a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

in a dynamic installation, new paintings and a series of drawings by Cardenas - “an alluring gesamtkunstwerk … his reimaginings of art, design, mythology, and fantasy are masterfully woven into a dreamlike vision of the future” - Paul Laster

“Spann seeks to make the flag a banner more explicit in its aims … this weighty work on wood panel confronts us like a roadside banner warning that some of us will find scant shelter here” - Seph Rodney

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

an exhibition focusing on Purcell’s works between 1975 and 1979 - a formative moment in her career

an exhibition focusing on Mark’s “collage paintings” from the 1960s where she combined gestural abstraction with layered surfaces of crumpled paper, pigment, and impasto

contemporary and historic works that embrace brightness and openness, showcasing playful and instinctive design languages and celebrating light, vibrancy, color, and texture

shown for the first time in New York, works by the acclaimed British designer in dialogue with the pioneering engineer - “a refined study in balance, where structural innovation meets sculptural clarity”

thirty of Fini’s graphic works “in a trans-temporal dialogue with Greco-Roman, Egyptian, and African ritual objects”

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

in Cassigneul’s first solo US exhibition for 40 years - “luminous harmonies of color and expressive linearity coalesce into compositions of emotional clarity and understated restraint”

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

newspaper paintings, paintings on canvas, and drawings shown alongside a 1971 sculptural installation and a quilted flag from 1977

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

an ambitious exhibition positioning the esteemed Japanese contemporary artist as a vital continuation of American Abstract Expressionism who simultaneously redefines its underlying Eastern spirituality within the broader context of global art history

new paintings by Mollett - “these are works much concerned with grasping the intangible … she is an artist whose work argues for her medium’s necessity, for painting’s unique ability to illuminate” - Tom Morton

an exhibition with works by over thirty artists

the Montreal-born, London-based artist’s first solo exhibition with the gallery in New York “proposes painting as a medium uniquely capable of holding disparate registers within a single, shifting field of vision”

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

new paintings - dramatically scaled roses, peonies, daisies, tulips, and poppies erupt beyond the canvas - engaging the Old Masters to address contemporary preoccupations with the self, the body, and ecological anxiety about the fate of the natural world

works on paper, paintings, neon sculpture, and installation celebrating Dominican players in US Major League Baseball, in the first posthumous exhibition of the Dominican-born New York-based artist

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

Sean Zhang curates an exhibition that brings together Elizabeth Dimitroff, Alice Ningci Jiang, Paulina Moncada, and Yutong Yin, who explore how identity is formed through transition, environment, encounters, and the traces we carry forward

“Boutros-Ghali’s paintings demonstrate a refined balance between architectural precision and painterly sensitivity, transforming geometry into a contemplative language marked by constant visual flux”

the debut of a series of paintings exploring Santos’ personal and pastoral relationship to Puerto Rico, drawing on historical, archival, and ecological inspiration - “the works are reminders of the past but also a way to understand what is happening now”

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

organized by Tarini Malik, an exhibition which charts Caland’s groundbreaking career across five decades and three continents - “imagination was probably my only homeland” - Caland

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

new large-scale abstract works which engage with the history of abstract expressionism and color-field painting, in the London-based artist’s first solo show with the gallery and in New York

major paintings from across Kossoff’s career in this rare and substantial exhibition of the leading figure of postwar British art, presented in partnership with his Estate

Andrews’ Migrant Series traces Black, White, and Cherokee migration routes through ink drawings and collage paintings using textile fragments and painted canvas to depict hardship, resilience, and hope in human migration experiences

“cosmogrammes offered [Janin] a way to explore both science and spirituality through art … within these compositions, metamorphic shapes suggest plants, landscapes, and flowers - forms more imagined than real”

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

new works on paper and large-scale canvases in Chihota's first solo presentation with the gallery - “a fluid exchange between media … to explore profound questions of being, belonging, and the mutability of self”

“I do not intend for this work to rest on answers or certainties, on fixed or dogmatic conclusions. It situates itself in listening, in looking, in staying with a reality that strikes us in silence” - Rumié

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

paintings and works on paper created by a network of fifteen artists in the years surrounding 1960 - a pivotal moment of expansion in post-war American art

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

master prints by David Hockney, Jasper Johns, Ellsworth Kelly, Joan Mitchell, Barnett Newman, Robert Rauschenberg, Edward Ruscha, and Cy Twombly

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

fifteen paintings exploring structural abstraction through drawing and mark-making, depicting spaces where architectural and organic forms overlap, revealing fragility or the moments after disaster in a delicate equilibrium

recent paintings that respond to the discord between the beauty and tedium of daily routines - shifting light, patterned wallpaper, how textiles soften a room’s hard edges

including the debut of the artist’s double-sided ‘qamariya’ paintings - referencing the traditional stained glass windows of Sanaa - the exhibition brings together multiple bodies of work that comprise the holistic ‘Door to Life’ series for the first time

the first exhibition dedicated solely to David’s works on paper - “I have come to think of drawing as something that emerges from God knows where … something that requires so little to exist, and yet has the capacity to bring me so much hope” - David

Bartley’s photographs evoke classic still-life, color field painting and minimalism while examining the formal and poetic qualities of the book as an object itself rather than as simply a conveyor of information

new large-scale “topographic portraits” by Sambunaris - highly detailed and dramatically composed photographs examining changes to the landscape of the American West resulting from human intervention