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The Week in Art visit the site
8-15 Sep 2026
Openings, events, auctions
Berlin, Brussels, Hong Kong, London, Los Angeles, Madrid, Nairobi, New York, Paris, Shanghai, Taipei, Tokyo, Venice, Vienna, Zürich
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▻ use the Daily Diary for all the latest events and updates!
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Berlin
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| Berlin, Thursday 10 |
Galerie Bastian:
Robert Rauschenberg: Crosstown
“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting” |
opening reception |
Brutto Gusto:
Clay II
Schweizer’s ceramic sculptures resemble vessels but are non-functional, Van Leeuwen creates ceramic assemblages of bowls and vessels using natural objects, and Omidi-Sabet applies fashion techniques to minimalist Moon Jar vases |
opening reception |
Galerie Buchholz:
Alix Cléo Roubaud: Si quelque chose noir
curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer |
opening reception |
Capitain Petzel:
Austin Martin White: The lie, the larp and the lusophile
“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity” |
opening reception |
Esther Schipper:
Tuan Andrew Nguyen: Fire Sermon
new mobiles made from artillery shells salvaged in Vietnam in Nguyen’s first solo exhibition with the gallery |
opening reception |
Esther Schipper:
David Claerbout: Repose
shown for the first time in Berlin, four videos which continue Claerbout’s long-standing engagement with time and duration |
opening reception |
| Berlin, Friday 11 |
Esther Schipper:
Tuan Andrew Nguyen: Fire Sermon
new mobiles made from artillery shells salvaged in Vietnam in Nguyen’s first solo exhibition with the gallery |
first day |
Esther Schipper:
David Claerbout: Repose
shown for the first time in Berlin, four videos which continue Claerbout’s long-standing engagement with time and duration |
first day |
| Berlin, Saturday 12 |
Luisa Catucci Contemporary:
Live soundscape with Pietro Fornara Band + Meet & Greet with the artists |
special event |
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Brussels
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| Brussels, Thursday 10 |
Almine Rech:
Hans Op de Beeck: Vanishing Point
Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator |
opening reception |
Templon:
Oda Jaune: The Other
new paintings and watercolours that examine the notion of “otherness”, in this exhibition by one of the leading voices in the resurgence of European figurative painting |
opening reception |
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Hong Kong
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| Hong Kong, Saturday 12 |
Ben Brown Fine Arts:
Qi Lei: Echoes of Day and Night
the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time |
private view |
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London
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| London, Tuesday 8 |
Gazelli Art House:
Tuesday Talk: Interweave |
talk |
General Assembly:
Layers of London
presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work |
private view |
Larkin Durey:
Andrew Maughan: Hypernormal
new paintings interrogating the power structures that manipulate and divide global society - in this case particularly the rise of neoliberalism - using the billionaire owned media as source material |
opening reception |
The Mayor Gallery:
Market Day: John Tweddle ★ Michael Landy
the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection |
opening reception |
| London, Wednesday 9 |
General Assembly:
Layers of London
presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work |
first day |
Larkin Durey:
Andrew Maughan: Hypernormal
new paintings interrogating the power structures that manipulate and divide global society - in this case particularly the rise of neoliberalism - using the billionaire owned media as source material |
first day |
The Mayor Gallery:
Market Day: John Tweddle ★ Michael Landy
the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection |
first day |
Messums London:
Jack McGarrity
“McGarrity paints at the hour of threshold: sunset, dusk, the moment before dark. His canvases catch light at its most unfixed [in] a body of work unusually committed to atmosphere” |
first day |
| London, Thursday 10 |
Alma Pearl:
Lyndon Barrois Jr.: Desert of Promise
new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured |
opening reception |
Annely Juda Fine Art:
David and Yuko Juda Art Foundation Award
selected and curated by Alyce Mahon, the shortlist for the 2026 David and Yuko Juda Art Foundation Grant |
opening reception |
Ashley Saville:
Tess Tomassini: The Air Becoming No Air Becoming Air Again
titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming |
opening reception |
Benjamin Rhodes Arts:
Late Opening: Summer Mode |
special event |
Camden Art Centre:
Liz Larner: A hard line to bend
the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation |
private view |
Emanuel von Baeyer:
Paul Coldwell: Ink, Paper, Chisel, Grain |
book launch |
Emanuel von Baeyer:
Landscapes and Cityscapes
an ongoing, developing exhibition of landscapes and cityscapes from various eras, traditions, and media - this exhibition represents the physical world around us in all its multifaceted glory |
opening reception |
NISO:
Sawako Nasu: Curved Horizon
“the horizon is always far away. In a painting, however, it can be right in front of us … Nasu’s second solo exhibition at NISO, begins in the space that opens between these two distances” - Christian Domínguez Dietzel |
opening reception |
Osh Gallery:
Pentagram x Deus ex Machina
presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making. |
opening reception |
Pilar Corrias, Conduit Street:
Mary Ramsden: The Feeling of What Happens
new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself” |
first day |
Pontone Gallery:
Kyle Barnes: Venus Rising
Barnes’ paintings - large-scale, monumental, realistically-rendered female heads - are isolated against flat colour-field backgrounds and depicted with a thorough coating of viscous liquid like a sudden immersion |
opening reception |
Ruup & Form:
Woo Jin Joo: Bodily Inbetweenness
“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing” |
private view |
SETAREH:
Harry Hugo Little: The Sleepwalker
the London-based painter’s first solo exhibition with the gallery showcases how he mixes a cultural lexicon of symbols with an individual process of grieving following the death of his brother |
opening reception |
Saatchi Yates:
Sujin Lee: Where We Once Stood
new paintings by Sujin Lee |
private view |
South London Gallery:
Monika Sosnowska: Weight of Matter
spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation |
first day |
South London Gallery Fire Station:
Monika Sosnowska: Weight of Matter
spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation |
first day |
sketch:
Camille Walala
for its annual celebration of art, design and hospitality, the internationally acclaimed artist and designer known for her use of colour, geometry, and immersive environments reimagines sketch in a way only she can |
first day |
| London, Friday 11 |
Camden Art Centre:
Liz Larner: A hard line to bend
the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation |
first day |
No.9 Cork Street:
gallery rosenfeld: Ndidi Emefiele: Behind the Glass
curated by Péjú Oshin, paintings and mixed-media works made over more than a decade of practice in a career-spanning look at the work of Nigerian-British artist |
first day |
No.9 Cork Street:
Jhaveri Contemporary: Fiza Khatri: The Great Rebuild! | Kirtika Kain: Chronicles
a new body of work by Khatri presented alongside Chronicles by Kain |
first day |
Pilar Corrias, Conduit Street:
Mary Ramsden: The Feeling of What Happens
new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself” |
opening reception |
Pontone Gallery:
Kyle Barnes: Venus Rising
Barnes’ paintings - large-scale, monumental, realistically-rendered female heads - are isolated against flat colour-field backgrounds and depicted with a thorough coating of viscous liquid like a sudden immersion |
first day |
Ruup & Form:
Woo Jin Joo: Bodily Inbetweenness
“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing” |
first day |
Vardaxoglou Gallery:
Tanoa Sasraku: Tropical Ken
the current Turner Prize nominee presents new sculptures exploring the relationship between tropical leisure, militarism and colonial memory |
private view |
| London, Saturday 12 |
Bartha_contemporary:
Giulia Ricci & Sarah Chilvers
ten years after they first showed together, the two artists renew their conversation, with Ricci’s drawings showing her interest in pattern, geometry and landscape, and Chilvers’ drawings and paintings using dice to introduce an element of chance |
first day |
Charles Burnand Gallery:
Under Wraps
the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings” |
first day |
Institute of Contemporary Arts (ICA):
Jesse Glazzard: The Sound of Dirt and Beauty
marking the launch of Glazzard’s new photobook, an exhibition which reimagines the family through photography, intimacy, and the living archive |
first day |
Osh Gallery:
Pentagram x Deus Ex Machina
presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making. |
first day |
| London, Sunday 13 |
Camden Art Centre:
Conversations: Liz Larner and Joanna Kavenna |
talk |
| London, Monday 14 |
Osh Gallery:
Pentagram talk with Carby Tuckwell of Deus Ex Machina |
talk |
SQFT:Space Gallery:
Judy Clarkson: Body & Soul
“paintings of women, each portrayed with an extraordinary intensity and psychological tenderness … vulnerability, psychic weight, the precarious nature of being alive: her subjects wrestle with and negotiate the human condition” |
first day |
| London, Tuesday 15 |
The Redfern Gallery:
Desmond Morris (1928-2026)
celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering |
private view |
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Los Angeles
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| Los Angeles, Saturday 12 |
Luis De Jesus Los Angeles:
Phung Huynh: Bite The Hand That Feeds You
new documentary-style drawings, paintings, and sculptural installations that honor immigrant experiences and reject the moral economy of gratitude imposed on them |
opening reception |
Luis De Jesus Los Angeles:
June Edmonds: Inheritance
Edmonds expands her Flag series with a critical reflection on the relationship between memory, national identity, and collective responsibility - in a moment when Black and Brown presence and histories are increasingly targeted for erasure |
opening reception |
Luis De Jesus Los Angeles:
Sherin Guirguis: Into the Lake of Fire // ⲉ̀ϧⲟⲩⲛ ⲉ̀ϯⲗⲩⲙⲛⲏ ⲛ̀ⲭ̀ⲣⲱⲙ
Guirguis presents monoprints exploring Indigenous Egyptian language revitalization through ancestral symbols, pigments, and repetition, rethinking cultural memory and colonial knowledge systems |
opening reception |
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Madrid
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| Madrid, Thursday 10 |
Opera Gallery:
Anselm Reyle: Tequila Sunrise
“Reyle has developed a unique visual language that continues to challenge how we experience painting and sculpture. Combining bold material experimentation with a deep understanding of abstraction” - Belén Herrera Ottino |
first day |
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Nairobi
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| Nairobi, Wednesday 9 |
Circle Art Gallery:
James Kagima & Dennis Muraguri
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opening reception |
Circle Art Gallery:
Kiure Francis Msangi
a major retrospective of the late artist, bringing together paintings, prints, drawings, and archival material spanning more than four decades |
opening reception |
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New York
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| New York, Tuesday 8 |
Anton Kern Gallery:
Margot Bergman: On the Other Hand
an exhibition which “reunites a group of paintings created between 2012-2014, never before seen in New York, to accompany and contextualize a selection of large-scale portraits created between 2015-2019” |
opening reception |
Anton Kern Gallery:
Marcus Jahmal: Booty
new paintings and installation by Jahmal in an exhibition focussing on the historical contradictions of piracy |
opening reception |
Galerie Buchholz:
Jutta Koether: Songs of New York
following Koether’s exhibition at the gallery in New York, this new show begins with works from 1995, after her move to the city and the decisive transformation in her practice |
first day |
| New York, Wednesday 9 |
WINDOW | Anton Kern Gallery:
Alessandro Pessoli: NY Window
a floor to ceiling installation comprising fifty-seven new works on paper in Pessoli’s first exhibition at WINDOW, and his ninth with the gallery |
first day |
Findlay Galleries:
Janet Mait: Voice in Color | New York
new work by the New York-based abstract artist - “Mait’s paintings are infused with pure emotions but remain controlled and not overwhelmed by them” |
first day |
GRIMM:
Volker Hüller: Angelus Novus
titled after the Paul Klee painting, this exhibition of new works sees the German-born, Brooklyn-based Hüller for the first time focus purely on figuration |
opening reception |
GRIMM:
Matthias Franz: die dünne Haut der Zivilisation
new works by the German artist - “Franz invites us to reconsider the relationship between past and present, reflecting the continuing artistic struggle for creative autonomy in an age of technological changes and advancement” |
opening reception |
HB381:
Marianne Huotari: Voyage
new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles |
opening reception |
Hauser & Wirth Wooster Street:
Rita Ackermann. The Chemical Alphabet
“Ackermann takes on a new source of vocabulary: letters from a Semitic alphabet. The structure of each symbol serves as an anchor for each composition” |
opening reception |
LATITUDE Gallery:
Xintong Gao: What Refuses to Settle
new paintings in an exhibition which sees Gao continue his investigation of movement, perception, and the unstable threshold between abstraction and recognizable form |
opening reception |
LATITUDE Gallery:
Ziyi Zhang: PIXEL//FLESH
curated by Jinyi Freya Xu, and moving across painting, digital imaging, robotic fabrication, and sculptural relief, this exhibition examines how a technology acquires weight, texture, and bodily presence after leaving the screen |
opening reception |
Perrotin New York:
Nikki Maloof: Menagerie
“in Maloof’s paintings, human figures are partially obscured, never quite revealing themselves, but animals are fully visible with intact identities” - Brienne Walsh |
opening reception |
Perrotin New York:
Aryo Toh Djojo: Leap into the Void
Toh Djojo’s first solo exhibition in the US - “the artifice of the medium and the feeling of its impact is the point. Big vistas - cityscapes, deserts … recall key moments of peak Hollywood-esque visual magic” - James Casey |
opening reception |
Perrotin New York:
Young-Il Ahn: Self Reflections
“when I look out upon the ocean, I tremble as if I am holding part of the universe in my hand. This is why, for the past thirty years, I have ceaselessly tried, through the Water series, to put that ‘tremble’ onto my canvases” - Young-Il Ahn |
opening reception |
Public Art Fund at Central Park:
Camille Henrot: Dogs
Henrot’s first public exhibition in NYC brings a group of sculptures of dogs to the entrance of Central Park - each born out of visual references including Saul Steinberg drawings, Tex Avery cartoons, ancient Egyptian sculpture, dog show competitions, … |
opening reception |
Schoelkopf:
Thomas Hart Benton: A Picture of America in its Entirety
as part of the gallery’s 25th anniversary program - and during the country’s Semiquincentennial - a retrospective spanning five decades of the storied career of one of the most quintessential visual narrators of the American experience |
opening reception |
| New York, Thursday 10 |
ACA Galleries:
Taking up Space: New Works by Kandy G Lopez
Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag |
opening reception |
Berry Campbell:
Perle Fine: Ninth Street Woman
an exhibition of rare, important, and coveted paintings and works on paper from the pioneering Abstract Expressionist’s most celebrated period |
opening reception |
Berry Campbell:
In Focus: Susan Vecsey
“Vecsey arrives at her minimal compositions through an elaborate series of actions that begins with direct observation and ends with improvisation [she] describes her distinctive process as ‘working like a watercolorist with liquefied oil paint’” |
opening reception |
D LAN GALLERIES:
Timothy Cook: Kurluwukari
in collaboration with Jilamara Arts and Crafts Association, new bark paintings and works on linen in the modern master of Tiwi painting’s first international exhibition |
opening reception |
Edwynn Houk Gallery:
Abelardo Morell: Out of Paper, In Dialogue with Gene Davis, Kenneth Noland, Jules Olitski & Larry Poons
recent photographs by Morell alongside exemplary paintings by each of the four Color Field artists - in the first exhibition where the gallery presents painting alongside photography |
first day |
Hauser & Wirth 22nd Street:
George Rouy. REPRISE
the latest body of work by the London-based artist spotlights his ongoing, helictical exploration of the human body in states of transformation, reconstruction and becoming |
opening reception |
Hauser & Wirth 22nd Street:
Lee Bul. The Anatomy of Every Setting Sun
guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation |
opening reception |
Hauser & Wirth 22nd Street:
Artist & Curator Walkthrough: Lee Bul & Salome Asega |
talk |
Hauser & Wirth 22nd Street:
Arp. Heads or Tails
organized by Curatorial Senior Director Alexis Lowry, this is the first New York exhibition in nearly fifteen years dedicated to the seminal German-French modernist |
opening reception |
Hauser & Wirth 18th Street:
Anna Maria Maiolino. ANNA—And the infinite line
an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present |
opening reception |
Jack Shainman Gallery:
Becky Suss: Night House
with these new paintings of imagined spaces and intimate vignettes, Suss continues her exploration of interiority, domesticity, and memory |
opening reception |
Leila Heller Gallery:
Ryan Koopmans and Alice Wexell: The Wild Within
in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time. |
first day |
Galerie Lelong:
Alfredo Jaar: A Logo for America
examining the enduring impact of Jaar’s foundational public installation, a newly digitized version, the original storyboard drawings, photographic suites, lightboxes, and videos showing how it remains a poignant emblem of American identity |
opening reception |
Lincoln Glenn:
Sherron Francis: Beyond the Stain
a remarkable group of nine paintings created between 1977 and 1983, a pivotal period for the acclaimed Color Field and Lyrical Abstraction painter |
opening reception |
Luhring Augustine Chelsea:
settle for a good fantasy
an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization” |
opening reception |
Michael Rosenfeld Gallery:
Norman Lewis: Jumping Jive
paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice |
opening reception |
NORR COHAN:
Savdie / Soutine
an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work |
opening reception |
Nara Roesler:
Tomie Ohtake: The Ultimate Works
curated by Luis Pérez-Oramas, an exhibition which brings together a series of white works produced during the later years of Ohtake’s life with works from her “blind paintings" series |
opening reception |
Nicola Vassell Gallery:
Na Kim: Blue
“bringing together a new body of work spanning three distinct series, the exhibition blurs the boundaries between traditional landscape and portraiture” |
opening reception |
The Painting Center:
Megan Marlatt: Myths and Mummers
new paintings and big head masks by Marlatt, stemming from her creative research into European pre-Lenten carnival culture and its relation to the spring equinox |
opening reception |
The Painting Center:
Jane Zweibel: Dreams in Action
“the small-scale acrylic paintings in Dreams in Action are not portrayals of Zweibel’s own dreams but depictions of invented dream worlds: multiverses where boundaries between past and present, real and mythic, are indistinct” |
opening reception |
Sean Kelly Gallery:
Anthony McCall: Solid Light, 1973, 2020, 2026
including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works |
opening reception |
Sean Kelly Gallery:
Luke Agada: When the Center Holds
the Nigerian artist’s first solo exhibition with the gallery presents new paintings and drawings exploring how meaning and belonging persist during periods of profound historical and cultural transformation |
opening reception |
Tina Kim Gallery:
Maia Ruth Lee: Double Vision
new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist |
opening reception |
VeneKlasen:
Raphaela Simon: On the Street
recent paintings and sculptures inspired by the urban landscape and engagement with the city - “reducing her subjects to basic geometric forms, stripes, and broad planes of color, Simon distills familiar urban motifs to the point of near illegibility” |
opening reception |
Yancey Richardson Gallery:
Tania Franco Klein: RAGE™
in Franco Klein’s debut solo exhibition with the gallery, new work which continues her examination of the anxieties, stresses and types of psychological response that present-day history elicits |
opening reception |
Yancey Richardson Gallery:
Manuel Álvarez Bravo
iconic photographs by the legendary Mexican artist, considered one of the most important photographers in the history of the medium, |
opening reception |
| New York, Friday 11 |
Luhring Augustine Chelsea:
settle for a good fantasy
an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization” |
first day |
Sean Kelly Gallery:
Anthony McCall: Solid Light, 1973, 2020, 2026
including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works |
first day |
Sean Kelly Gallery:
Luke Agada: When the Center Holds
the Nigerian artist’s first solo exhibition with the gallery presents new paintings and drawings exploring how meaning and belonging persist during periods of profound historical and cultural transformation |
first day |
| New York, Saturday 12 |
Hauser & Wirth 22nd Street:
Artist Walkthrough: George Rouy & writer Whitney Mallett |
talk |
Galerie Lelong:
Alfredo Jaar & Florencia San Martín Conversation & Book Signing |
special event |
| New York, Tuesday 15 |
Lisson Gallery:
Leonilson
an exhibition spanning the short and prodigious career of the Brazilian artist - from the mid-1970s mixed-media assemblages to the stylistic plurality of his 1980s drawings and paintings, and the small embroidery works that followed his 1991 HIV diagnosis |
opening reception |
Lisson Gallery:
Hiroshi Sugimoto: Unnatural Habitat
photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu |
opening reception |
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Paris
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| Paris, Tuesday 8 |
Almine Rech:
Leonora Carrington
Carrington’s first solo exhibition at the gallery, organized with the Consejo Leonora Carrington and rossogranada, with drawing, painting, sculpture, tapestry, and writing, the exhibition presents the full range of media she explored throughout her career |
opening reception |
| Paris, Wednesday 9 |
Galerie Esther Woerdehoff:
Ribal Molaeb: Le Futur Proche
“by rejecting the picturesque and narrative, by favouring gradations over contrasts, silences over assertions, Molaeb constructs a pictorial language of rare coherence” |
opening reception |
Galerie Peter Kilchmann:
Valérie Favre: Tout près, si loin |
book launch |
Galerie Peter Kilchmann:
Pinochiette dans les Alpes
a group exhibition of nineteen distinctive artistic voices in “a rich and varied exploration of contemporary painting” |
opening reception |
| Paris, Thursday 10 |
Galerie Lelong:
David Nash: Catching Forms. Wood to Bronze
“my natural medium for making is wood. Finding forms that flow from the character of the material; moist or dry, easily splits or not, its volume and shape, all contribute possibilities” - Nash |
first day |
Galerie Lelong Matignon:
Barthélémy Toguo:
The Nomadic Studio
“Barthélémy Toguo creates a space in which imaginations intermingle and cultures and traditions come together in harmony. For the artist, travel is a way of inhabiting the world and celebrating its profound unity” |
first day |
Galerie Lelong:
Fabienne Verdier: Pineta
“these are almost like a sculptor’s drawings: essential, uncluttered, minimalist. They appeal to all the senses: one feels as though one can smell the scent of resin, hear the whisper of the wind through the pine needles” |
first day |
Galerie Mitterrand St-Honoré:
Wallen Mapondera: How Do You Even Sleep At Night?
marking a new chapter in Mapondera’s practice, these new paintings explore the potentially fragile boundary between legality and moral responsibility |
first day |
Galerie Peter Kilchmann:
Pinochiette dans les Alpes
a group exhibition of nineteen distinctive artistic voices in “a rich and varied exploration of contemporary painting” |
first day |
| Paris, Friday 11 |
Baró Galeria:
David Medalla: Le Désir Cinétique...
curated by Rolando J. Carmona in collaboration with Mountains, Berlin, this exhibition of the pioneering Filipino artist offers a rare presentation of one of his Bubble Machine sculptures, alongside a historical panorama spanning six decades |
opening reception |
Carpenters Workshop Gallery:
Frederik Molenschot: Legenda
new works inspired by the dune landscapes and beaches of the Dutch coastline where Molenschot lives and walks often |
first day |
| Paris, Saturday 12 |
Sobering Galerie:
Luce Meunier: Effervescence
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first day |
| Paris, Tuesday 15 |
Sotheby’s Paris:
Collection Rochas, Le bestiaire rêvé
auction: Tue 15
(viewing: Wed 9-Mon 14) |
auction |
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Shanghai
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| Shanghai, Saturday 12 |
Lisson Gallery:
Ceal Floyer: Will Return
Floyer’s first solo exhibition with the gallery in China presents a poetic, rigorously minimalist body of work spanning sound, light projections, and readymade objects |
first day |
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Taipei
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| Taipei, Friday 11 |
Bluerider ART at Breeze Center:
Cosmos Chakra
a group exhibition bringing together over a dozen international artists - “the exhibition poses an ancient yet ever-renewing question: how does cosmic order mirror itself in the body and the mind” |
opening reception |
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Tokyo
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| Tokyo, Wednesday 9 |
Perrotin Tokyo:
Hernan Bas: TIME TO SHINE! (the salesmen)
“Bas’s canvases … exist in a constant dialogue between beauty and absurdity, melancholy and humor, decadent aestheticism and critique” - Yuko Hasegawa, curator |
first day |
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Venice
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| Venice, Saturday 12 |
Victoria Miro Venice:
Adriana Varejão: Modernisms
new paintings exploring Brazil’s modern period - “this exhibition proposes an act of recovery, bringing to light a body of work that shaped the Brazilian urban imagination, and acknowledges tilework as a vital element of Brazil’s visual culture” |
private view |
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Vienna
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| Vienna, Friday 11 |
Galerie Eva Presenhuber:
Angela Bulloch: Entropy, 2026
“from the early 1990s, Bulloch glimpsed the twenty-first century. The central subject of her work is the condition of the human being caught within an automated society” - Nicolas Bourriaud |
opening reception |
Galerie Kandlhofer:
Curated by 2026. Puppies Puppies: Clothes (Kleidung)
“to care is to act; to recognise another person\'s needs is to take responsibility for their wellbeing. In Clothes (Kleidung), love therefore becomes material: it is found in what is remembered, reclaimed, shared, given away” - Anna Roberta Goetz |
opening reception |
Galerie Kandlhofer:
Focus On: Franco Andrés: Madly meeting logically in this hour.
“Andrés’s work invites an intimate psychological experience: an excavation sparked by loosened, slightly abstracted images rendered as if viewed only by candlelight. These images pull one into oneself and allow the inside to turn out” - DJ Hellerman |
opening reception |
MEYER*KAINER:
Side by Side
curated by Reiter Raabe, the exhibition explores painting, attention, and abstraction as a space where love, hesitation, and persistence create a relation beyond recognition and function, inviting a rare form of generosity called attention |
opening reception |
| Vienna, Saturday 12 |
Galerie Eva Presenhuber:
Angela Bulloch: Entropy, 2026
“from the early 1990s, Bulloch glimpsed the twenty-first century. The central subject of her work is the condition of the human being caught within an automated society” - Nicolas Bourriaud |
first day |
Galerie Kandlhofer:
Curated by 2026. Puppies Puppies: Clothes (Kleidung)
“to care is to act; to recognise another person\'s needs is to take responsibility for their wellbeing. In Clothes (Kleidung), love therefore becomes material: it is found in what is remembered, reclaimed, shared, given away” - Anna Roberta Goetz |
opening reception |
Galerie Kandlhofer:
Curator & Artist Talk |
talk |
Galerie Kandlhofer:
Focus On: Franco Andrés: Madly meeting logically in this hour.
“Andrés’s work invites an intimate psychological experience: an excavation sparked by loosened, slightly abstracted images rendered as if viewed only by candlelight. These images pull one into oneself and allow the inside to turn out” - DJ Hellerman |
opening reception |
MEYER*KAINER:
Side by Side
curated by Reiter Raabe, the exhibition explores painting, attention, and abstraction as a space where love, hesitation, and persistence create a relation beyond recognition and function, inviting a rare form of generosity called attention |
opening reception |
| Vienna, Sunday 13 |
Galerie Kandlhofer:
Curated by 2026. Puppies Puppies: Clothes (Kleidung)
“to care is to act; to recognise another person\'s needs is to take responsibility for their wellbeing. In Clothes (Kleidung), love therefore becomes material: it is found in what is remembered, reclaimed, shared, given away” - Anna Roberta Goetz |
opening reception |
Galerie Kandlhofer:
Focus On: Franco Andrés: Madly meeting logically in this hour.
“Andrés’s work invites an intimate psychological experience: an excavation sparked by loosened, slightly abstracted images rendered as if viewed only by candlelight. These images pull one into oneself and allow the inside to turn out” - DJ Hellerman |
opening reception |
MEYER*KAINER:
Side by Side
curated by Reiter Raabe, the exhibition explores painting, attention, and abstraction as a space where love, hesitation, and persistence create a relation beyond recognition and function, inviting a rare form of generosity called attention |
opening reception |
| Vienna, Tuesday 15 |
Galerie Kandlhofer:
Curated by 2026. Puppies Puppies: Clothes (Kleidung)
“to care is to act; to recognise another person\'s needs is to take responsibility for their wellbeing. In Clothes (Kleidung), love therefore becomes material: it is found in what is remembered, reclaimed, shared, given away” - Anna Roberta Goetz |
first day |
Galerie Kandlhofer:
Focus On: Franco Andrés: Madly meeting logically in this hour.
“Andrés’s work invites an intimate psychological experience: an excavation sparked by loosened, slightly abstracted images rendered as if viewed only by candlelight. These images pull one into oneself and allow the inside to turn out” - DJ Hellerman |
first day |
MEYER*KAINER:
Side by Side
curated by Reiter Raabe, the exhibition explores painting, attention, and abstraction as a space where love, hesitation, and persistence create a relation beyond recognition and function, inviting a rare form of generosity called attention |
first day |
|
Zürich
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| Zürich, Thursday 10 |
Lullin + Ferrari:
Anne Morgenstern: Sunset Sour
the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time” |
opening reception |
Mai 36 Galerie:
Markus Saile: False Horizon
|
opening reception |
Mai 36 Galerie:
Hiroki Tsukuda: Inferno
|
opening reception |
| Zürich, Friday 11 |
Lullin + Ferrari:
Anne Morgenstern: Sunset Sour
the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time” |
first day |
Mai 36 Galerie:
Markus Saile: False Horizon
|
first day |
Mai 36 Galerie:
Hiroki Tsukuda: Inferno
|
first day |
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Don’t miss: exhibitions closing
Dubai, London, New York, Salisbury, Sydney, Taipei
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Dubai
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| Dubai, Tuesday 15 |
JD Malat Gallery:
Points of View |
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London
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| London, Saturday 12 |
Ames Yavuz:
Channatip Chanvipava: Found Memories |
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Goodman Gallery:
Summer Show |
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LAMB:
Dialogues: Memories of Alfredo Volpi |
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Palmer Gallery:
Charlotte Winifred Guérard: Cherry, cherry |
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Palmer Gallery:
The Door: Sophie Rogers |
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VeneKlasen:
A Little Sun |
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Victoria Miro:
Hospital Rooms: Host/Guest |
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Waddington Custot:
The Nabi Shock |
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| London, Sunday 13 |
Shapero Modern:
Summer Show |
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| London, Monday 14 |
Heckmann Design Studio & Gallery:
Abe Hamilton: Fragile Dreams |
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New York
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| New York, Thursday 10 |
Susan Sheehan Gallery:
Living in America: The Printed Image |
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| New York, Saturday 12 |
Gallery Henoch:
Alexandra Pacula: Global Impressions |
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Hutchinson Modern & Contemporary:
Freddy Rodríguez: Béisbol Hall of Fame |
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| New York, Sunday 13 |
Public Art Fund at Rockaway Beach:
Between Tides |
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Salisbury
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| Salisbury, Sunday 13 |
New Art Centre:
Ian Stephenson Planes of Heaven |
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Sydney
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| Sydney, Saturday 12 |
Ames Yavuz:
Kathy Temin: Wall Works 2026 |
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Sullivan+Strumpf:
Lara Merrett: Stilling |
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Taipei
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| Taipei, Saturday 12 |
Each Modern:
David Diao, Li Yuan-Chia, Chen Shiau-Peng |
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