Daily Diary3 December 2022 |
||
 Christie‘s Hong Kong: Fine Chinese Classical Paintings and Calligraphy auction: Sat 3 (viewing: Sat 26 November - Fri 2 December) | ||
 October Gallery: Govinda Sah in conversation with Gerard Houghton “originally, in Kathamandu, I worked in a realist mode, before gradually moving towards abstraction ... Margate, being more open, means I often work outside, where the change in the colour of light is more profound” - Sah | ||
Tokyo | ||
 Taka Ishii Gallery: Jadé Fadojutimi: Memory in Translation in her first solo exhibition with the gallery, and her first in Asia, new paintings where Fadojutimi indulges her vibrant, expressive use of color | ||
Don’t miss: exhibitions closing today |
||
 Almine Rech: The Wall: Roby Dwi Antono
Dwi Antono’s first exhibition with the gallery invites us into a personal world of fantastical visions of childhood, moving between graphic art, illustrations for children, and science fiction |
||
 Almine Rech: Madelynn Green: Dolls
paintings and drawings examining the ironies of self-fashioning or “dolling up” |
||
 ATLAS Gallery: The Black Triangle, Photography of the Civil Rights and Anti-Racist Movements in the UK, USA, and South Africa
era-defining images of historical moments and heroes of the fight against racist ideology and politics on three continents |
||
 Michael Rosenfeld Gallery: Michael Rosenfeld Gallery at Art Basel Miami Beach 2022
|
||
 Galerie Chantal Crousel: Haegue Yang: Mesmerizing Mesh - Paper Leap and Resonating Habitat
an exhibition articulating Yang’s examination of shamanistic rituals and paper props, paper cutting traditions from different cultures, and the sacred dimension of the traditional Korean mulberry paper, hanji |
||
 Galerie Georges-Philippe & Nathalie Vallois: Henrique Oliveira: Small abstractions
“from painting to architecture or sculpture, Oliveira’s works explore the original nature of materials in order to redefine their ordinary use” - David Moinard |
||
 Galerie Georges-Philippe & Nathalie Vallois: Zhenya Machneva: Minor sublimations
“displaying a deep empathy for what we disregard or forget, Zhenya Machneva sublimates the forsaken … and invites us to delicately embrace a new perspective on the fallow lands of our world” - Marie Gautier |
||
 kamel mennour: Eugène Carrière: Chapitre 1, Madame Carrière
with Antoine Bourdelle and Auguste Rodin, and curated by Christian Alandete, this exhibition in three chapters across three gallery locations is Kamel Mennour’s first devoted to the work of Eugène Carrière |
||
 kamel mennour, 5 r. du Pont de Lodi: Eugène Carrière: Chapitre 2, La tendresse (scènes de la vie domestique)
with Alberto Giacometti and Henry Moore, and curated by Christian Alandete, this exhibition in three chapters across three gallery locations is Kamel Mennour’s first devoted to the work of Eugène Carrière |
||
 kamel mennour, r. du Pont de Lodi: Matthew Lutz-Kinoy: Plate is Bed / Plate is Sun / Plate is Circle / Plate is Cycle
new works reference the painted tiles of Bernard Leach, the renown English potter famous for bridging the gap between East and West with his referential instructional manual “A Potter’s Book” |
||
 kamel mennour, r. Saint-André des arts: Eugène Carrière: Chapitre 3, Correspondances
with Douglas Gordon, Camille Henrot and Christodoulos Panayiotou, and curated by Christian Alandete, this exhibition in three chapters across three gallery locations is Kamel Mennour’s first devoted to the work of Eugène Carrière |
||
Shanghai |
||
 Almine Rech: Huang Yuxing
simultaneously on view at the gallery in New York, a special project showcasing Huang Yuxing’s latest drawings |
||
 Almine Rech: Li Qing: Outline
“Li Qing’s wooden windows, faded over time, have thus become objects as a witness of history. While they record, they do not forget to inquire” - Jenny Chen Jiaying |
