works on paper by Chihota, made during her time living in Tunisia, Zimbabwe and Montenegro, exploring figuration as a vital language for what it means to be seen, remembered, and understood today

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

the inaugural exhibition at the gallery’s new space in Hanover Square presents new works completed in London over the past six months alongside the first full UK presentation of “The Moon Room” - fifteen iPad paintings of the night sky

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

“a trio of centrifugal energies” - Florian Genzken, Simon Popper, and Adam Barker-Mills

Bunmi Agusto, Carla Gueye, Marcia Falcão, Miranda Forrester, Ugonna Hosten, and Sikelela Owen explore figuration through painting, sculpture, and mixed media

works from across the renowned counter-culture illustrator’s sixty-year career

“alternate views on reality in post-war France”

new paintings by the Irish artist “draw from a vast archive of found images in which hierarchies have been collapsed, and motifs with different referents are spliced together, dissolving distinct subject matter into complex compositions”

an immersive environment of twenty-five monumental graphite drawings on suspended cotton fabric in Bagheri’s first solo exhibition with the gallery

Young-Il Ahn, Gabriel de la Mora, and Shim Moon-Seup in a three-person exhibition which explores “abstractions of the sea and sky”

this key member of the Japanese avant-garde Gutai Art Association reshapes matter with acrylic, oil, graphite, vinyl glue, and cotton - presenting, for the first time in Europe, the sculpture “The Magic Box” alongside new experimental works

a solo exhibition dedicated to the central figure of Arte Povera, centred on one of his most intense and complex “igloos—an in-between work, poised at the threshold of architecture, living organism, and thought”

painting and moving image work by four artists from Azerbaijan and the region, who “navigate everyday scenes, often infusing them with the fantastical elements of folk tales and myths”, alongside virtual tours of the exhibition at the gallery’s Baku space

in artist’s debut solo exhibition, recent paintings alongside a group of works on paper - the artist’s first engagement with the medium

including pieces by Enrico Castellani, Agostino Bonalumi, Getulio Alviani, and Fausto Melotti, this exhibition of works from a defining moment in Italy’s artistic history explore spatial experimentation, material innovation, and sculptural abstraction

announcing representation of the London-based artist, the gallery presents her first solo exhibition - “streams of feeling and knowledge emerge on the surface of the canvas”

on its fortieth anniversary - and for the first time in the UK - an exhibition of all 126 photographs from Goldin’s genre-defining photobook

“her work is less about portraying people as they were, but about how they linger in the mind: dramatised, distorted, and embellished” - Mollie Barnes

to mark his 88th birthday, an exhibition of new etchings and aquatints by Baselitz that “establishes a dialogue between two of his most famous motifs: the eagle and Elke [his wife]”

Arnold J Kemp, Betye Saar, Mira Schor, Nádia Taquary, and Nicole Wermers use “found objects or buried voices from the past … navigating the tension between legibility and materiality, mystery and revelation”

curated by the photographer’s granddaughter, Caroline Avedon, an exhibition of rare prints from the series “In the American West”, including works not shown since their 1985 debut

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

an exhibition of three decades of Brancusi photographs - many shown in London for the first time

the second exhibition in the three-part series marking the gallery’s hundred-year history, presents post-war European artists whose radical experimentation and shared search for innovation helped define the language of modern abstraction

new oil paintings in a momentous presentation, the first solo exhibition in the gallery’s new space,“a radical reframing of the long-standing art historical lineage of bathers, stretching from Titian and Cézanne to Matisse”

with Teaspoon Projects and curated by Ilgin Surel - “here, ‘reassemblage’ names the way each artist works with fragments – of ritual, archive, debris – recomposing them without pretending to restore a single, authoritative history”

“the dialogue between Pirim and Voigt demonstrates how two artists with contrasting points of departure converge in their approaches to navigating chaos, harmony, and the search for coherence”

an historical video installation looking at women who lost their lives in the French Revolution, shown alongside trompe l’oeil “flat letter” paintings by the American artist duo

new works exploring the folklore and historic uses of uncultivated poisonous plants - Wilson’s first exhibition with the gallery since the announcement of her representation presents the “para-pastoral”, an alternate version of the British countryside

titled after the Welsh for motherland, the Welsh-Ghanaian artist’s first solo exhibition with the gallery marks her return to the country with a presentation of fibre and textile-based works

this special exhibition brings together twenty-three international artists from East and West with painting, installation, and sculpture based on the theme of the horse

the renowned Dutch glass artist presents glass panels fused within furniture, including mirrors, tables, lamps, and vases, exploring both unconventional and traditional techniques

paintings and works on paper from the 1960s to the 2010s, covering five decades of McNeely’s fearless and provocative approach to the human body, in the late New Yorker’s first solo exhibition in London

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

“Slawn is moving his studio to Saatchi Yates, St. James’, London”

works by Tonico Lemos Auad, Pearl Alcock, Lubaina Himid, Barbara Levittoux-Świderska, Marlow Moss, and Paul Thek mark “the intervals between falling and rising, moments shaped by gravity: like the tide”

marking the gallery’s 56th anniversary, a selection of works from the 1960s to the present day highlighting the relationships fostered through artists closely associated with its founder

“a group exhibition bringing together sculptures, paintings, works on paper, and installation taking the everyday object as a point of departure, revealing art’s enduring ability to transform the overlooked into sites of inquiry and visions of delight”

a new body of work by the Ugandan artist explores “how our senses – touch, sound, scent, and sight – can hold onto memories long after their season has passed”

“sculptural lamps by twelve international artists who treat light as a living material … installed across three adjoining rooms, the works form a shifting rhythm of light that turns the gallery into a responsive environment, more organism than display”

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

a new body of work by the Lebanese painter from her ongoing ‘Birds’ series, the exhibition approaches the bird ”as a figure of unbounded movement, free from borders, categories, and constraints”

an exhibition tracing Cubism’s evolution from its origins to later reinventions - from the pre-Cubism of Roger de La Fresnaye, through Cézanne, to the post-Cubism of artists like Georges Terzian

over four decades, the late post-war Japanese artist explored the implications of what would later be termed the Anthropocene in prescient work that interrogated the proliferation of mass consumption, the rise of technology and environmental degradation

in Grosse’s first exhibition at the gallery in London, new watercolour and acrylic works on paper inspired by an extended stay in Marfa, Texas

shown for the first time, a series of gouaches exploring art, sex, life, and death, painted by the late British artist at the very end of his life

“through her signature use of neutral-toned textile art, [the Norwegian artist] probes the collective conditions of contemporary society – restriction, expectation, order, and isolation”

“a groundbreaking physical and digital art collection honouring some of Marvel’s most legendary comic book characters”

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

Verdier’s acclaimed series of large-scale paintings interpreting Mozart arias in visual form, shown alongside drawings made during a two-year plein-air project in Provence

the gallery hosts Milan-based MATTA with assemblages by duo the back studio shown alongside Lijn’s “deeply personal and mythologically charged” work based on the ancient figure of Lilith “as self-portrait”

prints and related works by Turrell, linked to his major 2013 installation at the Guggenheim in New York, and his Roden Crater masterwork

new abstract paintings and works on paper in the American artist’s first UK solo exhibition

new works by Beddow and Scott-Engel exploring “care” through painting and sculpture, challenging perceptions of accessibility, space, and emotional experience within environments

master prints by iconic 20th-century and contemporary artists exploring intaglio printmaking and the evolving boundaries of the printed image

in collaboration with New York’s Market Gallery, an exhibition bringing together artists connected to both programmes - painting, photography, sculpture, installation, and video, foreground methodological difference over stylistic cohesion

an exhibition of outstanding Italian and Spanish paintings including Old Master works rarely seen outside of museums

a new exhibition exploring landscape as portraiture and reflecting on intimacy and belonging - working with oil sticks, Khoza creates large-scale paintings inspired by gardens, solitude, and the Margate coastline

painting and sculpture in a group exhibition which explores pressure as a defining condition within contemporary practice

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