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The Week in Art visit the site
14-21 Oct 2025
Openings, events, auctions
Berlin, Chicago, Frankfurt, London, Los Angeles, New York, Paris, Stockholm, Taipei
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▻ use the Daily Diary for all the latest events and updates!
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Berlin
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| Berlin, Thursday 16 |
Luisa Catucci Gallery:
Lidó Rico: De Rerum Naturae
inspired by Lucretius’s first century BCE philosophical treatise, Rico’s work explores the intrinsic relationship between humans and the natural world |
opening reception |
| Berlin, Friday 17 |
Luisa Catucci Gallery:
Lidó Rico: De Rerum Naturae
inspired by Lucretius’s first century BCE philosophical treatise, Rico’s work explores the intrinsic relationship between humans and the natural world |
first day |
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Chicago
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| Chicago, Thursday 16 |
Gray Chicago:
Theaster Gates: OH, YOU’VE GOT TO COME BACK TO THE CITY
a new series of tar paintings, sculpture, and installation tell an allegory of the city in decay and the potential contained within its ruins – “a profound reflection on Gate’s life as a craftsman, urban planner, and pedagogue” |
opening reception |
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Frankfurt
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| Frankfurt, Saturday 18 |
Galerie Bärbel Grässlin:
Alicia Viebrock: Tintenkiller
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first day |
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London
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| London, Tuesday 14 |
Alison Jacques:
Sagarika Sundaram: Release
the first UK exhibition of new work by Sundaram, whose “intuitive practice of ‘painterly sculpture’ or ‘textile painting’ defies material, spatial, and linguistic boundaries” |
private view |
Alison Jacques:
Maria Bartuszová: The Butterfly Effect
spanning three decades of work, a solo exhibition of sculptures by the late pioneering Slovak artist, little known outside of the local Czechoslovak context |
private view |
Carpenters Workshop Gallery:
Thibault Hazelzet: Comme un Meteor
jewellery pieces and functional artworks by the experimental Paris-based artist, characterised by what he calls “delicate brutalism” – presented for the first time by the gallery |
first day |
Carpenters Workshop Gallery:
Rick Owens: Rust Never Sleeps
curated by Michèle Lamy a new exhibition of Rick Owens Furniture inspired by London’s brutalist architecture |
first day |
Carpenters Workshop Gallery:
Atelier Van Lieshout: Bad Ideas for Good Living
“a conceptual journey through Atelier Van Lieshout’s radical thought experiments, realised through the studio’s art and design that go beyond aesthetic objects” |
first day |
Flowers Gallery, Cork Street:
David Hepher: The Elegy of Robin Hood Gardens
a solo exhibition by the acclaimed British artist sho has dedicated himself to a sustained examination of London’s tower blocks, Brutalist architecture, and urban housing estates |
private view |
Gagosian Davies St:
Ed Ruscha: Says I, to Myself, Says I
new works in the first exhibition dedicated to Ruscha’s paintings on unprimed linen |
opening reception |
Hauser & Wirth:
Cristina Iglesias. The Shore
“three new large-scale bronze works, each taking a unique porous, rock-like form with water trickling and flowing inside, their meteorite appearance symbolizing the collision of outer space and Earth” |
opening reception |
Hauser & Wirth:
Nicolas Party. Clotho
fifteen new treescapes and portraits in pastel challenging conventions of representational painting, in the Swiss painter’s first solo exhibition at the gallery in London |
opening reception |
Helly Nahmad Gallery:
Picasso/Pistoletto
a landmark exhibition which celebrates the transformative power of perception, with new Mirror Paintings by the pioneer of Arte Povera shown in dialogue with Cubist masterpieces by Picasso |
first day |
Kearsey & Gold:
Unstable Grounds
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private view |
LAMB:
Night Shift
painting, photography, ceramics, and mixed-media installations in an exhibition that examines the relationship between art and nightlife |
opening reception |
Larkin Durey:
Giovanni Fabián Guerrero: Sabiduría Eterna (Eternal Wisdom)
Guerrero’s first solo exhibition in the UK draws on his P’urhépecha roots and the daily life of his community in Mexico – “his paintings are often kaleidoscopic panoramas with an expansive, mystical sense of place and a pulsating, cosmic energy” |
opening reception |
Luxembourg + Co.:
Joe Ray: Space Race
presented at the gallery’s London space, and Frieze Masters, the first retrospective exhibition of Ray to be held outside the US |
first day |
Mazzoleni:
Albisola: A Season of Artists
seminal works by figures such as Enrico Baj, Giuseppe Capogrossi, Roberto Crippa, Lucio Fontana, Asger Jorn, Wifredo Lam, Piero Manzoni, and Emilio Scanavino celebrate the legacy of the Ligurian town, a crucible of artistic experimentation and innovation |
private view |
Pace, London:
Sonia Gomes: É preciso não ter medo de criar
curated by Paulo Miyada, with new works including Gomes’ signature pendants and torsions alongside paintings and new sculptural explorations in bronze |
first day |
Pilar Corrias, Conduit Street:
Sabine Moritz: The Sleep of Tomorrow
new large-scale paintings and more than twenty works on paper bringing together two strands of Moritz’ work – abstraction and figuration – that she had previously kept apart |
opening reception |
Pippy Houldsworth Gallery:
Shaqúelle Whyte: Winter Remembers April
titled in homage to Wynton Marsalis’ interpretation of the jazz standard, I’ll Remember April, this exhibition honours several of Whyte’s musical heroes, from Boris Gardiner and Gil Scott-Heron to The Beatles |
private view |
SETAREH:
Forces of Nature
announcing the gallery’s new London space, an exhibition of three London-based artists whose work interrogates borders to find a language of universal meaning, working across diverse materials and media |
first day |
Sim Smith at Royal College of Physicians:
Daisy Parris: Kiss The Storm
an exceptional five-meter textile installation by Parris – the first time the British painter has worked in the medium |
first day |
Sprovieri:
Antonio Dias: The Illustration of Art, 1969 – 1971
in collaboration with Gomide&Co, São Paulo, Dias’ first exhibition at the gallery presents six historical works produced during one of the most defining periods of his career and marking a fundamental turn in his practice |
private view |
Thaddaeus Ropac:
Eva Helene Pade: Søgelys
in Pade’s first solo exhibition in the UK, significant new paintings presented in the round – “she transforms style itself into a dynamic, networked force … in which certain art-historical precedents become newly animated” – Hendrik Folkerts |
opening reception |
Thaddaeus Ropac:
Tom Sachs: A Good Shelf
hand-formed ceramics displayed on shelves built from found materials, alongside a working coffee and mezcal bar, in this exhibition and interactive installation exploring ritual and process |
opening reception |
Thomas Dane Gallery:
Dana Schutz: One Big Animal
across both London gallery spaces, an exhibition of new paintings and sculptures by Schutz – “the dramas on the canvas run the gamut of emotive registers from humour and joy to anxiety and hopelessness, within which the terrible and beautiful collide” |
first day |
Thomas Dane Gallery:
Dana Schutz: One Big Animal
across both London gallery spaces, an exhibition of new paintings and sculptures by Schutz – “the dramas on the canvas run the gamut of emotive registers from humour and joy to anxiety and hopelessness, within which the terrible and beautiful collide” |
first day |
| London, Wednesday 15 |
Benjamin Rhodes Arts:
Eduardo Paolozzi: Bunuel Suite – Screen Prints from 1996
rare monochrome prints, some hand coloured by the artist |
first day |
Benjamin Rhodes Arts:
Luciano Bonomi: Requiem Series – Collages
playful and profound collages saluting the artist’s chosen icons |
first day |
Emanuel von Baeyer:
Canvas Current
paintings on canvas by Howard Hodgkin, Peter Bömmels, Nicholas Williams, Neil Gall, Stuart Pearson Wright, Anna Gregor alongside etchings by Ulrike Theusner |
first day |
Flowers Gallery, Cork Street:
David Hepher: The Elegy of Robin Hood Gardens
a solo exhibition by the acclaimed British artist sho has dedicated himself to a sustained examination of London’s tower blocks, Brutalist architecture, and urban housing estates |
first day |
The Gallery of Everything:
The Gallery of Everything at Frieze Masters 2025
curated by Vivienne Roberts, the gallery presents a display of the renowned 20th century artist and respected East End medium and spiritualist known for her illustrations and calico murals, up to thirty metres in length |
first day |
JD Malat Gallery:
RETNA: Locked Lines
monumental canvases by the internationally acclaimed artist – “both a celebration of RETNA’s enduring influence and a declaration that art can resist, endure, and reveal in an age of relentless motion” |
opening reception |
Larkin Durey:
Giovanni Fabián Guerrero: Sabiduría Eterna (Eternal Wisdom)
Guerrero’s first solo exhibition in the UK draws on his P’urhépecha roots and the daily life of his community in Mexico – “his paintings are often kaleidoscopic panoramas with an expansive, mystical sense of place and a pulsating, cosmic energy” |
first day |
October Gallery:
October Gallery at Frieze Masters 2025
presented for the first time at Frieze Masters, selected works on paper from the 60s and 70s by Kenji Yoshida, showing the evolution of a unique synthesis of Japanese traditional and European modernist styles |
first day |
Perrotin London:
Laurent Grasso: Orchid Island
film, painting, and sculpture in the internationally renowned artist’s first solo exhibition at the gallery’s London space – “these works articulate Laurent Grasso’s singular artistic vocabulary” |
first day |
Robilant+Voena, London:
Pascale Marthine Tayou
new and celebrated paintings, sculptures and installation works in Tayou’s first solo gallery exhibition in the UK, shown in collaboration with Galleria Continua |
opening reception |
Ronchini:
Flourish: Gestural Abstractions in Bloom
the debut exhibition at the gallery’s new space presents Michele Fletcher, Connie Harrison, Shuang Jiang, and Shara Mays, four artists whose work explores gestural, baroque-esque abstractions infused with floral undertones and inspired by landscape |
private view |
Sprovieri:
Antonio Dias: The Illustration of Art, 1969 – 1971
in collaboration with Gomide&Co, São Paulo, Dias’ first exhibition at the gallery presents six historical works produced during one of the most defining periods of his career and marking a fundamental turn in his practice |
first day |
| London, Thursday 16 |
Bluerider ART London:
Rising in Fire: Hantoo Art Group – The Making of Taiwan’s Art History
in their first collective entry onto the European stage, over sixty works by thirteen leading Taiwanese artists in an exhibition highlighting nearly three decades of groundbreaking creation |
opening reception |
Emanuel von Baeyer:
Canvas Current
paintings on canvas by Howard Hodgkin, Peter Bömmels, Nicholas Williams, Neil Gall, Stuart Pearson Wright, Anna Gregor alongside etchings by Ulrike Theusner |
opening reception |
The Gallery of Everything:
Would You Like to See Some of My Ectoplasm? |
talk |
Graces Mews:
Barry Kamen: If It Is
the first major solo exhibition of the late British artist, who was at the heart of the 80s style scene in the UK, foregrounds his film works alongside early large-scale abstract paintings |
private view |
Grosvenor Gallery:
The Persistence of Memory: Recent Work by Chandraguptha Thenuwara & Jagath Weerasinghe
in association with Colombo’s Saskia Fernando Gallery, recent paintings by two of Sri Lanka’s foremost artists examining the country’s changing political landscape a decade after the civil war |
opening reception |
Hauser & Wirth:
In Conversation: Cristina Iglesias and James Lingwood |
talk |
Lychee One:
Salvatore Pione: fòlgore
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opening reception |
National Portrait Gallery:
Lunchtime Lecture – Malice in wonderland: Cecil Beaton and his friends |
talk |
October Gallery:
October Gallery at 1-54 London
sculptural works, photography and paintings by LR Vandy, Alexis Peskine, Xanthe Somers, Zana Masombuka, Eddy Kamuanga Ilunga, and Romuald Hazoumè |
first day |
Robilant+Voena, London:
Pascale Marthine Tayou
new and celebrated paintings, sculptures and installation works in Tayou’s first solo gallery exhibition in the UK, shown in collaboration with Galleria Continua |
first day |
Ronchini:
Flourish: Gestural Abstractions in Bloom
the debut exhibition at the gallery’s new space presents Michele Fletcher, Connie Harrison, Shuang Jiang, and Shara Mays, four artists whose work explores gestural, baroque-esque abstractions infused with floral undertones and inspired by landscape |
first day |
Sotheby’s London:
Contemporary Evening Auction
auction: Thu 16
(viewing: Thu 9-Thu 16) |
auction |
South London Gallery Fire Station:
Artist Talk with Ana Segovia |
talk |
| London, Friday 17 |
Alon Zakaim Fine Art:
Cig Harvey: I Want You To Remember This Forever
curated by Brandei Estes, the world-renowned photographer’s debut UK exhibition pairs quintessential 19th and 20th century paintings and sculptures with her intimate photographic art |
first day |
Graces Mews:
Barry Kamen: If It Is
the first major solo exhibition of the late British artist, who was at the heart of the 80s style scene in the UK, foregrounds his film works alongside early large-scale abstract paintings |
first day |
Heckmann Design Studio & Gallery:
Meet the Artist: Ian Kirby |
special event |
National Portrait Gallery:
Chantal Joffe and Katy Hessel in conversation |
talk |
Pippy Houldsworth Gallery:
Frieze Week Brunch |
special event |
Sotheby’s London:
Contemporary Day Auction
auction: Fri 17
(viewing: Thu 9-Thu 16) |
auction |
Sotheby’s London:
The David Hockney Sale: The Arrival of Spring
auction: Fri 17
(viewing: Thu 9-Fri 17) |
auction |
rosenfeld:
Gallery Brunch & Guided Tour of Teodora Axente: From Horizon of the Matter, Rises the Vertical of the Soul |
special event |
| London, Saturday 18 |
Cristea Roberts Gallery:
Artist breakfast and tour with Lubna Chowdhary and Eva Rothschild |
special event |
Emanuel von Baeyer:
Artist Talk |
talk |
Project LOOP:
Léonard Pongo: Apophenia
the Belgian-Congolese artist “invites reflection on how meaning is constructed, resisted and refracted through the act of looking. His practice challenges the impulse to explain or master what is seen” |
private view |
Pipeline:
Anna Perach and Matilda Sutton in conversation with Dr Caroline Levitt |
talk |
South London Gallery:
Appau Jnr Boakye-Yiadom: After: Compliments (defrost version 2025) |
performance |
Tiwani Contemporary:
Exhibition walkthrough with Ugonna Hosten |
tour |
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Los Angeles
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| Los Angeles, Saturday 18 |
Luis De Jesus Los Angeles:
Frank Romero & Karla Diaz in conversation with Getty curator Iduree Alonso |
talk |
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New York
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| New York, Tuesday 14 |
Sotheby’s New York:
Picasso Ceramics
auction: Tue 14-Tue 21
(viewing: Sat 18-Tue 21) |
auction starts |
Sotheby’s New York:
Selections from The Museum of Modern Art: c. 1900-1990
auction: Tue 14-Tue 21
(viewing: Fri 17-Mon 20) |
auction starts |
Sotheby’s New York:
Prints Part II
auction: Tue 14-Thu 23
(viewing: Sat 18-Tue 21) |
auction starts |
| New York, Wednesday 15 |
Sean Kelly Gallery:
Sean Kelly at Frieze London 2025: Future Archeology
inspired by Laurent Grasso’s eponymous neon work, sculpture, painting, and photography in a curated presentation of new and recent works by Julian Charrière, Grasso, and Sam Moyer that foregrounds ecology and geology |
first day |
| New York, Thursday 16 |
Findlay Galleries:
Ptolemy Mann: Significant Colour
“a new series of Thread Paintings in which free, gestural strokes of colour are painted onto her tightly woven panels … breaking the ‘rules’ of both weaving and painting, Mann’s brushstrokes are loaded with paint and with meaning” – Ann Coxon |
first day |
Hirschl & Adler:
Cornelia Foss | Little Red
the gallery’s first exhibition of the renowned painter presents intensely personal works drawing on her traumatic early childhood and escape from Berlin in 1939 |
first day |
Kathryn Markel Fine Arts:
Fran Shalom: Everyday Improvisations
new abstract paintings of “ambiguous characters who inhabit my studio keeping me company and often engaging in silent conversation” – Shalom |
first day |
Sotheby’s New York:
Photographs Part II
auction: Thu 16-Thu 23 |
auction starts |
| New York, Friday 17 |
The Foundation of ART NYC:
ZUKIE UNIVERSE: Silent Emotions, Loud Colors
“using bold colors, minimalist outlines, and silent gestures, Zukie speaks volumes without saying a word, resonating across ages and cultures” |
opening reception |
Sotheby’s New York:
Art of Africa, Oceania, and the Americas
auction: Fri 17-Tue 28
(viewing: Sat 25-Mon 27) |
auction starts |
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Paris
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| Paris, Tuesday 14 |
Sotheby’s Paris:
Collection Princesse Niloufar Pahlavi, Une maison par Jacques Grange
auction: Tue 14
(viewing: Fri 10-Mon 13) |
auction |
| Paris, Wednesday 15 |
MEP – Maison Européenne de la Photographie:
Tyler Mitchell — Wish This Was Real
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first day |
MEP – Maison Européenne de la Photographie:
Edward Weston — Becoming Modern
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first day |
MEP – Maison Européenne de la Photographie:
Felipe Romero Beltrán — Dialect
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first day |
| Paris, Thursday 16 |
Art: Concept:
Nina Childress: Casting
“Childress uses iridescent pigments and Colorstream to create scenes and portraits in motion that question the nature of the gaze … cinematic framing, off-screen effects and striking expressions evoke the world of the big screen” |
opening reception |
Bigaignon:
Bruce Nauman: Squaring the Circle
“an exhibition exploring the significance of conceptual mathematics for the artist’s pioneering practice through … a select group of his most groundbreaking works from the 1980s” |
opening reception |
Galleria Continua / Paris Matignon:
Hommage à Christian Bérard
curated by Carlo Falciani, with works by Christian Bérard, Jean Cocteau, Juan Araujo, Jonathas de Andrade, JR, and Eva Jospin |
first day |
Sotheby’s Paris:
Artist Books
auction: Thu 16-Thu 23
(viewing: Fri 17-Thu 23) |
auction starts |
| Paris, Saturday 18 |
Almine Rech, Turenne:
Christopher Le Brun: Moon Rising in Daylight
Le Brun’s first solo exhibition with the gallery – “these compositions reveal the light inherent in painting, which the painter must create, tirelessly, brushstroke after brushstroke, until it reaches the eyes of the viewers” – Guitemie Maldonado |
opening reception |
Almine Rech, Turenne:
Brent Wadden: Main-à-dieu
“in Brent Wadden’s hands, weaving is not only a method but a process, an artistic language. It binds past to present, solitude to community, work to trance, matter to memory” – Boris Bergmann |
opening reception |
Almine Rech, Matignon:
Laurie Simmons: Black & White
Simmons’s first exhibition with the gallery presents photographs, paintings, video, wall reliefs, and sculpture, inspired by Gordon Matta-Clark works of the 70s |
opening reception |
Jeanne Bucher Jaeger:
AVENEMENT
works by over forty artists, including Primitive Arts, Fermin Aguayo, Josef Albers, Guillaume Barth, André Bauchant, Bissière, Miguel Branco, Michael Biberstein, Dado, Fred Deux, Jean Dubuffet, Max Ernst, Gérard Fromanger, Alberto Giacometti, … |
first day |
Loevenbruck:
Daniel Dewar & Grégory Gicquel: La Sève et la Vase
at the gallery’s two spaces on Rue Jacques-Callot the duo present seemingly very different experiences – “Dewar and Gicquel have always explored the same themes and the same subjects, tirelessly reworking their art or, more exactly, their artworks” |
first day |
Loevenbruck:
Daniel Dewar & Grégory Gicquel: La Sève et la Vase
at the gallery’s two spaces on Rue Jacques-Callot the duo present seemingly very different experiences – “Dewar and Gicquel have always explored the same themes and the same subjects, tirelessly reworking their art or, more exactly, their artworks” |
first day |
Galerie Marian Goodman:
Paul Sietsema
“Sietsema’s work navigates the complex status of representation, exploring how meaning is constructed at the intersection of image and material … a dialectic approach that negates, disables, or redirects the natural flow of communication” |
opening reception |
Perrotin Marais:
Bharti Kher: The Sun Splitting Stones
“this exhibition is the most significant to date of Kher’s subsequent paintings, shown alongside a group of sculptures to which they are fundamentally connected and resonate with on formal and conceptual levels” – Sarah Coulson |
first day |
Perrotin Marais:
Cristina BanBan: Lorquianas
engaging with Federico García Lorca, BanBan’s most ambitious project to date presents new large-scale paintings and works on paper – “these paintings do not illustrate Lorca’s texts but absorb and reimagine his atmospheres” |
first day |
Perrotin Marais:
Jean-Michel Othoniel: New Works
“Othoniel’s glass brick structures unfocus the eye and consequently the mind through prolonged gazing. This state of visual suspension awakens in the viewer an awareness of the generative power of human sensory perception itself” – Zhou Yi |
first day |
Semiose:
Helene Appel: Un jour
in her first exhibition with the gallery and in France – “Appel paints, as faithfully as possible … all manner of subjects – big and small, beautiful and ugly, organic and inorganic. She imparts a real presence to the life-sized subjects she paints” |
opening reception |
Semiose:
My-Lan Hoang-Thuy: +1
“the subject of representation is repositioned: expressive painting gestures are exaggerated … the artist transforms the glossy materials and unstable contents of our phones into works that one might almost bite into” – Marie Canet |
opening reception |
| Paris, Sunday 19 |
Bigaignon:
Bruce Nauman: Squaring the Circle |
special event |
Gagosian Le Bourget:
Walter De Maria: The Singular Experience
in this exhibition curated by Donna De Salvo, De Maria’s final sculpture is shown for the first time outside the US alongside other rarely seen sculptures, drawings, films, and archival materials |
first day |
| Paris, Monday 20 |
A&R Fleury:
Constellation Paris | 1950 – 1970
“in the Paris of the 1950s and 1970s … artists from elsewhere, who, without forming a homogeneous group, share the same desire: to reinvent themselves” |
opening reception |
Gagosian, rue de Ponthieu:
Albert Oehlen: Endless Summer
new paintings by Oehlen, presented in Paris alongside Galerie Max Hetzler, exploring the theme of “the bather” |
opening reception |
Hauser & Wirth:
Jeffrey Gibson. This is dedicated to the one I love
celebrating the breadth of Gibson’s output, new paintings and sculptures in his first solo exhibition with the gallery and in France |
opening reception |
HELENE BAILLY:
Rethinking Still Life in the 20th Century
“through a century of artistic transformations, brought together in a selection of around thirty works from Auguste Renoir to Fernand Léger … still life emerges here as more vibrant than ever” |
opening reception |
James Cohan:
Kelly Sinnapah Mary and Elias Sime
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first day |
Galerie Max Hetzler:
Albert Oehlen: Endless Summer
new paintings by Oehlen, presented in Paris alongside Gagosian Paris, which explore the theme of “the bather” |
opening reception |
Perrotin Marais:
Bharti Kher: The Sun Splitting Stones
“this exhibition is the most significant to date of Kher’s subsequent paintings, shown alongside a group of sculptures to which they are fundamentally connected and resonate with on formal and conceptual levels” – Sarah Coulson |
opening reception |
Perrotin Marais:
Cristina BanBan: Lorquianas
engaging with Federico García Lorca, BanBan’s most ambitious project to date presents new large-scale paintings and works on paper – “these paintings do not illustrate Lorca’s texts but absorb and reimagine his atmospheres” |
opening reception |
Perrotin Marais:
Jean-Michel Othoniel: New Works
“Othoniel’s glass brick structures unfocus the eye and consequently the mind through prolonged gazing. This state of visual suspension awakens in the viewer an awareness of the generative power of human sensory perception itself” – Zhou Yi |
opening reception |
Perrotin Matignon 8:
Panorama
on view at both the gallery’s Turenne and Matignon spaces, an ambitious group exhibition presenting the work of over forty artists |
opening reception |
Perrotin, Salle de Bal:
Panorama
on view at both the gallery’s Turenne and Matignon spaces, an ambitious group exhibition presenting the work of over forty artists |
first day |
| Paris, Tuesday 21 |
Code + Matter:
CODE + MATTER
curated by Dominique Moulon and Grégoire Prangé an exhibition of four artists who write programs transforming algorithms into paintings, sculptures, reworked prints, and installations |
opening reception |
Esther Schipper, Paris:
Karolina Jabłońska: Jarred Kitchen
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first day |
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Stockholm
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| Stockholm, Thursday 16 |
Galleri Magnus Karlsson:
Johanna Karlsson: Anatomy of Nature
recent reliefs and sculptures by Karlsson – “almost exact reproductions of nature … compositions taken directly from reality, but placed in a different context” |
opening reception |
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Taipei
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| Taipei, Saturday 18 |
Each Modern:
Artist Couples: Mutual Reflections
an exhibition of intimate dialogues “offering a view of ‘companionship’ as an essential creative force in its own right” |
first day |
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Don’t miss: exhibitions closing
Berlin, Cologne, London, Los Angeles, New York, Palm Beach, Paris, Shanghai
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Berlin
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| Berlin, Saturday 18 |
Galerie Buchholz:
Christelle Oyiri: Heaven’s worth, Hell on earth |
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Capitain Petzel:
Ross Bleckner: It Used To Be |
Virtual Visit! ▻ |
Esther Schipper:
Lee Bae: Syzygy |
Virtual Visit! ▻ |
Esther Schipper:
Tauba Auerbach: Clepsydra |
Virtual Visit! ▻ |
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Cologne
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| Cologne, Saturday 18 |
Galerie Buchholz:
Henrik Olesen: Food chain incl. prehistoric animals |
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London
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| London, Tuesday 14 |
PM/AM:
LXVII |
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| London, Thursday 16 |
Sim Smith at Royal College of Physicians:
Daisy Parris: Kiss The Storm |
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| London, Saturday 18 |
Cristea Roberts Gallery:
Idris Khan: Over and Over |
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Cristea Roberts Gallery:
Ways of Making, Ways of Thinking |
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Twilight Contemporary:
Tales Dancing in the Memory |
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DES BAINS:
Sebastián Espejo: What Is Less or More Than a Touch? |
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| London, Sunday 19 |
The Gallery of Everything:
The Gallery of Everything at Frieze Masters 2025 |
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Hamiltons:
Sotheby’s at Hamiltons |
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Kearsey & Gold, Chalk Farm:
Dillwyn Smith: I Was So Much Older Then – I’m Much Younger Than That Now |
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Lane Gallery:
Richard Höglund: A fast, bright dust |
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October Gallery:
October Gallery at 1-54 London |
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October Gallery:
October Gallery at Frieze Masters 2025 |
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THE TAGLI:
New Geographies |
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| London, Tuesday 21 |
Bartha Contemporary:
Threads of Echoes: Clay Ketter & Felipe Mujica |
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Palmer Gallery:
Andy Holden: Love in the Misanthropocene |
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Palmer Gallery:
The Door: Charlotte Guérard |
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Los Angeles
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| Los Angeles, Saturday 18 |
Marian Goodman Gallery:
Leonor Antunes: discrepancies with E.S. (extended) |
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Marian Goodman Gallery:
Surface Streets |
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Perrotin Los Angeles:
Danielle Orchard: Firstborn |
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Perrotin Los Angeles:
Roberto Benavidez: Bosch Beasts |
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New York
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| New York, Wednesday 15 |
The Foundation of ART NYC:
Hijo Nam: Threads of Origin |
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| New York, Thursday 16 |
Friedrichs Pontone:
King Paris: Guardians |
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Robilant+Voena, New York:
Robert Zeller: The Fragment is the Whole |
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| New York, Friday 17 |
Schoelkopf:
Jamie Wyeth: Portraits of Andy Warhol and Rudolf Nureyev |
Virtual Visit! ▻ |
| New York, Saturday 18 |
Carpenters Workshop Gallery:
Aki+Arnaud Cooren: Under the Reef |
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Carpenters Workshop Gallery:
Forma & Estetica |
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Edwynn Houk Gallery:
Sissi Farassat: Revelation |
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Gagosian Park & 75:
Christopher Kulendran Thomas: Peace Core |
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Gagosian West 24th St:
Cady Noland |
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Gagosian West 24th St:
Steven Parrino |
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Hauser & Wirth 22nd Street:
María Berrío. Soliloquy of the Wounded Earth |
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Hauser & Wirth 22nd Street:
Susan Rothenberg. The Weather |
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Hauser & Wirth 22nd Street:
Sonia Boyce. Improvise with what we have |
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Leila Heller Gallery:
Sultan Bin Fahad: Cncve |
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Lisson Gallery:
Dalton Paula: Infâncias Negras |
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Lisson Gallery:
Pedro Reyes |
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Nara Roesler New York:
Carlos Bunga: Fragments for a Cartography of Return |
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Nicola Vassell Gallery:
Adebunmi Gbadebo: Watch Out for the Ghosts |
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Perrotin New York:
Sophie Calle: Behind the Curtain |
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Perrotin New York:
Leslie Hewitt: Soft Tremulous Light |
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Perrotin New York:
Monira Al Qadiri: Cosmic Machine |
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Sean Kelly Gallery:
Anthony Olubunmi Akinbola: Camouflage |
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Sean Kelly Gallery:
Harminder Judge: Wherever I went, I went when I was sleeping |
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| New York, Sunday 19 |
Sean Kelly Gallery:
Sean Kelly at Frieze London 2025: Future Archeology |
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Palm Beach
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| Palm Beach, Tuesday 21 |
Findlay Galleries Palm Beach:
Simeon Braguin: A Gentle Vision |
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Paris
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| Paris, Wednesday 15 |
Perrotin Matignon 8:
Group show |
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| Paris, Thursday 16 |
HELENE BAILLY:
10 Years Anniversary: 10 Masterpieces |
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HELENE BAILLY:
Albert Marquet |
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Shanghai
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| Shanghai, Sunday 19 |
Bluerider ART Shanghai:
The Aura River – We Will Eventually Reach the Sea |
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