an exhibition of one of the leading figures of the Washington Color Field School

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

“time, like water, flows without discrimination or recognition of those categories. And it is from that knowledge that Joung’s work derives its strength, dignity, and unwavering spirit” - Diana SeoHyung

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

the inaugural exhibition at the gallery's new space on 54th Street focuses on Genzken’s projects for outdoor sculptures

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

“Horton attempts to engage with the chaotic order of perception as she painstakingly describes her introspection through an employment of contemplative narratives by way of rhythmic techniques”

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

new intimately scaled paintings by the Los Angeles-based artist in “a refracted retrospective”

new works see the New York-based artist explore the gallery architecture as both subject and structural partner, expanding her investigation into the relationship between photography, sculpture, and the built environment

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

“small oil paintings that come out of taking a moment to make more intimate observations of nature; of gardens, of flowers, of the changing seasons” - Hoang

Porter’s first solo exhibition with the gallery presents intimate still lifes drawn from her apartment - personal mementos, everyday objects, and quiet traces of loss

“one of the most significant works by an artist whose career spanned less than a decade yet continues to shape conversations about participation, intimacy and public space”

a two-part exhibition of new and historic works on paper by Ligon presenting “richly layered compositions that meditate on the color blue and its emotional, historical and cultural inflections”

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

“oil paintings and works on paper, inspired by the discovery of previously unknown family photographs following his father’s passing … through vivid, dreamlike imagery, experiences of loss and remembrance are distilled into a universal theater of life”

more than twenty artists in a curatorial project and art installation focussing on the artist’s studio in the 21st Century

narrative figure paintings inspired by early Renaissance art and classical sculpture, using compositional restraint and a unique palette to explore human relationships and psychological play through gesture and space

multi-media works on paper reflecting Widener’s volunteer experiences in Ukraine, combining symbols, words, and numbers to depict the conflict’s chaos and emotional intensity with abstracted maps and personal narrative

painting, works on paper, and glass sculpture from throughout her career, in an exhibition celebrating the life and work of the late Argentine-born New York artist

new large-scale works on lead, with gemstones and Renaissance-style frames, as Vega explores the transhistorical nature of spirituality

new paintings and works on paper - including the debut of a group of monochromatic pieces - in Neel’s first solo presentation with the gallery

Khosravi’s first solo exhibition in the US is inspired by the Pasolini film Salò - and his own archival images - and explores memory, beauty, and violence through layered paintings

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

works by artists including Lynne Drexler, Sheila Hicks, Robert Indiana, Richard Serra, and Sean Scully in an exhibition focused on the 1970s, a decade of profound artistic and cultural change

the US premiere of this critically acclaimed work, a multi-channel film tracing pivotal moments in the histories of colonised nations and independence movements in Africa and Asia from the 1940s to the 1970s

Kapoor’s groundbreaking explorations of scale, color, volume, and materiality unfold through a focused presentation of mirror works created between 2010 and the present

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

paintings and works on paper made between 1954 and 1968 - “I learned about light from Beauford Delaney” - James Baldwin

accompanied by a playlist of the songs that Williams listened while working, the debut presentation of his newest body of paintings

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”

new paintings by Bastidas which reflect on the social, historical, and psychological conditions present around us yet not fully understood

fifteen Asian artists whose practices reflect a shared sensibility shaped by time, memory and a spiritual journey suggesting that time is not linear, but cyclical - gestures return, symbols reappear, memory resurfaces through material form

Henriquez’s latest work imaginatively re-stages inherited family mythologies and stories set within the lush landscape of Jamaica

recent work continuing Berding’s decades-long exploration of painting as a space for “re-ambiguating the world through collapsing histories and categorical understandings”

new sculptures, paintings, and drawings by the artist - “Arsham imagines how the future of the material world will appear after it ages out” - Linda Yablonsky

“situated between monochrome and geometric abstraction, between image and object, these series invite us to consider the image from a perspective that moves beyond traditional debates around color, abstraction, or representation” - Eric Nava Muñoz

“the Austrian self-defined non-collective continues its long-running investigation of how artworks can behave like social forms … taken together, Gelitin’s ceramics, performances, and public works articulate a deeply anti-capitalist logic” - Pati Hertling

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

on three hundred bus shelters across New York City, Chicago, and Boston, works by six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who “move fluidly between commercial and fine art practices”

“ink, charcoal, and video works exploring bodily memory, gesture, and the fragile relationship between image and surface through porous, atmospheric drawings and a looping video of fleeting landscapes”

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles - employing textiles, painting, porcelain, and video, the exhibition conjures memory, emotion, and material transformation

Chan’s first solo exhibition in New York presents new paintings and drawings that meditate on movement, longing, and the quiet intensity of everyday experience

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

domestically-scaled paintings, prints, and artist books from across Sallick’s career - “an exploration of the self as an entity constructed from myriad parts across time and space”

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters

new “luminous canvases that meditate on the poetics of reflection” by the Thai-born, London-based artist in his first exhibition with the gallery, and first solo presentation in the US

significant sculptural and two-dimensional works from the last decade of Kang’s life - including the New York debut of some of her most influential pieces - in a memorial and celebration of the late Korean artist’s singular vision

the gallery’s inaugural exhibition is devoted to Polke’s major four-painting cycle and presents a rare opportunity to view one of the German artist’s most seminal series in full

Umaña’s first solo exhibition with the gallery presents new and recent glazed ceramics with painted canvas - “hybrid paintings” - that explore psychology, nature and memory through the ever-changing lens of abstraction

new photographic and sculptural work by the Spanish artist - one of the key figures in the renewal of Basque sculpture

the first major retrospective of the work of the “mercurial, enigmatic, and captivating figure” who was deeply involved in the avant-garde Manhattan artworld of the 1960s