a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

in a dynamic installation, new paintings and a series of drawings by Cardenas - “an alluring gesamtkunstwerk … his reimaginings of art, design, mythology, and fantasy are masterfully woven into a dreamlike vision of the future” - Paul Laster

“Spann seeks to make the flag a banner more explicit in its aims … this weighty work on wood panel confronts us like a roadside banner warning that some of us will find scant shelter here” - Seph Rodney

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

a focused exhibition highlighting Silberberg’s porcelain sculptures from the 1980s - “a distinct and powerful body of work that marks a pivotal moment of evolution in her practice and material exploration”

the gallery’s first exhibition of Chase’s work since announcing its representation of her estate - Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s

nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

recent and past works in the first solo exhibition in Los Angeles by one of the most influential living artists in the decorative arts

contemporary and historic works that embrace brightness and openness, showcasing playful and instinctive design languages and celebrating light, vibrancy, color, and texture

shown for the first time in New York, works by the acclaimed British designer in dialogue with the pioneering engineer - “a refined study in balance, where structural innovation meets sculptural clarity”

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

thirty of Fini’s graphic works “in a trans-temporal dialogue with Greco-Roman, Egyptian, and African ritual objects”

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

an exhibition focussing on Gorriti’s still lifes and interior scenes - “Gorriti transforms everyday subjects into meditations on light, harmony, and atmosphere”

new works by Simonsen - paintings rooted in the practice of drawing that explore nature through vivid color fields and layered botanical forms, blending observation and imagination into immersive, atmospheric landscapes

in Cassigneul’s first solo US exhibition for 40 years - “luminous harmonies of color and expressive linearity coalesce into compositions of emotional clarity and understated restraint”

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

newspaper paintings, paintings on canvas, and drawings shown alongside a 1971 sculptural installation and a quilted flag from 1977

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

an ambitious exhibition positioning the esteemed Japanese contemporary artist as a vital continuation of American Abstract Expressionism who simultaneously redefines its underlying Eastern spirituality within the broader context of global art history

in Garaicoa’s first solo exhibition at the gallery’s NY viewing room, reliefs combining painting and photography, and sculptural models using nineteenth-century French engravings, reflect his interest in how the city and its architecture reflect society

“a new series of landscape works that mend together two images from the artist’s vast archive to create a single, uncanny composition”

paintings exploring the tension between built environments and nature - depicting sociopolitical and ecological themes through cityscapes, weather, mythic figures, and autobiographical elements

new paintings by Mollett - “these are works much concerned with grasping the intangible … she is an artist whose work argues for her medium’s necessity, for painting’s unique ability to illuminate” - Tom Morton

“rich, velvety fields of color alongside reflective, sparkling, and metallic surfaces”

the Montreal-born, London-based artist’s first solo exhibition with the gallery in New York “proposes painting as a medium uniquely capable of holding disparate registers within a single, shifting field of vision”

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

new paintings - dramatically scaled roses, peonies, daisies, tulips, and poppies erupt beyond the canvas - engaging the Old Masters to address contemporary preoccupations with the self, the body, and ecological anxiety about the fate of the natural world

works on paper, paintings, neon sculpture, and installation celebrating Dominican players in US Major League Baseball, in the first posthumous exhibition of the Dominican-born New York-based artist

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

Sean Zhang curates an exhibition that brings together Elizabeth Dimitroff, Alice Ningci Jiang, Paulina Moncada, and Yutong Yin, who explore how identity is formed through transition, environment, encounters, and the traces we carry forward

“Boutros-Ghali’s paintings demonstrate a refined balance between architectural precision and painterly sensitivity, transforming geometry into a contemplative language marked by constant visual flux”

the debut of a series of paintings exploring Santos’ personal and pastoral relationship to Puerto Rico, drawing on historical, archival, and ecological inspiration - “the works are reminders of the past but also a way to understand what is happening now”

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

organized by Tarini Malik, an exhibition which charts Caland’s groundbreaking career across five decades and three continents - “imagination was probably my only homeland” - Caland

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

new large-scale abstract works which engage with the history of abstract expressionism and color-field painting, in the London-based artist’s first solo show with the gallery and in New York

major paintings from across Kossoff’s career in this rare and substantial exhibition of the leading figure of postwar British art, presented in partnership with his Estate

new paintings made from single, sequential droplets of paint onto paper, shown with a mural-sized work composed of dozens of marbled paintings on paper

“the starting point for this exhibition was the desire to take on the flag, this supreme icon of nationalism, and to reverse its logic … I wanted to make works that, while evoking the idea of a flag, visually and emotionally contradict its principles”

Andrews’ Migrant Series traces Black, White, and Cherokee migration routes through ink drawings and collage paintings using textile fragments and painted canvas to depict hardship, resilience, and hope in human migration experiences

“cosmogrammes offered [Janin] a way to explore both science and spirituality through art … within these compositions, metamorphic shapes suggest plants, landscapes, and flowers - forms more imagined than real”

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

new works on paper and large-scale canvases in Chihota's first solo presentation with the gallery - “a fluid exchange between media … to explore profound questions of being, belonging, and the mutability of self”

“I do not intend for this work to rest on answers or certainties, on fixed or dogmatic conclusions. It situates itself in listening, in looking, in staying with a reality that strikes us in silence” - Rumié

a special presentation of new paintings - “through still lifes and portraits set within seascapes and landscapes, Park creates psychological explorations shaped by the transition of day into night”

new paintings - labyrinthine architectural settings populated by people, animals, and mannequins - which function like a visual experiment, generating paradoxes rather than answers

Shin’s debut exhibition with the gallery presents paintings and ceramics which examine Asian-American diasporic identity and foreground the cultural, economic, and scientific legacies of colonial trade

in an exhibition which explores the relationship between land and technology and progress and destruction, new wall-mounted collages and an immersive installation of a psychic parlor, Doyle’s first experiment with AI

Perrotin’s debut exhibition with the LA-based artist presents his iconic photo sculptures - “viewed together, the works in Portals offer a reminder of how the lives of Black people in the West have been shaped by legacies of racial othering” - Ekow Eshun

new wall-mounted, hand-painted sculptures as Cowan transforms regular studio items through the process of casting to examine their nature and how we look at and think about them

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

an exhibition exploring Rosenthal and Moody’s experimental theatre with archival materials, props, and immersive set designs

paintings and works on paper created by a network of fifteen artists in the years surrounding 1960 - a pivotal moment of expansion in post-war American art

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

“working fluidly between painting and installation [Song E Yoon] investigates the relationship between material and immaterial, visible, and invisible dimensions”

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

fifteen paintings exploring structural abstraction through drawing and mark-making, depicting spaces where architectural and organic forms overlap, revealing fragility or the moments after disaster in a delicate equilibrium

Crenshaw’s portraits of immigrants and cigarette stubs, in thrifted picture frames, explore themes of displacement, resilience, value, and disposability

recent paintings that respond to the discord between the beauty and tedium of daily routines - shifting light, patterned wallpaper, how textiles soften a room’s hard edges

“an intimate series of portrait paintings born from a radical shift in practice and a contemporary experiment in collaboration”

including the debut of the artist’s double-sided ‘qamariya’ paintings - referencing the traditional stained glass windows of Sanaa - the exhibition brings together multiple bodies of work that comprise the holistic ‘Door to Life’ series for the first time

the first exhibition dedicated solely to David’s works on paper - “I have come to think of drawing as something that emerges from God knows where … something that requires so little to exist, and yet has the capacity to bring me so much hope” - David

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality