Open: Wed & Fri 11am-6pm, Thu 11am-9pm, Sat 12.30-6pm

Rivington Place, EC2A 3BA, London, United Kingdom
Open: Wed & Fri 11am-6pm, Thu 11am-9pm, Sat 12.30-6pm


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I Still Dream of Lost Vocabularies

Autograph, London

Fri 10 Oct 2025 to Sat 21 Mar 2026

Rivington Place, EC2A 3BA I Still Dream of Lost Vocabularies

Wed & Fri 11am-6pm, Thu 11am-9pm, Sat 12.30-6pm

Artists: Brook Andrew - Jess Atieno - Qualeasha Wood - Reena Saini Kallat - Sheida Soleimani - Sunil Gupta - Sabrina Tirvengadum - Arpita Akhanda - Wendimagegn Belete - Henna Nadeem - Thato Toeba - Sim Chi Yin

From cut paper to generative AI, examining political dissent and erasure through the idea of collage

Artworks

Henna Nadeem, Fence (from the series Between Trees), 1999-2000

Hand-cut collage

© Henna Nadeem. Courtesy the artist
Sunil Gupta, from the series Trespass, 1992-1995

Epson inkjet print

© Sunil Gupta. Collection of Autograph, London. Commissioned by NGBK Berlin
Sheida Soleimani, Magistrate (from the series Flyways), 2024

Archival pigment print

© Sheida Soleimani. Courtesy the artist and Edel Assanti
Qualeasha Wood, Influencer, 2025

Woven jacquard, glass seed beads and embroidery

© Qualeasha Wood. Courtesy the artist and Pippy Houldsworth Gallery
Sim Chi Yin, from the series The Suitcase is a little bit rotten, 2022

UV print on glass

© Sim Chi Yin. Commissioned by Autograph, London. Supported by the Bagri Foundation
Arpita Akhanda, A Veil of Memories III, 2023

Paper weaving

© Arpita Akhanda. Courtesy the artist and Emami Art Gallery
Reena Saini Kallat, Bangladesh (from the series Pattern Recognition), 2022

Digital collage

© Reena Saini Kallat. Commissioned by Autograph, London. Supported by the Bagri Foundation

Installation Views

This major group exhibition examines how photographs can be deconstructed and reassembled through the idea of collage, offering new perspectives on complex histories and contested social realities.

With deep roots in activism and artistic experimentation, photomontage has a rich legacy as a powerful tool for artists engaging with experiences of political dissent and erasure. Its possibilities are amplified by the relentless evolution of photography - a medium shaped by technological advancement and the shifting politics of representation.

From cut paper to generative AI, more than 90 works by 12 contemporary artists use collage as both method and metaphor, highlighting the fragility of photographic ‘truth’ and the archives that hold it. Sabrina Tirvengadum uses an AI model she trained on family photographs to reconstruct a fractured history shaped by the legacy of indentured labour in Mauritius; Sunil Gupta’s digital collages from the 1990s navigate the intersections of queer identity and diasporic experience; and Qualeasha Wood transforms self-portraits into tapestries that reflect on bodily autonomy and the pressures of internet culture. Jess Atieno troubles colonial archives in East Africa to explore how histories can be restitched into counter-narratives, while Sheida Soleimani creates layered tableaux that link political exile from Iran with the care of injured migratory birds. Featured artists also include Arpita Akhanda, Wendimagegn Belete, Reena Saini Kallat, Henna Nadeem, Thato Toeba and Sim Chi Yin.

As we reflect on the future of image-making, I Still Dream of Lost Vocabularies resists completeness, questioning whether constructed images can stand in for disputed – and often entangled – narratives when words fail.

Content note: We'd like you to know before your visit that this exhibition addresses some difficult themes. Some artworks reference violence or contain nudity.

Installation view: Kate Elliott

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