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The Week in Art visit the site 10-17 Jun 2025
Openings, events, auctions Berlin, Brussels, London, Los Angeles, Naples, New York, Paris, Seoul, Shanghai, Sydney, Zürich |
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▻ use the Daily Diary for all the latest events and updates!
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Berlin
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Berlin, Wednesday 11 |
Capitain Petzel: Christopher Kulendran Thomas a single monumental painting - Thomas' largest to date - covers the entirety of the exhibition space as he examines colonial art history and ethnic violence in Sri Lanka |
first day |
Berlin, Friday 13 |
Esther Schipper: Norbert Bisky: Polympsest new paintings and sculpture in Bisky’s first solo exhibition with the gallery - “Bisky has established a formal vocabulary in which bodies become representations of existential states” |
opening reception |
Esther Schipper: Roman Ondak: Out of the Blue sculptures and photographic works all loosely based on the color blue and its association with melancholy - “Ondak is not a gloomy artist, his works, blue or not, are full of reflection but also have much affection for life and his spectators” |
opening reception |
Galerie Max Hetzler, Bleibtreustraße 15/16: KAWS: THERAPY across two of the Berlin spaces, new paintings and a larger-than-life sculpture in KAWS’ inaugural exhibition with the gallery |
opening reception |
Galerie Max Hetzler, Bleibtreustraße 45: KAWS: THERAPY across two of the Berlin spaces, new paintings and a larger-than-life sculpture in KAWS’ inaugural exhibition with the gallery |
opening reception |
Brussels
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Brussels, Thursday 12 |
Almine Rech: Jenny Brosinski: In my cloud (NO birds) “Brosinski brings together painting and sculpture to form a cosmos in which materials and colors - surrounded by empty space - reveal their pure presence” - Larissa Kikol |
opening reception |
Almine Rech: Janet Werner: Hell and Happiness the artist's first solo show with the gallery - “there is a humorous and playful aspect in this work, but there is … a darker side, an underlying seriousness, a disorder within the idea of a unified image or narration” - Werner |
opening reception |
London
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London, Tuesday 10 |
Emanuel von Baeyer: Dracula & Frankenstein artwork for the two great gothic novels by renowned illustrator Angela Barrett |
opening reception |
Hayward Gallery: Yoshitomo Nara more than 150 drawings, paintings, sculptures, installation and ceramics in the largest European retrospective of one of Japan’s most celebrated artists |
first day |
Hayward Gallery: Yoshitomo Nara: Artist’s Talk |
talk |
Hayward Gallery: Ghazaleh Avarzamani and Ali Ahadi: Freudian Typo new image-based works, sculpture, video and found objects in a multi-layered exhibition exploring language and the vocabulary of corporate finance, debt and development |
first day |
London, Wednesday 11 |
Cristea Roberts Gallery: The Sum of the Parts: The Complete Portfolios of Josef Albers lithography, silkscreen, inkless intaglio, and embossing in the first exhibition dedicated solely to the complete print portfolios of Albers |
opening reception |
Cristea Roberts Gallery: Introduction to the exhibition with Nicholas Fox Weber, the Director of the Josef and Anni Albers Foundation |
talk |
David Zwirner: Joe Bradley: Animal Family new paintings by the American artist - “I have never really felt comfortable calling myself an abstract painter ... there have always been flashes of figuration in my work” - Bradley |
private view |
David Zwirner: Walkthrough with Joe Bradley in conversation with Caoimhín Mac Giolla Léith |
tour |
Ruup & Form: Kerry Lemon: Simpling titled after the historical practice of harvesting medicinal plants, an exhibition of sculptural works and immersive installation where Lemon “invites viewers to reimagine the interdependence of body, plant, and place” |
first day |
London, Thursday 12 |
Gagosian Grosvenor Hill: Rudolf Stingel: Vineyard Paintings the inaugural presentation of new paintings by Stingel - “in these works I’m leaving rigorous conceptual process behind and allowing myself to paint” |
opening reception |
Hurst Contemporary: Figurative Impressions: In Plain Sight the second instalment in the gallery’s curatorial series Figurative Impressions is “an exploration of figurative painting as a medium for expressing the complexities of the lived experience” |
opening reception |
JD Malat Gallery: Sepand Danesh: Odradek the ten paintings in the French-Iranian artist’s debut solo exhibition in London explore “identity transformation and the paradoxes of contemporary existence in our hyper-connected age” |
opening reception |
Galerie Max Hetzler: Potential Colour |
first day |
Robilant+Voena, London: Stephen Appleby-Barr in conversation with Maria Fusco |
talk |
SQFT:Space Gallery: A conversation with Alberto Torres Hernandez and Jorge Garriz |
talk |
Saatchi Yates: Once Upon a Time in London a monumental summer exhibition celebrating London, its artists and institutions, with works by Francis Bacon, Leon Kossoff, Frank Auerbach, Bridget Riley, David Hockney, Paula Rego, Lucian Freud, Gilbert & George, Neil Stokoe, Tracey Emin, … |
private view |
Timothy Taylor: Hilary Pecis: Wandering new paintings by the Los Angeles-based Pecis - “kaleidoscopic compositions drawn from the artist's daily excursions” |
opening reception |
Timothy Taylor: Hilary Pecis in conversation with Katy Hessel |
talk |
Workplace: Cathleen Clarke: A New Path “a new body of work that looks back to the Midwestern winters of Clarke’s childhood” in the first UK solo exhibition of the Brooklyn-based painter |
opening reception |
London, Saturday 14 |
Autograph: Embodied Stories: Yoga in the Gallery with Eileen Perrier |
special event |
Emanuel von Baeyer: Angela Barrett in conversation with John Huddy |
talk |
London, Tuesday 17 |
County Hall Pottery: Ceramic Material Production and Investigation Masterclass |
special event |
October Gallery: October Gallery at Africa Basel for their presentation at the debut edition of Africa Basel, painting, sculpture, photography and ceramic works by James Barnor, Eddy Kamuanga Ilunga, Alexis Peskine, Zana Masombuka, LR Vandy, Owusu-Ankomah, and Xanthe Somers |
first day |
Palmer Gallery: Errant Echoes: RA Schools Class of 2027 hosted by the gallery, Errant Echoes presents a selection of work from the seventeen artists of the 2027 cohort at the RA Schools |
private view |
Los Angeles
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Los Angeles, Saturday 14 |
Luis De Jesus Los Angeles: Francisco Masó: Documentary Abstraction in the Cuban conceptual artist's first solo exhibition in Los Angeles, acrylic on canvas paintings which explore the forces of state power and control, and the militarization of Cuban civil society |
opening reception |
Luis De Jesus Los Angeles: Kelley Johnson: Elusive Spaces an exhibition of new painting by Johnson that “exists in a shifting space between abstraction, landscape, and dreamscape” |
opening reception |
Luis De Jesus Los Angeles: Strings Attached: Queering Proximities for Pride Month, an intimate exhibition exploring queer strategies through works by multidisciplinary artists Amy Adler, John Brooks, Josh Cabello, Pui Tiffany Chow, Zackary Drucker, Rubén Esparza, Ken Gonzales-Day, Jonathan VanDyke, and Jwan Yosef |
opening reception |
parrasch heijnen: Anne Appleby: Array “the artist’s edge-to-edge color field paintings are composed of multi-panel works often in grid form, revealing chromatic shifts in the context of sequential development” |
first day |
Naples
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Naples, Thursday 12 |
Alfonso Artiaco: Paolo Bini: Nient’altro che Pittura Bini’s first solo show is “a call to attunement, a return to the essential, to a way of seeing shaped by slowness, sensitivity, and presence” |
opening reception |
Alfonso Artiaco: Selene Cardia: Chiodi d’ambra Cardia’s first solo exhibition presents “her practice in a painting language that is both austere and luminous, where time and gesture are not mere components but structuring forces” |
opening reception |
New York
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New York, Wednesday 11 |
Sotheby’s New York: Important Design auction: Wed 11 (viewing: Fri 6-Wed 11) |
auction |
Sotheby’s New York: Axel Salto: The Burning Now auction: Wed 11 (viewing: Fri 6-Wed 11) |
auction |
New York, Thursday 12 |
CARVALHO PARK: Beau Gabriel: Blackberry Rondo the New York-born, London-based artist’s inaugural solo exhibition in the United States |
opening reception |
CARVALHO PARK: Rosalind Tallmadge: Pareidolia the third edition of the gallery’s acclaimed performance series brings together Tallmadge’s installation with the choreography of Principal dancer and activist Ingrid Silva, performed by Elias Re and Vinícius Freire |
opening reception |
CARVALHO PARK: Echoes on the Wall, featuring Ingrid Silva, Elias Re + Vinícius Freire |
performance |
Nara Roesler New York: On Blindness painting, sculpture, drawing, photography, and video in a group exhibition curated by Mateus Nunes which draws on the life and work of Jorge Luis Borges to explore blindness as a poetic catalyst |
first day |
Perrotin New York: Gabriel Rico: A Finger Pointing to the Moon reflecting on the relationship between humans and the environment through object-making, assemblage-based installations, and a keen understanding of material processes, Rico achieves a precise geometry from his carefully chosen objects |
opening reception |
Perrotin New York: Christiane Pooley: Imaginary Country the first US exhibition of paintings by the Chilean-born, Paris-based artist draws inspiration from the landscapes of South America to depict ethereal terrains on canvas and copper plate |
opening reception |
Perrotin New York: Power Line: Yale School Of Art an exhibition of works by the Yale School of Art Painting and Printmaking Graduate Class of 2025 |
opening reception |
Perrotin New York: Focus: Josh Sperling “throughout the course of his artistic practice, Sperling has continuously referenced the worlds of design and architecture as inspirations for his sculptural works on canvas” |
first day |
New York, Friday 13 |
Sotheby’s New York: A Life in Art: The Mallin Collection Part III auction: Fri 13-Wed 18 (viewing: Sat 14-Tue 17) |
auction starts |
Upsilon Gallery: Mark Making / Time Marking the first presentation of Ryoko Endo, Hannah Lim, and Park Seo-Bo’s work in dialogue - “three visionary artists whose practices traverse East and West, past and present, structure and spontaneity” |
first day |
Paris
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Paris, Wednesday 11 |
Galerie Georges-Philippe & Nathalie Vallois: Robert Cottingham: Cameras, Typewriters & Components “with one exception [...] the human figure is absent from his work. Exiled without return, in an off-screen made improbable, almost unthinkable [...] ”the things I choose to paint say much more about man than painting a man” - Alain Cueff |
opening reception |
Galerie Georges-Philippe & Nathalie Vallois: Focus #2 - American Photorealism with works by John Baeder, Robert Bechtel, Charles Bell, Robert Cottingham, John DeAndrea, Don Eddy, Ralph Goings, Duane Hanson, and John Salt |
opening reception |
Hauser & Wirth: Rita Ackermann. Doubles new paintings and large works on paper in Ackermann’s first exhibition at the gallery in Paris - “everything about these Doubles not only turns the tables on their beholders, but also subverts established ways of interpreting works of art” - Pamela Kort |
opening reception |
Sotheby’s Paris: Tableaux 1400-1900 auction: Wed 11 (viewing: Fri 6-Wed 11) |
auction |
Paris, Thursday 12 |
HELENE BAILLY: Montparnasse & the School of Paris: Studio Stories curated by Armand Camphuis with works by historic and contemporary artists, an exhibition which “highlights the enduring importance of artists’ studios for the Parisian avant-gardes – past and present” |
opening reception |
Sotheby’s Paris: Arts d'Asie auction: Thu 12 (viewing: Fri 6-Wed 11) |
auction |
Paris, Saturday 14 |
Almine Rech, Turenne: Roby Dwi Antono: Tilik Belik: Visiting the Ailing Spring “deliberately composed, [Roby’s] idyllic landscapes suggest a utopia where nostalgia and folk rituals co-exist on a flat plane, forcing us to question our notions of science and progress” |
opening reception |
Almine Rech, Turenne: Jess Valice: Home is Not a Place “a unique installation, a representation of her bedroom, the ultimate symbol of sanctuary. Bathed in deep maroon-colored, the room evokes the primal safety of a womb or the rawness of an open wound” - Lisa Boudet |
opening reception |
Almine Rech, Matignon: Taryn Simon: The Game through photography, video, and installation, Simon continues her exploration of “the backstage of power, uncovering the invisible structures that shape our perception” - Maud de la Forterie |
opening reception |
Gagosian, rue de Ponthieu: Brice Marden: Works on Paper selected by Marden’s daughters Mirabelle and Melia, previously unseen work from the artist’s final two decades - “[Marden’s] drawings have a personal feeling, which is the result of hand merging with mind: both need to become one” - Eileen Costello |
opening reception |
Seoul
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Seoul, Friday 13 |
LKIF Gallery: Raphael Barratt: Illuminations |
first day |
Shanghai
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Shanghai, Wednesday 11 |
Almine Rech: The Archipelagic Imagination: Seaport the first of a two-part group exhibition curated by Zong Han - “convening artistic positions rooted in Southeast Asia and its global dispersals” |
opening reception |
Sydney
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Sydney, Thursday 12 |
Art Leven: First Nations Fine Art Auction “a tightly curated selection of 82 works by artists of outstanding cultural and historical significance” |
private view |
Zürich
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Zürich, Thursday 12 |
Hauser & Wirth Bahnhofstrasse 1: ‘Just There’ Rothko Ryman important works by the two American greats of 20th-century painting as the gallery brings them together for the first time in a two-person exhibition |
opening reception |
Zürich, Friday 13 |
Galerie Eva Presenhuber, Maag Areal: Franz West: Die frühen Werke / Early Works largely drawn from private collections, an exhibition of sculptures and objects from 1975 to 1990 by the “unique and incomparable” Austrian artist |
first day |
Galerie Eva Presenhuber, Waldmannstrasse: Troisième Étage paintings by Joe Bradley, Austin Eddy, Karen Kilimnik, Ugo Rondinone, and Josh Smith, shown alongside unique furniture pieces by Franz West |
first day |
Hauser & Wirth: Ed Clark. Paint is the Subject curated by Tanya Barson with the artist’s estate, key works spanning seven decades in the first solo exhibition in Switzerland dedicated to the pioneering American abstractionist |
opening reception |
Hauser & Wirth: Pat Steir. Song new works by one of the great innovators of contemporary painting, in her first solo exhibition with the gallery in Europe |
opening reception |
Mai 36 Galerie: Thomas Ruff: expériences lumineuses “Ruff once again makes it clear that he is convinced of the importance of scientific photography” |
opening reception |
Mai 36 Galerie: Maia Ruth Lee: Nearing "through painting, sculpture, installation, and photographic work … my work explores the evolving shape of language, memory, and identity in the context of migration, diaspora, and personal mythology” |
opening reception |
Galerie Peter Kilchmann, Zahnradstrasse: Tobias Spichtig: Heavy Mental the Berlin-based artist’s first solo exhibition of new paintings, sculptures, and drawings - “for Spichtig, painting, like music, begins not with thinking, but with a pulse - something sensed or intuited before it becomes visible” - Samuel Staples |
opening reception |
Zürich, Saturday 14 |
Galerie Eva Presenhuber, Maag Areal: In Conversation: Peter Pakesch & Hans Ulrich Obrist |
talk |
galerie gmurzynska, Paradeplatz: Warhol/Cutrone paintings, drawings, and unique polaroids, including some shown publicly for the first time, in this exhibition curated by James Hedges juxtaposing the two artists |
opening reception |
Hauser & Wirth: Ed Clark. Paint is the Subject |
tour |
Hauser & Wirth: Pat Steir. Song |
tour |
Galerie Peter Kilchmann, Rämistrasse: Travis Boyer: Personal Effects new paintings by Boyer in his first solo exhibition in Switzerland - “Boyer’s works explore how surfaces accrue meaning, inviting reflection on ornament, cultural memory, and queer embodiment” |
opening reception |
Zürich, Sunday 15 |
Galerie Peter Kilchmann, Rämistrasse: Thomas Love in conversation with Travis Boyer |
talk |
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Don’t miss: exhibitions closing Athens, Houston, London, Los Angeles, Monaco, New York, Palm Beach, Paris, Sydney |
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Athens
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Athens, Saturday 14 |
Gagosian: Adriana Varejão: Histórias Moldadas |
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Houston
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Houston, Saturday 14 |
Colector: Juana Subercaseaux: Bag of Cells |
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London
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London, Saturday 14 |
Bartha Contemporary: Material Syntax: Andrew Bick & Henrik Eiben |
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Palmer Gallery: Handful of Dust |
Virtual Visit! ▻ |
Upsilon Gallery: Sentire: You Are the April Sky |
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London, Sunday 15 |
National Portrait Gallery: Edvard Munch Portraits |
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Los Angeles
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Los Angeles, Saturday 14 |
L.A. Louver: L.A. Louver Celebrates 50 Years |
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Lisson Gallery: Carolee Schneemann |
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Monaco
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Monaco, Saturday 14 |
Hauser & Wirth Monaco: Barbara Chase-Riboud. The Josephines |
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New York
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New York, Thursday 12 |
Eerdmans: Jean Hannon: A Retrospective in Oil, Ink, & Watercolor |
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New York, Friday 13 |
Edwynn Houk Gallery: Lee Shulman and Omar Victor Diop: The Anonymous Project presents Being There |
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Hirschl & Adler: Prelude: The Early Work of Franz Kline |
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New York, Saturday 14 |
Almine Rech, Tribeca: Heinz Mack: From ZERO until Today |
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Gagosian Park & 75: Jim Shaw: Drawings |
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HB381: Eun-Ha Paek: Alters |
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Hauser & Wirth Wooster Street: Thomas J Price. Resilience of Scale |
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Sean Kelly Gallery: Sam Moyer: Subject to change |
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New York, Tuesday 17 |
Robilant+Voena, New York: A Mysterious Vision: The Uncanny and Lingering Influences of Surrealism in Contemporary Art |
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Palm Beach
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Palm Beach, Thursday 12 |
Findlay Galleries Palm Beach: Nautical Journeys: A Refined Collection of Maritime Paintings |
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Paris
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Paris, Saturday 14 |
Adrian Sutton Gallery: Adéla Janská: Collisions |
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Carpenters Workshop Gallery: Batten and Kamp: From a Distance |
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Carpenters Workshop Gallery: Léa Mestres: Welcome to Mestresville |
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Carpenters Workshop Gallery: Martin Laforêt: Studies |
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Galleria Continua Matignon: Max Ernst & Joaquín Ferrer: Les surprises du hasard |
Virtual Visit! ▻ |
Gagosian Le Bourget: James Turrell: At One |
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Sydney
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Sydney, Tuesday 17 |
Art Leven: First Nations Fine Art Auction |
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