in partnership with Castelli Gallery, an exhibition of the historic crosshatch paintings and drawings that dominated Johns’ practice from 1973 to 1983, including works that have rarely been seen before

a two-part exhibition of new and historic works on paper by Ligon presenting “richly layered compositions that meditate on the color blue and its emotional, historical and cultural inflections”

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

recent sculptures and paintings - “the Porcelain series is in dialogue with art from ancient times through history to this moment; the belief in humanity and civilization through our possibility to transcend is embedded within” - Koons

late sculptures, reliefs, and works on paper explore Bourgeois’ relationship to abstraction and her development of a symbolic abstract language

with a title which translates as “Of Soil and Whispers”, new paintings and sculptural reliefs which explore “a metaphoric and visual language rooted in Latin American folklore and ecofeminist thought”

curated by Joey Lico, twelve artists whose practices consider how the earth is held, shaped, remembered, and reimagined

including woodcut, collage, print portfolios, cast-paper, and other sculptural pieces from across Zarina’s seven-decade career, this milestone exhibition highlights the breadth and relevance of the late artist’s vision

curated by Molly Warnock and titled after his 1973 National Endowment of the Arts Grant Application, paintings and works on paper by the self-proclaimed “Abstract Expressionist of the quieter branch”

new paintings and drawings by the Japanese artist exploring how imagination and reality interact

spanning 150 years of art history, an exhibition highlighting the richly varied and substantial artistic contributions of creative women

Cherri’s first solo exhibition at the gallery “unfolds as a meditation on fragile bodies caught within immovable systems - where … history reveals itself not as past tense, but as an unrelenting present” - Terence Trouillot

drawn from the entirety of her career, an exhibition of Geesaman’s “idealized, often dreamlike” photographs of parks and formal gardens in Europe and the US

in Robarts’ first solo exhibition with the gallery, sculptures made “from the cast offs of society”

Sergio Sister and Karin Lambrecht, two of Brazil’s most distinctive painters, “explore the transformative, emotional, and material force of color in contemporary art”

curated by Ian Hartshorne, this exhibition “celebrates the intergenerational impact of teaching painting and reveals engaging and dynamic relationships between those participating”

paintings and works on paper from the 1960s through the 1990s by one of Canada’s foremost Color Field painters

this new exhibition sees the South African artist revisit his 2010 presentation at the gallery’s Johannesburg space - of works marking the 50th anniversary of Miles Davis’s landmark album “Kind of Blue”

the Estonian and South Korean artists “explore the same desires of capturing spatial experiences as they slowly disperse from their memories”

new paintings by gallery artists and select previews of forthcoming exhibitions

“in this body of work, there is a small canvas depicting a bird, perched on an outstretched branch, against a night sky. Two lines signal the bird’s breakdown into form … the painting, like all of Kraus’s work, games natural vision”

master prints by Vija Celmins, David Hockney, Jasper Johns, Roy Lichtenstein, Ed Ruscha, Kiki Smith, Wayne Thiebaud, and Andy Warhol in an exhibition exploring figuration in post-war printmaking

an exhibition exploring Bauermeister’s use of rocks - including in progressions, spirals, and lens boxes - and examining the themes central to her practice

“an immersive art installation that explores the interplay between materiality, light, and nature inspired by Claude Monet’s late water lily landscapes, in which vision dissolves into abstraction”

new paintings and works on paper -“images of lush, abundant vegetation” - in the eminent British painter’s first in New York in nearly a decade

curated by Dr. Tobia Bezzola, eight monumental works spanning Gertsch’s career, and “elucidating the ways in which he transformed photographic imagery into hyperrealist paintings and woodcuts”

new paintings by the Argentine-born Madrid-based artist, drawing thematically on Shelley’s poem - “eerie, evocative landscapes embedded with fragments from the present industrial age”

the first New York solo exhibition of the clan advocate and leading figure in contemporary Indigenous art presents works painted on bark cloth that he harvests and prepares by hand

Ilya Bolotowsky, Ernest Briggs, Seymour Boardman, Peter Busa, Peter Bonner, Mario Bencomo, James Brooks, Lina Binkele - “united by a shared initial … their works form an intriguing dialogue across decades, styles, and modes of expression”

in his first solo US exhibition, Şehitoğlu explores Machiavelli’s “whoever possesses knowledge possesses power” - constructing an allegory that takes his own field as a reference point to “reflect on what the current age has brought”

an exhibition bringing together twelve new paintings by the Irish artist, together with four small works on panel presenting “a microcosmic snippet of his world … a tiny window onto the limitless eternity of time”

Cerrato’s first solo exhibition in New York presents paintings from a critical period, both in her art and her life

“enveloping the room entirely in vinyl tiles, the installation creates an environment that is both immersive and reflective—an echo of sacred architecture transposed into a contemporary context” - Laura Helena Wurth

Young-Il Ahn, Anna-Eva Bergman, John Henderson, and Shim Moon-Seup in a painting exhibition organized by John Henderson

Rockman’s first solo exhibition with the gallery presents new and recent paintings and works on paper in dialogue with two of his now classic works

a solo exhibition which examines Zutrau’s evolution through the critical period when he worked between Tokyo and New York

curated by Shazzi Thomas, an exhibition of artists who “navigate the shifting boundaries between clarity and obscurity, the material and the ephemeral, the revealed and the concealed … across abstraction, landscape, figuration, and experimental surface”

a two-person exhibition of new ceramic works “Together, [Scott and Slotte] show how art can open up an apparently inconsequential domain of material culture, showing it to be far more expansive than one could have imagined”

“ink and photo emulsion-based works on paper which foreground the traces of their production. The works’ compositions are sliced and segmented by creases, perforated to reveal the act of making as much as they might conjure familiar textures and imagery”

the first installment of a two-part survey exhibition tracing the evolution and achievements of American art across the 19th and 20th centuries - in celebration of the gallery’s 25th anniversary and the 250th of America’s founding

paintings by Nessi drawn from her work on landscape and urban motifs in an exhibition organized around place rather than chronology

new and exemplary works by Morimura spanning his over four-decade career, and a new 30-minute program of portraits by Atlas focussing on drag and gender

works by over a dozen artists in an exhibition that celebrates the styles and content in paintings, drawings and sculptures by African American artists from the 19th century to the present

painting in dialogue with an imposing sculptural installation as the Paris-based artist’s exhibition takes over both gallery spaces - “Linard Osorio’s singular body of work is born out of a fortuitous command of his chance operations”

the fourth edition of the gallery’s acclaimed performance series presents a collaboration between Linard Osorio’s site-responsive installation and Etay Axelroad’s choreography

oil paintings and works on paper by Wixon - “vibrant, layered abstract compositions that range from contemplative to surprising”

large ceramic sculptures, wood-fired in a Japanese style Anagama kiln, in an exhibition “not about Brice Marden … but because of him”

Colnaghi and Colnaghi Elliott Master Drawings present rare works on paper and paintings from the seventeenth to nineteenth centuries exploring how artists respond to cross-border encounters

Surrealist | Modern | Post-War Art