Marian Goodman Gallery to move to Tribeca

May 23, 2024

Marian Goodman Gallery has announced their move to a new home in downtown Manhattan.

The new headquarters will be in the historic Grosvenor Building, a former warehouse in Tribeca at 385 Broadway, between White and Walker Streets. The building features around 30,000 square feet of space, including two floors of open galleries, viewing rooms, a library and archive, art storage, and administrative offices. Originally built in 1875, the five-story building has undergone a major restoration and renovation.

The move follows the opening late last year of the gallery’s Los Angeles space - currently showing Tony Cragg until June 29th.

The Tribeca space is scheduled to open in the Fall of this year, meanwhile Giuseppe Penone: Hands - Earth - Light - Colors continues at the 57th Street space.

Workplace now represents Hazel Brill

May 21, 2024

Workplace is pleased to announce the representation of British artist Hazel Brill.

Brill works across film, sound, animation, text, sculpture, and installation, conjuring a shiny utopian future which has turned messy and grotesque. Inspired by intricate set designs and depictions of laboratories from horror films, the artist is interested in gothic horror fiction as a device to deal with fears around transformative technologies, where the lines between the living and the non-living are blurred, posing an existential threat.

Brill’s research spans multiple subjects, stretching from 17th century machines for spiritual experiences, and early forms of coding, to contemporary practices within pharmaceutical industries.

The artist’s latest exhibition, Amber, is on view at Workplace London until Saturday 25 May.

Galerie Barbara Thumm now represents Roméo Mivekannin

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Galerie Barbara Thumm announces the representation of artist Roméo Mivekannin.

Mivekannin’s first solo exhibition, entitled Human in Motion, opens at the gallery's project space in June, with a large solo exhibition in the gallery's main space in spring 2025.

Born in 1986 in Bouaké, Côte d'Ivoire, Roméo Mivekannin is a multidisciplinary artist who pushes the boundaries of painting, sculpture, and installation. His diverse background includes training as a cabinetmaker, studying Art History and Architecture, and writing a novel. Informed by his academic knowledge and his family's experience with colonization, he (re)creates compositions that challenge European iconography. He takes classical paintings and photographs and substitutes the subjects’ faces with self-portraits. Mivekannin incorporates archival material to expose the colonial gaze on those underrepresented or unspoken (non-dits), basing his work on the “memory of history,” both literally and figuratively. His canvases, like palimpsests, bear various layers of content beyond the visual, as he uses old bedsheets soaked in elixir baths following voodoo practices, a spiritual belief born in the Kingdom of Dahomey.

Roméo Mivekannin lives and works between Toulouse, France and Cotonou, Benin.

photo: Elliott Verdier for The New York Times

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Die Galerie Barbara Thumm freut sich, die Vertretung des Künstlers Roméo Mivekannin bekannt zu geben.

Roméo Mivekannin präsentiert seine erste Einzelausstellung mit dem Titel Human in Motion im Projektraum ab 7. Juni 2024. Eine große Einzelausstellung im Hauptraum der Galerie folgt im Frühling 2025.

Der 1986 in Bouaké, Elfenbeinküste, geborene Roméo Mivekannin ist ein multidisziplinärer Künstler, der die Grenzen von Malerei, Skulptur und Installation auslotet. Zu seinem vielseitigen Hintergrund gehören eine Ausbildung zum Kunsttischler, ein Studium der Kunstgeschichte und Architektur sowie das Schreiben eines Romans. Auf der Grundlage seines akademischen Wissens und der Erfahrungen seiner Familie mit der Kolonialisierung schafft er (neue) Kompositionen, die die europäische Ikonografie herausfordern. Er nimmt klassische Gemälde und Fotografien und ersetzt die Gesichter der Dargestellten durch Selbstporträts. Mivekannin bezieht Archivmaterial ein, um den kolonialen Blick auf die Unterrepräsentierten oder Unausgesprochenen (non-dits) zu entlarven, wobei er sich auf das „Gedächtnis der Geschichte“ stützt, sowohl im wörtlichen als auch im übertragenen Sinne. Seine Leinwände tragen wie Palimpseste verschiedene inhaltliche Schichten, die über das Visuelle hinausgehen, da er alte Bettlaken verwendet, die in Elixierbädern nach Voodoo-Praktiken getränkt wurden, einem spirituellen Glauben, der im Königreich Dahomey entstand.

Roméo Mivekannin lebt und arbeitet zwischen Toulouse, Frankreich und Cotonou, Benin.

photo: Elliott Verdier für The New York Times

Timothy Taylor to represent Paul Anthony Smith in London

May 16, 2024

Timothy Taylor announces the representation of Paul Anthony Smith in London. The gallery will present an exhibition of new work by the artist at Frieze London this October. Smith will continue to be represented by Jack Shainman Gallery in New York.

Smith has garnered acclaim for his radical engagement with painting and photography in works that explore his own history as well as aspects of identity in the Caribbean. The Jamaica-born, New York-based artist documents candid scenes of friends, family, and community in New York and during travels to London and the Caribbean, reflecting on routes of migration, travel, and cultural memory. Across his work, Smith refers to borders, fences, barriers, and masks, alluding to the ways in which such forms variably serve to conceal, obfuscate, foreclose, and protect. As critic Seph Rodney observes, Smith belongs to a generation of artists who “carefully calibrate how and under what conditions [the black body] is seen”.

photo: Andre D. Wagner

Pierre Knop joins Pilar Corrias

May 14, 2024

Pilar Corrias announces the representation of Pierre Knop.

From cosy interiors to magnificent landscapes, Pierre Knop is a maker of vibrant tableaux. The artist begins each painting with an image from his personal archive, whether a personal photo or a scrap of art history, transmuting these small pictures into grander vistas. Knop’s process allows him to work on several canvases at once, resulting in groups of paintings that share palettes and atmospheres.

Referencing a diverse range of artists, from Nicolas Poussin or Caspar David Friedrich to Pierre Bonnard, as well as contemporary photography, Knop extends the tradition of European landscape painting. While figures small or large often populate his paintings, architecture is also a key motif in his work, from residences with vast alpine views to cabins or hotels dwarfed by a backdrop of mountains. Often infused with a sly wit and a sense of menace, his paintings are embedded with fragments of unresolved narratives, with hints that something might soon go awry. A tree takes on its own abstract form, a tsunami rises out of nowhere to engulf some bystanders, a puff of smoke rises into the sky as a gigantic arabesque.

“Moving between art history and our everyday lives, the comic and the melancholy, transcendence and stillness, Pierre’s paintings offer an intoxicating vision of the world. I look forward to exhibiting his beautiful paintings in London, with his first solo exhibition with the gallery in Spring 2025.” - Pilar Corrias

photo: Nadine Schwickhart. Courtesy the artist and Pilar Corrias, London

the new GalleriesNow map!

May 4, 2024

We are delighted to have published the new NYC Gallery Map in association with Frieze.

The maps are available at the Fair and at galleries across the city and there is an online version of the map here.

Check the Maps page for details of our other upcoming maps.

Lévy Gorvy Dayan announces representation of Alison Watt

May 3, 2024

Widely considered one of the leading painters working in the UK, Alison Watt won the National Portrait Gallery’s annual Portrait Award in 1987 while still a student at the Glasgow School of Art. She became known for figurative paintings, often portraying female nudes, before beginning in the late 1990s to focus on depictions of fabric, which had previously acted as supports or backdrops for her compositions.

Rather than eliminate the figure, her paintings evoke the human presence through its absence.

Watt’s work is rooted in an engagement with the past, particularly the attributes of historical European painting and sculpture. Although the human figure is no longer explicit in her work it is often implied. More recently, her painting has focused on the relationships between the genres of still life and portraiture, exploring narratives around everyday objects.

Watt’s first solo exhibition with the gallery, Breathing In, opens on May 9 at the East 64th Street space.

Photo: John McKenzie

lbf contemporary announces representation of Tianyue Zhong

lfb contemporary, London has announced the representation of Los-Angeles based painter Tianyue Zhong.

Zhong is currently part of the group exhibition Phantasmagoria and her debut solo exhibition in the UK will be at the gallery in 2025.

Tianyue Zhong was born in Chengdu, China, and lives and works between China and the US. She creates paintings and drawings that illustrate the uncontrollable nature of life. After learning lithography, making artist books, and doing classical figure drawings, Tianyue started combining these techniques into her paintings. With a repetitive cycle of wiping, diluting, drawing, and layering, Zhong compares certain moments preserved in memories or photographs with her own stark feelings in the present.

Lévy Gorvy Dayan announces representation of N. Dash

May 2, 2024

Lévy Gorvy Dayan announces representation of the New York-based artist N. Dash, whose debut exhibition inaugurates the gallery’s new London space in Mayfair.

Featuring a new series of multi-panel paintings, this exhibition is also Dash’s first solo exhibition in London.

Born in 1980 in Miami, Dash's artistic practice spans various media, including painting, sculpture, and photography. The artist received a BA from New York University in 2003 and an MFA from Columbia University, New York, in 2010. Dash’s work often explores concepts related to materiality, process, and the relationship between the human body and the natural environment.

Dash’s work has been the subject of solo exhibitions at SITE Santa Fe, New Mexico (2023–24); Stedelijk Museum voor Actuele Kunst (SMAK), Ghent (2022); Museum of Contemporary Art Santa Barbara, California (2019–20); Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2019); Fondazione Giuliani, Rome (2017); and the Hammer Museum, Los Angeles (2014).

The artist's work is held in notable international collections at institutions such as the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; San Francisco Museum of Modern Art; Whitney Museum of American Art, New York; Hammer Museum, Los Angeles; and Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, among others.

Lévy Gorvy Dayan's new London gallery opened in April 2024 at 35 Dover Street, the historic home of the Empress Club - one of the first women-only members’ clubs in the capital.

Modern Art now represents Joseph Yaeger

April 23, 2024

When sourcing a visual reference for a new painting, Joseph Yaeger seeks the concurrent sensation of attraction and disturbance, looking for an image that might be simultaneously jarring and enticing, with the artist driven by the subjective sensation that Roland Barthes memorably described as ​‘the punctum’ of an image. Although initially intuitive, once certain themes or patterns begin to emerge in his selection, he will then cull and hone images more deliberately. In terms of process, Yaeger applies watercolour on thickly gessoed canvas or linen, centring the materiality of the pockmarked and undulating gesso in addition to the vicissitudes of the watercolour pigment. His compositions range and vary, from charged encounters between unknown protagonists in elusive environments, to more prosaic representations of animals and commonplace objects.

Attracted to pushing the boundaries of legibility, his compositions are typically cropped, both revealing and curtailing the viewer’s encounter with the scene, fostering an atmosphere of emotional and spatial ambiguity. While Yaeger’s writing practice evokes these phantasmatic spaces, with his illusory characters often made flesh, his painting attempts to grasp what language cannot convey. He has remarked how the action of painting exists outside of his own self, seeing his body as a conduit for the translation of an image: ​“The translation into paint I think of as a kind of projection – using my body as a projector, more specifically. I don’t sketch, nor do I use a projector, and I paint on the floor. The image, when everything is clicking, seems to emerge as if by magic out of the pooled paint. It’s genuinely quite mysterious to me – there is very little, if any, conscious or linguistic thought occurring in the act of painting.”

Joseph Yaeger b. 1986 Helena, Montana. Lives and works in London. Selected solo exhibitions include: Time Weft, The Perimeter, London, 2023; Just a Second, Antenna Space, Shanghai, 2022; Doublespeak, Project Native Informant, London, 2021; Power Ballads, vo Curations, London, 2020. Selected group shows include: Present Tense, Hauser & Wirth Somerset, Bruton, 2024; Accordion Fields, Lisson Gallery, London, 2024; Yuen-Yeung, k11, Shanghai, 2023; Sweet Days of Discipline, Hannah Hoffman Gallery, Los Angeles, 2022; A Mimetic Theory of Desire, David Lewis, New York, 2022; My Reflection of You, The Perimeter, London, 2022; after image, Mamoth, London, 2020.

artwork: Old long since, 2022

Ella Walker joins Pilar Corrias

April 3, 2024

Pilar Corrias announces representation of the London-based artist Ella Walker.

Using both traditional and contemporary painting techniques and materials, Walker works from a myriad of source imagery – iconography, medieval manuscripts, and classical sculpture to modern ballet, fashion and the cinema of Fellini and Pasolini – unifying historic and contemporary figures and narratives within a single picture plane.

Walker applies light washes of acrylic dispersion, pigment, chalk and marble dust, with selective intensity to an absorbent and textured ground. Employing the spatial logics of fresco and its shallow depth of field, Walker builds her tableaux, placing her painted subjects within stage-like scenes that defy easy delineation between ecstasy, eroticism and suffering.

“Ella Walker is a brilliant artist, whose unique style and painting technique is captivating. Her paintings, layered with a complexity of themes and historical references, operate within the interstices of historic and contemporary visual cultures, creating a new painterly language in between. I am thrilled to be working with Ella on an international level and promoting her extraordinary practice alongside New York gallery Casey Kaplan.” – Pilar Corrias

Walker will have her first exhibition with the gallery later this year.

photo: Jooney Woodward

Dr Nicholas Cullinan appointed as new Director of the British Museum

March 28, 2024

Dr Nicholas Cullinan OBE has been appointed as the new Director of the British Museum, following the unanimous approval of the Board of Trustees and the agreement of the Prime Minister.

Nicholas is one of the UK’s most admired and experienced museum directors, having successfully run the National Portrait Gallery since April 2015. During his time at the National Portrait Gallery Nicholas led the most significant transformation in the Gallery’s history, with a complete re-presentation of the Collection and major redevelopment of the building increasing public space by a fifth. Before that he worked at the Metropolitan Museum of Art in New York and Tate Modern in London as a curator, bringing an international perspective to his approach.

Nicholas takes over from Interim Director Sir Mark Jones and will take up his role in the summer.

photo: Zoë Law

Richard Serra, 1938 – 2024

March 27, 2024

The death has been announced of Richard Serra at his home in New York. The American artist, perhaps best known for his monumental abstract sculptures, died of pneumonia at the age of 85.

Serra’s massive arcing sheets of oxidised steel - often weighing thousands of tonnes - became his hallmark and are installed in museums and public spaces throughout the world. Even his drawings - also integral throughout his work - were massive, daunting, and “heavy”.

Carmen Jimenez, who organised an exhibition of major Serra works in 2005 at The Guggenheim Museum, Bilbao, described the artist as “beyond doubt the most important living sculptor”.

Richard Serra: Six Large Drawings opens on Tuesday, April 9 at David Zwirner in London

Richard Serra: Casablanca runs until Tuesday, April 30 at Galerie Lelong & Co. in Paris

photo: Richard Serra: Transmitter @ Gagosian, Paris, Sep 2021 - Dec 2022 © 2021 Richard Serra/ARS, New York, Thomas Lannes

Jack Bell Gallery relaunches as Larkin Durey

March 26, 2024

Oliver Durey is delighted to announce the launch of his newly rebranded gallery, Larkin Durey, operating under his sole direction and ownership. Originally opened in 2010 as Jack Bell Gallery, ex-partners Jack Bell and Oliver Durey shared over a decade of success together and have now taken the decision to part company to pursue independent ventures.

Larkin Durey remains in its well-loved location of Mason’s Yard, London and continues to strategically evolve its international contemporary program. The gallery’s new name reflects the revised positioning, an ethos of inclusivity where artists and collaborators are an extended family. Family is hugely important and Larkin Durey takes its name from Oliver’s two sons, who share his and his wife’s surnames. His wife, Monica Larkin, has extensive fashion and design experience in the luxury sector and will also be contributing to the development of the gallery’s visual brand presence.

Looking ahead, the gallery aims to strengthen its focus on each artist on the roster, increasing their presence locally, internationally & online. In 2024 the gallery will streamline its fair program building on existing stateside relationships in New York and has ambitions to develop a wider European program in 2025.

Larkin Durey opened with ‘Le Bapteme‘ by Marc Padeu on Thursday 14 March with the artist in attendance from Yaoundé, Cameroon.

Capitain Petzel now represents Alexandra Metcalf

March 25, 2024

Capitain Petzel is pleased to announce the representation of Alexandra Metcalf.

Born in 1992 in London, UK, Alexandra Metcalf works in painting and sculpture, reinterpreting the history of gendered labor through antiquated ornamental traditions. Metcalf considers the way historic counter-culture movements shape aesthetics, with the intense patterns and coloring of her paintings representing domestic landscapes full of anxiety and populated by hysteric women. Metcalf mythologizes a dramatic descent into madness through exaggerated yet self-aware images related to historically established notions of femininity. One could see this as a satire of literary tropes or an attempt to depict the heightened levels of dramatic tension characteristic of operatic storytelling, where most things are to be seen in parentheses. Her fascination with craft is coupled with attempts to regender labor-intensive mediums historically seen as masculine, including stained glass, bronze casting, and handcrafted woodwork.

Alexandra Metcalf graduated from the Chelsea College of Art and Design, London and Rhode Island School of Design, Providence. Her work has recently been exhibited at 15 Orient Gallery, New York; Kunsthalle Zürich; Champ Lacombe, Biarritz; Fitzpatrick Gallery, Paris; LOMEX, New York; and Ginny on Frederick, London. Metcalf’s work is held in The Museum of Modern Art Library Collection, New York; The Perry and Marty Granoff Center for the Creative Arts, Brown University, Providence and The Perimeter, London.

A joint exhibition by Karla Black and Alexandra Metcalf is on view at Capitain Petzel through April 13, 2024.

photo: Jackson Hallberg

Galleria Continua announces representation of Barbana Bojadzi

Born in 1996, Barbana Bojadzi is an artist originally from Kosovo who currently lives and works in Provins, France. She graduated from the École Nationale Supérieure des Beaux-Arts in Paris in 2021, with honors from the jury. At the Beaux-Arts, she was mentored by Dominique Gauthier, Nina Childress, and Dominique Figarella.

In her artistic practice, Barbana Bojadzi is particularly interested in the memory associated to gesture, the idea of imprint, and its relation to Time. Her artworks are characterized by the accumulation of layers, colors, and textures, thus creating a stratification of meanings and materials, where the image emerges by a mechanism of extraction. Barbana Bojadzi is always seeking new technical processes, highlighting used and reclaimed materials that reflect the humility and simplicity we find in her work.

Barbana Bojadzi recently won the Khalil de Chazournes Prize, awarded by the Amis des Beaux-Arts de Paris, as well as the 2023 the Sisley - Beaux-Arts de Paris Prize for Young Creation, and one of her works is now part of the Société Générale Art Collection. She was also part of many group shows, including 'Société Générale Art Collection' at the Société Générale Tower, Puteaux (France) and 'Felicità' at POUSH, Aubervilliers (France).

The artist’s first solo exhibition at Galleria Continua opens on April 2, 2024.

Tschabalala Self awarded 2026 Fourth Plinth Commission

March 15, 2024

Galerie Eva Presenhuber and Pilar Corrias are pleased to announce that Tschabalala Self’s work has been selected for the 2026 Fourth Plinth commission. The Fourth Plinth in Trafalgar Square is one of the most important art commissions worldwide, putting new work by internationally renowned artists into the heart of London. Self’s sculpture, titled Lady in Blue, pays homage to a contemporary woman, who could be one of many Londoners walking through Trafalgar Square. Made of bronze, she will reference the square’s existing monuments, but will be patinated with Lapis Lazuli, a refined blue pigment in use since antiquity.

“I am honoured that the public and Fourth Plinth Commissioning Group have selected my work,” Self says. “Lady in Blue will bring a woman to Trafalgar Square that many can relate to. She is not an idol to venerate or a historic figurehead to commemorate. She is a woman striding forward into our collective future with ambition and purpose. She is a Londoner, who represents the city’s spirit.”

Tschabalala Self (b.1990 Harlem, USA) lives and works in New York’s Hudson Valley. Self is an artist who builds a singular style from the syncretic use of both painting and printmaking to explore ideas about the black body. She constructs depictions of predominantly female bodies using a combination of sewn, printed and painted materials, traversing different artistic and craft traditions. The formal and conceptual aspects of Self’s work seek to expand her critical inquiry into selfhood and human flourishing. Solo exhibitions by Tschabalala Self include EMMA – Espoo Museum of Art, Espoo, FI (2024); Swiss Institute, New York, NY, US (2024); CC Strombeek, Grimbergen, BE (2023); Kunstmuseum St. Gallen, St. Gallen, CH (2023); Le Consortium, Dijon, FR (2022); Baltimore Museum of Art, Baltimore, MD, US (2021); ICA, Boston, MA, US (2020); Hammer Museum, Los Angeles, CA, US (2019); Frye Art Museum, Seattle, WA, US (2019); Yuz Museum, Shanghai, CN (2018); Tramway, Glasgow, UK (2017); and Parasol Unit Foundation for Contemporary Art, London, UK (2017).

photo: James O. Jenkins/GLA

Alison Jacques announces the representation of Alison Wilding

March 7, 2024

Alison Wilding is one of Britain’s foremost sculptors, known for her mostly abstract sculptures made with a wide range of materials and processes. Wilding’s first solo exhibition with the gallery will open in September this year.

Alison Wilding’s sculpture has challenged expectations since she first rose to prominence as part of the “New British Sculpture” in the 1980s. Over five decades, Wilding’s work – characterised by her particular manipulation of materials – continues to evolve and test boundaries. By combining both ancient and modern materials, her sculptures create conversations across time and space, producing new experiences of viewership in the present.

“Sometimes it’s the material that feels wrong that is the correct thing to use, because it’s more interesting, or tells you something that you didn’t know before” - Wilding

Wilding’s first major solo exhibition was at the Serpentine Gallery, London in 1985, and her first international solo exhibition was at the Museum of Modern Art, New York in 1987. Wilding was elected to the UK’s Royal Academy in 1999, and was awarded an OBE for her services to art in 2014.

photo © Toby Coulson