an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

curated by Rolando J. Carmona in collaboration with Mountains, Berlin, this exhibition of the pioneering Filipino artist offers a rare presentation of one of his Bubble Machine sculptures, alongside a historical panorama spanning six decades

a survey exhibition celebrating the remarkable breadth of Davenport’s career from the late 1980s to the present

curated by Sarah Griffin, an exhibition which explores the interconnected concepts of the three sites of production and transformation - where material, environment and process converge across photography, weaving and ceramics

“at the core of Ida’s practice is the relationship between humanity and the natural world. His paintings consider the delicate balance between human existence and the fragile ecosystems that sustain it”

curated by Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana, an exhibition presenting seminal, rare, and unique works from 1949 onward

“Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’

renderings exploring how architecture embodies the spectacle, as well as how our bodies inhabit that built environment, shown alongside the newest installment of his series of multi-part wooden sculptures of bodily fragments, based on historical icons

“Vecsey arrives at her minimal compositions through an elaborate series of actions that begins with direct observation and ends with improvisation [she] describes her distinctive process as ‘working like a watercolorist with liquefied oil paint’”

an exhibition of rare, important, and coveted paintings and works on paper from the pioneering Abstract Expressionist’s most celebrated period

works spanning several decades reveal an artist continually attentive to the dignity, vitality and complexity of Black experience - “there is warmth throughout Lloyd’s work, but never sentimentality” - Cameron Amiri

an exhibition by the South Korean artist who, expressed through the Taoist philosophy of Wu Wei, creates sculptures in sterling silver inspired by the natural landscapes of her birthplace, the volcanic island of Jeju

paintings by six British artists whose practices were forged in the London art world of the 1990s - “painters who, against the prevailing weather, declared that painting remained a medium adequate to its moment”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

in collaboration with the artist’s widow Colette, this exhibition presents more than twenty of Soulages’s works on paper, the majority never previously exhibited

inspired by Ngugi wa Thiong’o’s 2009 book on the critical impacts of colonialism and slavery, Mathenge’s first solo exhibition with the gallery debuts sculpture and paintings exploring how culture, memory, and landscape are made and unmade

Barrero’s first exhibition with the gallery debuts eight large-scale ceramic bead sculptures - a “chorus” of mother figures, “bearing witness and answering one another across the room” - Barrero

new paintings combining luminous portraiture with bold passages of color, ornamental patterns, and symbolic imagery as the husband-and-wife artists explore the boundaries between the visible and the imagined

Dodd’s exhibition centers on the goddess Diana and, having relocated from upstate New York to Scotland’s Moray Coast, uses materials from her new home like peat, copper ink, spirulina, cochineal, local herbs and powdered meteorite

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

monumental carved-wood reliefs, dramatically vertical sculptures in cast iron and granite, and intimate bronze works in Plensa’s tenth solo exhibition with the gallery

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

examining the enduring impact of Jaar’s foundational public installation, a newly digitized version, the original storyboard drawings, photographic suites, lightboxes, and videos showing how it remains a poignant emblem of American identity

the Nigerian artist’s first solo exhibition with the gallery presents new paintings and drawings exploring how meaning and belonging persist during periods of profound historical and cultural transformation

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

“rooted in timeless inspiration from nature, Kaluza arrays various depictions of the subject in both hyper-realistic and abstract paintings … return[ing] to landscapes, forests, and other natural environments as subjects in transformation”

Schweizer’s ceramic sculptures resemble vessels but are non-functional, Van Leeuwen creates ceramic assemblages of bowls and vessels using natural objects, and Omidi-Sabet applies fashion techniques to minimalist Moon Jar vases

recent paintings and sculptures inspired by the urban landscape and engagement with the city - “reducing her subjects to basic geometric forms, stripes, and broad planes of color, Simon distills familiar urban motifs to the point of near illegibility”

Henrot’s first public exhibition in NYC brings a group of sculptures of dogs to the entrance of Central Park - each born out of visual references including Saul Steinberg drawings, Tex Avery cartoons, ancient Egyptian sculpture, dog show competitions, …

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

Carrington’s first solo exhibition at the gallery, organized with the Consejo Leonora Carrington and rossogranada, with drawing, painting, sculpture, tapestry, and writing, the exhibition presents the full range of media she explored throughout her career

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles

“McGarrity paints at the hour of threshold: sunset, dusk, the moment before dark. His canvases catch light at its most unfixed [in] a body of work unusually committed to atmosphere”

an exhibition dedicated to “the painters who, at the end of the 19th century, chose no longer to depict the world but to express it. … a journey into the art of almost nothing, where the familiar becomes a revelation”

the London-based painter’s first solo exhibition with the gallery showcases how he mixes a cultural lexicon of symbols with an individual process of grieving following the death of his brother

Barnes’ paintings - large-scale, monumental, realistically-rendered female heads - are isolated against flat colour-field backgrounds and depicted with a thorough coating of viscous liquid like a sudden immersion

curated by Jinyi Freya Xu, and moving across painting, digital imaging, robotic fabrication, and sculptural relief, this exhibition examines how a technology acquires weight, texture, and bodily presence after leaving the screen

new paintings interrogating the power structures that manipulate and divide global society - in this case particularly the rise of neoliberalism - using the billionaire owned media as source material

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

marking a new chapter in Mapondera’s practice, these new paintings explore the potentially fragile boundary between legality and moral responsibility

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured

for its annual celebration of art, design and hospitality, the internationally acclaimed artist and designer known for her use of colour, geometry, and immersive environments reimagines sketch in a way only she can

“in Luce Meunier’s work, painting emerges where you least expect it: in snow, in moss, in the hollow of a sponge. Matter absorbs, diffuses, resists”

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

recent drawings by Rafferty which foreground the handmade alongside color combinations that evoke palettes, test patterns, and seasonal collections

new works by the German artist - “Franz invites us to reconsider the relationship between past and present, reflecting the continuing artistic struggle for creative autonomy in an age of technological changes and advancement”

titled after the Paul Klee painting, this exhibition of new works sees the German-born, Brooklyn-based Hüller for the first time focus purely on figuration

photographic works by the South African artist Masombuka, deeply rooted in her Ndebele culture, alongside a Spotlight on pieces by the award-winning photographer and “Choreo-Photolist” Reid

“Takemura has long attended closely to the layers of time and memory accumulated in objects and places … her works gather up invisible relationships and bring into viewpoints at which past and present, presence and absence, intersect”

works by Georg Baselitz, Jim Dine, Tom Hammick, Fernand Léger, Hew Locke, Humphrey Ocean, Julian Opie, Mimmo Paladino, Paula Rego, Yinka Shonibare, and Joe Tilson in an exhibition of artists who weave images of birds into their visual narratives

Kazim’s first solo exhibition with the gallery presents new watercolours of solitary figures and circus acts alongside his first major portfolio of prints, illustrating the Urdu alphabet

with these new paintings of imagined spaces and intimate vignettes, Suss continues her exploration of interiority, domesticity, and memory

new paintings in an exhibition which sees Gao continue his investigation of movement, perception, and the unstable threshold between abstraction and recognizable form

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

“Andrés’s work invites an intimate psychological experience: an excavation sparked by loosened, slightly abstracted images rendered as if viewed only by candlelight. These images pull one into oneself and allow the inside to turn out” - DJ Hellerman

“to care is to act; to recognise another person’s needs is to take responsibility for their wellbeing. In Clothes (Kleidung), love therefore becomes material: it is found in what is remembered, reclaimed, shared, given away” - Anna Roberta Goetz

spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

new mobiles made from artillery shells salvaged in Vietnam in Nguyen’s first solo exhibition with the gallery

shown for the first time in Berlin, four videos which continue Claerbout’s long-standing engagement with time and duration

“these are almost like a sculptor’s drawings: essential, uncluttered, minimalist. They appeal to all the senses: one feels as though one can smell the scent of resin, hear the whisper of the wind through the pine needles”

“my natural medium for making is wood. Finding forms that flow from the character of the material; moist or dry, easily splits or not, its volume and shape, all contribute possibilities” - Nash

“Barthélémy Toguo creates a space in which imaginations intermingle and cultures and traditions come together in harmony. For the artist, travel is a way of inhabiting the world and celebrating its profound unity”

an ongoing, developing exhibition of landscapes and cityscapes from various eras, traditions, and media - this exhibition represents the physical world around us in all its multifaceted glory

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

new paintings and watercolours that examine the notion of “otherness”, in this exhibition by one of the leading voices in the resurgence of European figurative painting

a group exhibition bringing together over a dozen international artists - “the exhibition poses an ancient yet ever-renewing question: how does cosmic order mirror itself in the body and the mind”

new paintings, in the Kraków-based artist’s first solo exhibition in the UK, that explore the body as a construct, how it holds memories of past selves, and how those selves remain visible as we age

“Reyle has developed a unique visual language that continues to challenge how we experience painting and sculpture. Combining bold material experimentation with a deep understanding of abstraction” - Belén Herrera Ottino

a remarkable group of nine paintings created between 1977 and 1983, a pivotal period for the acclaimed Color Field and Lyrical Abstraction painter

a new exhibition of the Naarm/Melbourne-based artist presents paintings and watercolours created while she was pregnant - a visual diary writ large, chronicling a period she calls “a state of becoming - turning from one thing into another”

“when I look out upon the ocean, I tremble as if I am holding part of the universe in my hand. This is why, for the past thirty years, I have ceaselessly tried, through the Water series, to put that ‘tremble’ onto my canvases” - Young-Il Ahn

“in Maloof’s paintings, human figures are partially obscured, never quite revealing themselves, but animals are fully visible with intact identities” - Brienne Walsh

Kid’s fourth solo exhibition with the gallery - “conceived around the first presentation of works from his new LIFE series, the exhibition places a focused selection of works from the past decade into dialogue with this new body of work”

“by rejecting the picturesque and narrative, by favouring gradations over contrasts, silences over assertions, Molaeb constructs a pictorial language of rare coherence”

new paintings by the London-based artist portraying a fictional Jewish family and their social circle, based at their imagined home in Gunnersbury Park, London

bringing together the work of two contemporary Kenyan artists who draw deeply from their immediate surroundings, an exhibition exploring different facets of everyday Kenyan life, identity and culture

a major retrospective of the late artist, bringing together paintings, prints, drawings, and archival material spanning more than four decades

a special selection of rare vintage gelatin silver photographs by the acclaimed American photographer, taken and printed by her in the 1960s and 1970s

two distinct bodies of black and white photographs, alongside the short film “Family Portraits” in the acclaimed American photographer’s first exhibition with the gallery, following the recent announcement of her representation

large-scale oil paintings and works on paper by Goode, spanning over three decades of his sustained engagement with the sky as both subject and site of intervention

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

new painting and sculpture by Egan “initiated by a sense of touch and movement alongside a sense of sight .. painting is imagined as an activity of passage and continuum; an internal language that permeates the artists‘ practice”

new work where the Swiss artist engages with themes of life and death, transcendence, and spirituality

“by translating historical paintings into a contemporary visual context [the exhibition] demonstrates that the past always remains an active and vital component of contemporary cultural discourse”

curated by Mario Francesco Simeone, Biele’s first solo exhibition with the gallery presents new paintings and a sculptural intervention based on extensive research centered on the garden - a site of continuous negotiation between nature and artifice

“the exhibition … reunites about 300 works (cardboard, printed matter, felt-pen, ballpoint-pen, paper, tape) from the series “POST”. I made them during 2025 and 2026, and posted some of them (therefore the title “POST”) on my Instagram-Account”

a solo exhibition by the Potter in Residence 2026, exploring the material and optical properties of rare earth elements through ceramic form, asking us “to reconsider the relationship between material, technology, and perception”

an ambitious group exhibition curated by the cross-disciplinary initiatives Teaspoon Projects and Wyn, with photography, sculpture, painting, and video works by Margherita Pedrotta, Natalie Sasi Organ, Linnea Skoglösa, Danae Stratou, and Kusukazu Uraguchi

the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time

a landmark exhibition dedicated to the late British sculptor, bringing together for the first time in Paris a group of works from one of his most significant late bodies of work

new works developed out of months of research into UK football culture, in the first solo London exhibition of Italian artist Ruth Beraha - “the drawings, like images, explore what lasts. What stays after the game ends: in memory, in affect” - Orit Gat

interrogating the visual language of landscape - “expansive skies punctuated by stars unfold above architectural forms resembling boxes, walls or foundations, creating a tension between infinite space and structures of human making” - Anastasiia Fedorova

initiated by Martin Brémond, this project brings together a selection of emerging French galleries with varied approaches, all driven by the same passion for supporting emerging or re-emerging artists

new work in the artist’s debut solo exhibition at the gallery in Paris - “Prempeh does not paint a destination, she paints the doorway, and leaves it open” - Brice Arsène Yonkeu, curator

“at once deeply personal and strikingly universal, the exhibition unfolds as an immersive journey through technological archaeology, political allegory, and mythological imagination”

presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work

in collaboration with Corbett vs. Dempsey, an exhibition of Wright’s flower paintings, alongside works on paper, made from 1992 onwards

“for his first exhibition at Semiose, Mathieu Cherkit presents fifteen paintings that share a unity of place, all originating in or around his home-studio … for a pictorial investigation into the question of viewpoints” - Camille Richert

“for this exhibition, I wanted to immerse myself entirely in abstraction - setting aside any notion of subject or image as a starting point for the painting. The aim was to lose myself in the painting itself” - Bellot

spanning thirty years of work with the single subject of “food”, new large-scale oil paintings alongside canvases reaching back to 1996 - “I have selected a group of works that explore the relationship between food and my own life journey” - Oiwa

new paintings and a spatial light installation, in “a reflection on surface, presence and inner content. It makes us consider what lies behind the objects, the images or the meanings generated by an AI that endlessly produces poems” - Lotten Wiklund

an exhibition of eight contemporary artists working across painting and sculpture - Benjamin Orlow, Emil Sands, Galli, Hannah Quinlan and Rosie Hastings, Kira Freije, Suleman Aqeel Khilji, Tanoa Sasraku, and Tiona Nekkia McClodden

presented in a series of themed rooms with differently colored walls, new paintings featuring his cartoon figure Who the Bær, in Fujiwara’s first solo exhibition in the Seoul gallery

the London based, Bergamo born artist’s debut solo exhibition at the gallery - “Longhi’s sculptural works draw our attention to the vivid expressions of human life and history that can be found on the walls and surfaces of the metropolis”

in Wenhui’s first solo exhibition in London, new large-scale paintings, including her largest to date, exploring the complexities of women’s lived experience through an immersive painterly language in which body, landscape and memory become inseparable

this August, Hauser & Wirth Basel presents a solo exhibition dedicated to the work of the late Swiss artist. Born in Basel, Zurkinden defied easy categorisation, developing a distinctive painterly language that drew on both …

new paintings by the British artist, melding the contemporary and the classical, and capturing moments of suspension and transition to result in a palpable, physical experience that connects vision, film, memory, and matter

“Förg took four monumental color photographs of the Lange house … [exhibited] again for the first time on the occasion of the new Frankfurt gallery season. A show nothing short of a small sensation ” - Christian Malycha

“for Dodge, the shell is both symbol of time and memory (the past and what is known) as well as infinity … Fitting too that the shell’s iridescent, pearlescent surface mirrors the gloss of increasingly large-scale canvases” - Lillian Davies

“Nguyen brings together nearly twenty paintings, sculptures, and installations. Beyond the recurring motif of clouds lies something more fundamental: a sustained resonance between the artist and the natural world” - Ying, writer and editor

the final works from a series which Kwak has developed since 2019, shown with new drawings from an emerging series to capture a transitional moment as one body of work comes to a close and another begins to take shape

a non-hierarchical, artist-led touring exhibition curated by Maria do Carmo M. P. de Pontes, with works by Esvin Alarcón Lam, Antonio Pichillá Quiacaín, and Simón Vega

offering a rare overview of his disciplined and deeply poetic approach, paintings, works on paper, drawings, and etchings in the late American artist’s first solo exhibition in France

following the first part of “An East-West Dialogue of Perception” in LA, this second chapter brings together twelve contemporary artists from East and West who explore space, perception, and the possibilities of existence

“bringing together artists from the United States, Britain and Europe, the exhibition traces how abstraction developed transnationally while pursuing that quintessential Modern ambition for a new kind of truth”

“this exhibition invites us to hold once again to love, dreams, and hope the oldest forces that no fall can ever completely destroy”

an open call exhibition for Taiwan artists born after 1985

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“working across batik, tapestry, Jacquard weaving, carpet inlay, embroidery, digital image-making and AI, the exhibition explores textiles not simply as a medium, but as a way of thinking: one built through connection, accumulation and transformation”

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

showing at the gallery in Paris and Galerie Natalie Seroussi, an exhibition of artists whose work engages with histories of migration, memory, language and belonging, contemplating the diasporic experience as lived reality and as imagined space

the Mexico City-based studio founded by Isabel Abascal and Alessandro Arienzo presents a serpentine pavilion as the 2026 Serpentine Pavilion

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

on show for the first time at Petworth - and extending thoughout the house and grounds - towering sculptures by the renowned ceramicist

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

earthworks, sculpture, tapestry, ceramics, and large-scale outdoor installations by world-renowned artists, all placed in conversation with the Foundation’s 70-acre estate

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

an exhibition of thirty artists who move fluidly between painting, sculpture, and object-making, to examine how abstraction is shaped not only through image, but through material decisions

encounters between artists whose practices expand the boundaries between functional art and collectible design

in an exhibition extending out of the gallery and across the landscape, “Rothschild combines hand-made processes with industrial fabrication to disrupt expectations through material, colour and composition”

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

the latest body of work by the London-based artist spotlights his ongoing, helictical exploration of the human body in states of transformation, reconstruction and becoming

unseen works on paper and new paintings in an overview of diverse artistic approaches and generations, bringing together contemporary masters in dialogue with historical perspectives

focussing on a little-known aspect of the painter, writer, and photographer, over 150 early stereoscopic images, vintage prints, unique works on paper, lightboxes, and projections in the first UK public exhibition of his work for over 10 years

in his first exhibition with the gallery, new work by the American artist - “sculptures … not defined by formal transformation, but rather by the repositioning of recognisable materials through acts of selection, displacement, and framing”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

an interactive ten metre long sculpture made of 4,000 suspended yellow PVC tubes - by one of the pioneers of kinetic art

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

the first UK solo show of new paintings by the American artist whose work centres on carefully painted interior spaces - “that are at once familiar and quietly estranged”

“Ackermann takes on a new source of vocabulary: letters from a Semitic alphabet. The structure of each symbol serves as an anchor for each composition”

works by Monira Al Qadiri, Jean-Marie Appriou, Genesis Belanger, Jean-Philippe Delhomme, Mathilde Denize, Laurent Grasso, Thilo Heinzmann, Izumi Kato, Bharti Kher, Farhad Moshiri, Paola Pivi, Sigrid Sandström, and Hugo Toro