showcasing the work of talented young photographers, gifted amateurs and established professionals in the very best of contemporary photography

this new “multi-sensory environment” project by Doig transforms the gallery into a listening space to explore the role of music, film, and sites of communal gathering, listening, and creative exchange in his practice

over two hundred items in the first exhibition dedicated solely to the fashion illustrator, Oscar-winning costume designer, social caricaturist, and writer’s ground-breaking contributions to fashion and portrait photography

the first exhibition in the UK of the New-York based artist - “like a chord fading into air, Yao’s work inhabits that in-between space - a breath between worlds where emotion, recollection and paint itself dissolve into one another” - Jessica Wan

the inaugural exhibition at the gallery’s new space in Hanover Square presents new works completed in London over the past six months alongside the first full UK presentation of “The Moon Room” - fifteen iPad paintings of the night sky

the London and Berlin-based British artist and game designer’s most ambitious project to date - a groundbreaking video game commission with a multiplayer immersive experience exploring polarisation, censorship and social connection

vibrant, large-scale images from key series by the duo over the last twenty-five years, exploring themes of hope, fear, sex, religion, corruption and death

film, painting, and sculpture in the internationally renowned artist’s first solo exhibition at the gallery’s London space - “these works articulate Laurent Grasso’s singular artistic vocabulary”

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

a major site-wide takeover, the first exhibition dedicated to both artists in the UK, presents unseen and iconic works by the two emblematic figures of contemporary art

for the first time in twenty years, a wide range of Turner’s work, exhibited in the very place that inspired him - “the exhibition will add to people’s understanding of Petworth and show how it played a significant role in his life” - Dr Emily Knight

the first major solo exhibition of the late British artist, who was at the heart of the 80s style scene in the UK, foregrounds his film works alongside early large-scale abstract paintings

the pioneering conceptual artist’s fourth solo exhibition with the gallery explores the role of protest in her work and its power to effect change

in Pade’s first solo exhibition in the UK, significant new paintings presented in the round - “she transforms style itself into a dynamic, networked force … in which certain art-historical precedents become newly animated” - Hendrik Folkerts

“three new large-scale bronze works, each taking a unique porous, rock-like form with water trickling and flowing inside, their meteorite appearance symbolizing the collision of outer space and Earth”

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

presented with October Gallery, an exhibition of recent wooden panel works by Anatsui, widely regarded as one of the most influential contemporary artists working today

new works by Meiré from his ongoing series transforming daily newspapers - symbols of the fleeting and disposable - into cast reliefs

an installation of large-scale, visually layered artworks weaving together archaeology, mythology, and contemporary art - centred around the 2,000-year-old oak stakes discovered during excavations for Bloomberg’s European headquarters

across both London gallery spaces, an exhibition of new paintings and sculptures by Schutz - “the dramas on the canvas run the gamut of emotive registers from humour and joy to anxiety and hopelessness, within which the terrible and beautiful collide”

Srouji’s first solo exhibition in London “confronts the profound dissonance between the sacred architecture and geography of Christianity and the ongoing erasure of Palestinian life under settler colonial violence”

“there’s a quiet nostalgia in the work of Lucy Mahon - a reverberance and reverie that seems to buzz and hum and thrum to life within and between paintings... the work similarly undulates between ideas of childhood and adulthood” - Andrew Salgado

fifteen new treescapes and portraits in pastel challenging conventions of representational painting, in the Swiss painter’s first solo exhibition at the gallery in London

marking the tenth anniversary of the gallery’s pioneering platform dedicated to art and technology, a major exhibition of nine international artists who work critically with artificial intelligence in the form of algorithms, datasets, and machine learning

over fifty works on paper, sculptures, and prints in the most expansive presentation of Wool’s work in London for many years

rarely seen works by Fini and new paintings by Waliszewska curated by Alison M. Gingeras - “dreamlike and transformative scenes—populated by, among other things, dancing skeletons, ephemeral nudes, ghostly wanderers, prone dreamers, and feline companions”

the debut exhibition at the gallery’s new space presents Michele Fletcher, Connie Harrison, Shuang Jiang, and Shara Mays, four artists whose work explores gestural, baroque-esque abstractions infused with floral undertones and inspired by landscape

a landmark exhibition which celebrates the transformative power of perception, with new Mirror Paintings by the pioneer of Arte Povera shown in dialogue with Cubist masterpieces by Picasso

new drawings and paintings informed by the history and cosmology of the Naxi people of Yunnan in southwestern China in Ding Yi’s first solo exhibition with the gallery

the first European exhibition devoted to the late artist whose “extremely influential, incandescent paintings remain relatively unknown beyond the US”

Dean presents new works on slate and glass, an edition of prints, and the debut presentation of a 16mm film featuring fellow artist Boris Mikhailov and his wife, collaborator and muse, Vita

in their first collective entry onto the European stage, over sixty works by thirteen leading Taiwanese artists in an exhibition highlighting nearly three decades of groundbreaking creation

curated by Brandei Estes, the world-renowned photographer’s debut UK exhibition pairs quintessential 19th and 20th century paintings and sculptures with her intimate photographic art

an exhibition bringing together one British and one Korean artist, whose paths have criss-crossed between East and West and who now both produce traditionally Eastern work - abstract, tranquil and measured

over 300 works in the show address our understanding of cultural transmission and the influence of images and text across time and space

new drawings, prints and an immersive installation, that bring us to the frontlines of climate change, connecting vanishing polar ice and surging sea-levels with the unprecedented erosion taking place on UK coastlines

new works in the first exhibition dedicated to Ruscha’s paintings on unprimed linen

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

new cinematic paintings in an exhibition exploring the poetic instability of memory, presence, and the everyday

a large-scale group exhibition conceptualised and curated by Pulitzer Prize-winning writer and curator Hilton Als as a “collective-portrait” celebration of the Dominican-born British writer

“within carefully constructed, almost theatrical settings, Stoddart arranges forms and imagery with precision and wit … revealing a world that is simultaneously humorous, eerie, and vividly imaginative” - Bryan Fulton

curated by Michèle Lamy a new exhibition of Rick Owens Furniture inspired by London’s brutalist architecture

this new commission by Sasraku uses process-driven works on paper, found objects, and sculpture to explore the seductive and destructive power of oil

an exhibition titled after and celebrating André Bloc’s highly influential avant-garde journal promoting post-war contemporary art

spanning three decades of work, a solo exhibition of sculptures by the late pioneering Slovak artist, little known outside of the local Czechoslovak context

the two artists “invite us to dwell in moments of stillness amid the rush of water through an estuary, or the blur of city lights and advertisements”

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

“marking ten years of artistic evolution, Supernova revisits and reinterprets the pivotal series that chart Chris Rivers’ exploration of humanity’s dialogue with the universe”

a solo show of new works by the German artist and her first in the UK bring together a series of paintings that “explore the notion of the edge — spatial, social, and psychological - and on what exists beyond the centre”

announcing the gallery’s new London space, an exhibition of three London-based artists whose work interrogates borders to find a language of universal meaning, working across diverse materials and media

new iterations of two existing works where Lee explores transitory “non-spaces”, and the political repression in Taiwan during the White Terror

a capsule collection of furniture and accessories, designed by Sultana and painted by Ruspoli

over forty paintings and drawings exploring the fascination artists had in the 19th century with The Arabian Peninsula, The Levant, North Africa and Anatolia

taking its title from a gardener’s rule of thumb, this exhibition sees Barrada “reinterpret social relationships, uncover subaltern histories, and reveal the prevalence of fiction in institutionalized narratives”

in collaboration with Jean Fritts and Pierre Mollfulleda, an exhibition exploring the influence of non-Western art on major works from twentieth and twenty first-century movements

across both London gallery spaces, an exhibition of new paintings and sculptures by Schutz - “the dramas on the canvas run the gamut of emotive registers from humour and joy to anxiety and hopelessness, within which the terrible and beautiful collide”

“de Azambuja’s practice is informed by his ongoing dialogue with the modernist legacy of Brazil, not simply as inheritance, but as something to be reworked, broken open, and reassembled, revealing the failed promises of modernity”

brought together for the first time, five paintings from a group made in 1991, “created during a period of intense dreaming” and reflecting her exploration of mythological and archetypal imagery - alongside two minimalist kinetic sculptures

in collaboration with Gomide&Co, São Paulo, Dias’ first exhibition at the gallery presents six historical works produced during one of the most defining periods of his career and marking a fundamental turn in his practice

“my paintings are portraits of private inner worlds … my work explores the architecture of the mind. These are scattered, fragmented, and riotous projections of self” - Kristof

seminal works by figures such as Enrico Baj, Giuseppe Capogrossi, Roberto Crippa, Lucio Fontana, Asger Jorn, Wifredo Lam, Piero Manzoni, and Emilio Scanavino celebrate the legacy of the Ligurian town, a crucible of artistic experimentation and innovation

to inaugurate the gallery’s new space - and celebrate its tenth anniversary - a presentation of Pierce’s new large-scale video animation alongside a series of prismatic light projections onto canvas

Guerrero’s first solo exhibition in the UK draws on his P'urhépecha roots and the daily life of his community in Mexico - “his paintings are often kaleidoscopic panoramas with an expansive, mystical sense of place and a pulsating, cosmic energy”

new paintings which examine “legacies of colonialism, empire, and the masculinist ideals that underpin them” in the acclaimed Irish artist’s first exhibition with the gallery

the debut solo exhibition by the Ukrainian Canadian artist “brings together new paintings, sculptures, ceramic hollyhocks, and moving image works ... drawing from ancestral memory, histories of possession and dispossession, and then acts of reparation”

the first UK exhibition of new work by Sundaram, whose “intuitive practice of ‘painterly sculpture’ or ‘textile painting’ defies material, spatial, and linguistic boundaries”

an installation of jars containing holiday photographs and pickled vegetables, which “reflects on the desire for preservation in terms of both sustenance and sentiment”

presented with Goodman Gallery, an exhibition of recent wooden panel works by Anatsui, widely regarded as one of the most influential contemporary artists working today

works by Zambian Kate McCrickard and Russian Dasha Shishkin brought together for the first time from their respective studios in Paris and New York

new and celebrated paintings, sculptures and installation works in Tayou’s first solo gallery exhibition in the UK, shown in collaboration with Galleria Continua

curated by Lydia Eliza Traill, an exhibition of works by Areena Ang, Giulia Ley, Jessie Evans, Sophie Jung, Lucia Farrow, and Lulu Syracuse

the recently released from storage suite of Paolozzi screenprints - including unseen monochrome examples and ones hand-coloured by the artist - shown alongside Bonomi’s homage to his chosen icons of our culture

including early works, unseen for more than a decade, the gallery presents von Bonin’s first exhibition in London

“a visual investigation into otherworldly energies and extra-terrestrial goop [by artists] fascinated by the symbolic, ritual and social nature of the ectoplasmic event”

sculpture and works on paper in his first exhibition with the gallery and in London - “Ndife alters familiar domestic objects into layered, poetic sculptures … resulting in works that exist between the sculptural and the painterly”

new paintings by two artists “whose practices approach the complexities of interior life from divergent yet complementary directions”

painting, photography, ceramics, and mixed-media installations in an exhibition that examines the relationship between art and nightlife

a solo exhibition of new paintings by the British artist, focussing on his large-scale works

a new group exhibition of fine jewellery curated by Carol Woolton “supremely crafted (these modern jewels) are symbolic of joy - embodying a sense of permanence to shine long into the future”

forty-five photographs made in private places across New York, New Jersey, California, and London between 1961 and 1971 by Arbus, widely regarded as one of the most original and significant artists of the twentieth century

in an exhibition titled after Joe Brainard’s iconic memoir - “Joffe’s paintings attempt to capture the fleeting yet enduring nature of memory and how it shapes our sense of self”

a group exhibition spanning painting, installation, and photography that explores “how architectural spaces become repositories of the psyche—shaping experience, imagination, and memory”

new screen-printed and painted textiles exploring the spiritually significant oil palm frond in the first UK solo exhibition by the Brazilian artist

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

in a new collaboration with the SLG, sculpture, painting, performance and installation by thirteen international artists from the collection of Museo Jumex in Mexico City

curated by Christine Eyene, painting, sculpture, video, text, and sound exploring Black life and Afro-diasporic existence, in the UK debut exhibition of the London-born, Paris-based poet, rapper, and multidisciplinary artist

“a cross-temporal dialogue between artists whose practices are separated by decades but aligned by notions of time, scale, and geographic resonance”

presented at the gallery’s London space, and Frieze Masters, the first retrospective exhibition of Ray to be held outside the US

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

across all three London spaces, including the new gallery at 4 Herald Street, new photographic works made with and without the camera, new photocopy works, and two recent video works

reimagining the gallery space as a cavernous, creaturely interior, Chong’s new body of works includes sculpture, installation, video and prints

rooted in her ongoing exploration of the body as machine and the interplay of mechanical and sonic repetition, Crash captures a choreography of destruction in which mechanical utterances emerge as raw, rhythmic language

“a conceptual journey through Atelier Van Lieshout’s radical thought experiments, realised through the studio’s art and design that go beyond aesthetic objects”

“across this exhibition, melancholy intermingles with the warmth and delicacy of private, contemplative settings”

hand-formed ceramics displayed on shelves built from found materials, alongside a working coffee and mezcal bar, in this exhibition and interactive installation exploring ritual and process

new monumental works “defined by psychological depth, painterly instinct, and an unflinching sensitivity to the body” in the emerging British painter’s debut solo exhibition

the Belgian-Congolese artist “invites reflection on how meaning is constructed, resisted and refracted through the act of looking. His practice challenges the impulse to explain or master what is seen”

the first gallery display of Marden’s prints in London is curated by his estate and presents editioned prints, unpublished proofs, and related drawings produced between 2007 and 2012

the artist’s tenth exhibition with the gallery presents paintings on tarp, copper, local cotton, linen and canvas, and drawings on paper, handmade from hemp, or tea-dyed cotton rag - each group accompanied by a poem written by the artist

an exhibition of Edwards’ bronze sculptures “seen as vessels to encourage consideration of our own humanity and what it means to exist in partnership with the world we inhabit”

new “shadow-self” paintings which “intentionally resist prescriptive interpretation, instead encouraging personal engagement and reflection on the viewer’s part”

curated by the acclaimed painter, a diverse group of international artists working across painting, sculpture, photography, film, and drawing from the 19th century to the present day

sculptural installations, wax paintings, and design objects reimagining ancient Chinese mythology and cultural symbols through 21st century motifs in the first UK exhibition by the acclaimed Chinese artist and designer

Rose’s new paintings trace “the ways landscapes shape human experience and how the stories and belief systems we weave are born from them”

an exhibition by the Latvian artist, exploring the intersection of painting, architecture, and material thought “a curatorial organism in which wall, air, and ground translate colour into a system of perception and space into a method of consciousness”

in the third of Rashid’s twelve-part series, an examination of the early stages of the Napoleonic Wars, “refracted through his signature blend of historical fiction, hip-hop lyricism, and pop-cultural commentary”

an exhibition celebrating the work of four painters: Dido Hallett, Georgina Stone, Hester Finch and Catherine Long in “a testament to friendship, the exhibition explores the importance of conversation, care and mutual trust in the making of art”

the first of three exhibitions marking the gallery’s centenary - and exploring its rich history and ongoing commitment to international art

an exhibition by the emerging multidisciplinary artist Toby Grant, also known as Cato, focussing on the Black community within his South London orbit and capturing domestic and communal life in barbershops, diners, and at home

an exhibition which brings together two artists whose practices are rooted in materiality, structure and transformation and examines the poetic tension between language, form and gesture

presented with Blackbird Rook, an exhibition putting Marilyn Hallam in dialogue with Ellie MacGarry - two artists who explore the architecture of interior life and domestic space

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

created by Hawker at an artist residency programme on Wiradjuri Country, New South Wales, Australia, “the works on show reinterpret the corporeal world, treating physical states almost as alternate languages, and finding great beauty in the differences”

titled after the subjective, qualitative characteristics of sensations the way things seem to us, an exhibition of Beard’s landscapes

jewellery pieces and functional artworks by the experimental Paris-based artist, characterised by what he calls “delicate brutalism” - presented for the first time by the gallery

an exhibition bringing together recent pieces that meditate on the nature of light and gravity with a dense network of literary and personal references under-pinning each individual piece

the first significant introduction of three emerging artists, all born in the 1990s - “each artist blends autobiographical elements with imagined and historical narratives, uniting their individual stories through a focus on the human figure”

paintings by the American artist Martha Tuttle featuring “materially rich abstractions that trace the intimate dialogue between landscape and body“

new minimalist photographs by the British photographer continuing his journey into abstraction

“the show gives pause to a comforting nihilism in which personal tragedies will slip by unnoticed by the passers-by of our lives, sometimes transforming into treasure, sometimes not” - Charlotte Leseberg Smith

“a new body of work arising from Julia Dubsky’s suggestive meditations on the parallels between paintings and actors”

new sculpture, lithography, and linocuts which centre on “the physicality of time and the traces it leaves within matter”

an exhibition of drawing and painting “as active processes of observation and transformation” exploring the Jungian unconscious and dream imagery

works by over a dozen artists in “a contemplative winter exhibition” of ceramics, textiles, sculpture, and mixed media

“a magical-realist interview … on a rooftop in Berlin, Eva and Hanna - mother and daughter - speak of a house in Brandenburg called ‘India’ - Marija Grujić

”a group exhibition curated by Nana Bahlmann, featuring over a hundred conceptual photographs, print media, and select films ranging from the 1960s to the present, which expose the absurdities of our world and its representations”

”paintings exploring the paradoxical nature of water .... situating both water, and painting itself, within an ongoing cycle of transformation and exchange ... allowing the experience of water to emerge very personally and viscerally for each viewer“

“a group exhibition bringing together sculptures, paintings, works on paper, and installation taking the everyday object as a point of departure, revealing art’s enduring ability to transform the overlooked into sites of inquiry and visions of delight”

new work by the artist - “numerous upright forms that resemble standing figures or columnar pillars, but which are abstracted and complicated through Cragg’s rigorous process of hand carving”

works by fifty international ceramic artists transform the gallery into a series of domestic settings, reimagining how contemporary ceramics live within the home

”a mini-retrospective honouring the late, great photographer whose timeless images captured the humour, irony, and soul of the human (and canine) condition”

a group exhibition named after the American animated musical television series that ran from 1985 to 1988 artists: Johanna Bath, Mark Burch, Scarlett Budden, Victoria Cantons, Cato, Louise Giovanelli, Tali Lennox, Corri-Lynn Tetz

a unique exhibition of painting and sculpture by the two friends, running from Sadie Coles HQ to Hazlitt Holland-Hibbert illustrating both the contrasts and similarities in their work

to mark his ninetieth birthday, the exhibition presents Taylor\'s immaculate sculptures in clay, cement, marble and bronze, on the subject of anguish - an important theme depicted by such artists and writers as Rodin, Rosso, Dostoevsky and Nietzsche

ten selected artists in the second international open call exhibition for painters exploring our relationship with the environment, revealing how connections to the natural world can inspire both understanding and hope

“a meditation on memory, inheritance, and the poetics of return, tracing the invisible threads that connect the living to their histories, weaving together gestures, stories, and emotions that persist beyond the boundaries of time” - Letizia Agostini

new paintings by the Romanian artist ”whose recent exploration of an interior-exterior melange creates unique, timeless spaces which glow with an inner warmth”

the first solo show by the French-Lebanese artist in the UK - organised in collaboration with the Institute of Contemporary Art to launch his new publication \'Interzone\'

The Whitechapel Gallery is internationally renowned for its exhibitions of modern and contemporary art and its pioneering education and public events programmes.

An arts charity providing an innovative platform for contemporary art & culture.

IWM London tells the stories of people's experiences of modern war and conflict.

Documenting the story of human culture from its beginnings to the present, with the largest permanent collection in the world, at eight million works.

The house and museum of Sir John Soane, renowned neo-classical architect and eclectic collector.

World-famous Gallery and international centre for the teaching, research and enjoyment of art history

20th-century Italian art, including a core of Futurist masterpieces.

England's first public art gallery, designed with over three acres of gardens.

Former home of Lord Leighton with intricately tiled Arab Hall, paintings & sculpture collection.

Built on historic foundations and situated in the very heart of the capital, the home of the UK's largest creative community including Somerset House Studios.

British, Belgian and European 20th Century Painting and Sculpture

The Design Museum is devoted to contemporary design in every form, from architecture and fashion to graphics, product and industrial design.

Located on the campus of Goldsmiths, University of London, Goldsmiths Centre for Contemporary Art hosts world-class exhibitions by international artists, and provides a space for established and emergent practices.

An inspiring, surprising, family-friendly, free Museum and Gardens in South London's Forest Hill.

Celebrating the work of artists to make positive change in the lives of vulnerable children.

The world's largest collection of William Morris's work, presented in his childhood home.

modern masters and contemporary art icons

modern and contemporary South Asian art

One of the most significant collections of European fine and decorative arts in the world.