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The Week in Art visit the site
13-20 Oct 2026
Openings, events, auctions
Berlin, Brussels, London, New York, Paris, Stockholm, Taipei
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▻ use the Daily Diary for all the latest events and updates!
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Berlin
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| Berlin, Thursday 15 |
Luisa Catucci Contemporary:
Markus Keibel: Patriarchy Fades The Future Rises
curated by Luisa Catucci - “Keibel turns his attention to structures that present themselves as fixed - philosophical systems, canonical images, and inherited narratives - and patiently takes them apart” |
opening reception |
| Berlin, Friday 16 |
Luisa Catucci Contemporary:
Markus Keibel: Patriarchy Fades The Future Rises
curated by Luisa Catucci - “Keibel turns his attention to structures that present themselves as fixed - philosophical systems, canonical images, and inherited narratives - and patiently takes them apart” |
first day |
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Brussels
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| Brussels, Saturday 17 |
Whitford Fine Art:
In Between the Lines
curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being” |
first day |
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London
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| London, Tuesday 13 |
Alice Amati:
Sophie Birch: The eye lives in this texture (...)
in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming |
opening reception |
Belmacz:
Marcel Broodthaers and Agnieszka Kurant
an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation |
opening reception |
Carpenters:
Thukral & Tagra: Arboretum
the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting |
first day |
Carpenters:
DRIFT: Aeolus
in its own dedicated and expansive space at the gallery, the Amsterdam-based studio unveil a new, interactive, and large-scale installation that “captures the movement of wind through the use of glass and light” |
first day |
Carpenters:
Gareth Mason: Flights of Fancy
the British ceramic artist known for his highly tactile treatment of the ceramic vessel presents new molded and punctured pale porcelain, dark, rugged stoneware, liquid glazes, and thermally transformed granite |
first day |
Carpenters:
Dissent: Notes from Underground
inaugurating their large new underground exhibition space, an exhibition foregrounding alternative perspectives on space, material, and craftsmanship - adding a fresh perspective to the gallery’s engagement with art, design, craft, and architecture |
first day |
Carpenters:
Anne Holtrop: Low-relief
renowned for his work across art, architecture, and design, Holtrop’s inaugural exhibition with the gallery presents new functional artworks in cast glass that explore the dynamic relationship between light, space, and material |
first day |
Cristea Roberts Gallery:
Antony Gormley: Where
over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?” |
opening reception |
Emanuel von Baeyer:
Artist Talk: Neil Gall, James Lang, Fitzroy Schofield, Richard Stipl, and Nicole Wassall |
talk |
Emanuel von Baeyer:
Figuren
spanning three generations - and covering painting, drawing, prints, and sculpture - an exhibition of the best in modern and contemporary figurative art |
opening reception |
GRIMM:
Rosalind Nashashibi: Gaza Apollo
based around the 2013 discovery of the rare bronze sculpture Apollo, new paintings by Nashashibi in the first solo exhibition of her work in London since her 2020 National Gallery exhibition |
opening reception |
Graces Mews:
What Rose from the Cut
developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage |
private view |
Grosvenor Gallery:
Adeela Suleman: The Rising Crescendo of the Band Baja
presented with Canvas Gallery, Karachi, new works by the acclaimed Pakistani artist bringing together “celebration and uncertainty, ornament and violence, authority and resistance in a body of work that is at once visually seductive and quietly charged” |
private view |
HELUX House:
This Green & Pleasant Land. Peter Lynch: Paintings
“bringing together paintings and works on paper, Lynch’s mediations on process and gesture reveal the artists’s abiding interest in the interplay between expressionism and conceptualism; colour/non-colour; tactility and translucency” - Pujan Gandhi |
first day |
Hauser & Wirth:
Cindy Sherman
the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime |
opening reception |
Hauser & Wirth:
Lorna Simpson. Previous & Ongoing
new large-scale paintings, multi-panel compositions, and sculpture by Simpson revealing the symbiotic relationship between her paintings, collages, and wider oeuvre |
opening reception |
Helly Nahmad Gallery | Nahmad Projects:
The Studio: Anna Freeman Bentley in dialogue with 20th Century Masters
looking the artist’s studio, new paintings by Freeman Bentley, presented in dialogue with 20th Century Masters including Braque, Dufy, de Chirico, Matisse, and Picasso |
private view |
October Gallery:
Romuald Hazoumè: My Blue Period
addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit |
private view |
Pace:
Kylie Manning: The Mudlarkers
new site-specific paintings in the first solo London exhibition by the New York-based artist - “Manning embraces an intensity of color and compositional movement to create works held at the apex of a tide, where one state has not yet yielded to the next” |
first day |
Pilar Corrias, Savile Row:
Rirkrit Tiravanija: (situational awareness)
drawing on the gallery’s location, an exhibition of new paintings and performance making a connection between British military history and the histories of labour, craft, and production of Savile Row itself |
opening reception |
Pippy Houldsworth Gallery:
Sofía Bassi: Floating Between Earth and Sky
the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented |
private view |
Ronchini:
Paul Jenkins: As Above so Below
the first ever recreation of the 2005 exhibition at the historic 12th-century Cistercian abbey, Abbaye de Silvacane, in France - “a renewed opportunity to consider Jenkins’s engagement with space, light, and process at a pivotal moment in his career” |
private view |
Sprovieri:
Mario Schifano 1960s
organised in collaboration with Gió Marconi, Milan, an exhibition of fourteen works by Schifano dating from 1960 to 1967 when he was at the height of his expressive strength, “genuine masterpieces” - Marco Meneguzzo |
private view |
Tache:
Léa Porré: Relics
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first day |
Thaddaeus Ropac:
Georg Baselitz: The Heroes 1965-66
an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting |
opening reception |
Thomas Dane Gallery:
Glenn Ligon: Prompts
the gallery presents a group assembled by Ligon of earlier and new works “which conspicuously inform, contextualise, re-contextualise, appropriate and, somehow, ‘prompt’ one another” |
first day |
Thomas Dane Gallery:
Paul Pfeiffer: Pasodoble
a new single screen video installation by Pfeiffer - filmed across three interconnected sites the work traces the networks that sustain bullfighting, one of the world’s most enduring and contested public spectacles |
first day |
DES BAINS:
NO EXCUSE: Désirée Nakouzi De Monte & Andrea Parenti
furniture, found objects, figures, costumes, painted surfaces, and images are dismantled, altered and recombined, moving between domestic spaces, film sets, and installations, in the artist duo’s first exhibition with the gallery |
opening reception |
| London, Wednesday 14 |
Belmacz:
Marcel Broodthaers and Agnieszka Kurant
an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation |
first day |
Cristea Roberts Gallery:
Antony Gormley: Where
over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?” |
first day |
Graces Mews:
What Rose from the Cut
developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage |
first day |
Grosvenor Gallery:
Adeela Suleman: The Rising Crescendo of the Band Baja
presented with Canvas Gallery, Karachi, new works by the acclaimed Pakistani artist bringing together “celebration and uncertainty, ornament and violence, authority and resistance in a body of work that is at once visually seductive and quietly charged” |
first day |
The Mayor Gallery:
The Mayor Gallery at Frieze Masters 2026. Spotlight: William Klein
the gallery presents, in collaboration with Grob Gallery, a solo presentation of early paintings, photograms, and abstract photographs made between 1952 and 1964 by one of the most influential photographers of the twentieth century |
first day |
Messums London:
OBJECT!
with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture |
first day |
Messums London:
Elizabeth Maw: The Passage of Line
“through constructed forms, Maw creates lines that float, intersect, and cast shadows, allowing drawing to occupy space as a material presence” |
first day |
Helly Nahmad Gallery | Nahmad Projects:
The Studio: Anna Freeman Bentley in dialogue with 20th Century Masters
looking the artist’s studio, new paintings by Freeman Bentley, presented in dialogue with 20th Century Masters including Braque, Dufy, de Chirico, Matisse, and Picasso |
first day |
Raven Row:
STURTEVANT - Eat the Outside to Light Up the Inside
curated by Antony Hudek, the first institutional exhibition in the UK since her death reveals how Sturtevant’s radical conceptual practice continues to probe the power of images |
opening reception |
Robilant:
Still Life, Then and Now
a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present |
opening reception |
Ronchini:
Paul Jenkins: As Above so Below
the first ever recreation of the 2005 exhibition at the historic 12th-century Cistercian abbey, Abbaye de Silvacane, in France - “a renewed opportunity to consider Jenkins’s engagement with space, light, and process at a pivotal moment in his career” |
first day |
Sotheby’s London:
Modern British & Irish Art Evening Auction
auction: Wed 14
(viewing: Fri 9-Wed 14) |
auction |
Sprovieri:
Mario Schifano 1960s
organised in collaboration with Gió Marconi, Milan, an exhibition of fourteen works by Schifano dating from 1960 to 1967 when he was at the height of his expressive strength, “genuine masterpieces” - Marco Meneguzzo |
first day |
Wyn:
Alicja Biała
contemporary art and English winemaking brought together in a five-day pop-up at Florence Trust |
first day |
| London, Thursday 15 |
Bluerider ART London:
Next Chapter: Post-85 Chinese Voices
six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage |
opening reception |
Gazelli Art House:
Allen Jones: In Town Tonight
the gallery’s first solo exhibition with one of the defining figures of British Pop Art presents a substantial body of new work alongside significant pieces from across his career |
private view |
HELUX House:
Reception & Artist Talk: This Green & Pleasant Land. Peter Lynch: Paintings |
special event |
Institute of Contemporary Arts (ICA):
party pooper 2: Performance by Autumn Knight |
performance |
Raven Row:
STURTEVANT - Eat the Outside to Light Up the Inside
curated by Antony Hudek, the first institutional exhibition in the UK since her death reveals how Sturtevant’s radical conceptual practice continues to probe the power of images |
first day |
Robilant:
Still Life, Then and Now
a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present |
first day |
Sotheby’s London:
Contemporary Evening Auction
auction: Thu 15
(viewing: Fri 9-Thu 15) |
auction |
Sotheby’s London:
Modern British & Irish Art Day Auction
auction: Thu 15
(viewing: Fri 9-Thu 15) |
auction |
Twilight Contemporary:
Thomas Mead: Damp
the London-based artist’s debut solo exhibition is inspired by the act of looking back and a childhood obsession with miniatures and examines the existential weight of what is missing by turning a feeling of emptiness into a palpable reality |
opening reception |
| London, Friday 16 |
Pippy Houldsworth Gallery:
Champagne Brunch |
special event |
Sotheby’s London:
Contemporary Day Auction, including Works on Paper from the Duerckheim Collection
auction: Fri 16
(viewing: Fri 9-Fri 16) |
auction |
Sotheby’s London:
The David Hockney Sale: 20 Flowers from Normandy
auction: Fri 16
(viewing: Fri 9-Fri 16) |
auction |
Yamamoto Keiko Rochaix:
Anthony Ngoya: The Sacred Fire Beneath our Feet
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opening reception |
| London, Saturday 17 |
Grosvenor Gallery:
Artist Walkthrough |
tour |
October Gallery:
Romuald Hazoumè in Conversation with Gerard Houghton |
talk |
Palmer Gallery:
Philip Ewe |
performance |
SQFT:Space Gallery:
Artist Talk & Exhibition Walkthrough with Ellis King |
special event |
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New York
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| New York, Wednesday 14 |
HOSTLER | BURROWS:
Neighborhood Gallery Walk |
tour |
Hirschl & Adler:
Tula Telfair: Who Owns This Land
more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery |
first day |
| New York, Thursday 15 |
Galerie Emmanuelle Grelier:
What Holds Us
the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives” |
opening reception |
Gallery Henoch:
John Evans: The Shape of Stillness
new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern” |
opening reception |
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Paris
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| Paris, Friday 16 |
Opera Gallery:
Warhol, Basquiat, Haring. Une amitié artistique
this major selection of paintings and works on paper “invites us to look anew at a history we may think we already know: not as three separate trajectories, but as a constellation shaped by friendship, admiration and the circulation of ideas” |
first day |
| Paris, Saturday 17 |
Almine Rech:
Robert Indiana: Alchemy
Indiana’s first monographic exhibition with the gallery - “the technique, if successful, is that happy transmutation of the lost into the found, junk into art, the neglected into the wanted, the unloved into the loved, dross into gold, hence: alchemy” |
opening reception |
Art: Concept:
Kate Newby: Can’t find Water
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first day |
Galerie Esther Woerdehoff:
Concert with Ribal Molaeb (viola) and Tanja Sonc (violin) |
performance |
Perrotin Marais:
Alma Allen
a new series of mural works and sculptures in the self-taught artist’s first solo exhibition |
opening reception |
Perrotin Marais:
Lee Bae: Attending
new works from iconic series by the major figure of the contemporary Korean art scene, combining traditional Asian calligraphy with Western abstraction |
opening reception |
Sobering Galerie:
Isidore Bishop-Sauve
Bishop-Sauve’s first solo exhibition - “a highly distinctive pictorial language, in which intimate, sensitive figuration meets a loose, direct, and spontaneous handling of paint … as much as a fragmented self-portrait as an observation of a generation” |
first day |
| Paris, Monday 19 |
A&R Fleury:
Face-à-Face
a series of combinations of artists exploring unexpected correspondences between different generations and sensibilities |
first day |
Frith Street Gallery:
Frith Street Gallery Le Molière
in this special Paris Pop-up Project to coincide with Art Basel Paris, the gallery focuses on important works by Dayanita Singh, Małgorzata Mirga-Tas, Tacita Dean, and Cornelia Parker |
private view |
Hauser & Wirth:
Calder: François Premier
titled after Calder’s house in the Loire Valley as well as the gallery’s street in Paris, the first major exhibition dedicated to the postwar return to France of one of the greatest artists of the 20th Century |
opening reception |
HELENE BAILLY MARCILHAC:
Reflection
conceived with Studio Ellie Peugeot as a meditation in three acts, works from 1866 to the present day exploring the motif of “reflection” |
first day |
LBF Contemporary:
Pour aujourd’hui et pour l’avenir: Caroline Absher, Pierre Bonnard, Annice Fell
an intimate work on paper by Bonnard shown with new paintings by Absher and Fell, made in direct response to his work - the three share a belief in colour as a carrier of feeling and memory |
private view |
Galerie Lelong:
Arlene Shechet: Kind of Blue
the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years |
first day |
Galerie Lelong:
Mamma Andersson, Nalini Malani, Alison Saar: Selected prints
three artists from three continents who “offer an immersion into imaginary worlds in which printmaking becomes a fertile ground for narrative freedom” |
first day |
Galerie Lelong Matignon:
Magnus Plessen: Théâtre imaginaire
to inaugurate the gallery’s representation of Plessen, an exhibition of twenty paintings created between 2024 and 2026 revealing the latest developments in his practice |
first day |
Galerie Mitterrand St-Honoré:
Nothing to Read
a group exhibition across different practices and generations which explores the relationships between writing, language, and image |
first day |
Perrotin Marais:
Talk between Alma Allen and Ed Behrens, Apollo magazine |
talk |
Perrotin Matignon 8:
Panorama
a wide group exhibition gathering the full range of practices from gallery artists including Jean-Marie Appriou, Iván Argote, Hernan Bas, Anna-Eva Bergman, Sophie Calle, Johan Creten, Jean-Philippe Delhomme, Wim Delvoye, and more |
first day |
Galerie Peter Kilchmann:
Didier William: Lot Bò D’lo A (The Other Side of the Water)
William’s first solo exhibition in France brings together pictorial and sculptural elements within a complex, immersive spatial environment - with water as its starting point |
opening reception |
Phillips:
Vente Moderne & Contemporain et Design, Paris | Cocktail reception |
special event |
| Paris, Tuesday 20 |
Carpenters:
MASTER PIECES. Eleven Modern Japanese Ceramicists
spanning a hundred years of work, a rare opportunity to see exceptional pieces - many rarely shown outside Japan - by some of the most important figures in twentieth and twenty-first centuries Japanese ceramics |
first day |
Carpenters:
Rick Owens: Five Easy Pieces
curated by Michèle Lamy an exhibition of new editions of iconic functional artworks placed in conversation with pieces from Owens and Lamy’s own contemporary art collection |
first day |
Emma Donnersberg:
À fleur de peau
works by Rafaela de Ascanio, Mónica Figueroa, Marco Kalach, Romana Londi, Hala Matta, Tori Pounds, Kitty Rice, and Isabella Vella approach the figure as something continually transformed by emotion, memory, mythology and the natural world |
first day |
Esther Schipper, Paris:
Philippe Parreno
Parreno’s first solo exhibition at the gallery’s Paris space - “taking light as both material and medium, the exhibition brings together new works that unfold through a scripted choreography” |
first day |
LBF Contemporary:
Pour aujourd’hui et pour l’avenir: Caroline Absher, Pierre Bonnard, Annice Fell
an intimate work on paper by Bonnard shown with new paintings by Absher and Fell, made in direct response to his work - the three share a belief in colour as a carrier of feeling and memory |
first day |
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Stockholm
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| Stockholm, Thursday 15 |
Galleri Magnus Karlsson:
Alejandro Sintura: Between Hidden and Almost Revealed
titled from Clarice Lispector’s posthumous novel, Sintura’s first solo exhibition at the gallery presents a series of new paintings - “an attempt to unite form, material, and subject in order to bring something elusive and hard to grasp to light” |
opening reception |
| Stockholm, Saturday 17 |
Galleri Magnus Karlsson:
Alejandro Sintura in conversation with Magnus Karlsson |
talk |
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Taipei
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| Taipei, Saturday 17 |
Bluerider ART Taipei·DunHua:
Dirk Salz: Painting Without Brush - Layers of Translucence, Silence, Depth
the debut solo exhibition in Taiwan of the German artist - “Salz paints with a paint roller and harnesses the gravitational flow of poured resin, allowing his work to move beyond the conventions of traditional Minimalism” |
opening reception |
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Don’t miss: exhibitions closing
Berlin, Bruton, Frankfurt, Houston, London, New York, Paris, Shanghai, Sydney, Vienna, Zug, Zürich
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Berlin
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| Berlin, Saturday 17 |
Capitain Petzel:
Austin Martin White: The lie, the larp and the lusophile |
Virtual Visit! ▻ |
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Bruton
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| Bruton, Sunday 18 |
Hauser & Wirth Somerset:
Angel Otero. Agua Salada |
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Frankfurt
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| Frankfurt, Saturday 17 |
Galerie Bärbel Grässlin:
Günther Förg: Haus Lange, Krefeld, 1985 |
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Houston
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| Houston, Sunday 18 |
Opera Gallery:
Texas Contemporary |
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London
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| London, Friday 16 |
Emanuel von Baeyer:
Nicole Wassall: I Wish This Wasn’t Silver Plated |
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| London, Saturday 17 |
Tache:
Léa Porré: Relics |
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| London, Sunday 18 |
Bartha_contemporary:
Into the Surface |
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HELUX House:
This Green & Pleasant Land. Peter Lynch: Paintings |
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Hayward Gallery:
Anish Kapoor |
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Hayward Gallery:
Musquiqui Chihying: A Life of Navigation |
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Japan House London:
Kyotographie: Kawada Kikuji x Iwane Ai |
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The Mayor Gallery:
The Mayor Gallery at Frieze Masters 2026. Spotlight: William Klein |
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THE TAGLI:
Containers: Part I & II |
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Wyn:
Alicja Biała |
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New York
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| New York, Friday 16 |
Findlay Galleries:
Janet Mait: Voice in Color | New York |
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Findlay Galleries:
Amy Magee |
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Schoelkopf:
Thomas Hart Benton: A Picture of America in its Entirety |
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| New York, Saturday 17 |
Hauser & Wirth 22nd Street:
George Rouy. REPRISE |
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Hauser & Wirth 22nd Street:
Arp. Heads or Tails |
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Hauser & Wirth Wooster Street:
Rita Ackermann. The Chemical Alphabet |
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LATITUDE Gallery:
Xintong Gao: What Refuses to Settle |
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LATITUDE Gallery:
Ziyi Zhang: PIXEL//FLESH |
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Lévy Gorvy Dayan:
Inma Barrero: MOTHERS |
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Perrotin New York:
Nikki Maloof: Menagerie |
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Perrotin New York:
Aryo Toh Djojo: Leap into the Void |
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Perrotin New York:
Young-Il Ahn: Self Reflections |
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Yancey Richardson Gallery:
Tania Franco Klein: RAGE™ |
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Yancey Richardson Gallery:
Manuel Álvarez Bravo |
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| New York, Sunday 18 |
Carpenters:
Terence Woodgate x John Barnard: Lightness of Form |
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Carpenters:
Material Intent |
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Paris
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| Paris, Thursday 15 |
HELENE BAILLY MARCILHAC:
Nabis |
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Shanghai
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| Shanghai, Sunday 18 |
Bluerider ART Shanghai:
Void & Volume |
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Sydney
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| Sydney, Saturday 17 |
Sullivan+Strumpf:
By The Grace of God |
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Sullivan+Strumpf:
Tony Albert: Reverb |
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Vienna
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| Vienna, Saturday 17 |
Galerie Kandlhofer:
Curated by 2026. Puppies Puppies: Clothes (Kleidung) |
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Galerie Kandlhofer:
Focus On: Franco Andrés: Madly meeting logically in this hour. |
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Zug
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| Zug, Sunday 18 |
Helvetika 1575:
Surface Tension |
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Zürich
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| Zürich, Saturday 17 |
Galerie Peter Kilchmann, Zahnradstrasse:
Valentin Rilliet: Look at You |
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