presented for the first time since its celebrated 2002 debut, this is another chance to catch Hammons’ acclaimed installation work

all new works in the British artist’s first US solo exhibition with the gallery - together with the US premiere of a collaborative creation with the acclaimed choreographer Sharon Eyal

Varela’s first exhibition with the gallery, and in New York, sees him paired with the American-Cuban minimalist in an exhibition which explores presence and absence, color and space, and structure and transcendence

to celebrate its anniversary, an exhibition surveying the history from 1975 to now of one of the longest-established contemporary art galleries on the West Coast

an exhibition of hand-woven textiles by the self-taught artist, offering a contemporary take on Iran’s traditional kilim and gabbeh rugs

“since 1944 my painting has been concerned with the ‘magical’: the metamorphosis of the unreal into reality and, vice versa, reality into the unreal - and reality beyond itself into extra existences” - Feitelson

three new series from one of Japan’s most celebrated sculptors and installation artists in his first US solo exhibition for over five years

eighteen paintings unified by Guccione’s sensitive and singular approach, complicating our understanding of Surrealist iconography and style

new paintings by Israel - “like the filmmakers before him, Israel is defining the noir tendency in his own way, through images. These are painted streetscapes” - Sam Wasson

the debut exhibition of Michael’s paintings, both at the gallery and on the west coast - “abstraction, a siren for expansive thinking, offers generous clarity and strangeness; also, brutal, base forms of beauty” - Michael

in his first exhibition solely to present works on paper, Crews-Chubb takes an increasingly abstract direction as he continues his exploration into the timeless and universal

with two new cinematic series of photographs, one shot at night and one taken in the day and presented as a cyclorama, An-My Lê explores “the contradictory nature of the manifest and the sublime within the contemporary American landscape”

Adams’ West Coast debut, as well as her inaugural solo exhibition with the gallery, presents eleven abstract paintings in an exhibition titled after a note from poet Patricia Spears Jones to philosopher Audre Lorde

an intricate selection of works by twenty-three artists from multiple generations which “distill the essence of the artist’s expression into an intimate, compact format”

new portrait paintings in Kim’s first solo exhibition with the gallery - “just as the philosophical scope of Kim’s portraiture has become more complex, so too has her painting become more lush and lyrical”

important works of art from the most significant private collection of regionalist and social realist art created between 1920 and 1970, including works by Romare Bearden, Thomas Hart Benton, Jared French, Jacob Lawrence, Paul Sample, and Ben Shahn

paintings, sculpture, and collages dating from 1969 to 2025 by the 99-year-old African American artist who works in a pure abstract style that comes out of the tradition of the Abstract Expressionist painters

new and recent sculptures, animations and paintings by Opie, united by the theme of the walking figure

Koch's first solo exhibition in New York - “known for her use of architectural elements ... her interventions have always been generous invitations to discovery, participation, and interaction” - Mark Lee

paintings and tapestries of the threatened flora and fauna of her native Colombia in González’s first solo exhibition in New York

the debut of new large-scale abstract paintings by the British artist whose “characteristically expressive brushwork yields animated surfaces that pulse with the frenetic energy of their making”

organized in association with the Cy Twombly Foundation, this exhibition of paintings, sculpture, and works on paper includes key bodies of work as well as pieces that have never been shown before

thirty-one figurative sculptures drawn from over fifty years of acquisition by one of the most significant and comprehensive private collections of Aboriginal sculpture held outside Australia

sculptural reliefs by the Helsinki-based ceramic artist - “Paikkari simply lets the material find its own form, cracking along undetectable internal fault lines” - Glenn Adamson

vibrant paintings and the debut of new bronze sculptures in Henrot’s first major exhibition with the gallery in New York “address the friction between a nascent sense of imagination and society’s system of signs”

works from Divola’s latest series, alongside selections from a seminal early series, offer a rare opportunity to trace the evolution of his practice and his examination of the process of image-making

works by Leonora Carrington, Pilar Albarracín, Niki de Saint Phalle, Eulàlia Grau, Zhenya Machneva, Lucie Picandet, Virginie Yassef, and Julia Wachtel - eight radical female artists who laid the groundwork for future women artists

new works by Condo in a two-part exhibition staged with Sprüth Magers offering “a glimpse into the artist’s creative process and limitless inventive drive in the medium of pastel on paper”

commemorating the one-hundredth anniversary of her birth, the first exhibition in the United States to show Adnan's works on paper in depth - representing nearly sixty years of creative output

curated by Elisabeth Sann - with an accompanying Soul Jazz Records playlist - this exploration into the relationship between celestial bodies and the human experience offers a look at the profound and visionary works of the renowned artist

monumental sculptures by Schütte in the largest presentation of his work in the United States to date

new and recent paintings in Martin’s first solo exhibition at the New York gallery - “atmospheric abstractions that revel in material discovery”

new paintings by the British-born, New York-based artist “fuse painterly rigor with a shrewd, quick-witted sensibility, generating complex, evocative compositions”

the New York debut of Bey’s newest photographic series and film centering on Richmond, Virginia - where African captives first arrived in the US in enslavement

a material overview of Setsuko’s practice, as well as the first New York exhibition of the artist’s bronze and ceramic sculptures

part of the series dedicated to former Brockman Gallery artists, Westmoreland’s first solo exhibition at parrasch heijnen presents a five-decade selection of collage and assemblage examining the African American experience in the US

a diverse selection of recent paintings by emerging and established gallery artists

presented with Sam Fogg, the fourth in a series of collaborative exhibitions showcasing medieval masterpieces in a contemporary context includes over forty rare pieces of sculpture, painting, ceramics, textiles, and the work goldsmith

thirty paintings and photographs by one of the leading lights of the French contemporary art scene in his first solo show in the city - coordinated by Alfred Pacquement

new works by Avery - “the horizon acts as a dividing line through the whole show, a mirror or Rubicon that stands between one realm and the other“

the gallery’s first solo exhibition of paintings by the Austrian-born, Los Angeles-based artist and former member of the “Junge Wilde” group

paintings by the French artist in an exhibition which examines his breakthrough experimentations with figuration in the early 1960s

an exhibition which “captures the raw, edgy, and moody draw of downtown New York City while showcasing the hidden beauty in the overlooked and abandoned”

nine artworks, from the fifteenth to the nineteenth centuries, each of which represents a significant art historical discovery from recent years

an exhibition showcasing the renowned German American artist’s portraits and offers a rare glimpse into his celebrated work

new works present Soowhan’s unique technique and imagery in the first solo exhibition in New York City of his meticulously detailed woodland spaces

a significant solo exhibition - in collaboration with Galleria Continua - which presents painting and sculpture spanning Pistoletto’s works from the early 1960s to the present

works by artists including Timothy Bergstrom, Colby Bird, Layo Bright, Graham Collins, Anne-Lise Coste, David Kennedy Cutler, L’Merchie Frazier, Genevieve Goffman, Elias Hansen, Matther Kirk, Megan Reed, and Mariah Robertson

“Turner’s installation is an accumulation of a collective body’s affects and associations, stories, impressions and sensations ... she invites us to watch them move, to be moved by them and move with them” - Rebecca Birrell

the first exhibition in the gallery’s Chelsea space of the artist celebrated for her poetic sculptures, installations, and drawings

recent cibachrome and inkjet prints, paintings, and video works unified by themes of biodiversity, preservation, contemporary anthropology, and the influence of media and technology on culture and society

an exhibition which highlights the radical and rebellious ways that British painter Coon and American sculptor DiMattio take on the histories and conventions of their mediums

“together, Iosilzon and Turner’s paintings and sculptures constitute a kind of gallery-based ‘Gesamtkunstwerk’” - Rebecca Birrell

the gallery offers a rare opportunity to see Wilhelm Lehmbruck’s sculptures alongside paintings by Eugène Leroy

two video works - from the late ’60s-70s and 2024 - alongside three iconic photographic series from the ’80s and ’90s in an exhibition dedicated to the acclaimed and groundbreaking photographer

new paintings in Jeridi’s first solo exhibition with the gallery capture “an ambiguity between vulnerability and strength, between a febrile state and the expression of power, inviting us to consider what makes our humanity” - Hiji Nam

new “Cyano-Collage” and “Wrinkled Texture” works in the first Los Angeles solo exhibition by the artist known for his experimental approach to photography

the acclaimed artist’s works “evoke the natural world across various scales, reflecting the duality of existence - simultaneously random and planned, organic and artificial, invoking both Color Field and Hard-edge aesthetics”

Laurencin’s first solo exhibition with the gallery - “why ... should Laurencin paint still lifes of “dead fish, onions, or beer glasses” when there was so much to explore in the rich and multilayered world of women and their desires?” - Hannah Stamler

in conjunction with Getty’s “PST ART: Art & Science Collide”, and alongside associated archival materials, a presentation of Saar’s 1987 monumental altar assemblage

the gallery celebrates its 10th anniversary with this dual exhibition of textile-based works by Shinique Smith and Marcellina Akpojotor that “serve as conduits of ancestral knowledge, cultural histories, and imaginative possibility”

assembled by the renowned gallerist William Mora, “an extraordinary private collection of eleven significant paintings by Australia’s most celebrated contemporary artist”

works by artists including Agnes Martin, Donald Judd, Ellsworth Kelly, Frank Stella, and Josef Albers in an exhibition that explores the linear, hard-edge elements of post-war printmaking

“from Frank Vincent DuMond to Adolph Gottlieb, Paul Manship to Charles Alston, Charles Hawthorne to Wolf Kahn, Guy Pene du Bois to Augustus Saint-Gaudens instructors of the Art Students League have had a profound influence in molding American art”

“Denize encourages us again to think without bounds of a permeability of format and form, to appreciate the similar role of her paintings, garments, and ceramics, all evocative vessels” - Grant Klarich Johnson

curated by Melanie Kress, this highly personal project on display in Boston, Chicago, and New York sees Winant working from hundreds of film stills that she and her mother separately made driving across the US when they were teenagers

“engaging with the flux of the cosmos, O’Neil’s dynamic images are akin to mindscapes or dreamscapes. She deconstructs the inextinguishable energy of matter into its base form - constituent dot-particles and waves” - Lilly Wei

an exhibition with over a dozen artists which explores how physical materials are transformed into dynamic forms that resonate with both visual and conceptual weight

in collaboration with Public Art Fund, two new public artworks considering the music, performance and the Black history of New York

titled from the German word for “black-and-white” these new paintings and works on paper straddle the line between drawing and painting and allow Geerk to probe the emotional and psychological spaces of anxiety, uncertainty and disconnection

“to Vermeersch, the experience of painting is still a powerful sensory and philosophical encounter, but one that is rooted in a desire to work with the contradictions of perception and matter, temporality and space” - David Rhodes

“Mait prioritizes fundamental elements such as space, color, and balance in her approach to the canvas. She endeavors to remain as unprepared and unpremeditated as possible at the outset”

four new large-scale bronze sculptures, set against the green backdrop of Brooklyn Bridge Park, examine art, science fiction, horror, and mythology

text-based installations and works on paper by Morgan - “developed through her praxis of walks in Griffith Park and her fascination with pareidolia - the ability to draw patterns and meaning out of random objects”

curated by Melanie Kress, this highly personal project on display in Boston, Chicago, and New York sees Winant working from hundreds of film stills that she and her mother separately made driving across the US when they were teenagers

curated by Melanie Kress, this highly personal project on display in Boston, Chicago, and New York sees Winant working from hundreds of film stills that she and her mother separately made driving across the US when they were teenagers

“Graft opens connections between Puerto Rican communities across the city and reminds us of the centrality of the Caribbean to the history of New York City and the United States” - Melanie Kress

graphic works, monoprints, multiples and unique pieces from the early 1960s to 1975 explore Roth’s radical printmaking and the genre of landscape

two and three dimensional abstract paintings and works on paper in the artist’s first solo exhibition with the gallery - “I use inverse perspective and conflicting light sources to redirect attention from pictorial space back to the viewer” - Hitchcock

playful, bold, and humorous paintings by Schuler in the gallery’s inaugural exhibition at The American Cement Building

in Akashi’s first exhibition with the gallery, new works with glass, earth, stone and bronze elements “rich with the possibilities of making, remaking and unmaking”

the gallery’s first solo exhibition with Nauman presents sculptures, installations, sound works, videos, works on paper, and editions to explore the prolific decade that established him as one of the most important contemporary artists of our time

new Plexiglas works and watercolors by the pioneering conceptual artist in his first LA solo exhibition since 2019

new paintings by Breslow made during a period of immense productivity following the loss of her husband

in Mr.’s first solo exhibition in Los Angeles, new paintings and an installation based on his studio in Japan

LACMA is the largest art museum in the western United States, with a collection of nearly 152,000 objects. The museum exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage.

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