in her first solo exhibition in Los Angeles, a series of canvases examining the excesses of consumerism and popular culture with lush, swirling brushstrokes

rich in detail, color and texture, new works that explore the connections between art, mysticism, female agency and philosophy

over one hundred drawings - spanning the years 1959 to 1968 - show Lozano’s “unbridled energy and social consciousness”

in Mohamoud’s first solo exhibition with the gallery “figurative sculptures poetically evoke legacies of generational trauma while also allowing for moments of beauty and introspection”

twelve paintings and a selection of drawings, that resist explanation “I’m an iconophile at heart. I believe in the power of the image to speak directly to the soul, bypassing the verbal mind” - Ryden

celebrating the summer season, “over thirty functional sculptural works of art and design … that embrace the elemental qualities of light, space, and transformation”

“is it a bad idea to show my own work at the gallery? … when the artist and dealer merge into a single entity, the gesture becomes meta-institutional - a rehearsal of power, vulnerability, and exposure”

on view in gallery 1 and 2, a new body of work examining “the vital role of museum collections in celebrating the breadth of human experience” by the artist known for his conceptually driven photography and investigations into race and historical memory

both rarely and never before exhibited photographs from Valadez’ seminal body of work - “a visual archive of portraits of neighbors, friends, and everyday people he encountered on walks through his neighborhood in East Los Angeles”

in an exhibition working with the literary form of the fable, recent works on paper by Mattai, created with her singular approach to collage, blending different traditions of craft and cultural references

curated by Lisa Le Feuvre, Smithson is shown alongside eighteen other artists in an exhibition which examines his work “from his early 1960s drawings … to his searing critiques of industrial capitalism and attention to geological timescales”

works by the gallery’s historical and contemporary artists - presented in pairs to merge two parts of the gallery’s program

a survey exhibition of the renowned Colombian artist, tracing key developments in her influential, six-decade career working between weaving, painting, and sculpture

new works by the Ontario-based artist whose paintings and works-on-paper offer “an opportunity to examine interiority through an encounter with exteriority as figured in the language of painting”

new works by Edmund de Waal - porcelain vessels displayed for the first time in guilded vitrines, alongside glimpses of other materials including gold, silver, lead, marble, aluminum, alabaster, and Kilkenny stone

new works by Edmund de Waal - porcelain vessels displayed for the first time in guilded vitrines, alongside glimpses of other materials including gold, silver, lead, marble, aluminum, alabaster, and Kilkenny stone

LACMA is the largest art museum in the western United States, with a collection of nearly 152,000 objects. The museum exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage.

Established in 1979, the only artist-founded museum in Los Angeles is dedicated to collecting and exhibiting contemporary art.

Exhibitions of contemporary and historical art, plus weekly programs on current social issues.

The Geffen Contemporary at MOCA is located in a former police car warehouse, renovated by the noted California architect Frank Gehry.