Artist: Mr.

Perrotin presents Mr.’s 10th exhibition with the gallery and his second at its Seoul space. Following the successful presentation of a major solo exhibition at the Fukuoka Asian Art Museum from April to June 2026, the artist now returns to Seoul with a new body of paintings, works on paper, and a sculpture. Marking nearly ten years since his previous solo exhibition at Perrotin Seoul in 2016, this exhibition is his first at Perrotin Dosan Park. Expanding upon and deepening the themes explored in Fukuoka, the exhibition invites visitors into a world where memory, familiarity, and everyday observation converge.

Upon entering the gallery, visitors first pass through a panoramic beach landscape unfolding across the entrance corridor. The tranquil scene serves as a quiet prelude to the exhibition before giving way to the deliberate pandemonium of Mr.’s distinct universe.

Rooted in the visual language of manga, anime, and otaku culture, Mr.'s practice is equally informed by close observation of the daily experience. Belonging to a generation that witnessed Japan’s economic bubble and the decades that followed its collapse, Mr. assembles visual fragments drawn from different eras into a single pictorial space. Many of his paintings and works on paper feature vintage lettering, nostalgic foods, and retro graphic motifs alongside undeniably contemporary girls with their trendy hairstyles with dyed inner layers, smartphones, and takeaway tapioca drinks in hand. Rather than position- ing past and present in opposition, Mr. folds them into the same densely layered compositions, where contrasting cultures collide and accumulate. The result is a portrait of contemporary Japan in which cultural time is not linear but layered, with traces of different decades continuing to inhabit the rhythms of everyday life.

The exhibition also features a large-scale sculpture of one of the artist's recurring characters, accompanied by a cat. The work invites viewers to encounter the figure from every angle, as details that remain hidden within the fixed viewpoint of a canvas—including the back of the figure and the sculpture's full physical presence—are revealed in three-dimensional space. Rather than simply translating a painted image, the sculpture expands Mr.'s pictorial realm into one that can be physically experienced, offering a new perspective on familiar subjects while demonstrating the artist's remarkable sensitivity to spatial relationships.

Several shaped canvases advance this spatial investigation. Their irregular contours encourage the compositions to unfold beyond the conventional rectangular frame, allowing the form of each support to become an integral part of the image itself. Subtle yet playful, these works reinforce the fluid relationship between figure and environment that runs throughout the exhibition.

Beneath the vibrancy of the works lies a deeply personal root. Mr. has spoken of a traumatic childhood in which drawing—and later manga, anime, and otaku culture—offered refuge. More than shaping the imagery of his work, these experiences established painting as an enduring way of observing, processing, and responding to the environment around him. This quiet imperative continues to underpin his practice today.

"I only really understand what's right in front of me. I can't paint something I don't really know," Mr. recently reflected during an interview. This attentiveness to the familiar remains a constant in his practice. Built from countless observations gathered over time, his paintings weave the signs, slogans, objects, fashions, and fleeting impressions of the familiar into layered compositions that reflect the way lived experience is gradually formed—even through the countless impressions we absorb without consciously registering them. In an era oversaturated with information and images, these works invite viewers to slow down, look closely, and find resonance in the small details that quietly frame our lives.