Open: Mon-Fri 10am-5.30pm

9 Bury Street, SW1Y 6AB, London, United Kingdom
Open: Mon-Fri 10am-5.30pm


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The Mayor Gallery at TEFAF New York 2025

The Mayor Gallery, London

Fri 9 May 2025 to Tue 13 May 2025

9 Bury Street, SW1Y 6AB The Mayor Gallery at TEFAF New York 2025

Mon-Fri 10am-5.30pm

Artist: Waldemar Cordeiro

In 2025, we celebrate the hundredth anniversary of Waldemar Cordeiro’s birth. To honor his legacy, Luciana Brito Galeria (São Paulo, Brazil) and The Mayor Gallery (London, UK) are presenting a selection of works at TEFAF New York that spans the major phases of his artistic production, from 1949 to 1973. More than simply illustrating the timeless ideas Cordeiro developed, these works reflect his far-reaching impact on the transformation of visual art on a global scale, beginning in the 1950s. Today, he is widely recognized as a significant figure in international cultural history.

Waldemar Cordeiro was born in Italy in 1925 and, at the age of 21, emigrated to Brazil, where he soon became a central figure in the emergence of Brazilian contemporary art. In the early 1950s, he played a leading role in founding and shaping the concrete art movement, which he spearheaded through the establishment of Grupo Ruptura (1952). Conceived by the artist, the Ruptura Manifesto called for a new kind of art – revolutionary, independent, and grounded in the principles of space, time, and objectivity. His work from this period reveals a striking visual complexity combined with intelligent interplay of form and color.

Between 1960 and 1963, Waldemar Cordeiro entered his Intuitive Geometry phase, during which he began experimenting with hand-drawn lines, demonstrating an interest in perceptual psychology – a creative tool also used in his concrete phase, in the same way he had used the forms and colors of Brazil’s tropical vegetation. A piece from this period was featured in the 60th Venice Biennale in 2024.

In 1964, Cordeiro began incorporating found objects from everyday life into his compositions, calling them Popcretos – a term coined by poet Augusto de Campos to combine pop and concrete art. Inspired by the concept of the “open work,” developed by scholar Umberto Eco, he included active public participation in his work, along with political critiques of Latin American realities and global consumerism.

Waldemar Cordeiro, Untitled, 1952. Tempera on wood panel 29.5 x 41 cm 11 5/8 x 16 1/8 inches

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