presented with Canvas Gallery, Karachi, new works by the acclaimed Pakistani artist bringing together “celebration and uncertainty, ornament and violence, authority and resistance in a body of work that is at once visually seductive and quietly charged”

providing fresh insight into his work - as memory and anecdote (re)animate his photographs - an exhibition revisiting Parks through the reflections of the people and families he portrayed

Bishop-Sauve’s first solo exhibition - “a highly distinctive pictorial language, in which intimate, sensitive figuration meets a loose, direct, and spontaneous handling of paint … as much as a fragmented self-portrait as an observation of a generation”

to inaugurate its new space in Mayfair the gallery presents an exhibition curated by Péjú Oshin which “asks what fictive kinships we make of the walls that raised us”

the gallery’s inaugural exhibition - and Megall’s first solo exhibition in LA - brings together paintings in which porcelain figurines and floral forms appear in states of repetition, fragmentation, and recombination

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

in conversation with newer work, an opportunity to revisit paintings first shown at the gallery twenty years ago - “Krut demonstrates a Surrealist’s facility for perceiving links between the most disparate commonplace objects” - Andreas Leventis

significant works by one of the most distinctive painters of the late nineteenth and early twentieth centuries, shown with rare original letters, historical manuscripts, and archival documents

curated by Arne Glimcher, an exhibition of new paintings and drawings by the Brooklyn-based artist - “Liftin’s practice is deeply rooted in the intersection between image-making and image-processing”

continuing the gallery’s city-based curatorial series, an exhibition looking at the cultural and artistic development in and around San Fransisco, reconsidering significant works from different periods and how they relate to art history and collecting now

“since the day I decided I wanted to call myself a draftsman I try to draw every day. A little bit at least” - Ortiz

curated by Marie Perennès, an exhibition of drawings, paintings, and sculpture spanning the final decade of Herrera’s life - “the vital culmination of an eighty-year enquiry into line, form and colour”

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

the inaugural show at the gallery of one of the world’s foremost abstract painters, surveying his experimentation and mastery over the past six decades of pioneering work in a wide-ranging survey including some of his earliest extant works

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

Tsukuda’s first solo exhibition with the gallery - “conceived as a constellation of newly produced two-dimensional and sculptural works, the exhibition draws viewers into a world in which distinctions … begin to collapse” - Samuel Leuenberger

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

new paintings by Thompson, who “invites viewers into the everyday lives of his subjects through vibrant domestic scenes, full of texture and pattern that create an expansive form of portraiture … weaving through time”

co-curated by his son Kwame S. Brathwaite and Jesse Williams- newly-released and never-before-seen works by the photographer, media theorist, and one of the most important American artists of the second half of the 20th century

in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth”

“structure and depth develop through the superimposition of gestures, sweeps and loops … colours accumulate at the edges of the picture surface, while traces of successive layers converge into lines of demarcation” - Mareike Dittmer

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

“Menzies’s paintings do not remain within a single emotion or a single temporal state … they move between lightness and weight, revelation and concealment, presence and absence”

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

the gallery’s first Los Angeles exhibition of the painter, sculptor, and printmaker - “In both two and three dimensions, Jackson’s figures emerge and recede, generating a vivid sense of movement and depth”

“the exhibition begins with a desire for things that gradually fade with time to remain as traces and sensations, re-emerging in the present … Park uses materials including sand, hanji, ink, and light to evoke these elements anew”

renderings exploring how architecture embodies the spectacle, as well as how our bodies inhabit that built environment, shown alongside the newest installment of his series of multi-part wooden sculptures of bodily fragments, based on historical icons

Zimmermann’s first solo exhibition at the gallery’s London space brings together for the first time his most recent body of epoxy-on-canvas works

new and recent works on canvas by the multidisciplinary artist “whose approach is inspired by the visual fragments of everyday life, the energy of the city, and overlooked details within our surroundings”

recent paintings and sculptures inspired by the urban landscape and engagement with the city - “reducing her subjects to basic geometric forms, stripes, and broad planes of color, Simon distills familiar urban motifs to the point of near illegibility”

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

curated by Sarah Griffin, an exhibition which explores the interconnected concepts of the three sites of production and transformation - where material, environment and process converge across photography, weaving and ceramics

a new solo presentation by the London-based artist, comprising a sculptural installation - of the Barking fish and chip shop run for forty years by his Italian immigrant grandparents - alongside an accompanying live performance

the London-based artist’s debut solo exhibition is inspired by the act of looking back and a childhood obsession with miniatures and examines the existential weight of what is missing by turning a feeling of emptiness into a palpable reality

in this exhibition curated by Paola Lucente three contemporary artists - Chloe Bonfield, Kate Lyddon and Zulfiya Spowart - explore memory, inheritance, and the traces experience leaves behind

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

ceramic, stoneware, porcelain, Corten steel, bent metal, and charred wood sconces exploring the sconce as a meeting point between contemporary art and design - “the familiar object becomes a site of ambiguity, where function gives way to symbolism”

co-curated with Harry Tafoya, eleven emerging, mid-career, and established American and European painters from across seven decades present abstract landscapes exploring how artists turn to nature to find inspiration and locate meaning

titled after Adriana Cavarero’s philosophy of relational identity, Kafantari’s first solo exhibition in London presents new paintings exploring one of the most enduring questions of human experience - how identity is shaped through encounter

Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms

for its annual celebration of art, design and hospitality, the internationally acclaimed artist and designer known for her use of colour, geometry, and immersive environments reimagines sketch in a way only she can

the Dutch artist and designer continues his engagement in reinterpreting classical furniture - “sinuous, brushstroke-like shapes, which are created from sketches and rendered in patinated bronze, evoke the feeling of matter in flux”

works by Aziza, Erin Mommsen, Jordan Rubio, Julien Heintz, Maia Twombly, Nick Jensen, Nicholas Aliberti, Sage Schachter, and Zachary Merle - “across nine practices, personal histories are salvaged through deep engagement with material”

“Bas’s canvases … exist in a constant dialogue between beauty and absurdity, melancholy and humor, decadent aestheticism and critique” - Yuko Hasegawa, curator

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

new paintings by Sujin Lee

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years

“through constructed forms, Maw creates lines that float, intersect, and cast shadows, allowing drawing to occupy space as a material presence”

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

these new paintings by Bas focus on overlooked characters - “capturing the interactions that make a transaction possible and the brief window that exposes a person\'s vulnerability or confidence”

the debut of ambitious sculptural and video work as Winder-Lind draws both on a 19th century English fable and the fabric of the gallery to create an entire world rendered in vivid and whimsical detail

new works by the American artist - “these paintings are not proclamations but records of showing up, layer after layer, mark after mark: evidence of a decision to participate in the world rather than merely comment on it” - Cohen

new site-specific paintings in the first solo London exhibition by the New York-based artist - “Manning embraces an intensity of color and compositional movement to create works held at the apex of a tide, where one state has not yet yielded to the next”

a limited edition of ten sets of Tarot Major Arcana illustrated in sepia with the economy and freedom of the ancient Chinese calligraphers - “Tarot treated as movement … each stroke carries weight” - Leon Steinmetz

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

to inaugurate the gallery’s representation of Plessen, an exhibition of twenty paintings created between 2024 and 2026 revealing the latest developments in his practice

three artists from three continents who “offer an immersion into imaginary worlds in which printmaking becomes a fertile ground for narrative freedom”

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

“an open-ended, ambivalent affair. Lindeman’s textual works murmur with nuance - a Barthesian drift across witty musings, and stream of consciousness confessions”

paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

an exhibition of new work by the multidisciplinary artist which “challenges distinctions between the human and non-human, the present and the absent, the living and the dead”

the Aboriginal artist’s first London exhibition begins with a childhood memory of visits to Melbourne’s National Gallery of Victoria and questions who is represented in museums, who decides, and who is left out

an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it”

drawing on the gallery’s location, an exhibition of new paintings and performance making a connection between British military history and the histories of labour, craft, and production of Savile Row itself

some twenty works by Francis, from three decades of his exploration of the possibilities of colour

the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented

in the first exhibition at the collaborative space, five artists who consider belonging, vulnerability, material memory, and the unstable boundaries between bodies, objects and places

with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture

curated by Michael Lindeman, a presentation of many of Ball’s iconic series, celebrating his innovation and major contribution to Australian abstraction, as well as the resilience and restless pursuit of discovery that sustained his practice

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

“a two year long inquiry into the ontological capacity of contemporary painting … this new body of work uses human conflict, the theatre of conviction and the quiet mechanics of everyday life as its point of departure”

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

“Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

this major selection of paintings and works on paper “invites us to look anew at a history we may think we already know: not as three separate trajectories, but as a constellation shaped by friendship, admiration and the circulation of ideas”

projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

an exhibition bringing together complete sets of five landmark print portfolios by Marden, alongside rare and foundational prints spanning more than three decades of his practice

large-scale paintings, displayed alongside drawings as well as complementary works from the gallery offer an insight into Head’s approach to painting, revealing the processes, themes and visual connections that underpin his work

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery