Christine Berry and Martha Campbell opened Berry Campbell Gallery in the heart of Chelsea on the ground floor in 2013. The gallery has a fine-tuned program representing artists of post-war American painting that have been overlooked or neglected, particularly women of Abstract Expressionism. Since its inception, the gallery has developed a strong emphasis in research to bring to light artists overlooked due to race, gender or geography. This unique perspective has been increasingly recognized by curators, collectors, and the press. Berry and Campbell share a curatorial vision that continues with its contemporary program. Recently the Museum of Fine Arts, Houston acquired works by abstract painter, Jill Nathanson. Harry Cooper, senior curator and head of Modern art at the National Gallery of Art, Washington, D.C. chose a painting by Judith Godwin from the 1950s to hang in their Abstract Expressionist galleries. Works by Frank Wimberley were acquired by the Studio Museum in Harlem, New York and the Smithsonian Museum of American Art, Washington, D.C. Berry Campbell has been included and reviewed in publications such as the Wall Street Journal, Artforum, Art & Antiques, The Brooklyn Rail, the Huffington Post, Hyperallergic, East Hampton Star, Artcritical, the New Criterion, the New York Times, Vogue, and Whitehot Magazine of Contemporary Art. Berry Campbell continues to expand its program by adding artists and estates such as Lilian Thomas Burwell, Frederick J. Brown, and Mary Dill Henry.
https://www.berrycampbell.com/Member since 2022
Panel Discussion with Eve Biddle, Seph Rodney and Stephanie Sparling Williams
6.30-8pm
Berry Campbell Gallery, 524 W 26th Street, NY 10001
part of Mary Ann Unger: Across the Bering Strait
add to calendarNew York Chelsea
event today
16
the gallery’s first exhibition of the pioneering sculptor, curator, and feminist includes in its entirety for the first time in NYC, her monumental magnum opus “Across the Bering Strait”
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