Open: Tue-Sat 10am-6pm

531 West 24th Street, NY 10011, New York, United States
Open: Tue-Sat 10am-6pm


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settle for a good fantasy

Luhring Augustine Chelsea, New York

Fri 11 Sep - Sat 24 Oct 2026

531 West 24th Street, NY 10011 — Google

Tue-Sat 10am-6pm

Artists: Janice Guy - Joe Mama-Nitzberg - Shaun Pierson - David Seidner

“Abandon the search for Truth; settle for a good fantasy.” - Fran Lebowitz

Luhring Augustine presents an exhibition entitled settle for a good fantasy, showcasing the work of four photographers, Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner. Other than Pierson, who was included in Tiptoeing through the Kitchen: Recent Photography (April 2024), this is the first presentation of these artist’s works at Luhring Augustine.

Artworks

Shaun Pierson, Untitled (Strawberry on Lace), 2026

Archival pigment print in artist frame

20.3 × 25.4 cm

© Shaun Pierson; Courtesy of the artist and Luhring Augustine, New York
Janice Guy, Untitled, 1977

4 Gelatin silver prints

21.9 × 16.5 cm

© Janice Guy; Courtesy of the artist, Higher Pictures, and Luhring Augustine, New York.
Shaun Pierson, Untitled (Heads), 2026

Archival pigment print in artist frame

25.4 × 20.3 cm

© Shaun Pierson; Courtesy of the artist and Luhring Augustine, New York.
Shaun Pierson, Untitled (Cable Release), 2026

Archival pigment print in artist frame

25.4 × 20.3 cm

© Shaun Pierson; Courtesy of the artist and Luhring Augustine, New York.
Shaun Pierson, Untitled (Head), 2026

Archival pigment print in artist frame

25.4 × 20.3 cm

© Shaun Pierson; Courtesy of the artist and Luhring Augustine, New York.
David Seidner, [Fragments of woman's face], 1986

Gelatin silver print

35.4 × 27.8 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
David Seidner, Adelle Lutz, A new face, 1986

Gelatin silver print

35.4 × 27.8 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
David Seidner, [Fragments of woman's face with accessories], 1986

Gelatin silver print

35.4 × 27.9 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
David Seidner, Therese Bachy, French Vogue, 1987

Toned gelatin silver print

40.3 × 27 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
David Seidner, In Studio Italian Vogue Bellezza ciba 177, 1987

Silver dye bleach print; Cibachrome

50.8 × 38.1 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
David Seidner, Azzedine Alaia - Francine Howell, 1986

Digital print

66.7 × 54 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
David Seidner, Enigma, 1988

Gelatin silver print

23.2 × 17.8 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
David Seidner, Enigma, 1988

Toned gelatin silver print

23.2 × 17.8 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
David Seidner, Enigma, 1988

Toned gelatin silver print

24 × 17.8 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
David Seidner, Daniela Stinea, hat by Jacques Le Corre, Vogue Bellezza, 1987

Digital print

65.4 × 54.5 cm

© International Center for Photography, David Seidner Archive; Courtesy of ICP, New York and Luhring Augustine, New York.
Janice Guy, Untitled, 1977

35 Gelatin silver prints

30.8 × 23.8 cm

© Janice Guy; Courtesy of the artist, Higher Pictures, and Luhring Augustine, New York.
Janice Guy, Untitled, 1979

3 Gelatin silver prints

41.9 × 29.8 cm

© Janice Guy; Courtesy of the artist, Higher Pictures, and Luhring Augustine, New York.
Janice Guy, Untitled, 1977

8 Gelatin silver prints

22.9 × 34.6 cm

© Janice Guy; Courtesy of the artist, Higher Pictures, and Luhring Augustine, New York.
Joe Mama-Nitzberg, Say Hello/Wave Goodbye, 2026

Archival inkjet print

101.6 × 68.6 cm

© Joe Mama-Nitzberg; Courtesy of the artist and Luhring Augustine, New York.
Joe Mama-Nitzberg, Turning, 2024

Archival inkjet print

83.5 × 61.3 cm

© Joe Mama-Nitzberg; Courtesy of the artist and Luhring Augustine, New York.
Joe Mama-Nitzberg, Untitled (De Trop Capitalism for Scott B), 2026

Archival inkjet print

97.8 × 66 cm

© Joe Mama-Nitzberg; Courtesy of the artist and Luhring Augustine, New York.
Joe Mama-Nitzberg, Enhanced Gay Streisand, 2026

Archival inkjet print

42.3 × 35.6 cm

© Joe Mama-Nitzberg; Courtesy of the artist and Luhring Augustine, New York.
Joe Mama-Nitzberg, Tears are Not Enough, 2024

Found and made objects and framed archival inkjet print

121.9 × 91.4 cm

© Joe Mama-Nitzberg; Courtesy of the artist and Luhring Augustine, New York.
Joe Mama-Nitzberg, Time and Place, 2024

Archival inkjet print

88.9 × 61.3 cm

© Joe Mama-Nitzberg; Courtesy of the artist and Luhring Augustine, New York.
Joe Mama-Nitzberg, Time and Money, 2026

Archival inkjet print

77.5 × 58.4 cm

© Joe Mama-Nitzberg; Courtesy of the artist and Luhring Augustine, New York.
Joe Mama-Nitzberg, Peter, Sam, and Scott, 2026

Archival inkjet print

81.3 × 58.4 cm

© Joe Mama-Nitzberg; Courtesy of the artist and Luhring Augustine, New York.
Joe Mama-Nitzberg, Pass Them On and Pass Them By, 2024

Archival inkjet print

54.3 × 35.9 cm

© Joe Mama-Nitzberg; Courtesy of the artist and Luhring Augustine, New York.

Installation Views

Sharing an approach to portraiture that rejects notions of idealization, these artists embrace strategies of patchworking in which the “puzzle pieces” will not, and should not, fit together seamlessly. Eschewing the classical approach of emphasizing a cohesive ideal, they each weave a picture of their subjects from disparate sources of information to create nuanced and multi-faceted impressions. For these artists, the imperfect and the unresolved are paramount: fracturing, then reintegration becomes a pathway towards image-building, slippages erode archetypal portrayals, and questions dominate over answers.

ARTIST BIOS:

Janice Guy (b. 1953, London, UK) began making photographic self-portraits in the 1970s while studying at the Kunstakademie Düsseldorf, Germany, and her first solo show of that work was in 1979 at Galerie Ricke in Cologne. By the mid-1980s her medium evolved from photography to exhibition making, first in Rome and Naples, Italy, then in New York, where she co-founded the gallery Murray Guy in 1998. In 2007, her photographs re-emerged and she has had solo exhibitions at White Columns, New York; Cleopatra’s, Brooklyn; The Apartment, Vancouver; and Higher Pictures, New York.
 
Joe Mama-Nitzberg (b. 1965, Santa Clara, CA) received his MFA from Art Center College of Design, Pasadena, CA. His work has been presented at O-Town House, Los Angeles; The University Art Museum at UAlbany, Albany; The Tang Teaching Museum, Saratoga Springs, NY; and White Columns, New York. His work is in the collection of The Tang Teaching Museum; The Bunker, West Palm Beach; Walker Art Center, Minneapolis; and MOCA Los Angeles.

Shaun Pierson (b. 1997, Bridgeton, NJ) received his MFA from Yale University School of Art. In 2023, he was a recipient of the Sharpe-Walentas Studio Program residency in New York. His work is held in the permanent collection of the Museum of Fine Arts, Houston and has been included in exhibitions at Luhring Augustine, New York; François Ghebaly, Los Angeles; and AMANITA, New York, among others. His work has also been featured in publications including Artforum, The New York Times Magazine, The New Yorker, Vogue Italia, Document Journal, and Cultured Magazine, among others.

David Seidner (b. 1957, Los Angeles, CA – d. 1999, Miami Beach, FL). At seventeen Seidner moved to Paris to work as a fashion photographer, and by nineteen his pictures were appearing on major magazine covers, soon after he had his first solo exhibition in 1978. Based in Paris for most of his career, Seidner was a hugely successful fashion photographer with his photographs appearing throughout the 1980’s and 90’s in publications such as Harper’s Bazaar, Harper’s & Queen, The New York Times Magazine, Vanity Fair, and international editions of VOGUE. He simultaneously privately pursued his fine art photography, while also establishing himself as a portraitist. Seidner died of AIDS-related illnesses in 1999, and his archive has been with The International Center of Photography (ICP) in New York since 2001, who organized a 2024 survey exhibition of his work: David Seidner: Fragments, 1977-99.

Installation view settle for a good fantasy, Luhring Augustine, New York (September 11 - October 24, 2026). © Luhring Augustine, New York. Photo: Genevieve Hanson.

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