painting, sculpture, drawing, photography, and video in a group exhibition curated by Mateus Nunes which draws on the life and work of Jorge Luis Borges to explore blindness as a poetic catalyst

Antelman’s first exhibition with the gallery presents a “unique approach to photography in which her lyrical and experimental approach to imagery and montage is combined with a sculptural sensibility”

bringing together two generations of abstraction, an exhibition which juxtaposes the bold, gestural work of Briggs with the introspective, process-driven paintings of Bonner

over forty works from Picasso’s own collection - including pieces never seen in public before - shown together for the first time, together with rarely exhibited objects from his studios

“vividly hued and wildly imaginative Surrealist works from 1939 to 1949” in the gallery’s first exhibition of the work of the celebrated late artist

including monumental canvases shown for the first time, new paintings advancing Uslé’s exploration of abstraction - “rhythmic, short brushstrokes arranged in bands of shimmering color”

the paintings in Falcetta’s first solo exhibition with the gallery show his abstract explorations of surface, color and space

the first major survey exhibition to provide an in-depth examination of the noted Abstract Expressionist’s complete practice

“I’m engaging in an artistic variety of backcrossing, the process by which one generation is made by crossing two different varieties, and in subsequent generations, one of the parent varieties is crossed back with the offspring” - Murakami

the US premiere of works from Huyghe’s groundbreaking exhibition in Venice last year at Punta della Dogana - Pinault Collection

three monumental “landscape and mindscape” paintings form an immersive installation in Weiner’s debut solo exhibition with the gallery

“a love letter to New York in all its maddening, magnificent glory” - works by John Baeder, Danielle DeJesus, David DeSimone, Richard Haas, Claire Heidinger, Steven Katz, Ernest Lawson, Joseph Peller, Philip Reisman, Doug Safranek, and Edmund Yaghjian

the New York-born, London-based artist’s inaugural solo exhibition in the United States

in partnership with Paloma Picasso, over fifty rarely seen - or in some cases never previously exhibited - paintings, sculptures, and drawings from the full span of Picasso’s career

the first presentation at the gallery’s newly renovated Chelsea space is an exhibition curated by Cecilia Alemani with both paintings and sculpture by the pioneering figure of postwar art - “a restless explorer of the canvas” - Alemani

an exhibition of works by the Yale School of Art Painting and Printmaking Graduate Class of 2025

the third edition of the gallery’s acclaimed performance series brings together Tallmadge’s installation with the choreography of Principal dancer and activist Ingrid Silva, performed by Elias Re and Vinícius Freire

curated by Beverley Calté and Arnauld Pierre, over forty post-war works by the French avant-garde artist in the first major solo exhibition exclusively exploring his unique final period

alongside his exhibition at the gallery’s 22nd Street space, the dedicated editions space on 18th Street presents prints of Kentridge’s work from the last two decades

figurative sculptures made in both wood and bronze in an exhibition which reimagines scenes and characters from the suburban landscape of Schreuders’ Cape Town

Cotton’s first exhibition at the gallery introduces his monumental paintings of a new American mythology with sugary treats, pink unicorns, hypermasculine cowboys, and mermaids

conceived by Saara Pritchard, this exhibition is the first to focus on the three artists, who worked in New York City during the 1960s, 1970s, and 1980s, often portraying mutual sitters, exhibiting together, and participating in public discussions

reflecting on the relationship between humans and the environment through object-making, assemblage-based installations, and a keen understanding of material processes, Rico achieves a precise geometry from his carefully chosen objects

including sketches not seen before in public, an intimate look into the creative world of the iconic American designer known for dressing cultural icons from Cher to Madonna

an eclectic group of twenty-four women artists from across nearly 100 years of artistic production, united by a kaleidoscope of influence

the most comprehensive presentation of Herrera’s post-war Paris years to date “examines a young artist deep in experimentation, subsuming the seismic influences of many colliding midcentury art movements”

installed across both gallery locations, an exhibition of new work in Toor’s first solo show with the gallery - paintings at Luhring Augustine Chelsea and the artist’s first dedicated presentation of works on paper at Luhring Augustine Tribeca

new and notable works by Eric Zener, Rebecca Stenn, John Evans, Mavis Smith, Ioanna Stefou, Annette Davidek, Gary Ruddell, Alexandra Pacula, Carin Gerard, Eric Wert, Richard Combes, and Elizabeth McGhee

a wide range of works in media from paintings in tempera to bronze figures and glass forms in Ikemura’s first exhibition with the gallery “an impressive act of world building and longevity”

in collaboration with Timothy Baum, a significant collection of collages by leading Surrealist artists including André Breton, Joseph Cornell, Marcel Duchamp, Nusch Éluard, Paul Éluard, Max Ernst, Georges Hugnet, Valentine Hugo, René Magritte, Man Ray,...

in his first exhibition at the gallery in New York, an immersive installation of Kentridge’s acclaimed film series ‘Self-Portrait as a Coffee Pot’ and more than forty-five drawings integral to its creation alongside a group of sculptural works

combining photography and performance, Calivas’ debut exhibition with the gallery presents works featuring her partially or almost completely submerged in the landscape

the first US exhibition of paintings by the Chilean-born, Paris-based artist draws inspiration from the landscapes of South America to depict ethereal terrains on canvas and copper plate

titled after a first season episode of Star Trek, Bacher’s large, immersive installation “distorts as it reflects, outsourcing its possible meanings to us, and whatever we might bring into the corridor”

“these are paintings to live with. Restrained and blurred, with a minimum of edge, they quietly draw you in, enveloping you as in a dream” - S. Lane Faison, Jr.

curated by Robert Zeller, an exhibition exploring the enduring influence of Surrealism, with contemporary artists placed in conversation with works by historic artists Giorgio di Chirico, Leonor Fini, Yves Tanguy, and Leonora Carrington

significant paintings alongside archival material, photography, and ephemera, presenting the personal and intellectual exchanges between four pioneering artists who shaped modern Korean art during the transformative decades after the Korean War

in this collaboration with the independent movie theatre Metrograph in New York, new paintings by Giovanelli created in relation to five selected films screened at the theatre to accompany the gallery exhibition

photography, drawing, painting, and text in an exhibition using memory, landscape, language, and the body to explore how identity is constructed, performed, and resisted - “where each artist acts as both cartographer and witness”

a historical survey of seventeen Black American artists who lived and worked in France from the late nineteenth century through the present

new pieces by the multidisciplinary design studio known for “serene, dreamy, creations that evoke poignant and harmonious confluences with the natural world”

new paintings by Blum, abstract compositions produced by a layered, intuitive process of adding and subtracting thinly inked sheets of silk to panel

in the Korean artist’s first solo exhibition in New York, new paintings “depict the space between the real, the imagined and what she describes as the ‘visual error’ experienced when something is not as it first appears”

new and recent multi-paneled paintings by Lovelace exploring the relationship between nature and society in his native Trinidad

sculptures, works on paper, and a new installation in the first exhibition at the gallery of works by the Dominican-born sisters

“maybe these painted bodies are extensions of my own fear of attracting visitors, and Pierrot’s blushing cheeks an inflammation of the uncomfortable desire that always already accompanies this fear of exposure” - Kantarovsky

the tenth edition of this flagship annual exhibition presenting the finest works by Australia’s pre-eminent First Nations artists

new atmospheric paintings that explore the complex dynamics of intimacy and its expressions in the British artist’s first solo exhibition in the US

anthropomorphic serveware, cartoon busts, moon jars, and signature Mongmong Lassie vessels alongside a video installation and a Risograph flip-book by the Brooklyn-based South Korean sculptor known for her hand-built and 3D-printed ceramic figures

covering thirty years, an exhibition highlighting the Diebenkorn’s expansive contributions to post-war printmaking

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

works by artists including Joshua Abelow, Glen Baldridge, Yevgeniya Baras, Gina Beavers, Susan Bee, Katherine Bradford, Patrick Brennan, Ernesto Burgos, Sean J. Patrick Carney, Brian Chippendale, Kari Cholnoky, Ryan Travis Christian, Graham Collins, ...

installed across both gallery locations, an exhibition of new work in Toor’s first solo show with the gallery - paintings at Luhring Augustine Chelsea and the artist’s first dedicated presentation of works on paper at Luhring Augustine Tribeca

“throughout the course of his artistic practice, Sperling has continuously referenced the worlds of design and architecture as inspirations for his sculptural works on canvas”

an exhibition which brings together leading figures of modern and contemporary Italian design to explore how beauty and function intersect in a world shaped by industry, urbanisation and cultural tradition

in Pillay’s US debut and first solo exhibition at the gallery’s New York location, new paintings inspired by a visit to Réunion Island explore cultural hybridity, resilience and the ways landscapes serve as silent witnesses to history

curated by Oscar Murillo with artworks by Wifredo Lam, Arshile Gorky, and Roberto Matta

over two dozen artists working across a wide range of media, at scales both intimate and grand, offer a sustained reflection on the social and political climate of our time

Yackulic’s first solo exhibition with the gallery features small-scale works which “embrace an immediate, observational approach to painting through deftly rendered moments of daily life”

featuring works by Julia Wachtel, Wendy White, and Jason Yates

a group exhibition of seven artists who explore the concept of a “second shadow”, the partial light shadow cast by a summer solstice, to obscure their natural representations and create a deeper truth about the subjects

“Graft opens connections between Puerto Rican communities across the city and reminds us of the centrality of the Caribbean to the history of New York City and the United States” - Melanie Kress

“powerful new works by internationally acclaimed artists alongside compelling new voices, with a number of artists making their Basel debut”

the second part of Ever So Present, curated by Brice Arsène Yonkeu, features work by Luke Agada, Amoako Boafo, Josèfa Ntjam, and Emma Prempeh, artists of African descent who engage with the formation of the contemporary diasporic self

“a landmark exhibition tracing the emergence and evolution of Surrealist ideology in Sweden and Denmark” with works by Stellan Mörner, Vilhelm Bjerke-Petersen, Lambert Werner, Max Walter Svanberg, and Eric Cederberg

the first presentation of Ryoko Endo, Hannah Lim, and Park Seo-Bo’s work in dialogue - “three visionary artists whose practices traverse East and West, past and present, structure and spontaneity”

the artist’s first solo exhibition at the gallery in NYC -“Longevial's oil paintings draw attention to the skin, layered in seemingly smooth swatches of ultramarine, crimson, slate, chantilly, and mauve” - Lynn Maliszewski

Old Masters, Ancient and Modern works of art