|
The Week in Art visit the site
1-8 Sep 2026
Openings, events, auctions Berlin, Cologne, Dublin, Frankfurt, Hong Kong, Istanbul, London, Melbourne, Naples, New York, Paris, Seoul, Shanghai, Stockholm, Tisbury, Tokyo, Venice, Zürich |
|
|
▻ use the Daily Diary for all the latest events and updates!
|
|
Berlin
|
| Berlin, Tuesday 1 |
Luisa Catucci Contemporary: The Ubiquity Of Elsewhere “the concept for this exhibition, curated together with Melania Rossi, draws quietly on … never quite belonging entirely to one place and one culture” - Luisa Catucci |
first day |
|
Cologne
|
| Cologne, Monday 7 |
Sotheby’s Cologne: From Meissen to Paris: The Röbbig Collection | Part III auction: Mon 7-Thu 17 (viewing: Mon 7-Thu 17) |
auction starts |
|
Dublin
|
| Dublin, Thursday 3 |
Kerlin Gallery: Aleana Egan: dove passages new painting and sculpture by Egan “initiated by a sense of touch and movement alongside a sense of sight .. painting is imagined as an activity of passage and continuum; an internal language that permeates the artists‘ practice” |
private view |
| Dublin, Friday 4 |
Kerlin Gallery: Aleana Egan: dove passages new painting and sculpture by Egan “initiated by a sense of touch and movement alongside a sense of sight .. painting is imagined as an activity of passage and continuum; an internal language that permeates the artists‘ practice” |
first day |
|
Frankfurt
|
| Frankfurt, Saturday 5 |
Galerie Bärbel Grässlin: Günther Förg: Haus Lange, Krefeld, 1985 “Förg took four monumental color photographs of the Lange house … [exhibited] again for the first time on the occasion of the new Frankfurt gallery season. A show nothing short of a small sensation ” - Christian Malycha |
first day |
FILIALE: Hauck Plümpe: Organisation von Pause
|
first day |
|
Hong Kong
|
| Hong Kong, Friday 4 |
Sotheby’s Hong Kong: Masterpieces of Asian Art from the Okada Museum of Art II auction: Fri 4 (viewing: Wed 26 Aug-Thu 3 Sep) |
auction |
|
Istanbul
|
| Istanbul, Wednesday 2 |
Dirimart Dolapdere: Ugo Rondinone: the sun and the mountain Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms |
opening reception |
|
London
|
| London, Tuesday 1 |
Sim Smith: Wenhui Hao: Forgiveness is a prolonged death in Wenhui’s first solo exhibition in London, new large-scale paintings, including her largest to date, exploring the complexities of women’s lived experience through an immersive painterly language in which body, landscape and memory become inseparable |
opening reception |
| London, Wednesday 2 |
Alison Jacques: Quentin James McCaffrey the first UK solo show of new paintings by the American artist whose work centres on carefully painted interior spaces - “that are at once familiar and quietly estranged” |
opening reception |
| London, Thursday 3 |
Alice Amati: Ruth Beraha: One day, out of the blue, I fell in love with you new works developed out of months of research into UK football culture, in the first solo London exhibition of Italian artist Ruth Beraha - “the drawings, like images, explore what lasts. What stays after the game ends: in memory, in affect” - Orit Gat |
opening reception |
Alison Jacques: Quentin James McCaffrey the first UK solo show of new paintings by the American artist whose work centres on carefully painted interior spaces - “that are at once familiar and quietly estranged” |
first day |
Benjamin Rhodes Arts: Late Opening: Summer Mode |
special event |
Cristea Roberts Gallery: Ali Kazim: Alphabet Book | Urdu Qaida |
book launch |
Cristea Roberts Gallery: Ali Kazim: Alphabets Kazim’s first solo exhibition with the gallery presents new watercolours of solitary figures and circus acts alongside his first major portfolio of prints, illustrating the Urdu alphabet |
opening reception |
Cristea Roberts Gallery: Introductory talk by Hammad Nasar and Charlotte Mullins |
talk |
GRIMM: Jonathan Wateridge: Some Distance Apart new paintings by the British artist, melding the contemporary and the classical, and capturing moments of suspension and transition to result in a palpable, physical experience that connects vision, film, memory, and matter |
opening reception |
October Gallery: Zana Masombuka | Spotlight: Benji Reid photographic works by the South African artist Masombuka, deeply rooted in her Ndebele culture, alongside a Spotlight on pieces by the award-winning photographer and “Choreo-Photolist” Reid |
private view |
Pace, London: Krzysztof Grzybacz: Haruspex new paintings, in the Kraków-based artist’s first solo exhibition in the UK, that explore the body as a construct, how it holds memories of past selves, and how those selves remain visible as we age |
opening reception |
Pilar Corrias, Savile Row: Soft Spot - the second iteration new works by Ragna Bley, Sabine Moritz, Carrie Moyer, Mary Ramsden, Rachel Rose, Tschabalala Self, Lina Iris Viktor, Georg Wilson, and Vivien Zhang in the second instalment of this thematic exhibition at the gallery’s Savile Row space |
first day |
Wyn at Pipeline: Biting Point an ambitious group exhibition curated by the cross-disciplinary initiatives Teaspoon Projects and Wyn, with photography, sculpture, painting, and video works by Margherita Pedrotta, Natalie Sasi Organ, Linnea Skoglösa, Danae Stratou, and Kusukazu Uraguchi |
private view |
Pippy Houldsworth Gallery: Liorah Tchiprout: The Family Katz new paintings by the London-based artist portraying a fictional Jewish family and their social circle, based at their imagined home in Gunnersbury Park, London |
private view |
Thaddaeus Ropac: Like Music in the Blood an exhibition of eight contemporary artists working across painting and sculpture - Benjamin Orlow, Emil Sands, Galli, Hannah Quinlan and Rosie Hastings, Kira Freije, Suleman Aqeel Khilji, Tanoa Sasraku, and Tiona Nekkia McClodden |
opening reception |
Thomas Dane Gallery: Jimmy Wright: After the War in collaboration with Corbett vs. Dempsey, an exhibition of Wright’s flower paintings, alongside works on paper, made from 1992 onwards |
private view |
Twilight Contemporary: Luca Longhi: Ruins Romance the London based, Bergamo born artist’s debut solo exhibition at the gallery - “Longhi’s sculptural works draw our attention to the vivid expressions of human life and history that can be found on the walls and surfaces of the metropolis” |
opening reception |
Victoria Miro: Hospital Rooms: Host/Guest the arts and mental health charity marks its 10-year anniversary with a major exhibition at the gallery bringing together leading contemporary artists from across the Hospital Rooms programme |
first day |
| London, Friday 4 |
Alice Amati: Ruth Beraha: One day, out of the blue, I fell in love with you new works developed out of months of research into UK football culture, in the first solo London exhibition of Italian artist Ruth Beraha - “the drawings, like images, explore what lasts. What stays after the game ends: in memory, in affect” - Orit Gat |
first day |
Cristea Roberts Gallery: Ali Kazim: Alphabets Kazim’s first solo exhibition with the gallery presents new watercolours of solitary figures and circus acts alongside his first major portfolio of prints, illustrating the Urdu alphabet |
first day |
Cristea Roberts Gallery: A Primer of Birds works by Georg Baselitz, Jim Dine, Tom Hammick, Fernand Léger, Hew Locke, Humphrey Ocean, Julian Opie, Mimmo Paladino, Paula Rego, Yinka Shonibare, and Joe Tilson in an exhibition of artists who weave images of birds into their visual narratives |
first day |
Wyn at Pipeline: Biting Point an ambitious group exhibition curated by the cross-disciplinary initiatives Teaspoon Projects and Wyn, with photography, sculpture, painting, and video works by Margherita Pedrotta, Natalie Sasi Organ, Linnea Skoglösa, Danae Stratou, and Kusukazu Uraguchi |
first day |
Pippy Houldsworth Gallery: Liorah Tchiprout: The Family Katz new paintings by the London-based artist portraying a fictional Jewish family and their social circle, based at their imagined home in Gunnersbury Park, London |
first day |
Thomas Dane Gallery: Jimmy Wright: After the War in collaboration with Corbett vs. Dempsey, an exhibition of Wright’s flower paintings, alongside works on paper, made from 1992 onwards |
first day |
| London, Saturday 5 |
ATLAS Gallery: The Last Dolls by Bob Carlos Clarke in partnership with The Little Black Gallery, and curated by Brandei Estes, an exhibition to mark the 20th anniversary of the death of the legendary photographer |
first day |
| London, Sunday 6 |
Bluerider ART London: Point of Life sixteen international artists whose practices move between sculpture, object, and spatial gesture in a summer group exhibition running alongside London Design Week - “asking not what art depicts, but what it does within a space” |
first day |
| London, Monday 7 |
County Hall Pottery: Charly Blackburn: Lanthanides: Rare Earth Spectra a solo exhibition by the Potter in Residence 2026, exploring the material and optical properties of rare earth elements through ceramic form, asking us “to reconsider the relationship between material, technology, and perception” |
private view |
|
Melbourne
|
| Melbourne, Saturday 5 |
Tolarno Galleries: Georgia Spain: Everything everyone’s told you is true a new exhibition of the Naarm/Melbourne-based artist presents paintings and watercolours created while she was pregnant - a visual diary writ large, chronicling a period she calls “a state of becoming - turning from one thing into another” |
opening reception |
|
Naples
|
| Naples, Thursday 3 |
Alfonso Artiaco: Thomas Hirschhorn: EX-VOTO-TOMBOLA “the exhibition … reunites about 300 works (cardboard, printed matter, felt-pen, ballpoint-pen, paper, tape) from the series 'POST'. I made them during 2025 and 2026, and posted some of them (therefore the title 'POST') on my Instagram-Account” |
opening reception |
Alfonso Artiaco: Gianmarco Biele: storie del giardino curated by Mario Francesco Simeone, Biele’s first solo exhibition with the gallery presents new paintings and a sculptural intervention based on extensive research centered on the garden - a site of continuous negotiation between nature and artifice |
opening reception |
| Naples, Friday 4 |
Alfonso Artiaco: Thomas Hirschhorn: EX-VOTO-TOMBOLA “the exhibition … reunites about 300 works (cardboard, printed matter, felt-pen, ballpoint-pen, paper, tape) from the series 'POST'. I made them during 2025 and 2026, and posted some of them (therefore the title 'POST') on my Instagram-Account” |
first day |
Alfonso Artiaco: Gianmarco Biele: storie del giardino curated by Mario Francesco Simeone, Biele’s first solo exhibition with the gallery presents new paintings and a sculptural intervention based on extensive research centered on the garden - a site of continuous negotiation between nature and artifice |
first day |
|
New York
|
| New York, Tuesday 1 |
The Painting Center: Megan Marlatt: Myths and Mummers new paintings and big head masks by Marlatt, stemming from her creative research into European pre-Lenten carnival culture and its relation to the spring equinox |
first day |
The Painting Center: Jane Zweibel: Dreams in Action “the small-scale acrylic paintings in Dreams in Action are not portrayals of Zweibel’s own dreams but depictions of invented dream worlds: multiverses where boundaries between past and present, real and mythic, are indistinct” |
first day |
| New York, Wednesday 2 |
Nagas: Surrealism (on paper) works spanning six decades by Victor Brauner, Toyen, Leonor Fini, Max Walter Svanberg, Bona de Mandiargues, Myriam Bat-Yosef, Suzanne Van Damme, Reuben Mednikoff, and Grace Pailthorpe |
first day |
| New York, Thursday 3 |
GOCA by Garde: Oscar Oiwa: The Supplemental Sublime spanning thirty years of work with the single subject of “food”, new large-scale oil paintings alongside canvases reaching back to 1996 - “I have selected a group of works that explore the relationship between food and my own life journey” - Oiwa |
opening reception |
| New York, Saturday 5 |
Halsey McKay Gallery: Sara Greenberger Rafferty
|
first day |
| New York, Tuesday 8 |
Anton Kern Gallery: Margot Bergman: On the Other Hand an exhibition which “reunites a group of paintings created between 2012-2014, never before seen in New York, to accompany and contextualize a selection of large-scale portraits created between 2015-2019” |
opening reception |
Anton Kern Gallery: Marcus Jahmal: Booty new paintings and installation by Jahmal in an exhibition focussing on the historical contradictions of piracy |
opening reception |
Galerie Buchholz: Jutta Koether: Songs of New York following Koether’s exhibition at the gallery in New York, this new show begins with works from 1995, after her move to the city and the decisive transformation in her practice |
first day |
|
Paris
|
| Paris, Thursday 3 |
Art: Concept: Pierre Bellot: Vallée FM “for this exhibition, I wanted to immerse myself entirely in abstraction - setting aside any notion of subject or image as a starting point for the painting. The aim was to lose myself in the painting itself” - Bellot |
opening reception |
Bigaignon: James Howell: A Quiet Measure of Light offering a rare overview of his disciplined and deeply poetic approach, paintings, works on paper, drawings, and etchings in the late American artist’s first solo exhibition in France |
opening reception |
Esther Schipper, Paris: Julien Creuzet and Matthieu Glissant in conversation |
talk |
Galerie Maria Wettergren: Hyejeong Ko: Silver Shadows an exhibition by the South Korean artist who, expressed through the Taoist philosophy of Wu Wei, creates sculptures in sterling silver inspired by the natural landscapes of her birthplace, the volcanic island of Jeju |
opening reception |
Zander Galerie: Lee Friedlander: The Shape of Seeing. Early Vintage Prints a special selection of rare vintage gelatin silver photographs by the acclaimed American photographer, taken and printed by her in the 1960s and 1970s |
opening reception |
| Paris, Friday 4 |
Galerie Maria Wettergren: Hyejeong Ko: Silver Shadows an exhibition by the South Korean artist who, expressed through the Taoist philosophy of Wu Wei, creates sculptures in sterling silver inspired by the natural landscapes of her birthplace, the volcanic island of Jeju |
first day |
| Paris, Saturday 5 |
Perrotin Marais: Emma Prempeh: The Domain of the Stranger new work in the artist’s debut solo exhibition at the gallery in Paris - “Prempeh does not paint a destination, she paints the doorway, and leaves it open” - Brice Arsène Yonkeu, curator |
first day |
Perrotin Marais: Restons Unis 2 initiated by Martin Brémond, this project brings together a selection of emerging French galleries with varied approaches, all driven by the same passion for supporting emerging or re-emerging artists |
first day |
Perrotin Marais: Johan Creten: Les Chiens de Pavlov “at once deeply personal and strikingly universal, the exhibition unfolds as an immersive journey through technological archaeology, political allegory, and mythological imagination” |
first day |
Templon: Robin Kid: Permanent Display Kid’s fourth solo exhibition with the gallery - “conceived around the first presentation of works from his new LIFE series, the exhibition places a focused selection of works from the past decade into dialogue with this new body of work” |
opening reception |
Templon: Anthony Caro: The Kenwood Series a landmark exhibition dedicated to the late British sculptor, bringing together for the first time in Paris a group of works from one of his most significant late bodies of work |
opening reception |
| Paris, Monday 7 |
HELENE BAILLY MARCILHAC: Nabis an exhibition dedicated to “the painters who, at the end of the 19th century, chose no longer to depict the world but to express it. … a journey into the art of almost nothing, where the familiar becomes a revelation” |
first day |
| Paris, Tuesday 8 |
Almine Rech: Leonora Carrington Carrington’s first solo exhibition at the gallery, organized with the Consejo Leonora Carrington and rossogranada, with drawing, painting, sculpture, tapestry, and writing, the exhibition presents the full range of media she explored throughout her career |
opening reception |
|
Seoul
|
| Seoul, Tuesday 1 |
Esther Schipper, Seoul: Simon Fujiwara: Who Lived Happily Ever After? presented in a series of themed rooms with differently colored walls, new paintings featuring his cartoon figure Who the Bær, in Fujiwara’s first solo exhibition in the Seoul gallery |
opening reception |
Perrotin Seoul: Mr.: On the Threshold of Tomorrow Mr. returns to Seoul with a new body of paintings, works on paper, and a sculpture in his first exhibition at Perrotin Dosan Park, inviting visitors into a world where memory, familiarity, and everyday observation converge |
first day |
| Seoul, Wednesday 2 |
Esther Schipper, Seoul: Simon Fujiwara: Who Lived Happily Ever After? presented in a series of themed rooms with differently colored walls, new paintings featuring his cartoon figure Who the Bær, in Fujiwara’s first solo exhibition in the Seoul gallery |
first day |
Kimreeaa Gallery: Cheongdam Night: Ambient Music Night |
special event |
|
Shanghai
|
| Shanghai, Saturday 5 |
Perrotin Shanghai: Jean-Philippe Delhomme: House of painting
|
first day |
Perrotin Shanghai: Xie Qi: Tugging
|
first day |
|
Stockholm
|
| Stockholm, Friday 4 |
Galleri Magnus Karlsson: Thomas Broomé: False Idols new paintings and a spatial light installation, in “a reflection on surface, presence and inner content. It makes us consider what lies behind the objects, the images or the meanings generated by an AI that endlessly produces poems” - Lotten Wiklund |
opening reception |
|
Tisbury
|
| Tisbury, Friday 4 |
Messums West: Chasing Light: The Unseen Photographs of Jethro Lyne “I would place Jethro somewhere between a cheekier Cartier-Bresson and a more worldly James Ravilious - the tradition of the quiet English observer, but with a continental range and a sense of humour” Benedict Shakespeare, curator |
private view |
| Tisbury, Saturday 5 |
Messums West: Chasing Light: The Unseen Photographs of Jethro Lyne “I would place Jethro somewhere between a cheekier Cartier-Bresson and a more worldly James Ravilious - the tradition of the quiet English observer, but with a continental range and a sense of humour” Benedict Shakespeare, curator |
first day |
Messums West: Flood a major group exhibition, curated by OHSH Projects, bringing together painting, sculpture, and installation to explore one of humanity’s oldest and most enduring stories |
private view |
|
Tokyo
|
| Tokyo, Saturday 5 |
Taka Ishii Gallery: Kei Takemura: Garden Next Door “Takemura has long attended closely to the layers of time and memory accumulated in objects and places … her works gather up invisible relationships and bring into viewpoints at which past and present, presence and absence, intersect” |
opening reception |
|
Venice
|
| Venice, Saturday 5 |
Patricia Low Venezia: Mario Testino “Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’ |
opening reception |
|
Zürich
|
| Zürich, Friday 4 |
Galerie Peter Kilchmann, Zahnradstrasse: Valentin Rilliet new work where the Swiss artist engages with themes of life and death, transcendence, and spirituality |
opening reception |
| Zürich, Saturday 5 |
Galerie Peter Kilchmann, Zahnradstrasse: Valentin Rilliet new work where the Swiss artist engages with themes of life and death, transcendence, and spirituality |
first day |
|
|
Don’t miss: exhibitions closing Amsterdam, Bangor, Boston, Chicago, Gstaad, Hamburg, Hove, London, Los Angeles, Nairobi, New York, Palma de Mallorca, Paris, Shanghai, São Paulo, Zürich |
|
|
|
Amsterdam
|
| Amsterdam, Saturday 5 |
Reflex: It’s Summer After All |
|
|
Bangor
|
| Bangor, Saturday 5 |
Zillman Art Museum: Gerri Rachins: Selected Works on Paper, 2008–2025 |
|
|
Boston
|
| Boston, Sunday 6 |
Public Art Fund in Boston: Gabriel Orozco: Public Nature |
|
|
Chicago
|
| Chicago, Sunday 6 |
Public Art Fund in Chicago: Gabriel Orozco: Public Nature |
|
|
Gstaad
|
| Gstaad, Thursday 3 |
Almine Rech: Claire Tabouret: Les Créatures |
|
|
Hamburg
|
| Hamburg, Saturday 5 |
Galerie Vera Munro: Günther Förg: Canvases · Bronzes · Copper · Drawings · Lead works |
|
|
Hove
|
| Hove, Sunday 6 |
Maureen Paley Morena di Luna: Felipe Baeza: Errantry |
|
|
London
|
| London, Friday 4 |
Grosvenor Gallery: Jamil Naqsh: Significant early paintings |
|
| London, Saturday 5 |
Lisson Gallery: Past Presence |
|
Lisson Gallery: Lisson Street: Daniel Buren – Pages in situ |
|
Messums London: Totemic |
|
NıCOLETTı: Appau Jnr Boakye-Yiadom: Patent 3306x |
|
Pontone Gallery: Iain Faulkner: LA Light |
|
The Redfern Gallery: St Ives at The Redfern |
Virtual Visit! ▻ |
SETAREH: Brent McKeever: LOOK |
|
Timothy Taylor: Richard Pettibone |
|
| London, Sunday 6 |
Institute of Contemporary Arts (ICA): Elisa Giardina Papa: She Flickered In and Out of History |
|
National Portrait Gallery: Marilyn Monroe: A Portrait |
|
Raven Row: Nomenclature for the Time Being |
|
Serpentine South Gallery: Cecily Brown: Picture Making |
|
Serpentine South Gallery: processing... Art and Advanced Technologies |
|
|
Los Angeles
|
| Los Angeles, Saturday 5 |
Bluerider ART LA•Manhattan Beach: Ink Reborn - 7 Narratives of Contemporary Chinese Ink |
|
|
Nairobi
|
| Nairobi, Saturday 5 |
Circle Art Gallery: Vincent Kimeu, Joshua Mochache, Edwin Thuo |
|
|
New York
|
| New York, Wednesday 2 |
Leila Heller Gallery: Spectra |
|
| New York, Friday 4 |
VeneKlasen: Enrico David: Works on Paper: 1995-2026 |
|
| New York, Saturday 5 |
Friedrichs Pontone: Summer Show 2026 |
|
LATITUDE Gallery: Meanwhile, the Mise-en-scène |
|
| New York, Sunday 6 |
Public Art Fund: Gabriel Orozco: Public Nature |
|
| New York, Monday 7 |
Sotheby’s New York: Botero in New York |
|
|
Palma de Mallorca
|
| Palma de Mallorca, Friday 4 |
Baró Galeria: Erwin Olaf: Against Time |
|
| Palma de Mallorca, Saturday 5 |
Baró Galeria: Estevan Davi: Pagan Tales: The Golden Moon |
|
Baró Galeria: Daniel Arsham: Eroded Horizon |
|
|
Paris
|
| Paris, Thursday 3 |
HELENE BAILLY MARCILHAC: THE SEVENTIES |
|
| Paris, Saturday 5 |
Galerie Esther Woerdehoff: Serge Izquierdo, Vincent Bousserez: Territoires invisibles |
|
|
Shanghai
|
| Shanghai, Tuesday 1 |
Jenxuan Gallery: Eat Like You Care |
|
|
São Paulo
|
| São Paulo, Thursday 3 |
Baró Galeria at Taller Zaragoza: Ayako Rokkaku: Playful, Stormy, Continuing |
|
|
Zürich
|
| Zürich, Saturday 5 |
Hauser & Wirth Bahnhofstrasse 1: Alina Szapocznikow. Autobiography in Fragments |
|
Hauser & Wirth: Avery Singer. War_overlays |
|
Hauser & Wirth: James Jarvaise & Henry Taylor. Sometimes a straight line has to be crooked |
|
|
|
|