 |
The Week in Art visit the site
2-9 Jun 2026
Openings, events, auctions
Basel, Dublin, Frankfurt, Hong Kong, Istanbul, London, Los Angeles, Nairobi, New York, Palma de Mallorca, Paris, Reykjavík, Seoul |
|
|
▻ use the Daily Diary for all the latest events and updates!
|
|
Basel
|
| Basel, Thursday 4 |
Hauser & Wirth:
Max Beckmann
covering the entire career of one of the most important painters of his time, this exhibition brings together his brooding social allegories with luminous landscapes and portraits, revealing a tension between intimacy and the brutality of the 20th Century |
opening reception |
|
Dublin
|
| Dublin, Thursday 4 |
Kerlin Gallery:
Siobhán Hapaska: The Weight of Nothingness
new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation |
opening reception |
| Dublin, Friday 5 |
Kerlin Gallery:
Siobhán Hapaska: The Weight of Nothingness
new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation |
first day |
|
Frankfurt
|
| Frankfurt, Saturday 6 |
Galerie Bärbel Grässlin:
Stefan Müller: Learning By Undoing
|
first day |
|
Hong Kong
|
| Hong Kong, Thursday 4 |
Sotheby’s Hong Kong:
Modern & Contemporary Discoveries
auction: Thu 4-Wed 10
(viewing: Fri 5-Tue 9) |
auction starts |
|
Istanbul
|
| Istanbul, Thursday 4 |
SANATORIUM:
Sergen Şehitoğlu: Forking Paths
titled after the Borges short story, an exhibition which focuses on the structural dynamics of the world we inhabit through a labyrinth model constructed around constant choices, dead ends, and infinite repetitions |
opening reception |
|
London
|
| London, Tuesday 2 |
Roseberys Belgravia:
Jewellery, Watches and Luxury Items
|
first day |
THE TAGLI:
Where the Land Meets the Sea
“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” – Sofia Hallstrom |
first day |
| London, Wednesday 3 |
Autograph:
Aasha John: As I Weave
new woven photographic pieces exploring family histories between Trinidad and London, using the technique to bind fragmented images and oral histories into physical embodiments of memory shaped by migration and distance |
first day |
Bartha_contemporary:
Hadi Tabatabai: Hombroich
|
first day |
FreddieFoulkes Gallery:
Aryana Sheibani: Mysteries of Sweep
the Swiss-British-Iranian artist presents “various works, (various in scale, material, and subject), which taken collectively address meaning (or lack of), purpose (or lack of), and the discourse surrounding authorship and ownership” |
private view |
Hanina Fine Arts:
Gestural v Geometric: The Post-War Dichotomy
an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France |
first day |
Japan House London:
Kyotographie: Kawada Kikuji x Iwane Ai
the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists |
first day |
Japan House London:
The making of Kyotographie International Photography Festival. In conversation with Lucille Reyboz, Nakanishi Yūsuke and Konishi Hiromitsu |
talk |
Lychee One:
Zhou Tianyu: 50 cm
|
opening reception |
Galerie Max Hetzler:
Ida Ekblad: EAT AN EGGPLANT
new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space |
opening reception |
SEAGER:
Louis Pohl Koseda: Palace of Magnolia and the Landscape of Notification
in his first solo exhibition at the gallery, the multidisciplinary artist explores how digital color perception has changed landscape painting and how the computed environments changed our perception of reality |
private view |
South London Gallery:
Diasporas Now – Macrocosmic Futures |
performance |
Wyn at General Assembly:
Camila Barvo: Entanglement
the latest limited-edition release from Wyn brings together the London-based Colombian artist with winemaker Sugrue South Downs and writer Joel Hart |
opening reception |
| London, Thursday 4 |
Ab-Anbar:
Rome-Tehran: Parallel Avantgardes
co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s |
opening reception |
Albion Jeune:
Fin Simonetti: I’m Already an Actor
new stone sculpture by Simonetti shown alongside her first exhibition of paintings – “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation” |
first day |
Alice Amati:
Rafal Topolewski: Dusk
“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” – Saša Bogojev |
opening reception |
Alison Jacques:
Eileen Agar
the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works |
private view |
Ames Yavuz:
Patricia Piccinini: Holding Tight and Letting Go
Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness |
opening reception |
Autograph:
Aasha John: As I Weave
new woven photographic pieces exploring family histories between Trinidad and London, using the technique to bind fragmented images and oral histories into physical embodiments of memory shaped by migration and distance |
opening reception |
David Zwirner:
Steven Shearer: My Moody Muse
focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them” |
opening reception |
Dirimart London:
Colour is the Place
curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach” |
opening reception |
Emanuel von Baeyer:
Will Love: Targets
“an exhibition of playful objects, made to challenge our sensory understanding of what we might aim for: objects of desire, dream locations, or life goals … restructuring the gallery space into a psychological landscape of pursuit” |
opening reception |
GRIMM:
The Fountain Overflows
curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us” |
opening reception |
The Gallery of Everything:
Currency Exchange
|
first day |
Goodman Gallery:
Ravelle Pillay: Revisitations
new works by Pillay, “paint becomes a medium through which to bridge geographies, timelines and archives, alongside histories of indenture, colonialism, displacement and erasure within the artist’s own family history” |
opening reception |
Holtermann Fine Art:
Ahmed Umar: Glowing Phalanges
drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand |
private view |
Japan House London:
Kyotographie: Gallery tour by photographer Iwane Ai |
tour |
Kearsey & Gold:
Lucien Smith: Burn Down the House
Smith’s first solo exhibition in the UK – “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” – Smith |
opening reception |
LAMB:
Dialogues: Memories of Alfredo Volpi
the latest in the gallery series presents significant works by Volpi alongside paintings by artists from subsequent generations who reflect on – and depart from – his example |
opening reception |
LBF Contemporary:
H.E. Morris: Songs of War
new work by Morris reflecting on how we tell the story of war |
private view |
Larkin Durey:
Anina Major: Tender Seedlings
Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin |
opening reception |
Larkin Durey:
Performance by Dayo Ade |
performance |
Lévy Gorvy Dayan:
Thomas Houseago: Death’s Sacred Mirror
curated as a cabinet of curiosities, new sculptures by Houseago alongside objects ranging from ancient artefacts to works by artists including Joseph Beuys, Louise Bourgeois, Jacob Epstein, Lucio Fontana, Henri Gaudier-Brzeska, Julia Isídrez, … |
opening reception |
Lisson Gallery:
Lisson Street: Lubaina Himid and Magda Stawarska – Zanzibar
a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska – reflecting on themes of memory and movement and loss and belonging |
opening reception |
Luxembourg + Co.:
Illuminations
organised in collaboration with Sam Fogg, an exhibition exploring the influence and relevance of stained-glass window making on modern art practices through the lens of three artists – Piet Mondrian, Paul Klee, and Brice Marden |
opening reception |
Luxembourg + Co.:
In Conversation: Alvaro Barrington, Matthew Reeves and Yuval Etgar |
talk |
Lychee One:
Zhou Tianyu: 50 cm
|
first day |
Maureen Paley, 4 Herald St:
Delaine Le Bas: Leap
Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances – occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination |
opening reception |
Maureen Paley Studio M:
Jemila Isa: Dreams Lost Upon Waking
Isa’s first solo exhibition at the gallery is inspired by a dream and presents painting and sculpture engaging with spirituality, faith, womanhood, and the complexity of locating the self |
opening reception |
The Mayor Gallery:
Happy Birthday America!
“a group exhibition marking the 250th anniversary of American independence … a focused reflection on the vitality and diversity of American post-war and contemporary art” |
first day |
Helly Nahmad Gallery | Nahmad Projects:
Tête à tête: Joan Miró & Pablo Picasso
“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits” |
private view |
National Portrait Gallery:
Marilyn Monroe: A Portrait
to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries. |
first day |
No.9 Cork Street:
Vadehra Art Gallery: A. Ramachandran: A Singular Modernist
drawings, paintings, and sculptures by the renowned and prolific Indian artist – “this exhibition presents a synoptic peek into Ramachandran’s long, fascinating and solitary journey” – Professor R. Siva Kumar |
first day |
No.9 Cork Street:
Project 88: Treeish
curated by Prajna Desai, the gallery’s first exhibition at No.9 Cork Street is about the nature and evidence of arboreal power – with Claire Baker, Goutam Ghosh, Mahesh Baliga, Neha Choksi, Tejal Shah, and Trupti Patel |
first day |
Opera Gallery:
Pieter Obels | Feng Xiao-Min
this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings |
opening reception |
Perrotin London:
Daniel Arsham: Time Fold
new and historical works by Arsham, spanning sculpture, painting, and works on paper drawn from nearly two decades of his practice – tracing the sustained engagement with geology, archaeology, and the cultural residue of the recent past |
private view |
Pilar Corrias, Conduit Street:
Hayv Kahraman: What cannot be said will be wept
new paintings which examine “the effects of systems that separate people from land, ancestry, ecology and embodied forms of knowledge”, drawing on Kahraman’s personal history as a Kurdish-Iraqi refugee and the loss of her home in the LA wildfires |
opening reception |
Pipeline:
Joe O’Rourke: Disc Unknown
presented with Castlefield Gallery, an exhibition bringing together O’Rourke’s DVD-case paintings, larger mixed-media works, wall-based and freestanding paintings – drawing viewers through a landscape of repeated motifs, images, text, and materials |
opening reception |
Pippy Houldsworth Gallery:
Sophia Loeb: O Manifesto da Luz antes do Amanhecer (The Manifesto of Light Before Dawn)
“Loeb answers to the true substance and matter of painting. She takes a sculptural approach to paint, building immersive fields of colour … which are then scraped, reworked and reapplied to achieve a dense, tactile surface” |
private view |
Pontone Gallery:
Henry Jabbour: The Courage To Be II
new paintings, in Jabbour’s trademark vivid, coruscating colour, focussing on the figure, sometimes solitary, but often paired and grouped to express tender interaction and emotional engagement |
first day |
Shapero Modern:
Summer Show
|
first day |
Sprüth Magers:
Anne Imhof: Citizen
new paintings and a four-channel film, shown alongside a site-specific crowd barrier sculpture with drawings, and her latest bronze reliefs, in an exhibition by Imhof that reconfigures and extends ideas developed in her recent projects |
opening reception |
Sylvia Kouvali:
Jason Dodge
in his first exhibition with the gallery, new work by the American artist – “sculptures … not defined by formal transformation, but rather by the repositioning of recognisable materials through acts of selection, displacement, and framing” |
opening reception |
Thaddaeus Ropac:
Mandy El-Sayegh: Jewel Tones
El-Sayegh’s immersive, site-specific exhibition of paintings, installation, and performance, explores “the machinations of consumerism and perceptions of luxury in the contemporary world” |
opening reception |
Thaddaeus Ropac:
Oliver Beer: The Sky in the Cave
large-scale paintings, music, film, and installation transform the gallery into an immersive environment of sound and image |
opening reception |
Thomas Dane Gallery:
Caragh Thuring
an exhibition of new work by Thuring |
private view |
Thomas Dane Gallery:
Out and About: Prunella Clough paintings from the 1980s and 1990s
curated by Jenni Lomax, an exhibition of seventeen works by the late painter – “a flaneuse and a magpie – Clough collected shapes, colours, textures, contradictions and incongruities; objects and images of all that was a part of everyday life” |
private view |
Twilight Contemporary:
Garden Creatures
a group exhibition of ten artists who explore “the garden sculpture“ |
opening reception |
| London, Friday 5 |
Alice Amati:
Rafal Topolewski: Dusk
“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” – Saša Bogojev |
first day |
Alison Jacques:
Eileen Agar
the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works |
first day |
Annely Juda Fine Art:
Alan Charlton In Conversation with Rose Davey |
talk |
Cristea Roberts Gallery:
Yinka Ilori: Joy Through Resistance. He Who Laughs Last, Laughs Best
inspired by his heritage and the vibrant energy of communal gatherings, new paintings, prints, sculpture, and an immersive sound installation in the British Nigerian artist and designer’s first solo gallery exhibition in his home city |
opening reception |
David Zwirner:
Steven Shearer: My Moody Muse
focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them” |
first day |
Holtermann Fine Art:
Ahmed Umar: Glowing Phalanges
drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand |
first day |
Holtermann Fine Art:
In-Conversation with Ahmed Umar |
talk |
Japan House London:
The invisible connections between distant places. Talk by photographer Iwane Ai |
talk |
LAMB:
Dialogues: Memories of Alfredo Volpi
the latest in the gallery series presents significant works by Volpi alongside paintings by artists from subsequent generations who reflect on – and depart from – his example |
first day |
LBF Contemporary:
H.E. Morris: Songs of War
new work by Morris reflecting on how we tell the story of war |
first day |
Larkin Durey:
Anina Major: Tender Seedlings
Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin |
first day |
Larkin Durey:
Performance II by Dayo Ade |
performance |
Lisson Gallery:
Lubaina Himid and Magda Stawarska in conversation with Rosie Cooper, Director of Wysing Arts Centre |
talk |
Luxembourg + Co.:
Illuminations
organised in collaboration with Sam Fogg, an exhibition exploring the influence and relevance of stained-glass window making on modern art practices through the lens of three artists – Piet Mondrian, Paul Klee, and Brice Marden |
first day |
NORITO:
Eve Yifan Jiang: Post-Edenic
|
first day |
National Portrait Gallery:
Rose McGowan, Joshua John Miller and Mark Fortin in conversation |
talk |
Pace, London:
Kenjiro Okazaki: Never could be any other way — anagnorisis
the artist, architect, and theorist’s first solo exhibition in the UK brings together sculptures, large-scale paintings, and a selection from his small scale, artist-framed Zero Thumbnail series |
opening reception |
Pace, London:
Exhibition walkthrough with Professor Winther-Tamaki |
tour |
Patrick Heide Contemporary Art:
Thomas Müller: Metaxy
”simple, reduced compositions exist alongside dense, multilayered structures; monochrome palettes contrast with the emergence of more vibrant hues; intimate formats coexist with larger, more expansive works” |
private view |
Pi Artworks:
Mehmet Ali Uysal: Skin
to mark the gallery’s new London space, an exhibition of key works from the series – “Uysal approaches architectural space as a living surface – a skin – that can be stretched, compressed, pierced, or displaced” |
first day |
Pilar Corrias, Conduit Street:
Hayv Kahraman: What cannot be said will be wept
new paintings which examine “the effects of systems that separate people from land, ancestry, ecology and embodied forms of knowledge”, drawing on Kahraman’s personal history as a Kurdish-Iraqi refugee and the loss of her home in the LA wildfires |
first day |
Pippy Houldsworth Gallery:
Sophia Loeb: O Manifesto da Luz antes do Amanhecer (The Manifesto of Light Before Dawn)
“Loeb answers to the true substance and matter of painting. She takes a sculptural approach to paint, building immersive fields of colour … which are then scraped, reworked and reapplied to achieve a dense, tactile surface” |
first day |
Sprüth Magers:
Anne Imhof: Citizen
new paintings and a four-channel film, shown alongside a site-specific crowd barrier sculpture with drawings, and her latest bronze reliefs, in an exhibition by Imhof that reconfigures and extends ideas developed in her recent projects |
first day |
Thaddaeus Ropac:
Mandy El-Sayegh: Jewel Tones
El-Sayegh’s immersive, site-specific exhibition of paintings, installation, and performance, explores “the machinations of consumerism and perceptions of luxury in the contemporary world” |
first day |
Thaddaeus Ropac:
Oliver Beer: The Sky in the Cave
large-scale paintings, music, film, and installation transform the gallery into an immersive environment of sound and image |
first day |
Thomas Dane Gallery:
Caragh Thuring
an exhibition of new work by Thuring |
first day |
Thomas Dane Gallery:
Out and About: Prunella Clough paintings from the 1980s and 1990s
curated by Jenni Lomax, an exhibition of seventeen works by the late painter – “a flaneuse and a magpie – Clough collected shapes, colours, textures, contradictions and incongruities; objects and images of all that was a part of everyday life” |
first day |
Timothy Taylor:
Jiab Prachakul: Welcome Back
in the Thai-born, France-based artist’s debut solo exhibition in the UK, new paintings of family and friends, explore memory, distance, and presence |
opening reception |
Victoria Miro:
Shahzia Sikander: High Seas; Closed Skies
Sikander’s exhibition is centred on her acclaimed new animation – a cinematic tableau exploring the currents of power and trade that have shaped the global landscape from the 19th century to the contemporary era – heard now for the first with its score |
opening reception |
Victoria Miro:
NS Harsha: Camel and the tent times
an exhibition of new paintings by Harsha, elaborating on his celebrated ongoing series featuring traditional clay lamps with flames and trails of smoke creating patterns that guide the eye around the canvas |
opening reception |
Wyn at General Assembly:
Artist walkthrough with Camila Barvo and Ciera Alyse McKissick |
tour |
Yamamoto Keiko Rochaix:
Yvonne Mabs Francis: Breakdown
curated by Carol Maund, the late artist’s first solo exhibition in a London commercial gallery presents paintings and drawings examining the mental breakdown she experienced following the death of her father |
opening reception |
DES BAINS:
Carmela De Falco: listening with eyes, watching with ears
De Falco’s first solo exhibition at the gallery – “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities” |
opening reception |
| London, Saturday 6 |
Canopy Collections:
Isabelle Young in conversation with Tom Marks |
talk |
Dirimart London:
In Conversation with Çağla Ulusoy and Fi Churchman, ArtReview |
talk |
Elizabeth Xi Bauer, Exmouth Market:
Response to a Request (or spasm of the soul) |
performance |
Flowers Gallery, Cork Street:
In Conversation: Lisa Jahovic & Gem Fletcher |
talk |
Goodman Gallery:
Ravelle Pillay in conversation with Dr Zoé Whitley |
talk |
Japan House London:
Bon-Uta: A Song from Home. Film screening followed by Q&A session with photographer Iwane Ai |
special event |
October Gallery:
Sokari Douglas Camp in Conversation with Melanie Vandenbrouck |
talk |
Roseberys Belgravia:
Prints & Multiples
|
first day |
Sim Smith:
Melissa Joseph: Heft
Joseph’s first large-scale exhibition in the UK draws on her Indian-American upbringing and presents ambitious large scale felted works created in response to her research following sheep across Scotland |
first day |
Sim Smith:
Max Bainbridge: A Thin Place
Bainbridge’s sculptures explore the threshold between earth and sky, presence and absence, body and landscape |
first day |
Sim Smith:
In Conversation: Melissa Joseph and Max Bainbridge, moderated by Dr Lucia Savi |
talk |
DES BAINS:
Carmela De Falco: listening with eyes, watching with ears
De Falco’s first solo exhibition at the gallery – “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities” |
first day |
| London, Sunday 7 |
Alma Pearl:
Book Launch, Artist Walkthrough and Poetry Reading |
special event |
Elizabeth Xi Bauer, Exmouth Market:
Response to a Request (or spasm of the soul) |
performance |
Pi Artworks:
Mehmet Ali Uysal: Skin
to mark the gallery’s new London space, an exhibition of key works from the series – “Uysal approaches architectural space as a living surface – a skin – that can be stretched, compressed, pierced, or displaced” |
private view |
Yamamoto Keiko Rochaix:
Guided tour with Carol Maund |
tour |
| London, Tuesday 9 |
Ben Brown Fine Arts:
José Parlá |
book signing |
Ben Brown Fine Arts:
José Parlá: ENGRAMS
titled after the physical trace a memory leaves in the brain, an exhibition of new paintings and works on paper by the Brooklyn-based artist |
private view |
sketch:
World Cup
|
first day |
|
Los Angeles
|
| Los Angeles, Saturday 6 |
Perrotin Los Angeles:
Alex Gardner: Animals
at sizes ranging from 10×14 inches to 4×8 feet, new paintings in the Los Angeles native’s rich palette of bruised blues and dense greens featuring his characteristic faceless figures |
opening reception |
Perrotin Los Angeles:
Gabriel Rico: Gabrielinos (I Am You And What I See Is Me)
through textile, assemblage, and sculpture, Rico’s first solo exhibition in the city examines connections between humanity to connect the history of Los Angeles – its land, people, and culture – to the artist’s own homeland and beyond |
opening reception |
Perrotin Los Angeles:
Makiko Kudo: Reincarnation
Kudo’s first solo exhibition with the gallery presents oil paintings of animals, humans, and nature in harmony – “huge complex dreamscapes or single moments in miniature, they are both visually enticing and endlessly intriguing” – Victoria Woodcock |
opening reception |
|
Nairobi
|
| Nairobi, Wednesday 3 |
Circle Art Gallery:
Rasto Cyprian: Ephemerals
|
opening reception |
Circle Art Gallery:
Nahom Teklehaimanot: Twinkle, Twinkle Little Scar – Who Put You Where You Are?
|
opening reception |
|
New York
|
| New York, Tuesday 2 |
Public Art Fund at City Hall Park:
Genesis Belanger: Heads or Tails
curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary |
opening reception |
Sotheby’s New York:
Old Master & 19th Century Paintings
auction: Tue 2
(viewing: Thu 28 May-Mon 1 Jun) |
auction |
| New York, Wednesday 3 |
Findlay Galleries:
John Ferren: Spatial Ambiguity
|
first day |
| New York, Thursday 4 |
Berry Campbell:
Ann Purcell: The Seventies
an exhibition focusing on Purcell’s works between 1975 and 1979 – a formative moment in her career |
opening reception |
Berry Campbell:
In Focus: Libbie Mark: Abstract Expressionist
an exhibition focusing on Mark’s “collage paintings” from the 1960s where she combined gestural abstraction with layered surfaces of crumpled paper, pigment, and impasto |
opening reception |
| New York, Tuesday 9 |
Sotheby’s New York:
Art & Design from The Collection of Barbara Gladstone
auction: Tue 9
(viewing: Tue 2-Sun 7) |
auction |
|
Palma de Mallorca
|
| Palma de Mallorca, Thursday 4 |
Baró Galeria:
Estevan Davi: Pagan Tales: The Golden Moon
Davi’s first solo exhibition in Spain and with the gallery – “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements” |
opening reception |
Baró Galeria:
Daniel Arsham: Eroded Horizon
recent and previously unseen works that move between sculpture, drawing, and painting – “a meditation on time’s slow work upon the body and the landscape, and the place where the two meet” |
opening reception |
|
Paris
|
| Paris, Tuesday 2 |
HELENE BAILLY MARCILHAC:
THE SEVENTIES
emblematic works from a decade whose legacy remains profoundly relevant today, revealing the richness and diversity of a constantly evolving creative landscape |
first day |
| Paris, Wednesday 3 |
Sotheby’s Paris:
Collection Fred Feinsilber, de Giacometti à Brauner
auction: Wed 3
(viewing: Sat 30 May-Tue 2 Jun) |
auction |
| Paris, Thursday 4 |
Esther Schipper, Paris:
Pays rêvé, pays réel
showing at the gallery in Paris and Galerie Natalie Seroussi, an exhibtion of artists whose work engages with histories of migration, memory, language and belonging, contemplating the diasporic experience as lived reality and as imagined space |
first day |
| Paris, Friday 5 |
Perrotin Marais:
Serena Carone
presented for the first time in the gallery’s Marais space, enamelled faience sculptures with striking trompe-l’œil effects – “Carone reminds us that one deception can still hide another. Welcome to the kingdom of false appearances” – Serge Bramly |
first day |
Perrotin Marais:
JR: Les esquisses de la Caverne
JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation |
opening reception |
|
Reykjavík
|
| Reykjavík, Saturday 6 |
BERG Contemporary:
10 Years
|
opening reception |
|
Seoul
|
| Seoul, Tuesday 9 |
Esther Schipper, Seoul:
Merikokeb Berhanu: Cellular Memory
new paintings in Berhanu’s first solo presentation in Asia – “interlocking organic forms that suggest bodies, landscapes, and cellular structures simultaneously, without resolving into any one of them” |
first day |
| |
|
Don’t miss: exhibitions closing
Brussels, Dubai, Frankfurt, London, Los Angeles, Mahón, New York, Paris, Taipei
|
|
|
|
Brussels
|
| Brussels, Saturday 6 |
Templon:
Claude Viallat |
|
|
Dubai
|
| Dubai, Tuesday 9 |
JD Malat Gallery:
Masayoshi Nojo: Hone Intuition |
|
|
Frankfurt
|
| Frankfurt, Saturday 6 |
FILIALE:
Robin Stretz: Provincials |
|
|
London
|
| London, Thursday 4 |
Roseberys Belgravia:
Jewellery, Watches and Luxury Items |
|
| London, Saturday 6 |
Autograph:
Aasha John: As I Weave |
|
Graces Mews:
Les Krims: Fictcryptokrimsographs |
|
Ronchini:
Shara Mays: Runaway |
|
Twilight Contemporary:
William Braithwaite: Formed in Repetition |
|
Twilight Contemporary:
Garden Creatures |
|
Workplace:
From the other end of the hallway |
|
domobaal:
Mikey Cuddihy: Curious Yellow |
|
| London, Sunday 7 |
Annely Juda Fine Art:
Alan Charlton |
|
Elizabeth Xi Bauer, Deptford:
Abraham Kritzman: Palms and Smoke |
|
Flowers Gallery, Cork Street:
Lisa Jahovic: Soft Interruptions |
|
Grosvenor Gallery:
Works from the Estate of George Claessen |
|
SETAREH:
Gregor Gleiwitz: Dis-Appearance |
|
The Showroom:
Ângela Ferreira: Slits are Girls |
|
Sprovieri:
Gregor Schneider: Rheydt NOW |
|
THE TAGLI:
Where the Land Meets the Sea |
|
Vardaxoglou Gallery:
Thérèse Oulton: Holding Patterns |
|
Wyn at General Assembly:
Camila Barvo: Entanglement |
|
sketch:
sketch in Bloom |
|
| London, Tuesday 9 |
Bartha_contemporary:
Hadi Tabatabai: Hombroich |
|
|
Los Angeles
|
| Los Angeles, Saturday 6 |
Luis De Jesus Los Angeles:
Nicolas Grenier: Flags |
|
Luis De Jesus Los Angeles:
Melissa Huddleston: The Drops |
|
Tropical Berlin:
The Future of Surfing |
|
|
Mahón
|
| Mahón, Sunday 7 |
Hauser & Wirth Menorca:
Martin Creed |
|
|
New York
|
| New York, Wednesday 3 |
The Foundation of ART NYC:
Song E Yoon: Shift |
|
| New York, Friday 5 |
Edwynn Houk Gallery:
Sebastiaan Bremer: Super Modern Things |
|
Hirschl & Adler:
Julie Heffernan: Nutmeg’s Curse |
|
| New York, Saturday 6 |
Gallery Henoch:
Carin/Rebecca |
|
Sean Kelly Gallery:
Jose Dávila: The Simple Act of Positioning |
|
Sean Kelly Gallery:
Lindsay Adams: SOIL |
|
| New York, Sunday 7 |
Stellarhighway:
Sas Colby & Keith Smith: Stitching Desire |
|
| New York, Monday 8 |
Findlay Galleries:
Jean-Pierre Cassigneul: Timeless Elegance |
|
| New York, Tuesday 9 |
Friedrichs Pontone:
Frameworks |
|
|
Paris
|
| Paris, Tuesday 2 |
A&R Fleury:
Alicia Penalba: Formes volantes |
|
| Paris, Thursday 4 |
Baró Galeria:
Lygia Clark: Anatomie d’une ligne |
|
Sobering Galerie:
Spring Crush |
|
| Paris, Saturday 6 |
Galerie Mitterrand Temple:
Katja Schenker: French Vermilion |
|
|
Taipei
|
| Taipei, Saturday 6 |
Each Modern:
Intellectual Structures: Trigger, Judgment, and Decision |
|
|
|
 |
