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The Week in Art visit the site
6-13 Oct 2026
Openings, events, auctions
Amsterdam, Baku, Dubai, Dublin, Geneva, Hong Kong, London, Los Angeles, Melbourne, Monaco, New York, Paris, Salisbury, Seoul, Tisbury, Zürich
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▻ use the Daily Diary for all the latest events and updates!
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Amsterdam
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| Amsterdam, Friday 9 |
Reflex:
Enoc Perez: Drawings & Selected Paintings
“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince |
opening reception |
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Baku
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| Baku, Thursday 8 |
Gazelli Art House:
Everything Folds, Unfolds, Refolds
titled after Gilles Deleuze’s writing on the fold, and curated by Dr. Alfredo Cramerotti and Auronda Scalera, an exhibition bringing together six artists who explore how histories, materials, and cultural knowledge survive transformation |
opening reception |
| Baku, Friday 9 |
Gazelli Art House:
Everything Folds, Unfolds, Refolds
titled after Gilles Deleuze’s writing on the fold, and curated by Dr. Alfredo Cramerotti and Auronda Scalera, an exhibition bringing together six artists who explore how histories, materials, and cultural knowledge survive transformation |
first day |
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Dubai
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| Dubai, Thursday 8 |
Opera Gallery:
Abdulqader Al Rais: Al Nayed
with rare works from the artist’s private collection, this major retrospective of one of the founding figures of contemporary art in the UAE offers an in-depth look at a practice that has helped shape the country’s modern visual and cultural identity |
first day |
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Dublin
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| Dublin, Thursday 8 |
Kerlin Gallery:
Elizabeth Magill: Northern Sky
new paintings by Magill - “the drama is these paintings is released and withheld … there is no simple meaning; instead there is much ambiguity and strange, coiled beauty” - Colm Tóibín |
opening reception |
| Dublin, Friday 9 |
Kerlin Gallery:
Elizabeth Magill: Northern Sky
new paintings by Magill - “the drama is these paintings is released and withheld … there is no simple meaning; instead there is much ambiguity and strange, coiled beauty” - Colm Tóibín |
first day |
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Geneva
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| Geneva, Friday 9 |
Opera Gallery:
Fred Eerdekens
this new solo exhibition dedicated to the Belgian artist brings together over twenty works exploring the relationship between sculpture, language, light, and perception |
first day |
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Hong Kong
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| Hong Kong, Thursday 8 |
Sotheby’s Hong Kong:
Fine Classical Chinese Paintings
auction: Thu 8
(viewing: Sun 4-Wed 7) |
auction |
| Hong Kong, Friday 9 |
Sotheby’s Hong Kong:
Fine Chinese Paintings
auction: Fri 9
(viewing: Sun 4-Thu 8) |
auction |
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London
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| London, Tuesday 6 |
Holtermann Fine Art:
Ahmed Umar: Glowing Phalanges
drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand |
first day |
Perrotin London:
Iván Argote: Mamarrachos: Quinceañera
Argote’s first exhibition at Perrotin London celebrates fifteen years of his eponymous paintings and sculptures originating from digital scribbles - exploring constraint and freedom while inviting the public to participate within the gallery space |
first day |
Pi Artworks:
Jyll Bradley: Power of What (Memory Room)
“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection” |
private view |
Twilight Contemporary:
Ṣọlá Olúlòde and Cecilia Reeve: Gossamer
“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty” |
private view |
| London, Wednesday 7 |
Autograph:
Our Bodies Have Been Bridges
curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land |
opening reception |
Autograph:
Charan Singh: Your Tongue in My Mouth
curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities |
opening reception |
Hanina Fine Arts:
PARIS | CUBA - the post-war affair
an exhibition exploring the cultural exchange between Cuban communism and the French avant-garde in the 50s and 60s |
first day |
Patrick Heide Contemporary Art:
Bernardo Ortiz: Peso Muerto
“since the day I decided I wanted to call myself a draftsman I try to draw every day. A little bit at least” - Ortiz |
private view |
Pi Artworks:
Jyll Bradley: Power of What (Memory Room)
“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection” |
first day |
Victoria Miro:
Khalif Tahir Thompson: Send in the Clowns
new paintings by Thompson, who “invites viewers into the everyday lives of his subjects through vibrant domestic scenes, full of texture and pattern that create an expansive form of portraiture … weaving through time” |
private view |
| London, Thursday 8 |
Ab-Anbar:
Gülsün Karamustafa: Remains of a Forgotten Promise
the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media |
opening reception |
Alison Jacques:
Graham Little
new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models” |
private view |
Ames Yavuz:
Reko Rennie: Renaissance Revolution
the Aboriginal artist’s first London exhibition begins with a childhood memory of visits to Melbourne’s National Gallery of Victoria and questions who is represented in museums, who decides, and who is left out |
first day |
Autograph:
Our Bodies Have Been Bridges
curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land |
first day |
Autograph:
Charan Singh: Your Tongue in My Mouth
curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities |
first day |
Autograph:
Carrying Histories: Indigenous Feminisms and Photography |
talk |
Dirimart London:
Peter Zimmermann: still flowing
Zimmermann’s first solo exhibition at the gallery’s London space brings together for the first time his most recent body of epoxy-on-canvas works |
opening reception |
Elizabeth Xi Bauer, Exmouth Market:
Pia Camil: Bestia
in Camil’s debut solo exhibition in London and with the gallery, new works exploring the unstable boundaries between looking and being looked at |
private view |
LAMB:
Jim Amaral: A Study of Five Decades
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first day |
Maureen Paley, 4 Herald St:
Rebecca Warren: There Will Be Another You
new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren |
opening reception |
Maureen Paley:
Rebecca Warren: There Will Be Another You
across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren |
opening reception |
October Gallery:
Romuald Hazoumè: My Blue Period
addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit |
first day |
Patrick Heide Contemporary Art:
Bernardo Ortiz: Peso Muerto
“since the day I decided I wanted to call myself a draftsman I try to draw every day. A little bit at least” - Ortiz |
first day |
Pontone Gallery:
Massimo Giannoni: Volumi
“in a post-modern world that devalues and discards the intellectual achievements of its past, Giannoni’s paintings invite us to take up the book, view the museum and immerse ourselves in the life of the mind, wherever it may lead us” |
first day |
Pontone Gallery:
Chris Rivers: Legends in Higher Places
“drawing on Rivers’ iconic foundational series … familiar celestial creatures and tumbling astronauts amid pulsating clouds of intense vaporous colour” |
first day |
Serpentine South Gallery:
Justin Caguiat: Change Ringing
the painting, sculpture, printmaking, sound, and film in Caguiat’s first UK institutional exhibition explores the architecture, spiritual resonance, and symbolic qualities of sacred spaces, and the structures and rhythms of everyday urban infrastructure |
first day |
Sim Smith:
Tim Garwood: Signals
“bringing together paintings on birch panel, painted photographs and installation in the form of steel agricultural gates, the exhibition explores what it means to look closely, to slow down and to become attentive to one’s surroundings” |
opening reception |
THE TAGLI:
Containers: Part I & II
on the groundfloor Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova, and Salvatore Pione “treat the artwork as vessel for memory” - while Lucas Dupuy’s solo presentation downstairs “pushes the same question into architecture and form itself” |
first day |
Upsilon Gallery:
John Hoyland and Clyde Hopkins: The wind blows high in space
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first day |
Victoria Miro:
Khalif Tahir Thompson: Send in the Clowns
new paintings by Thompson, who “invites viewers into the everyday lives of his subjects through vibrant domestic scenes, full of texture and pattern that create an expansive form of portraiture … weaving through time” |
first day |
| London, Friday 9 |
Alison Jacques:
Graham Little
new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models” |
first day |
Alon Zakaim Fine Art:
Clive Head: Simultaneously Real
large-scale paintings, displayed alongside drawings as well as complementary works from the gallery offer an insight into Head’s approach to painting, revealing the processes, themes and visual connections that underpin his work |
first day |
Annka Kultys Gallery:
Karin Sander
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first day |
Elizabeth Xi Bauer, Exmouth Market:
Pia Camil: Bestia
in Camil’s debut solo exhibition in London and with the gallery, new works exploring the unstable boundaries between looking and being looked at |
first day |
LBF Contemporary:
Lawrence Perry in conversation with Francesca Gavin and Louis Blanc-Francard |
talk |
Maureen Paley, 4 Herald St:
Rebecca Warren: There Will Be Another You
new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren |
first day |
Maureen Paley:
Rebecca Warren: There Will Be Another You
across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren |
first day |
National Portrait Gallery:
Tim Walker’s Fairyland: Love and Legends
curated by Susanna Brown , an exploration of queer identity, community, and love through the lens of one of Britain’s foremost photographers |
first day |
National Portrait Gallery:
Artist Focus. Issy Wood: Self-Portraits
this first of three annual focused presentations showcases intimate self-portraits by the British American artist, musician, and writer, who examines intimacy, desire, consumer culture, and the complexities of contemporary identity |
first day |
No.9 Cork Street:
P·P·O·W: Robin F. Williams: Act Natural
Williams’s first solo exhibition in the UK expands on their previous investigations into horror films and the feminization of AI assistants, fusing art historical, literary, and pop culture references to create multivalent narrative compositions |
first day |
No.9 Cork Street:
The Third Line: Jordan Nassar: No History of Shapes / لا تاريخ للأشكال
titled after Mahmoud Darwish’s poem, this exhibition brings together new multi-panel embroidery works and vibrant mosaics that recontextualize the history and aesthetic traditions of Palestine |
first day |
Ordovas:
Hanover Gallery
curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair |
first day |
Pippy Houldsworth Gallery:
Sofía Bassi: Floating Between Earth and Sky
the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented |
first day |
| London, Saturday 10 |
David Gill:
Sebastian Brajkovic: L’Anima Enigma
the Dutch artist and designer continues his engagement in reinterpreting classical furniture - “sinuous, brushstroke-like shapes, which are created from sketches and rendered in patinated bronze, evoke the feeling of matter in flux” |
private view |
Pilar Corrias, Savile Row:
Rirkrit Tiravanija: (situational awareness)
drawing on the gallery’s location, an exhibition of new paintings and performance making a connection between British military history and the histories of labour, craft, and production of Savile Row itself |
first day |
| London, Sunday 11 |
The Gallery of Everything:
Chiltern Street Arty Party |
special event |
| London, Monday 12 |
Albion Jeune:
Timur Si-Qin: Pristine, Part I
“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form” |
opening reception |
Gazelli Art House:
Allen Jones: In Town Tonight
the gallery’s first solo exhibition with one of the defining figures of British Pop Art presents a substantial body of new work alongside significant pieces from across his career |
first day |
Gazelli Art House:
Project Space: Dominic Myatt
new and recent works on canvas by the multidisciplinary artist “whose approach is inspired by the visual fragments of everyday life, the energy of the city, and overlooked details within our surroundings” |
first day |
Institute of Contemporary Arts (ICA):
party pooper 1: Performance by Autumn Knight |
performance |
Luxembourg + Co.:
Mira Schendel: In Transit
organised in collaboration with the artist’s estate and Gomide&Co, São Paulo - and exhibited in both the gallery space and Frieze Masters - an exhibition dedicated to Schendel’s unique material language |
first day |
Opera Gallery:
Fernando Botero: In Praise of an Amplified World
the first solo exhibition in London since 2015 of the celebrated Colombian artist has a scenography by Cécile Degos and presents a major selection of paintings, drawings, and sculptures produced over almost six decades |
first day |
Opera Gallery:
Niovi Kafantari: The Necessary Other
titled after Adriana Cavarero’s philosophy of relational identity, Kafantari’s first solo exhibition in London presents new paintings exploring one of the most enduring questions of human experience - how identity is shaped through encounter |
first day |
Pace:
Kylie Manning: The Mudlarkers
new site-specific paintings in the first solo London exhibition by the New York-based artist - “Manning embraces an intensity of color and compositional movement to create works held at the apex of a tide, where one state has not yet yielded to the next” |
opening reception |
SETAREH:
Yesterday
works by Aziza, Erin Mommsen, Jordan Rubio, Julien Heintz, Maia Twombly, Nick Jensen, Nicholas Aliberti, Sage Schachter, and Zachary Merle - “across nine practices, personal histories are salvaged through deep engagement with material” |
opening reception |
Thomas Dane Gallery:
Glenn Ligon: Prompts
the gallery presents a group assembled by Ligon of earlier and new works “which conspicuously inform, contextualise, re-contextualise, appropriate and, somehow, ‘prompt’ one another” |
private view |
Thomas Dane Gallery:
Paul Pfeiffer: Pasodoble
a new single screen video installation by Pfeiffer - filmed across three interconnected sites the work traces the networks that sustain bullfighting, one of the world’s most enduring and contested public spectacles |
private view |
| London, Tuesday 13 |
Alice Amati:
Sophie Birch: The eye lives in this texture (...)
in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming |
opening reception |
Belmacz:
Marcel Broodthaers and Agnieszka Kurant
an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation |
opening reception |
Carpenters:
Thukral & Tagra: Arboretum
the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting |
first day |
Carpenters:
DRIFT: Aeolus
in its own dedicated and expansive space at the gallery, the Amsterdam-based studio unveil a new, interactive, and large-scale installation that “captures the movement of wind through the use of glass and light” |
first day |
Carpenters:
Gareth Mason: Flights of Fancy
the British ceramic artist known for his highly tactile treatment of the ceramic vessel presents new molded and punctured pale porcelain, dark, rugged stoneware, liquid glazes, and thermally transformed granite |
first day |
Carpenters:
Dissent: Notes from Underground
inaugurating their large new underground exhibition space, an exhibition foregrounding alternative perspectives on space, material, and craftsmanship - adding a fresh perspective to the gallery’s engagement with art, design, craft, and architecture |
first day |
Carpenters:
Anne Holtrop: Low-relief
renowned for his work across art, architecture, and design, Holtrop’s inaugural exhibition with the gallery presents new functional artworks in cast glass that explore the dynamic relationship between light, space, and material |
first day |
Cristea Roberts Gallery:
Antony Gormley: Where
over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?” |
opening reception |
Emanuel von Baeyer:
Artist Talk: Neil Gall, James Lang, Fitzroy Schofield, Richard Stipl, and Nicole Wassall |
talk |
Emanuel von Baeyer:
Figuren
spanning three generations - and covering painting, drawing, prints, and sculpture - an exhibition of the best in modern and contemporary figurative art |
opening reception |
GRIMM:
Rosalind Nashashibi: Gaza Apollo
based around the 2013 discovery of the rare bronze sculpture Apollo, new paintings by Nashashibi in the first solo exhibition of her work in London since her 2020 National Gallery exhibition |
opening reception |
Graces Mews:
What Rose from the Cut
developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage |
private view |
HELUX House:
This Green & Pleasant Land. Peter Lynch: Paintings
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first day |
Hauser & Wirth:
Cindy Sherman
the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime |
opening reception |
Hauser & Wirth:
Lorna Simpson
new large-scale paintings, multi-panel compositions, and sculpture by Simpson revealing the symbiotic relationship between her paintings, collages, and wider oeuvre |
opening reception |
Helly Nahmad Gallery | Nahmad Projects:
The Studio: Anna Freeman Bentley in dialogue with 20th Century Masters
looking the artist’s studio, new paintings by Freeman Bentley, presented in dialogue with 20th Century Masters including Braque, Dufy, de Chirico, Matisse, and Picasso |
private view |
October Gallery:
Romuald Hazoumè: My Blue Period
addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit |
private view |
Pace:
Kylie Manning: The Mudlarkers
new site-specific paintings in the first solo London exhibition by the New York-based artist - “Manning embraces an intensity of color and compositional movement to create works held at the apex of a tide, where one state has not yet yielded to the next” |
first day |
Pilar Corrias, Savile Row:
Rirkrit Tiravanija: (situational awareness)
drawing on the gallery’s location, an exhibition of new paintings and performance making a connection between British military history and the histories of labour, craft, and production of Savile Row itself |
opening reception |
Pippy Houldsworth Gallery:
Sofía Bassi: Floating Between Earth and Sky
the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented |
private view |
Ronchini:
Paul Jenkins: As Above so Below
the first ever recreation of the 2005 exhibition at the historic 12th-century Cistercian abbey, Abbaye de Silvacane, in France - “a renewed opportunity to consider Jenkins’s engagement with space, light, and process at a pivotal moment in his career” |
private view |
Sprovieri:
Mario Schifano 1960s
“Schifano is the perfect interpreter of his time and, precisely for this reason, through his work he is able to transcend it; he is able to transform an event from the news, or a personal observation of reality, into a universal subject” - Marco Meneguzzo |
private view |
Tache:
Léa Porré: Relics
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first day |
Thaddaeus Ropac:
Georg Baselitz: The Heroes 1965-66
an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting |
opening reception |
Thomas Dane Gallery:
Glenn Ligon: Prompts
the gallery presents a group assembled by Ligon of earlier and new works “which conspicuously inform, contextualise, re-contextualise, appropriate and, somehow, ‘prompt’ one another” |
first day |
Thomas Dane Gallery:
Paul Pfeiffer: Pasodoble
a new single screen video installation by Pfeiffer - filmed across three interconnected sites the work traces the networks that sustain bullfighting, one of the world’s most enduring and contested public spectacles |
first day |
DES BAINS:
NO EXCUSE: Désirée Nakouzi De Monte & Andrea Parenti
furniture, found objects, figures, costumes, painted surfaces, and images are dismantled, altered and recombined, moving between domestic spaces, film sets, and installations, in the artist duo’s first exhibition with the gallery |
opening reception |
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Los Angeles
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| Los Angeles, Saturday 10 |
Luis De Jesus Los Angeles:
Artist Talk: Phung Huynh, June Edmonds & Sherin Guirguis |
talk |
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Melbourne
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| Melbourne, Saturday 10 |
Tolarno Galleries:
Andrew Browne: Lux Sublimata
a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources” |
opening reception |
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Monaco
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| Monaco, Thursday 8 |
Almine Rech:
Gwen O’Neil: Atlantic Ave
“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney |
opening reception |
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New York
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| New York, Wednesday 7 |
Sotheby’s New York:
Reflections on Pop: Works from the Collection of Dorothy and Roy Lichtenstein
auction: Wed 7
(viewing: Fri 2-Tue 6) |
auction |
Sotheby’s New York:
Contemporary Curated featuring the Collection of Robert A.M. Stern
auction: Wed 7
(viewing: Fri 2-Tue 6) |
auction |
| New York, Thursday 8 |
GOCA by Garde:
Masaaki Noda: FROM FORCE TO FORCE
“centered on new cast stainless steel sculptures and paintings made for this occasion, the exhibition surveys a career of nearly half a century that began with printmaking in the 1970s” |
opening reception |
The Painting Center:
Kathleen Beausoleil: Meet at the Ferris Wheel
these new oil paintings by Beausoleil are centered on the American town fair, exploring how crowds form, how people connect through repeated encounters, and how shared rituals create a sense of belonging |
opening reception |
The Painting Center:
Ellen Starr Lyon: Nesting Rituals
“this exhibition continues Lyon’s exploration of life transitions … this body of work speaks to her current overlapping transitions of relocation to New York State from the Midwest and to what is known colloquially as an empty nester” |
opening reception |
Sotheby’s New York:
Prints & Photographs Part I
auction: Thu 8
(viewing: Fri 2-Wed 7) |
auction |
| New York, Friday 9 |
Friedrichs Pontone:
Joseph Cohen: To Be Here
new works by the American artist - “these paintings are not proclamations but records of showing up, layer after layer, mark after mark: evidence of a decision to participate in the world rather than merely comment on it” - Cohen |
opening reception |
| New York, Saturday 10 |
Luhring Augustine Chelsea:
Conversation with Janice Guy, Joe Mama-Nitzberg, and Shaun Pierson, moderated by David Campany, Creative Director of ICP |
talk |
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Paris
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| Paris, Tuesday 6 |
Galleria d’Arte Maggiore g.a.m.:
Giorgio Morandi. Un lieu de l'infini.
“revisiting some of the dialogues with contemporary and post-war artists previously presented. Morandi’s paintings are thus placed in dialogue with works by Lee Ufan, Josef Albers, Ettore Spalletti and Lucio Fontana” |
first day |
| Paris, Thursday 8 |
Bigaignon:
Máté Dobokay: Studies in Depletion
“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice” |
opening reception |
| Paris, Friday 9 |
Bigaignon:
Máté Dobokay: Studies in Depletion
“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice” |
first day |
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Salisbury
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| Salisbury, Monday 12 |
New Art Centre:
Alison Crowther and Woodland Heritage |
talk |
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Seoul
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| Seoul, Wednesday 7 |
LKIF Gallery:
Megan Menzies: Neither Here Nor There
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first day |
| Seoul, Thursday 8 |
Kimreeaa Gallery:
Park Yelim: Earth Palimpsest
“the exhibition begins with a desire for things that gradually fade with time to remain as traces and sensations, re-emerging in the present … Park uses materials including sand, hanji, ink, and light to evoke these elements anew” |
opening reception |
| Seoul, Saturday 10 |
Gallery Chosun:
Choe Sooryeon: mustard seed garden grave
“this exhibition is broadly divided into paintings and drawings … large-scale paintings that draw on the compositional logic of Persian miniatures [and] drawings that experiment with comic-strip layouts, doodles, the reverse side of paper” |
first day |
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Tisbury
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| Tisbury, Saturday 10 |
Messums West:
Figurative Drawing
accompanying the Christie Brown retrospective, a substantial analysis of 20th and 21st century figurative drawing practice |
first day |
Messums West:
Christie Brown: Significant Beings - Works from 1986 to 2026
“in celebrating this gathering of major work by Brown we are grateful for her sustained attention to the spaces where story-telling is revivified, bodies are inhabited, our fears and our delights are brought into magnificent focus” - Edmund de Waal |
private view |
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Zürich
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| Zürich, Wednesday 7 |
Lullin + Ferrari:
Artist Talk with Anne Morgenstern |
talk |
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Don’t miss: exhibitions closing
Berlin, Houston, London, Los Angeles, Nairobi, New York, Paris, Seoul, Stockholm
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Berlin
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| Berlin, Friday 9 |
Luisa Catucci Contemporary:
The Ubiquity Of Elsewhere |
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Houston
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| Houston, Thursday 8 |
Opera Gallery:
Texas Contemporary |
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London
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| London, Wednesday 7 |
Belmacz:
Bruiseless |
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National Portrait Gallery:
Herbert Smith Freehills Kramer Portrait Award 2026 |
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| London, Saturday 10 |
Alice Amati:
Ruth Beraha: One day, out of the blue, I fell in love with you |
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GRIMM:
Jonathan Wateridge: Some Distance Apart |
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Messums London:
Jack McGarrity |
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SETAREH:
Harry Hugo Little: The Sleepwalker |
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Los Angeles
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| Los Angeles, Saturday 10 |
Carpenters:
Roger Herman: California Poppies |
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Nairobi
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| Nairobi, Saturday 10 |
Circle Art Gallery:
Dennis Muraguri and James Kagima |
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Circle Art Gallery:
Kiure Francis Msangi |
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New York
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| New York, Friday 9 |
D LAN GALLERIES:
Timothy Cook: Kurluwukari |
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| New York, Saturday 10 |
Gallery Henoch:
Igor & Marina: The Garden of Invisible Birds |
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| New York, Sunday 11 |
Halsey McKay Gallery:
Sara Greenberger Rafferty: New Work |
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Paris
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| Paris, Wednesday 7 |
Opera Gallery:
François Bard: Un soleil immense |
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| Paris, Saturday 10 |
Almine Rech:
Leonora Carrington |
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Galerie Lelong:
David Nash: Catching Forms. Wood to Bronze |
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Galerie Lelong Matignon:
Barthélémy Toguo:
The Nomadic Studio |
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Galerie Lelong:
Fabienne Verdier: Pineta |
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Loevenbruck:
Mes Dalton |
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Galerie Mitterrand St-Honoré:
Wallen Mapondera: How Do You Even Sleep At Night? |
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Perrotin Marais:
Johan Creten: Les Chiens de Pavlov |
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Galerie Peter Kilchmann:
Pinochiette dans les Alpes |
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Seoul
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| Seoul, Thursday 8 |
PNC Gallery:
Hoon Kwak: Recent Works |
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Stockholm
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| Stockholm, Saturday 10 |
Galleri Magnus Karlsson:
Thomas Broomé: False Idols |
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