coinciding with the fortieth anniversary of its restitution, recent works in the first international exhibition by this senior Traditional Owner of Uluru in the Northern Territory of Australia

organized in collaboration with Mary Boone, important paintings, sculptures, photographs, and works on paper by over twenty artists including Basquiat, Clemente, Haring, Koons, Kruger, Mapplethorpe, Noland, Prince, Schnabel, Serrano, Sherman, and Warhol

“cardboard, wood, resin, rubber, and steel key boxes sit beside and inside paintings, unsettling any easy hierarchy of support and subject ... Ginsburg tests what kinds of attention art can ask for and receive”

“Faulkner’s contemplative and introspective oil paintings seemingly reduce the painted lone subject’s field of vision to the divine, serene, and inviolable allure of nature”

the US exhibition debut of Serra’s 1992 large-scale sculpture, exhibited only once before in Germany

“using found materials … Willburn constructs surfaces that echo weathered rock strata, furrowed fields, and the shifting light of wide skies”

“Between Presence and Pause is about listening to the silence between beats … it’s a study of what lingers, what fades, and what holds” - Cabral

on the occasion of the gallery’s sixtieth anniversary, an exhibition bringing together works by the two highly important and influential artists

work from the 1940s through the 1960s by leading American artists including Benny Andrews, Robert Arneson, Mary Bauermeister, Eugene Berman, Virginia Berresford, Lee Bontecou, Federico Castellon, Joseph Cornell, Eldzier Cortor, Harold Cousins, …

“in this presentation, fabric works, mother-of-pearl moon jars, and painterly canvases intersect and converse, creating a polyphonic space that explores the origins of human existence, the spiritual realm, and the sustaining force of maternal love”

in the acclaimed artist’s debut solo exhibition with the gallery, new narrative-filled compositions - including a monumental, four-meter-wide painting of a childrens choir - that reclaim Black childhoods as spaces of joy, memory, and cultural continuity

new monumental stone works and, for the first time, wall-based mosaics, transform the gallery into a sculptural forest - “a landscape of myth, material, and movement”

inspired by Peggy Guggenheim’s 1943 exhibition of women artists, this show brings together works by nine women - many overlooked today - who made distinct contributions to the major artistic movements of the past century

the French writer, photographer, installation artist, and conceptual artist presents “an exhibition that disrupts conventional ideas of perception”

a group exhibition of notable works by Bo Bartlett, John Evans, Walter Hatke, Robert C. Jackson, David Kassan, and Will Wilson

an exhibition of Dzubas’ late-career works, from 1980 to 1989 - vibrant canvases which marked his return to a more instinctive, expressive approach to painting centered on gesture, movement, improvisation, and color

an exhibition highlighting Ferrando’s romantic and sensual approach to landscape and portraiture - “his is an eclectic art of softened realism, poetic abstraction, with romantic erudition” - Ann Wilson

more than a dozen paintings in the gallery’s first exhibition dedicated to the celebrated painter, exploring the progression of her psychologically charged paintings

new complex paintings by Quinn inspired by Alice Walker’s 1970 debut novel “The Third Life of Grange Copeland”, exploring themes of familial dysfunction, hope, aspiration, and redemption

to coincide with his 90th birthday, the gallery’s first NYC exhibition dedicated to one of the most influential photojournalists of our time

exploring displacement, and in response to the general and personal impacts of the recent wildfires in Los Angeles, an exhibition of new work by Kahraman

striking portraits in a variety of media, both new and previously unseen, explore the tensions and affinities between local rootedness and transatlantic resonance of diasporas

“Wise’s paintings are vignettes in a keyhole. Sometimes her bon vivants appear ignorant to what lurks outside - outside their frames, that is - and the burden of their naiveté falls on the viewer” - Gideon Jacobs

Lygia Clark, Sarah Crowner, Mark Handforth, Elizabeth Murray, Richard Rezac, and Philip Taaffe - artists who share an interest in “disrupting familiar forms … folding, pinching, slicing … to reshape and reimagine recognizable and quotidian motifs”

new large-scale works - “combining watercolor and Japanese paper collage, María Berrío creates vivid tableaux that merge impressions drawn from myths and folktales with contemporary experiences of adversity, determination and triumph”

an exhibition of the leading figure in postwar Korean geometric abstraction - “I began this [painting] after the launch of the Apollo spacecraft opened my eyes to the spatiality of the universe … I’ve kept working on it ever since”

new work in ceramic and paper, along with a short film, in the artist’s first solo exhibition with the gallery, as she examines her “journey through loss, family history and reconnecting with the land they once inhabited”

two new films in Boyce’s first exhibition with the gallery - one immersively exploring the phenomenon of the silent disco, the other examining the career of the trailblazing Guyanese British actress Carmen Munroe

Omeh’s first exhibition with the gallery explores memory and metamorphosis with paintings reflecting on his journey through childhood, education, and identity

in collaboration with Adelson Galleries, and including works seen in public for the first time, an important exhibition of Wyeth’s portraits, celebrating his collaboration and lasting obsessions with Pop Art icon and acclaimed Russian dancer

new pieces by the multidisciplinary design studio known for “serene, dreamy, creations that evoke poignant and harmonious confluences with the natural world”

a solo exhibition by the Oslo-based ceramicist known for large-scale still life installations and sculptural assemblages which investigate the corporeality and historic resonance of porcelain

“Jelin’s figuration is attended by abstract pours and cascades of thinned, aqueous paint—bringing together indeterminacy and chance, and gravity and time, with her representations of place”

“a visual exploration of America through the visions of nine remarkable artists: Arman, Julien Bismuth, Alain Bublex, Richard Cottingham, Richard Estes, Ralph Goings, Martin Kersels, Duke Riley and William Wegman”

works spanning Matter’s career in a landmark retrospective of paintings and works by the painter, educator, and key figure in Abstract Expressionism

new abstract paintings by the artist, built on the graphic power of stripes - "I’m interested in how history presses against the present and complicates how we understand both the present and the past” - Zlotsky

in Topolewski's first solo exhibition in New York, new large-scale canvases alongside smaller-scaled works and pencil-inflected drawings exploring the state between waking and sleep

an immersive projected 24-foot installation exploring “migration and separation, suspended between the untenability of here and the impossibility of there” in the gallery’s first solo exhibition with the Cuban choreographer and multidisciplinary artist

a new series of paintings exploring the translation of musical sketches into Orozco’s distinctive geometric language to make works that resonate with shifting rhythms and tempos

new paintings at a pivotal moment for the artist - “the apotheosis of Akinbola’s evolving relationship with durags and their cultural associations”

new paintings and drawings in the Brooklyn-based, Brazilian artist’s first solo exhibition in New York - “a constellation of works that speak to difference, resilience, and the radical act of imagining otherwise”

new layered, wall-mounted works that combine photographs, collage and sculpture as Alekhuogie examines the relationship between modernity and colonialism

new and recent work - including large-scale sculptures, retroreflective, lenticular and textile works along with a group of mixed-media assemblages - in Thomas’s first exhibition at the gallery’s newly opened Tribeca flagship location

a singular new painting by O’Brien, who “delves into the psychological, historical, and social undercurrents of place” - presented in dialogue with the gallery’s Miguel Ferrando exhibition

Roubaud’s first solo exhibition outside France is curated by Hélène Giannecchini and explores her work at the intersection of writing and photography

an exhibition of new work by Noland - and a concurrent presentation of Steven Parrino putting his paintings and works on paper in conversation with Noland’s sculptures

an exhibition which brings together leading figures of modern and contemporary Italian design to explore how beauty and function intersect in a world shaped by industry, urbanisation and cultural tradition

over two dozen artists working across a wide range of media, at scales both intimate and grand, offer a sustained reflection on the social and political climate of our time

curated by Luis Pérez-Oramas, an exhibition in three parts of Bunga’s poetic and radical work - including the sensory experience of a monumental, site-specific floor painting

shown alongside new work by Cady Noland - a concurrent presentation of Parrino putting his paintings and works on paper in conversation with Noland’s sculptures

“Zeller journeys through realms of meaning to explore the construction of non-linear narratives using layers of painting, drawing and collage, opening space for the viewer to engage with profoundly personal themes, such as memory, love and loss”

in Adams’ debut presentation with the gallery in New York, new large-scale and midsize paintings in her vocabulary of vivid colour and organic form

In Wellmann’s debut exhibition at the gallery in New York “absorbing, otherworldly oil paintings created through a dynamic process of layering and redaction”

in collaboration with Public Art Fund, two new public artworks considering the music, performance and the Black history of New York

an exhibition which centers on the dialogue between the movement and dynamic, interactive brushstrokes in Amaranth Ehrenhalt’s paintings and the abstracted natural and organic forms in David Hayes's sculptures

the American artists present “a compelling exchange; a space 'half-way or in-between,’ surface and image; memory and thing, painting and sculpture, and ruin and object” - Melissa Bianca

new paintings and works on paper by the German-born, New York-based painter - “to Krewer, man is more isolated and displaced than ever, and his paintings depict the injustices, as well as the joy and glimmers of hope, that he sees in the modern world”

in her first exhibition with the gallery, an installation of Strafella’s drawings created on a typewriter and inspired by the landscapes she experiences in Columbia County, NY

in Los Angeles-based artist Edmonds’ first major solo exhibition in New York, new paintings inspired by the “ebe-amẹn” (river leaf) motif, drawn from her research of important events and traditions in Black American art and history

new “architectural constructions” in Coffman’s first solo presentation with the gallery - exploring narrative, history, and fantasy with digital modeling, 3D printing, and collage

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

new work by the Vienna-based artist, anonymous vintage photographs partially hidden behind precisely cut overmats in what art historian Michel Poivert calls “anti-collage”

in Judge’s first exhibition with the gallery, “new large plaster-and-pigment panels, works that exist at the intersection of painting, sculpture, and architecture … alongside shaped pieces that hover off the wall like fragments excavated from deep time”

stained-glass, painting, drawing, and painted stoneware in this major exhibition of the self-taught artist - “even as he uses some of the same imagery as in past works, the increasing freedom is palpable” - Brian Boucher

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

in the Colombian artist’s first solo exhibition with the gallery, seventeen works - from sculptural maquettes to large-scale installations - highlight his innovative approach at the intersection of art, architecture, and environmental activism

striking images by the celebrated photographer, focussing on his work with some of fashion’s most iconic figures

Grantham’s debut New York solo exhibition presents her exploration of Bach’s Goldberg Variations with layered pastel on paper works

important works by artists including Hans Bellmer, Erwin Blumenfeld, Victor Brauner, Alexander Calder, Jorge Camacho, Paul Delvaux, Marcel Duchamp, Arshile Gorky, Wifredo Lam, Man Ray, Roberto Matta, Wolfgang Paalen, Francis Picabia, Alice Rahon, …

new paintings by Hull exploring antiquity, queer aesthetics, and the historical fragment as both metaphor and material

“Hewitt unfolds photography and builds strange new forms with its bones … she is a bearer of the long tradition of conceptual practices, defined in part by a proclivity to inventively mis-use the built environment” - Elleza Kelley

coinciding with her installation in Central Park, new sculptures in the gallery’s debut exhibition of the multidisciplinary artist - exploring global history, ecology, and the evolving relationship between natural and manufactured environments

“Bin Fahad’s portraits contemporize history, presenting possible futures interwoven with the outcomes of actual events, leaving room to wonder on the impermanence of the past, present, and future”

led by a powerful new body of work, and simultaneously in New York and London, dual solo exhibitions marking a pivotal point in the internationally acclaimed American artist’s career

“the canvases in Rippling Excieties try not only to honestly communicate the state of emotional intensity in which they were made, but transcribe it” - Jeppe Ugelvig

in the multimedia artist’s first exhibition with the gallery, new paintings exploring “the double bind of popular culture’s representation of women and how it can both resist and reinforce the very ideals it claims to challenge”

paintings, ceramic sculptures, and works on paper by the Lithuanian-born Uruguayan artist in his first exhibition at the gallery

in Kulendran Thomas’s first solo exhibition in the United States, video and painting which explores colonialism and specifically anti-Tamil violence in Sri Lanka

in partnership with Ben Brown Fine Arts, a major exhibition of over fifty paintings, works on paper, and sculpture bringing together the visionary worlds of Magritte and the two Lalannes

Old Masters, Ancient and Modern works of art