“Stern’s girls see how they’re seen and they’re ready to go to battle with the full arsenal of seduction, smoothness, and adversarial appeal . . .the enemies-to-lovers pipeline has never been so scorching” - Alex Quicho

the gallery’s first solo exhibition dedicated to the artist examines the full scale of his sculpture, created in 2015 on the salt desert of Bolivia - “Barth’s work brings us back to the hidden meaning of thing”

“Janská’s practice is a meditation on form and perception, a delicate unravelling of selfhood tracing contours of femininity with an ethereal hand” - Luana Hildebrandt

“this is an exhibition that happens in the timeframe of 7 breaths. As if the works, all together, would dictate its duration and the entire walkthrough would consist of exhaling 7 times” - Pérez Córdova

“with an almost childlike joy, Paquet playfully deconstructs photographic techniques, returns to its essential elements, in order to celebrate a single component: The most important element is light” - Lillian Davies

new hanging light sculptures and a minimalistic lounge chair by the collaborative art and design practice, exploring themes of place and memory with works that echo the designers’ belief in the future and longing for what is left behind

new artworks by the artist and designer “who injects whimsy and nostalgia into a design world that she considers often too serious and self-aggrandising”

“a poetic exploration of time, memory, and inheritance, constructing a cartography of the artist’s most intimate universe ... in his practice, plexiglass becomes the evolution of the canvas, and tape, the evolution of paint”

large luminous sculptures handcrafted in blown glass in the Finnish artist’s first solo exhibition

more than fifty aphorisms, remarks, slogans, and “other precepts of questionable significance” by Labelle-Rojoux, all written on colored paper

“a monograph dedicated to ... the greatest genius of the 20th century”

in the first retrospective in France of the British artist, photographs of Morris’s youth in London, his portraits of Bob Marley and the Sex Pistols, and his work with artists including Oasis, Lee ‘Scratch’ Perry, and Marianne Faithfull

a monographic exhibition dedicated to the Polish-born painter “renowned for his mastery of color and his central role in the renewal of the nude in 20th-century”

seminal photographs from the early 1970s by this pioneer of conceptual and staged photography, which challenge conventional notions of gender and its representation

referencing the painting genre of a group portrait in an informal setting, an exhibition “creating conversations between the works, creating formal, technical, thematic or more dreamlike and light-hearted connections”

“I took over Picasso museum ... but some visitors never made it to the fourth floor. That’s why I wanted to organize a catch-up session at Perrotin Paris” - Calle

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

the second iteration of the gallery’s new program organized with Olivier Renaud-Clement hosts Lo Brutto Stahl

“McGee’s exhibitions are characterized by their abundance and generosity. Every corner is filled with art, and the artist’s creativity is splashed onto all kinds of media: glass bottles, surfboards, discarded objects, canvases, drawings” - Richard Leydier

Bowling’s first solo exhibition in France sees him continue to explore collage as a conceptual tool and technique, and features new works including four monumental paintings

new embroideries, bronze sculptures and canvases in the first exhibition with the gallery, and in Paris, by an artist renowned for her investigations into colour, materiality and form

“an unprecedented dialogue between ... two major figures born on opposite sides of the Atlantic, whose deep intellectual and artistic friendship has long remained largely unknown”

examining the challenging of convention and use of repetition, defining works by key postwar figures including De Maria, Fontana, Judd, Manzoni, Merz, Picasso, Rauschenberg, Serra, and Warhol

a video installation which uses social media as a performative space to explore the impact of it on the commodification of - particularly women’s - bodies

new acrylic and oil paintings in Curtiss’s first solo exhibition with Gagosian, and in Paris - drawing on 18th- and 19th-century European painting and integrating influences from the Chicago Imagists, ukiyo-e, comics, and popular illustration

“Park’s paintings invite us to reconsider the operations of the gaze and the construction of meaning, emphasizing the limits of either/ or thinking and insisting instead on a more nuanced relation to contradiction and multiplicity” - Amanda Holmes

across both Paris spaces works by, for, and inspired by Giorno - with Julie Béna, William S. Burroughs, David Douard, Verne Dawson, Judith Eisler, Tarek Lakhrissi, Mélanie Matranga, Clément Rodzielski, Ugo Rondinone, Billy Sullivan, and Rirkrit Tiravanija

new works in lacquered wood and concrete benches by the French designer which “embody the artist’s interest in the architecture of artificial contemporary landscapes”

works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

monumental sculpture, installations, and video - including new work shown for the first time - by one of the most powerful voices in contemporary Ukrainian art - “Kadyrova creates a space for reflection on the essential role of art in times of conflict”

across both Paris spaces works by, for, and inspired by Giorno - with Julie Béna, William S. Burroughs, David Douard, Verne Dawson, Judith Eisler, Tarek Lakhrissi, Mélanie Matranga, Clément Rodzielski, Ugo Rondinone, Billy Sullivan, and Rirkrit Tiravanija

across both gallery spaces, an exhibition of works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

the Flemish artist’s first exhibition in France presents his oils and collage which “stand out due to their vivid colors, intricate details and singular narrative qualities”

sculptures, paintings and prints in the first solo exhibition in Europe by the American artist - presenting a poetic and critical exploration of the history of sugar cane in America, Africa and Europe

to coincide with the Fondation Louis Vuitton exhibition, etchings, lithographs, digital prints, photographs, photo-collage, and photocopies by Hockney at the gallery that has represented him for many years

in Neukamp’s first exhibition at the gallery, new pictograms of various mirrors, over backgrounds made with tempera and oil - “non-reflective mirrors for painting that decidedly demand that we reflect” - Marjolaine Lévy

a major retrospective devoted to emblematic works by the internationally renowned leading figure in contemporary art

“a luminous odyssey between myth, cosmos and power ... electric sculptures, which transform the space through hypnotic optical effects” in the Chilean artist’s first exhibition at the gallery in Rue du Grenier-Saint-Lazare

the French textile artist’s new exhibition fills the gallery space with her characteristic “presences”, large sculptures in crocheted or smoothed black thread - “an ode to transformation in all its facets”