“an exciting milestone in Pichillá’s ongoing exploration of Maya heritage, cultural resistance, and the intricate relationships between Indigenous traditions and contemporary art practices”

the first exhibition of Muniz’s bold and experimental series at the London gallery - “paintings without paint, gesture without touch – a compelling testament to the complexity of vision and a vivid meditation on how we see, remember, and reconstruct”

an exhibition of artists whose works challenge the intrinsic hierarchies and biases of language

the Italian artist’s first London solo exhibition in almost a decade “invites visitors into a space of quiet introspection and renewal - where cracks, fractures and breaks are portals to transformation”

fifty drawings and paintings from important public and private collections around the world in the UK’s first major museum exhibition dedicated to one of the world’s foremost contemporary artists

Cao Jigang. Angela Glajcar, and Bay Tang Jiaxin - three internationally acclaimed artists who explore the dual natures of paper - lightness and weight, fragility and resilience, simplicity and complexity

a monumental summer exhibition celebrating London, its artists and institutions, with works by Francis Bacon, Leon Kossoff, Frank Auerbach, Bridget Riley, David Hockney, Paula Rego, Lucian Freud, Gilbert & George, Neil Stokoe, Tracey Emin, …

with this unique and unprecedented site-responsive installation, Kawamata marks the last exhibition at the gallery’s Dering Street space before its move to new premises in Hanover Square

new seemingly abstract paintings by Parker, inspired by historic newspaper and magazine covers and the colour analysis charts of the late American artist Emily Noyes Vanderpoel

an exhibition of sculptures that assert their spatial presence by means of concealment or invisibility, focussing on radical experiments in material and conceptual reduction from across the last century

“oscillating between chance and control, Barbara Nicholls investigates the possibilities and limitations of pigment, water and paper, translating her experience of the landscape into abstract watercolours”

more than 150 drawings, paintings, sculptures, installation and ceramics in the largest European retrospective of one of Japan’s most celebrated artists

early paintings, drawings, and prints from public and private collections, many not seen together since the 1960s, in the first in-depth exploration of this pivotal period in Hockney’s career

responding directly to the architecture of the building, a monumental new site-specific work, alongside works in glass, on paper, and three-dimensional objects, in the Turner Prize-winning artist’s first solo exhibition at a London institution

the multimedia artist’s first UK solo exhibition - “Vinci transforms models and prototypes into works that merge architecture with anatomy, and design with psychology”

an explosive new immersive sculptural installation covers the gallery in the American artist’s first solo exhibition in a London institution

in Ryan’s solo debut at the gallery, two new sculptures explore ideas of utility and excess and luxury and repulsion while maintaining “an appealing sense of the absurd”

“the soul of these works lies in the relationship between things - figures, objects, the space between them … Serolod’s works are both depictions of a single moment and reflections on the universe itself” - Louisa Mahoney

three decades of photographs in the first comprehensive retrospective of Perrier’s work

a two-person exhibition of Molly Burrows and Woo Jin Joo, who both explore storytelling via embroidery, ceramics, painting, collage, and sculpture - accompanied by two soundscapes responding to the works’ quiet theatricality

the inaugural presentation of new paintings by Stingel - “in these works I’m leaving rigorous conceptual process behind and allowing myself to paint”

a two-part presentation of Jarman’s work tracing the development of his most significant series of paintings

the LA-based painter merges figuration with mythology to create surreal worlds that blur time, history, and identity

lithography, silkscreen, inkless intaglio, and embossing in the first exhibition dedicated solely to the complete print portfolios of Albers

new large-scale, abstract paintings in Mollett’s first solo exhibition with the gallery - “Mollett’s works hold within them a density of moments in time”

the Toronto-based artist’s “tension between photography and the artist’s hand through selection, competition and paint is made apparent through her use of photo-realist techniques”

new paintings by the Osaka-born, Berlin-based artist who“challenges and expands our understanding of what abstract art can be in the 21st century”

new paintings including an 11m-long panelled landscape painting, alongside richly adorned ceramic sculptures, benches, and a new sound piece in collaboration with composer Alex Gruz, in Yearwood-Dan’s first exhibition with the gallery

extending beyond the gallery to include outdoor sculptures, this is the most comprehensive institutional exhibition of the leading figure in the Arte Povera movement to be presented in the UK

this year’s Serpentine Pavilion is by Marina Tabassum, celebrated for her work in establishing an architectural language that is both contemporary and deeply connected to a specific place, climate, context, culture, and history

curated by Simon Grant and spanning over forty years of work, highly charged and surreal paintings and mixed media assemblages alongside colour pencil and gouache works on paper in the first solo show of de Mandiargues in the UK

a major exhibition of the multi-award-winning Korean artist’s celebrated photographic works, which collapse the traditions of portraiture and landscape painting and photography to examine the nature and effect of representation

covering nearly twenty years, and with many works never before seen in London, these paintings and drawings by the late Scottish artist show the richness, specificity and psychological depth of her practice

including pieces never exhibited before, this is the first UK solo exhibition of works by the renowned Australian artist - in collaboration with D’Lan Contemporary

curated by Kenny Schachter and Jonathan Anderson, paintings, works on paper and a previously unseen notebook of sketches and writings spanning three decades of the American artist’s career

“the research-led practices of three transnational artists – Riya Bhagat, Victor Guerin and Elina Yumasheva, whose artworks – film, sculpture and painting - engage ecological interdependence, technological mediation, and material intelligence”

“the German-born, Maastricht-based designer strives for perfect harmony in his work. Inspired by the sinuous beauty of Japanese minimalism and nature, he seamlessly blends the fleeting with the permanent and the elegant with the sensuous”

“taking its inspiration from an imaginary Abyssinian poem” over a dozen artists in “an impromptu investigation into ceramic practices from the 18th to 21st centuries”

including new paintings, sculptures and installations, a special and expansive exhibition which celebrates the artists who have shaped the gallery since its founding in 1985

new paintings by the American artist - “I have never really felt comfortable calling myself an abstract painter ... there have always been flashes of figuration in my work” - Bradley

works by Eve Arnold, Brothtarn, and Laura Chen explore the hidden, the subconscious, and the forgotten, tracing their imprints through contemporary photography

an exhibition which examines the fundamental relationship between raw materials and ceramic creation, exploring the processes that shape contemporary sustainable ceramic practices

new paintings by the Los Angeles-based Pecis - “kaleidoscopic compositions drawn from the artist's daily excursions”

new portraits of herself and her young son where Minnicucci explores how vulnerability and discomfort in front of the camera can become self-discovery and collaboration

a group exhibition of twelve contemporary artists whose practices in various media engage with a broad range of systemic frameworks to examine the web of systems that structure daily life, logic, and cultural and political realities

significant paintings by Williams from the decades between the 1960s and 1980s - “striking works deploy an entirely original use of colour”

titled after the historical practice of harvesting medicinal plants, an exhibition of sculptural works and immersive installation where Lemon “invites viewers to reimagine the interdependence of body, plant, and place”

co-organised by three London-based artists - “many of the works ... operate in relation to a kind of realism - with things shown as they are, or how they appear to be. There are found, reconstituted and reiterated forms and images”

“Interested in theatre and illusion, Clancy’s domestic spaces are heavy with suggestion. Though no figures are visible, the spaces she paints are dense with atmosphere and subtle cues that hint at narratives just out of reach”

co-curated by Sim Smith and Emily Hunt, an exhibition which brings together an intergenerational group of female artists to explore the importance of women in Surrealism

new paintings combining technical mastery with dreamlike imaginings disconnected from time or place - “my disposition towards painting, sculpture and drawing is amorous. I feel it deeply and have devoted my life to finding out what it’s about”

new image-based works, sculpture, video and found objects in a multi-layered exhibition exploring language and the vocabulary of corporate finance, debt and development

Parreno’s first solo exhibition at the gallery’s Conduit Street space blends real landscape with cinematic creation, streaming a part of Spain directly into the main gallery continuously day and night in real-time

photography, video, painting, installation, and sculptural works by emerging and established artists exploring the dynamic interplay of figure-ground relationships in architecture, psychology, media, and literature

the first significant exhibition in London of the pioneering American artist for over forty years - “reveal[s] the depth and innovation of Bartlett’s research-oriented practice, which found enduring meaning in four walls for almost five decades”

titled in reference to her process-driven approach, new large-scale, multi-panel paintings by the London-based artist

curated with Marco Livingstone, the first posthumous solo exhibition dedicated to the early British Pop Artist exploring his pivotal transition from Pop figuration to bold geometric abstraction

three architectural exhibitions, by the collectives Citizen Architects, Black Females in Architecture, and Somali Architecture - with participatory installations, film, photography, and live events

seven female abstract painters who approach painting in personal confrontation with the canvas - Isabella Amram, Kim Booker, Kristy M Chan, Laura Lancaster, Xi Liu, H.E. Morris, Sophie Smorczewski and Ming Ying

spanning inside and out of both London spaces, over twenty diverse artists in an ambitious group exhibition curated by Dr. Omar Kholeif - “the show is my love-letter to London, a city that I have continually returned to over the last four decades”

“it is the very direct nature of Still Life which excites me, through repetition of subject matter I am able to focus on the aspect which most engages me: the relationship between the form and its surrounding space” - de Sybel

Singh’s first institutional solo exhibition in London explores the full breadth of her practice, from large-scale oil paintings to intimate watercolours and ink drawings, to showcase her prolific career of over six decades

new works which explore the intersection between photography and sculpture in Robert’s first solo exhibition at the gallery in London

Chihota blends screen-printing with drawing and painterly gestures, producing works which explore themes of intimacy, kinship, bereavement, faith, and transformation

“for Franz, painting is a necessarily slow and thoughtful process. Inspired variously by literature and cinema, the artist uses paint and canvas as tool to visualise an interior notion, question and make sense of the world”

“though the works are seemingly hard-edged - minimalist, graphic, glittering, synthetic - a feeling of warmth and emotion somehow comes through, like the warmth of the sound from a vinyl record” - Young Kim

“Porras-Kim’s drawings, paper marbling works and sculpture explore the transformation - and possibly emancipation - of objects throughout time”

sculptures, paintings, and a mixed-media installation in Manders’ first solo exhibition as an artist of the gallery - continuing a project he began in 1986

hosted by the gallery, Errant Echoes presents a selection of work from the seventeen artists of the 2027 cohort at the RA Schools

fourteen landmark paintings from the early, “Informalist” period when Canogar, one of the leading Spanish artists of the post-war era, first made his name

“the careful balance of technique and spontaneity speaks to Bley’s dedication to both the technical and emotional dimensions of her work, reinforcing her ability to navigate the forces she seeks to embody and explore”

the first UK solo exhibition of the groundbreaking visual artist, prominent curator, and Indigenous activist presents a broad survey and celebration of her work and influence

new abstract drawings on paper and a sound installation from the birdsong recording series, explore consumerism, nostalgia, beauty and desire

new work by the acclaimed Italian painter, inspired by the visionary world of the great Modern British artist - “poetic echoes - works that extend Spencer’s legacy into the contemporary moment”

one of the most complete exhibitions of Oldenburg’s famous sculptural works of everyday objects

“a series of paintings that blur the boundary between the intimate and the archetypal, the legible and the encrypted”

taking the colour grey as their starting point, works by Darren Almond, Glenn Brown, André Butzer, Günther Förg, Hans Josephsohn, KAWS, Albert Oehlen, Edmund de Waal, Rebecca Warren, Grace Weaver, and Toby Ziegler

“a new body of work that looks back to the Midwestern winters of Clarke’s childhood” in the first UK solo exhibition of the Brooklyn-based painter

curated by Grammy Award-winning artist Eve, key works by Picasso, Miró, Kandinsky, Gris, Dufy, Dubuffet, Calder, and Braque brought together to explore the relationship between the visual and the auditory

coinciding with his Art Basel Unlimited presentation, new works on paper by Lowe - “ densely worked, layered compositions ... that link painterly forms with geometric motifs”

works by Fleur Dempsey, Rebecca Halliwell Sutton, and Eliza Owen in an exhibition curated by Freddie Foulkes

new paintings in Hayoun’s ongoing exploration of systems of control and the redeeming power of culture and community

for their presentation at the debut edition of Africa Basel, painting, sculpture, photography and ceramic works by James Barnor, Eddy Kamuanga Ilunga, Alexis Peskine, Zana Masombuka, LR Vandy, Owusu-Ankomah, and Xanthe Somers

the artist’s debut solo exhibition with the gallery, curated by Philippa zu Knyphausen

“the selection of works that you are lucky enough to see has the ambition of retracing the evolution of Luigi Zuccheri’s works from the onset of the Second World War to his death in Venice in 1974” - MMXX

“Rex’s works offer a dialogue between escapism and the often-overlooked reality of maintaining that escape”- Catherine Loewe, curator

shown for the first time in the UK, twelve new generative artworks by the celebrated French conceptual artist - in his first use of artificial intelligence in art making

works by Abbas Zahedi, Alfredo Aceto, Chloe Quenum, Diane Cescutti, Haroun Hayward, Onyeka Igwe, and Theresa Weber

abstract, stripe, foil and scrap metal paintings alongside ceramics and neon installations in Reyle’s first major solo exhibition in London

“it’s a new body of work … about the loss of our true knowledge, through algorithms and the generation of texts and the manipulation of news, our facts become more blurred than ever before” - Clement

spanning inside and out of both London spaces, over twenty diverse artists in an ambitious group exhibition curated by Dr. Omar Kholeif - “the show is my love-letter to London, a city that I have continually returned to over the last four decades”

the ten paintings in the French-Iranian artist’s debut solo exhibition in London explore “identity transformation and the paradoxes of contemporary existence in our hyper-connected age”

“a collection of universal images that speak of a slow and inexorably welcoming landscape; one rooted in the time of the Mediterranean” - Leotta

curated by Jamie Hope, an exhibition which “explores the secret life and spirit of objects which have been long left abandoned”

new pieces by the multidisciplinary artist and designer known for using flowers and other organic matter to explore decomposition, preservation and the passage of time

new wall sculptures and works on paper by Drew - “the work alludes to entropy - not as a direct depiction of order and chaos, but as an undercurrent accentuating the fragility of form and the possibility of transformation”

“a striking collection of emotionally charged works that will resonate deeply with many” as Fiszer blends digital tools with generative techniques to produce these still and contemplative images

"I love Venard because he’s created a universe where Godot has arrived, where anguish has disappeared from the universe” - Jacques Prévert

the London-based graffiti artist brings his work inside a gallery for the first time - “part social commentary, part stream of consciousness … it’s about the act of defiance that is simply existing as a Black, Brown or Non-English man” - TJ Sidhu

“in this new body of work, looking and seeing is as important for Hirst as making”

Barbalho’s latest body of work delves into the complexities of language, symbolism, and the intersection of identities ... an immersive encounter with his evolving visual language

Le Bas’s painted maps and globes are visual metaphors for his ideals - “Gypsy Europa is my dream… my maps are subversive imaginary conquest, a Roma resistance against racism and right wing propaganda”

the second instalment in the gallery’s curatorial series Figurative Impressions is “an exploration of figurative painting as a medium for expressing the complexities of the lived experience”

painting and sculpture from newly-joined members of one of the most ancient and prestigious of the city’s livery companies

installation, sculpture, video, and photography by sixteen artists from around the world in a new collaboration between the SLG and Museo Jumex in Mexico City

“a meditation on migration and endurance, set against the backdrop of Buhari’s reflections on his personal history, the future of his family, and a national zeitgeist of movement in post-colonial Nigeria”

on the 25th anniversary of the Belmacz name, a transforming, three-month exhibition which creates “transitioning scenes, tableaus and clashes, amplifying the voices of our co-collaborators, constructing reverberations”

bronze sculptures alongside preparatory sketches and studies in this exhibition focussed on the intimate scale of the renowned British sculptor’s work

an installation of charcoal drawings influenced by the evidential and documentary values of photography to examine the history of settler-colonial Rhodesia and contemporary challenges in Zimbabwe

the Colombian and British painters use surreal approaches to reimagine the tradition of landscape painting in the second annual exhibition bringing together two artists whose practices offer distinct and complementary perspectives

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

new work by Robertson, drawing on a working-class history of bodily engagement with the materials of heavy industry through performance, drawing, riveted steel collage, and welded steel sculpture

an installation which “explores myths, legends, gods, rituals, and their influence on our lives . . . the supersized form will complete a monumental Mother Goddess sculpture, contrasting with the male-centric Mithras religion of the temple”

single-screen film and video works by nineteen leading gallery artists working from the late 1960s to today, brought together in the uniquely installed North Gallery

an exhibition which “reimagines and reclaims the classical gaze through a series of mythological paintings that interrogate and subvert heteronormative narratives embedded in Western art history”

a series of works by the internationally acclaimed British designer known for pushing the boundaries of materials and technology, producing “innovative design infused with a sense of joy and wonder”

including work shown in London for the first time, ceramic vessels and jewellery from the Paris-based designer that draw inspiration from both flora and fauna

in the gallery's micro-project space, the Nigerian-American artist’s sculptural presentation references the Benin bronzes to examine cultural legacy and the return of stolen artworks

new pieces by the Dutch designer continuing his series of video “clocks” - “Baas invites viewers to experience the movement of time as art, reinterpreting how they perceive and reconstruct the moments that pass”

in Gallace’s first exhibition across both of the gallery’s London locations, new paintings drawing on the American landscape and still life traditions of her home

in Gallace’s first exhibition across both of the gallery’s London locations, new paintings drawing on the American landscape and still life traditions of her home

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

a major group exhibition and event programme curated by Lubaina Himid in celebration of forty years since the groundbreaking ICA show of young Black and Asian women artists

large-scale photographs alongside textile pieces in an exhibition juxtaposing the two artists’ collaborative approach and their exploration of specific local conditions

The Design Museum is devoted to contemporary design in every form, from architecture and fashion to graphics, product and industrial design.

British, Belgian and European 20th Century Painting and Sculpture

Built on historic foundations and situated in the very heart of the capital, the home of the UK's largest creative community including Somerset House Studios.

Former home of Lord Leighton with intricately tiled Arab Hall, paintings & sculpture collection.

The house and museum of Sir John Soane, renowned neo-classical architect and eclectic collector.

England's first public art gallery, designed with over three acres of gardens.

20th-century Italian art, including a core of Futurist masterpieces.

World-famous Gallery and international centre for the teaching, research and enjoyment of art history

Documenting the story of human culture from its beginnings to the present, with the largest permanent collection in the world, at eight million works.

IWM London tells the stories of people's experiences of modern war and conflict.

Rare Illustrated Books & 20th Century Prints

Located on the campus of Goldsmiths, University of London, Goldsmiths Centre for Contemporary Art hosts world-class exhibitions by international artists, and provides a space for established and emergent practices.

An inspiring, surprising, family-friendly, free Museum and Gardens in South London's Forest Hill.

Celebrating the work of artists to make positive change in the lives of vulnerable children.

The world's largest collection of William Morris's work, presented in his childhood home.

Old Masters, Ancient and Modern works of art

One of the most significant collections of European fine and decorative arts in the world.

An arts charity providing an innovative platform for contemporary art & culture.

The Whitechapel Gallery is internationally renowned for its exhibitions of modern and contemporary art and its pioneering education and public events programmes.