titled after the centaur who gave up immortality - “silver, gold, and pearl filaments radiate from dense nodes and branch across the surface like star charts, maps, or neural networks, patterns of connection found in the sky, the city, and the brain”

two seminal bodies of work by the influential Greek-born American artist, including never-before-seen fabric paintings from his pioneering yet little-known 1979 Reconstructions series

in the artists’ first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time

presented with TURN Gallery, an exhibition of new work “Manion’s canvased sculptures are solely constructed vessels that summon a calmness of observation and travel across emotional and physical realms

in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth”

exploring the resonance between artistic practices and Maison Leleu’s living legacy, a collaborative installation of works by Lee Friedlander, Richard Rezac, and Rachel Whiteread shown alongside Leleu creations

the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity

presented with Canvas Gallery, Karachi, new works by the acclaimed Pakistani artist bringing together “celebration and uncertainty, ornament and violence, authority and resistance in a body of work that is at once visually seductive and quietly charged”

with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

in the first exhibition at the collaborative space, five artists who consider belonging, vulnerability, material memory, and the unstable boundaries between bodies, objects and places

the painting, sculpture, printmaking, sound, and film in Caguiat’s first UK institutional exhibition explores the architecture, spiritual resonance, and symbolic qualities of sacred spaces, and the structures and rhythms of everyday urban infrastructure

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

the debut one of the duo’s most ambitious projects to date - a 40-ton, traversable steel sculpture - shown alongside new wall works pursuing their longstanding interest in the performative aspects of architecture

the gallery’s first Los Angeles exhibition of the painter, sculptor, and printmaker - “In both two and three dimensions, Jackson’s figures emerge and recede, generating a vivid sense of movement and depth”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“Chevalley uses fiction and a variety of artistic forms to contemplate alternative ways of existing with the environment that surrounds us … his work suggests that we view the world differently” - Nicolas Trembley

new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

titled after Gilles Deleuze’s writing on the fold, and curated by Dr. Alfredo Cramerotti and Auronda Scalera, an exhibition bringing together six artists who explore how histories, materials, and cultural knowledge survive transformation

renderings exploring how architecture embodies the spectacle, as well as how our bodies inhabit that built environment, shown alongside the newest installment of his series of multi-part wooden sculptures of bodily fragments, based on historical icons

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

a new series of mural works and sculptures in the self-taught artist’s first solo exhibition

conceived with Studio Ellie Peugeot as a meditation in three acts, works from 1866 to the present day exploring the motif of “reflection”

a previously unseen ensemble of paintings, drawings, and sculptures created over the past four years “shift the boundaries between painting and narrative, image and language, the visible and the invisible”

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

curated by Domenico de Chirico, Casaretto’s focuses on the processes of geographical and cultural representation, investigating how traditions, objects, and craftsmanship drift from their original contexts through repetition, imitation, and relocation

Indiana’s first monographic exhibition with the gallery - “the technique, if successful, is that happy transmutation of the lost into the found, junk into art, the neglected into the wanted, the unloved into the loved, dross into gold, hence: alchemy”

“Newby … pushes the boundaries of sculpture and blurs the lines between object, architecture, and landscape. Rather than simply occupying a site, her works alter how a place is understood and experienced” - Ida Simon-Raynaud

new and recent work by Moran continues his inquiry into the histories, objects, gestures, and ideas that shape jazz and its cultural landscape, explored through a range of materials including works on paper, sculpture, and video

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

“in celebrating this gathering of major work by Brown we are grateful for her sustained attention to the spaces where story-telling is revivified, bodies are inhabited, our fears and our delights are brought into magnificent focus” - Edmund de Waal

new works from iconic series by the major figure of the contemporary Korean art scene, combining traditional Asian calligraphy with Western abstraction

titled after Calder’s house in the Loire Valley as well as the gallery’s street in Paris, the first major exhibition dedicated to the postwar return to France of one of the greatest artists of the 20th Century

“an enigmatically powerful array of paintings and sculptures that collectively propel [Kato’s] exploration of form, color, and spatiality into new realms of consciousness” - Michelle Yun Mapplethorpe

an exhibition exploring the cultural exchange between Cuban communism and the French avant-garde in the 50s and 60s

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

ceramic, stoneware, porcelain, Corten steel, bent metal, and charred wood sconces exploring the sconce as a meeting point between contemporary art and design - “the familiar object becomes a site of ambiguity, where function gives way to symbolism”

new sculpture and paintings that conjure imagined celestial landscapes and topographies, in the celebrated Beijing-based artist’s first New York City exhibition in over a decade

new film, kinetic installation, monumental sculpture, and a wall-mounted tondo - Nguyen brings together his expansive film oeuvre with his long-standing sculptural practice of transforming material remnants of war into objects of healing

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

new mosaic works, suspended sculptural figures, and a film, that together consider the complex relationships between fathers and sons and how recognising another person’s uniqueness can become its own expression of attachment

in this exhibition curated by Paola Lucente three contemporary artists - Chloe Bonfield, Kate Lyddon and Zulfiya Spowart - explore memory, inheritance, and the traces experience leaves behind

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

in collaboration with Galleria dello Scudo, an exhibition focusing on the radical body of sculpture created in the last ten years of his life by the most significant sculptors of the twentieth century

an exhibition of new work by the multidisciplinary artist which “challenges distinctions between the human and non-human, the present and the absent, the living and the dead”

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

“the gallery takes on the appearance of … an apartment-like setting where architecture, objects, and natural light become part of a choreography unfolding over time”

across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

for the final exhibition of the year, thirty artists from Europe, the Americas, and Asia and more than sixty small-scale works - selected individually by the Team

in Camil’s debut solo exhibition in London and with the gallery, new works exploring the unstable boundaries between looking and being looked at

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

curated by Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana, an exhibition presenting seminal, rare, and unique works from 1949 onward

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

William’s first solo exhibition in France brings together pictorial and sculptural elements within a complex, immersive spatial environment - with water as its starting point

the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

the gallery’s first exhibition of Lydia Corbett / Sylvette David's work presents the paintings, drawings, and sculpture of an extraordinary artistic life and career

spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

“Knebl’s work explores how art and design are shaped by spatial, social, and political conditions, both historically and in the present. Her installations offer a sensual invitation: they awaken desire and create spaces in which it can take shape”

over twenty artists in this exhibition curated by Vik Muniz, that concludes the celebrations marking 50 years of Nara Roesler’s career as a gallerist

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

recent paintings and sculptures inspired by the urban landscape and engagement with the city - “reducing her subjects to basic geometric forms, stripes, and broad planes of color, Simon distills familiar urban motifs to the point of near illegibility”

Tsukuda’s first solo exhibition with the gallery - “conceived as a constellation of newly produced two-dimensional and sculptural works, the exhibition draws viewers into a world in which distinctions … begin to collapse” - Samuel Leuenberger

exploring the profound transformation of vision in the age of artificial intelligence, robotic drawings, dye-sublimation digigraphs on aluminium engraved with laser technology, 3D-printed sculptures, video works on screen and an interactive installation

Henrot’s first public exhibition in NYC brings a group of sculptures of dogs to the entrance of Central Park - each born out of visual references including Saul Steinberg drawings, Tex Avery cartoons, ancient Egyptian sculpture, dog show competitions, …

with glass and metal sculptures, ceramic sculptures with integrated sound, paintings, fabric works printed with images from his family archive, and video works, Ngoya explores his identity through family history

a wide group exhibition gathering the full range of practices from gallery artists including Jean-Marie Appriou, Iván Argote, Hernan Bas, Anna-Eva Bergman, Sophie Calle, Johan Creten, Jean-Philippe Delhomme, Wim Delvoye, and more

Crowther’s first solo exhibition at the Centre showcases her work, sculpted from naturally felled local timber, on all scales

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms

curated by Rolando J. Carmona, Quispe’s first solo exhibition in Paris brings together recent works - paintings on wood, reliefs, and pieces that move toward sculpture and installation

new film, kinetic installation, monumental sculpture, and a wall-mounted tondo - Nguyen brings together his expansive film oeuvre with his long-standing sculptural practice of transforming material remnants of war into objects of healing

“an exceptional group of artists whose bold and individual approaches helped shape the legacy of postwar abstraction”

a new solo presentation by the London-based artist, comprising a sculptural installation - of the Barking fish and chip shop run for forty years by his Italian immigrant grandparents - alongside an accompanying live performance

paintings by Maximilian Rödel and glass-and-steel sculptures by Gabriele Beveridge - “these distinct experiences of the sublime find expression through radically different material and perceptual means” - Rebecca Birrell, PhD

“through constructed forms, Maw creates lines that float, intersect, and cast shadows, allowing drawing to occupy space as a material presence”

“sculpture is the underlying principle of François’ practice, informing his work across photography, video, installation and performance. His research centres on matter, space and the relations that emerge between forms, volumes and surfaces”

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

monumental carved-wood reliefs, dramatically vertical sculptures in cast iron and granite, and intimate bronze works in Plensa’s tenth solo exhibition with the gallery

“revisiting some of the dialogues with contemporary and post-war artists previously presented. Morandi’s paintings are thus placed in dialogue with works by Lee Ufan, Josef Albers, Ettore Spalletti and Lucio Fontana”

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

Argote’s first exhibition at Perrotin London celebrates fifteen years of his eponymous paintings and sculptures originating from digital scribbles - exploring constraint and freedom while inviting the public to participate within the gallery space

addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit