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, AB101 Demonstration, 1991
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Abdul, 2008
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Alistair Fate, 1994
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery
Catherine Opie, Divinity Fudge, 1997
© Catherine Opie, courtesy Regen Projects, Los Angeles; Lehmann Maupin, New York, Hong Kong, London, and Seoul; Thomas Dane Gallery

Installation Views

Opie’s work questions representations of home, intimacy and family, and on a national and international level explores politics, identity and power structures.

Over the past 30 years, Opie has explored and positioned the portrait in numerous contexts and visual formats. Conceptually rigorous and formally executed, her photographs make visible queer communities, mentors and collaborators, children, surfers, high school footballers, political crowds and Opie herself, through self-portraiture.

Works featured in the exhibition will span her first major work, Being and Having (1991), her portraits of LGBTQ+ friends inspired by court painter Hans Holbein, through to her Baroque-like portraits of artists. Portraits work in dialogue with one another to create new narratives, challenging viewers to reflect on the figures most commonly portrayed in art and those who go unseen.

In addition to this exhibition, a series of interventions will place Opie’s photographs in dialogue with the permanent Collection, probing further representation in the context of the National Portrait Gallery.

Installation view of the exhibition Catherine Opie: To Be Seen at the National Portrait Gallery. Photo: © David Parry

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